‘The Critic’ Review: Dangerous Liaisons (original) (raw)
Advertisement
Ian McKellen stars as a drama critic in 1930s London who has much higher standards for the theater than for his own professional ethics.
Alfred Enoch, left, and Ian McKellen in “The Critic.” Credit...Sean Gleason/Greenwich Entertainment
Sept. 12, 2024
The Critic
Directed by Anand Tucker
Crime, Drama, Mystery, Thriller
R
1h 35m
Anyone who works in the arts can be forgiven for casting a critic as a villain. But a reviewer who dangles potential praise as leverage in a blackmail scheme? That’s going a step too far.
Jimmy Erskine (Ian McKellen), the title character of “The Critic,” set in London in 1934, considers himself an erudite wit who holds the city’s drama scene to high standards. In reality, he is a fiendish egoist who tears down gifted performers for his own amusement. The movie, directed by Anand Tucker, is based on “Curtain Call,” a novel by the former film reviewer Anthony Quinn, whose purported inspiration for the character was James Agate, who held the stage beat at London’s Sunday Times for years.
The screenwriter Patrick Marber (“Closer”) brings a typically nasty edge to the proceedings. After an encounter between Jimmy and the police threatens his position at the Chronicle, Jimmy hatches a plot that involves Nina Land (Gemma Arterton), a rising actress, and David Brooke (Mark Strong), who has inherited the paper from his father and is said to dislike Jimmy’s “proclivities.” (Jimmy barely conceals his sexual orientation; in addition to cruising the park at night, he has a live-in secretary, Tom, played by Alfred Enoch, who accompanies him in public.)
Visually, “The Critic” is polished enough, despite some splashes of apparent digital lacquer. But Marber hasn’t supplied an incontrovertible motive to bind Nina to Jimmy. And there is something arguably troubling about the way McKellen’s character has been conceived. The subtext seems to be that Jimmy’s familiarity with operating in the shadows and having his liaisons genteelly wielded against him has given him a special aptitude for extortion. But as a gay man in an era when Britain criminalized homosexual activity, he would, one assumes, be far more likely to be a victim of blackmail than its perpetrator.
The Critic
Rated R for murder and meanspirited reviews. Running time: 1 hour 35 minutes. In theaters.
Advertisement