Helen Hills | University of York (original) (raw)
Books by Helen Hills
All The Glitters (Art History, 2022), 2022
Review article of Fabio Barry Painting in Stone & Christopher L. Maxwell In Sparkling Company (A... more Review article of Fabio Barry Painting in Stone & Christopher L. Maxwell In Sparkling Company (Art History, 2022)
Veiling Architecture
what is the relationship between veils and architecture?
Book published by MUP (Oct 2016)
ed. Helen Hills (Aldershot: Ashgate, 2011).Rethinking the Baroque explores a tension. In recent y... more ed. Helen Hills (Aldershot: Ashgate, 2011).Rethinking the Baroque explores a tension. In recent years the idea of ‘baroque’ or ‘the baroque’ has been seized upon by scholars from a range of disciplines and the term ‘baroque’ has consequently been much in evidence in writings on contemporary culture, especially architecture and entertainment. Most of the scholars concerned have little knowledge of the art, literature, and history of the period usually associated with the baroque. A gulf has arisen. On the one hand, there are scholars who are deeply immersed in historical period, who shy away from abstraction, and who have remained often oblivious to the convulsions surrounding the term ‘baroque’; on the other, there are theorists and scholars of contemporary theory who have largely ignored baroque art and architecture. This book explores what happens when these worlds mesh.
In this book, scholars from a range of disciplines retrieve the term ‘baroque’ from the margins of art history where it has been sidelined as ‘anachronistic’, to reconsider the usefulness of the term ‘baroque’, while avoiding simply rehearsing familiar policing of periodization, stylistic boundaries, categories or essence. ‘Baroque’ emerges as a vital and productive way to rethink problems in art history, visual culture and architectural theory.
Rather than attempting to provide a survey of baroque as a chronological or geographical conception, the essays here attempt critical re-engagement with the term ‘baroque’ – its promise, its limits, and its overlooked potential – in relation to the visual arts. Thus the book is posited on the idea that tension is not only inevitable, but even desirable, since it not only encapsulates intellectual divergence (which is always as useful as much as it is feared), but helps to push scholars (and therefore readers) outside their usual runnels.
... Copyright, Publisher and Additional Information: translated into Italian by Anna VIO. Keyword... more ... Copyright, Publisher and Additional Information: translated into Italian by Anna VIO. Keywords: inlaid polychrome marble intarsia church interior decoration baroque architecture Sicily Italy Palermo religious orders. Academic Units: The University of York > History of Art (York). ...
Baroque by Helen Hills
All The Glitters (Art History, 2022), 2022
Review article of Fabio Barry Painting in Stone & Christopher L. Maxwell In Sparkling Company (A... more Review article of Fabio Barry Painting in Stone & Christopher L. Maxwell In Sparkling Company (Art History, 2022)
Veiling Architecture
what is the relationship between veils and architecture?
Book published by MUP (Oct 2016)
ed. Helen Hills (Aldershot: Ashgate, 2011).Rethinking the Baroque explores a tension. In recent y... more ed. Helen Hills (Aldershot: Ashgate, 2011).Rethinking the Baroque explores a tension. In recent years the idea of ‘baroque’ or ‘the baroque’ has been seized upon by scholars from a range of disciplines and the term ‘baroque’ has consequently been much in evidence in writings on contemporary culture, especially architecture and entertainment. Most of the scholars concerned have little knowledge of the art, literature, and history of the period usually associated with the baroque. A gulf has arisen. On the one hand, there are scholars who are deeply immersed in historical period, who shy away from abstraction, and who have remained often oblivious to the convulsions surrounding the term ‘baroque’; on the other, there are theorists and scholars of contemporary theory who have largely ignored baroque art and architecture. This book explores what happens when these worlds mesh.
In this book, scholars from a range of disciplines retrieve the term ‘baroque’ from the margins of art history where it has been sidelined as ‘anachronistic’, to reconsider the usefulness of the term ‘baroque’, while avoiding simply rehearsing familiar policing of periodization, stylistic boundaries, categories or essence. ‘Baroque’ emerges as a vital and productive way to rethink problems in art history, visual culture and architectural theory.
Rather than attempting to provide a survey of baroque as a chronological or geographical conception, the essays here attempt critical re-engagement with the term ‘baroque’ – its promise, its limits, and its overlooked potential – in relation to the visual arts. Thus the book is posited on the idea that tension is not only inevitable, but even desirable, since it not only encapsulates intellectual divergence (which is always as useful as much as it is feared), but helps to push scholars (and therefore readers) outside their usual runnels.
... Copyright, Publisher and Additional Information: translated into Italian by Anna VIO. Keyword... more ... Copyright, Publisher and Additional Information: translated into Italian by Anna VIO. Keywords: inlaid polychrome marble intarsia church interior decoration baroque architecture Sicily Italy Palermo religious orders. Academic Units: The University of York > History of Art (York). ...
