Dev Jana on LinkedIn: The ionian mode (original) (raw)
Dev Janaās Post
Applying Internet technologies to help people improve their relationship with their guitar(s)
3mo
Continuing the Autumn of Modes: https://lnkd.in/dY2x9vgxThe Ionian Mode is the Backbone of happy modern music. Thui, "Sunny Side Up". š
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Learning & Development Executive at Merim Engineering Consulting FZCO Dubai UAE
3w
An octave is a frequency interval having a ratio of two. It is called an octave from the music tradition, where an octave spans eight notes of the scale. The second harmonic of a spectral component is one octave above the fundamental.
Octaves, vibrational measurements my.socialtoaster.com
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Managing Director | Entrepreneur | Empower Youth Through Education | Corporate Training | LinkedIn Influencer |
2w
An octave is a frequency interval having a ratio of two. It is called an octave from the music tradition, where an octave spans eight notes of the scale. The second harmonic of a spectral component is one octave above the fundamental.
Octaves, vibrational measurements my.socialtoaster.com
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Ex-Googler helping people build great AI agents
2mo
Will it ever stop? Technologies change so quickly but are we reaching there an equilibrium points? That is, beyond which there is little value in developing further. Suno 4 is a music generator and its singing voice quality, as far as Iām concerned, is at an equilibrium. Demo about Blue Sky. Prompt was "A song about the crazy adoption of the "blue sky" social network, sung by a powerful female soloist with acapella close harmony backing and big jazz band backing bebop" I don't particularly like the melody but the voice quality isā¦ very good. https://lnkd.in/egJvaw5C
Blue Skies Anew
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Decca Recording Artists at Universal Music Group
6mo
When listening to music, we are often conditioned by the name of the performer, by his fame, by the opinion we already have of him. We can certainly change our opinion about that particular artist, but always in relation to what we already think of him. I would therefore like to do a little experiment. I propose a series of "blind testsā, in which the same piano piece is played by different performers, without you knowing the name, the age, sex, or geographical origin of the pianists. Some recordings are very well known, as part of the official discography of famous performers. Others, however, are less known or completely unknown, taken from recent live recordings by still little-known pianists. No recordings of mine are included. In this first blind test I propose listening to four different interpretations of the FantasiestĆ¼cke op. 12 no. 3 by Robert Schumann, āWarumā, to which I recently dedicated a video. It is a short composition, apparently simple, but very rich and complex in poetic ideas and expressive nuances. It requires a particular musical sensitivity and control of polyphony and dynamics. On July 1st at 8pm I will reveal the identities of the four pianists and their recording sources. The four audio tracks are recorded on three different brands of pianos, which will be revealed together with the identities of the four pianists. Three tracks are taken from commercially available CDs, while one is a live recording. Naturally, this is not a "competition": for me all four recordings, although very different, are very beautiful and intense, and it would make no sense to want to draw up a "ranking" here. On the other side, each interpretation highlights different aspects of Schumannās masterwork. I am curious about your opinions. You can participate by selecting your favorite interpretation. Feel free to write your comments about these interpretations and their comparison. I hope you will enjoy this experiment, and experience a music listening free from the conditioning or prejudices (positive or negative) linked to the name of the interpreter. #robertoprosseda #blindtestchallenge
Blind Test: Robert Schumann - FantasiestĆ¼cke op. 12 no. 3 (Warum)
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Music is math (A musicologist is an expert in music as a subject of scholarly research).
3mo
Simply put, the ranking of modes for the diatonic scale in order from most bright to most dark is: Lydian, Ionian, Mixolydian, Dorian, Aeolian, Phrygian, Locrian. The most compact mode is the one with the shortest distance between the first and last note. So (CEG) is the most compact "dark" mode because the distance between the first and last note is a 5th. (EGC) is the 2nd most compact because it spans a m6, and (GCE) is brightest because it spans a M6.
Scale (music) - Wikipedia en.wikipedia.org
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