‘Winner’ Review: Not Like Other Girls (original) (raw)

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This dramedy starring Emilia Jones depicts the life and times of Reality Winner, a former National Security Agency contractor and whistle-blower.

A woman in a U.S. Air Force uniform wears green headphones around her neck in an office with fluorescent lighting.

Emilia Jones in “Winner,” directed by Susanna Fogel. Credit...Vertical

Published Sept. 12, 2024Updated Sept. 13, 2024

Winner

Directed by Susanna Fogel

Biography, Comedy

PG-13

1h 43m

“Winner,” an oddly perky dramedy by the director Susanna Fogel (who wrote “Booksmart”), is loosely based on the life of Reality Winner, the former National Security Agency contractor and Air Force linguist who was arrested in 2017 for leaking a top-secret report about Russian interference in the 2016 United States presidential election. (She was released from prison in 2021.)

But the eerie docudrama “Reality,” from last year, starring Sydney Sweeney as the titular polyglot, captured the tragedy of Winner’s case far more effectively than “Winner,” a sweeping biopic that presents her as something like an American Girl doll for the “I’m not like other girls” set.

Extending from her adolescence through the aftermath of her arrest, “Winner” portrays the young woman as an endearing anomaly, with an anti-authoritarian streak shaped by her leftist father (Zach Galifianakis). Winner (Emilia Jones) is a pink-gun-toting animal lover and relentless freethinker who openly questions mainstream explanations for 9/11.

The paradox of the real Reality Winner was that, despite her idiosyncratic views and her ability to speak the Pashto language, she was pretty normal. The film underscores this dynamic — she goes shopping with her mother (Connie Britton), moves in with her boyfriend (Danny Ramirez), powers through her 9 to 5 and eats dinner on the couch while watching CNN.

This quirky girl-power comedy gives way to something darker as Winner becomes aware of U.S. government secrets, with the director drawing a connection between Winner’s political idealism and the public’s seemingly willful indifference toward corruption and human rights abuses. In this sense, the character plays to the archetype of the “social justice warrior” with some conservative touches. That’s the big problem with this strange film, which tries to humanize its protagonist but winds up making her feel plastic.

Winner
Rated PG-13. Running time: 1 hour 43 minutes. In theaters and available to rent or buy on most major platforms.

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