Oxford Art Journal, 2005
Page 1. revie iews Reviews Helen M. Hills Cammy Brothers Leslie Topp Jennifer L. Shaw David J. Ge... more Page 1. revie iews Reviews Helen M. Hills Cammy Brothers Leslie Topp Jennifer L. Shaw David J. Getsy Irene Gammel Gavin Butt at Google Indexer on September 9, 2010 oaj.oxfordjournals. org Downloaded from Page 2. at Google Indexer on September 9, 2010 ...
Fabrications: The Journal of the Society of …, 2007
... of the other: Borromini, whom Quatremère regards as motivated mostly by jealousy of Bernini, ... more ... of the other: Borromini, whom Quatremère regards as motivated mostly by jealousy of Bernini, 'provided the greatest models of bizarrerie', while Guarini passes for 'the master of the baroque'; and he cites Guarini's SS Sindone Chapel in ... Figure 5: S. Caterina, Palermo, c.1598. ...
Woman's Art Journal, 2005
... (Photo: © Madrid, Prado) 2.1 Facade, Val-de-Grace, Paris, France. (Photo: © Caroline Rose) 2.... more ... (Photo: © Madrid, Prado) 2.1 Facade, Val-de-Grace, Paris, France. (Photo: © Caroline Rose) 2.2 Inscription on the frieze of the dome. Val-de-Grace, Paris, France. (Photo: ©Caroline Rose) 2.3 The nave vault. Val-de-Grace, Paris, France. ...
California Italian Studies, 2012
Exploring Cultural History Essays in Honour of Peter Burke 2010 Isbn 9780754667506 Pags 207 230, 2010
Church History, 2004
The stark antithesis between the secular and the religious has been effectively challenged by sch... more The stark antithesis between the secular and the religious has been effectively challenged by scholarship of early modern Italy, which has shown the degree to which these fields necessarily overlapped. Nevertheless, studies of early modern female devotion, especially within convents, often present women as caught between competing claims of kinship and clerical authority, a conflict between family and convent, an opposition between the secular and the divine. This paper argues that within Neapolitan conventual circles, at least, nuns' noble blood was regarded as enhancing the spiritual value of their convents, and that, on the whole, the way in which the Decrees of the Council of Trent were interpreted served to “aristocratize” convents. Something of a fusion occurred between nobility and spirituality in women. This paper relates this fusion to discourses on nobility and to the aristocratization of convent culture after enclosure at Trent, examining how it marked post-Tridentine...
OpenArts Full text: OAJ ISSUE 11 FINAL_Article_9, 2024
This essay explores the appeal of visiting the homes of famous people long dead-a common but curi... more This essay explores the appeal of visiting the homes of famous people long dead-a common but curious practice too often taken for granted-through the lens of a visit I made in 2014 to Emily Dickinson's house in Amherst, Massachusetts. I suggest that this practice is the secularized counterpart of Catholic pilgrimages to and devotion at saints' shrines, seeking grace or a miraculous intervention of some kind. And occasionally even now such things do take place.
All That Glitters, 2022
Book review of F. Barry Painting in Stone and Christopher L. Maxwell In Sparkling Company (Art Hi... more Book review of F. Barry Painting in Stone and Christopher L. Maxwell In Sparkling Company (Art History, 2022)
All That Glitters, 2022
Review article of Fabio Barry's Painting in Stone and Christopher L. Maxwell's In Sparkling Comp... more Review article of Fabio Barry's Painting in Stone and Christopher L. Maxwell's In Sparkling Company (Art History, 2022)
All That Glitters is Not Gold, 2022
Book review article of Fabio Barry, Painting in Stone and Christopher L. Maxwell In Sparkling Com... more Book review article of Fabio Barry, Painting in Stone and Christopher L. Maxwell In Sparkling Company (Art History, 2022)
Journal of the Society of Architectural Historians, 1997
... Art and spirituality in Counter-Reformation Rome: The Sistine and Pauline chapels in S. Maria... more ... Art and spirituality in Counter-Reformation Rome: The Sistine and Pauline chapels in S. Maria Maggiore. Post a Comment. CONTRIBUTORS: Author: Ostrow, Steven F. PUBLISHER: Cambridge University Press (Cambridge England and New York, NY, USA). SERIES TITLE: ...
