Birgit Nilsson, Soprano Legend Who Tamed Wagner, Dies at 87 (original) (raw)

Birgit Nilsson, Soprano Legend Who Tamed Wagner, Dies at 87

https://www.nytimes.com/2006/01/12/arts/music/birgit-nilsson-soprano-legend-who-tamed-wagner-dies-at-87.html

Advertisement

SKIP ADVERTISEMENT

You have a preview view of this article while we are checking your access. When we have confirmed access, the full article content will load.

Birgit Nilsson, the Swedish soprano with a voice of impeccable trueness and impregnable stamina, died on Dec. 25 in Vastra Karup, the village where she was born, the Stockholm newspaper Svenska Dagbladet reported yesterday. She was 87.

A funeral was held yesterday at a church in her town, the presiding vicar, Fredrik Westerlund, told The Associated Press.

Ms. Nilsson made so strong an imprint on a number of roles that her name came to be identified with a repertory, the "Nilsson repertory," and it was a broad one. She sang the operas of Richard Strauss and made a specialty of Puccini's "Turandot," but it was Wagner who served her career and whom she served as no other soprano since the days of Kirsten Flagstad.

A big, blunt woman with a wicked sense of humor, Ms. Nilsson brooked no interference from Wagner's powerful and eventful orchestra writing. When she sang Isolde or Brünnhilde, her voice pierced through and climbed above it. Her performances took on more pathos as the years went by, but one remembers her sound more for its muscularity, accuracy and sheer joy of singing under the most trying circumstances.

Her long career at the Bayreuth Festival and her immersion in Wagner in general, began in the mid-1950's. No dramatic soprano truly approached her stature thereafter, and in the roles of Isolde, Brünnhilde and Sieglinde, she began her stately 30-year procession around the opera houses of the world. Her United States debut was in San Francisco in 1956. Three years later she made her debut at the Metropolitan Opera, singing Isolde under Karl Böhm, and some listeners treasure the memory of that performance as much as they do her live recording of the role from Bayreuth in 1966, also under Böhm. The exuberant review of her first Met performance appeared on the front page of The New York Times on Dec. 19, 1959, under the headline, "Birgit Nilsson as Isolde Flashes Like New Star in 'Met' Heavens."

Playing opposite Karl Liebl as Tristan, Howard Taubman wrote, "she dominated the stage and the performance."


Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.


Thank you for your patience while we verify access.

Already a subscriber? Log in.

Want all of The Times? Subscribe.

Advertisement

SKIP ADVERTISEMENT