Galleria degli Uffizi, Florence (original) (raw)
Galleria degli Uffizi, Florence
Portrait of Cardinal Leopoldo, Bacchiacca
The copper mine, Hendrick met de Bles
Pièta or Lamentation, Bronzino
Portrait of Cosimo I de Medici in armor, Bronzino
Portrait of Bia de Medici, Bronzino
Portrait of a girl with book, Bronzino
Portrait of a young man with lute, Bronzino
Portrait of Bartolomeo Panciatichi, Bronzino
Portrait of Lucrezia Panciatichi, Bronzino
Portrait of Eleonora da Toledo and her son, Bronzino
Portrait of Giovanni de Medici, Bronzino
Lagoon, Canaletto (I)
Portrait of Condottiere Pippo Spano, Andrea del Castagno
Self-portrait, Domenico Beccafumi
Frederick III, Benedetto Bonfigli
Birth of Venus , Sandro Botticelli
Spring (Primavera ), Sandro Botticelli
Minerva and the Centaur, Sandro Botticelli
Madonna of the Magnificat, Sandro Botticelli
St. Augustine in retreat, Sandro Botticelli
Portrait of a Man with the Medal of Cosimo the Elder ., Sandro Botticelli
Zanobi Altar, Sandro Botticelli
Bacchus, Michelangelo Caravaggio
The Girl with the shuttlecock, Jean-Baptiste Siméon Chardin
Enthroned Madonna, Cimabue
Self portrait at 77 years, Lucas Cranach the Elder
Eve, Lucas Cranach the Elder
Flea seeker, Giuseppe Maria Crespi
Self-Portrait, Carlo Dolci
Vase of Flowers, Carlo Dolci
Madonna and Child with Saints, Domenico Veneziano
Madonna Rucellai, Duccio
Adoration of the Magi, Albrecht Dürer
Apostle James, Albrecht Dürer
Apostle Philip, Albrecht Dürer
Portrait of Albrecht Durer the Elder, Albrecht Dürer
Mary with Child, Albrecht Dürer
Portrait of Margaret of Lorraine, Anthony van Dyck
Portrait of Vittorio Alfieri, François-Xavier Fabre
Portrait of the Countess d'Albany, François-Xavier Fabre
The Baptism of Christ, Leonardo da Vinci and Andrea del Verrocchio
Annunciation to Mary, Leonardo da Vinci
Coronation of the Virgin, Fra Filippo Lippi
Madonna With Two Angels, Fra Filippo Lippi
Adoration of the Shepherds, Lorenzo di Credi
Annunciation, Lorenzo di Credi
Sts John and Francis, El Greco
Venus, Lorenzo di Credi
Portrait of a Man, Lorenzo di Credi
Lot and his Daughters, Lorenzo Lippi
Scene from the Life of St Benedict, Lorenzo Monaco
Scene from the Life of St Benedict, Lorenzo Monaco
Portrait of a man (Giovanni ), Hans Memling
Portrait of Jean-Baptiste Rousseau, Nicolas de Largillière
Henriette of France as Flora, Jean-Marc Nattier
Marie Adelaide of France as Diana, Jean-Marc Nattier
Portrait of Madame Maria Zeffirina, Jean-Marc Nattier
Enthroned Madonna with Saints, Pietro Perugino
Portrait of Francesco delle Opere, Pietro Perugino
Don Baldassarre di Antonio di Angelo, Pietro Perugino
Don Biagio Milanesi, Pietro Perugino
Perseus frees Andromeda, Piero di Cosimo
Federigo di Montefeltro and Battista Sforza, Piero della Francesca
Triumph of the Duke and Duchess, Piero della Francesca
Heracles and the Hydra, Antonio Pollaiuolo
Portrait of a Lady, Antonio Pollaiuolo
Birth of John the Baptist , Tondo, Jacopo Pontormo
St. Anthony Abbas, Jacopo Pontormo
Madonna with St Francis and St Jerome, Jacopo Pontormo
Portrait of Cosimo Il Vecchio de ' Medici, Jacopo Pontormo
Portrait of a Lady with Spindle Cup, Jacopo Pontormo
Portrait of a musician, Jacopo Pontormo
Portrait of Pietro Carnesecchi, Domenico Puligo
Pope Leo X with two cardinals, Raphael
Madonna of the Goldfinch, Raphael
Allegory of Tuscany, Sebastiano Ricci
Portrait of Isabella Brandt, Peter Paul Rubens
Harpies madonna, Andrea del Sarto
The Annunciation, Matthias Stom
Flora, Titian
Portrait of Maria Maddalena of Austria, Tiberio di Tito
St. Dominic, Cosmè Tura
The Uffizi Gallery (Italian: Galleria degli Uffizi, pronounced [ɡalleˈriːa deʎʎ(i) ufˈfittsi]) is an art museum in Italy. It is located in Florence, and is one of the oldest and most famous art museums in the world.