Journal of Jesuit Studies, 2019
'Taking Place Architecture Religious Devotion in 17C Italy', in Renaissance and Baroque Architect... more 'Taking Place Architecture Religious Devotion in 17C Italy', in Renaissance and Baroque Architecture, ed. Alina Payne, 2017; part of The Companions to the History of Architecture, ed. Harry Mallgrave (John Wiley & Sons, Inc., www.companionstohistoryofarchitecture.com) author Helen Hills uncorrected proofs.pdf
This paper is a consideration of problems encountered in attempting an art historical analysis of... more This paper is a consideration of problems encountered in attempting an art historical analysis of the complex baroque forms of architecture in seventeenth- and eighteenth-century Naples, specifically when confronted on the one hand by the rather bald, roughly contemporaneous accounts thereof and, on the other and more especially, by the thrilling experience of entering these buildings today -- experiences that leave one overwhelmed and at a loss, at a loss for words sufficient to them and at a loss in their regard. To look at these buildings today in terms of their affective material productivity, even if they can only be articulated incompletely, is to ask historians to undertake the kind of visual work that they are seldom accustomed to. It means staying the customary hastiness that sees architecture as mere instantiation of idea, and instead – while resisting the temptation to interpret architecture as merely the sum of its parts -- requires a willingness to inquire into the materiality of aspects of architecture and objects which yield ‘nothing’ to see (such as dark areas within sculpture, non-figurative passages within architecture, the shine of silver, illegible letters of unknowable alphabets). Simultaneously we need also to widen our usual scope of vision to restore to architecture its affective elements that make it work. This is to require the mobility of architecture’s affect to engage us fully and temporally, rather than to dissect architecture into a “document”of a “social,” “political,” “cultural,” or “material” history, supposedly capable of embracing it fully, but to which it is, in fact, subordinated.
Urban History, 1996
This paper analyses in their political context the festival decorations created by Paolo Amato, a... more This paper analyses in their political context the festival decorations created by Paolo Amato, architect to the Senate of Palermo, in 1686 for the festival of the patron saint of that city. One of these decorations, that of the main altar in the cathedral, is of particular interest in that it represents a map of the city itself. An analysis of this map in relation to other seventeenth- and early eighteenth-century maps of Palermo reveals its political and social aim and biases, but also shows that it was unusually up to date and accurate as a representation of the city at that date. Such a representation not only marks a striking cul-de-sac in the history of the development of cartography, but sheds light on the relationship between forging politically acceptable identities for a city and their representation in the early modern period. The map in particular, but all the decorations, orapparati, in general are interpreted in the context of the weakened Spanish empire (to which Sici...
Oxford Art Journal
Review of Neil Leach (ed.): The Hieroglyphics of Space: Reading and Experiencing the Modern Metro... more Review of Neil Leach (ed.): The Hieroglyphics of Space: Reading and Experiencing the Modern Metropolis (Routledge: London and New York, 2002.
Visual Culture in Britain
in Mills, S., (ed.), Language and Gender: Interdisciplinary Perspectives, New York: Longman, 1995... more in Mills, S., (ed.), Language and Gender: Interdisciplinary Perspectives, New York: Longman, 1995, 240-256.
Oxford Art Journal, 2003
... The 'Filmic Metropolis' offers three tightly argued essays which resonate fruitfull... more ... The 'Filmic Metropolis' offers three tightly argued essays which resonate fruitfully with many of ... Pile acknowledges that the film explores a 'profoundly male, academic, white and middle class ... footsteps, and by hesitating to (genuinely) falter in his own confident analysis, he fails to ...
Page 1. REPRESENTING EMOTIONS f i '. ", Edited by nelope Gouk snrl elen Hills N... more Page 1. REPRESENTING EMOTIONS f i '. ", Edited by nelope Gouk snrl elen Hills New Connections in the Histories of Art, Music and Medicine Page 2. Page 3. Page 4. Page 5. REPRESENTING EMOTIONS This On© :7K-28XF Page 6. Page 7. ...
The Sixteenth Century Journal, 2006
OpenArts Journal, 2024
This essay traces the prevalent practices and habits of house museum visiting and curation to the... more This essay traces the prevalent practices and habits of house museum visiting and curation to the emergence of the practice of visiting artists’ homes and the development of the institution of the house museum in 19th-century Britain amongst rich famous male artists and middle-class visitors. It argues that those specific historical circumstances of the rise of both the practice of visiting artists’ houses and the growth of house museums continue to haunt the institution, presentation and interpretation of house museums to a remarkable degree.
OpenArts Journal, 2024
This essay explores the appeal of visiting the homes of famous people long dead – a common but cu... more This essay explores the appeal of visiting the homes of famous people long dead – a common but curious practice too often taken for granted – through the lens of a visit I made in 2014 to Emily Dickinson’s house in Amherst, Massachusetts. I suggest that this practice is the secularized counterpart of Catholic pilgrimages to and devotion at saints’ shrines, seeking grace or a miraculous intervention of some kind. And occasionally even now such things do take place.
The Sociological Review, May 1, 1998
Fabrications, Dec 1, 2007
BRILL eBooks, Mar 1, 2023
The matter of miracles, 2021
The matter of miracles, 2021
The matter of miracles, 2021
Representing Emotions, 2017
Fabrications: The Journal of the Society of Architectural Historians, Australia and New Zealand, 2007
A special issue "On Style," with articles by Stephen Frith, Paul Walker and Stuart King, Helen Hi... more A special issue "On Style," with articles by Stephen Frith, Paul Walker and Stuart King, Helen Hills, Gevork Hartoonian, and Luka Skansi; and reviews by Robert Riddel, Ian Lochhead, Julia Gatley, Geoffrey London, Kate Linzey, Gill Matthewson, Douglas Neale, and Nicole Sully.