History
The building of Uffizi was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine magistrates, hence the name uffizi, "offices". The construction was later continued by Alfonso Parigi and Bernardo Buontalenti and completed in 1581. The cortile (internal courtyard) is so long and narrow, and open to the Arno at its far end through a Doric screen that articulates the space without blocking it, that architectural historians[2] treat it as the first regularized streetscape of Europe. Vasari, a painter and architect as well, emphasised its perspective length by the matching facades' continuous roof cornices, and unbroken cornices between storeys and the three continuous steps on which the palace-fronts stand. The niches in the piers that alternate with columns filled with sculptures of famous artists in the XIX century.
The Uffizi brought together under one roof the administrative offices, the Tribunal and the Archivio di Stato, the state archive. The project that was planned by Cosimo I de' Medici, Grand Duke of Tuscany to arrange prime works of art in the Medici collections on the piano nobile was effected by Francis I of Tuscany, who commissioned Buontalenti the famous Tribuna degli Uffizi that united a selection of the outstanding masterpieces in the collection in an ensemble that was a star attraction of the Grand Tour.
Over the years, further parts of the palace evolved into a display place for many of the paintings and sculpture collected by the House of Medici or commissioned by them. According to Vasari, who was not only the architect of the Uffizi but also the author of Lives of the Artists, published in 1550 and 1568, artists such as Leonardo da Vinci and Michelangelo gathered at the Uffizi "for beauty, for work and for recreation."[3]
After the house of Medici was extinguished, the art treasures remained in Florence by terms of the famous Patto di famiglia negotiated by Anna Maria Luisa, the last Medici heiress; it formed one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public.
Because of its huge collection, some of its works have in the past been transferred to other museums in Florence—for example, some famous statues to the Bargello. A project is currently underway to expand the museum's exhibition space in 2006 from some 6,000 metres² (64,000 ft²) to almost 13,000 metres² (139,000 ft²), allowing public viewing of many artworks that have usually been in storage.
In 1993, a car bomb exploded in Via dei Georgofili and damaged parts of the palace, killing five people. The most severe damage was to the Niobe room and classical sculptures and neoclassical interior of which have been restored, although its frescoes were damaged beyond repair. The identity of the bomber or bombers are unknown, although it was almost certainly attributable to the Sicilian Mafia who were engaged in a period of terrorism at that time.
Today, the Uffizi is one of the most popular tourist attractions of Florence. In high season (particularly in July), waiting times can be up to five hours.
In early August 2007, Florence was caught with a large rainstorm, and the Gallery was partially flooded, with water leaking through the ceiling, and the visitors had to be evacuated. There was a much more significant flood in 1966 which damaged most of the art collections in Florence severely, including the Uffizi.
Here is a selection from the painting collection:
Cimabue: Santa Trinita Maestà
Duccio: Rucellai Madonna
Giotto: Ognissanti Madonna, Badia Polyptych
Simone Martini: Annunciation with St. Margaret and St. Ansanus
Ambrogio Lorenzetti: Presentation at the Temple
Gentile da Fabriano, Adoration of the Magi
Paolo Uccello: The Battle of San Romano
Rogier van der Weyden, Lamentation of Christ
Fra Filippo Lippi: Madonna and Child, Coronation of the Virgin
Piero della Francesca: Diptych of Duke Federico da Montefeltro and Duchess Battista Sforza of Urbino
Andrea del Verrocchio: The Baptism of Christ
Hugo van der Goes: Portinari Triptych
Sandro Botticelli: Primavera, The Birth of Venus, Adoration of the Magi of 1475 and others
Leonardo da Vinci: The Annunciation, Adoration of the Magi
Piero di Cosimo: Perseus Freeing Andromeda
Albrecht Dürer: Adoration of the Magi
Michelangelo: Doni Tondo
Raphael: Madonna of the Goldfinch, Portrait of Leo X
Titian: Flora, Venus of Urbino
Parmigianino: Madonna with the Long Neck
Caravaggio: Bacchus, Sacrifice of Isaac, Medusa
Artemisia Gentileschi: Judith and Holofernes
Rembrandt: Self-portrait as a Young Man, Self-portrait as an Old Man, Portrait of an Old Man
The collection also contains some ancient sculptures, such as the Arrotino and the Two Wrestlers.
See also
Collections of the Uffizi
Notes
Top 100 Art Museum Attendance, The Art Newspaper, 2014, p. 15. Retrieved on 25 July 2014.
Sigfried Giedion, Space, Time and Architecture (1941) 1962 fig.17.
Fossi, Gloria. The Uffizi. (Giuniti, 1999), p. 8.
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