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Kameelah Janan Rasheed (Palo Alto, California 1985) es una artista, educadora y escritora americana.Es conocida por su trabajo en instalaciones, libros de artista, obras en espacios públicos a gran escala, publicaciones, collages, y registros de audio. El arte de Rasheed explora la memoria, el ritual, los regímenes discursivos, la historiografía y las prácticas de archivo mediante el uso de fragmentos y restos históricos. Vive en Brooklyn, NY, es la Editora de Arte para la revista SPOOK y es también co-editora de The New Inquiry. (es) Kameelah Janan Rasheed (born 1985) is an American writer, educator, and artist from East Palo Alto, California. She is a 2021 Guggenheim Fellow in Fine Arts known for her work in installations, book arts, immersive text-based installations, large-scale public text pieces, publications, collage, and audio recordings. Rasheed's art explores memory, ritual, discursive regimes, historiography, and archival practices through the use of fragments and historical residue. Based in Brooklyn, NY, she is currently the Arts Editor for SPOOK magazine. In 2021 her work was featured in an Art 21 (New York Close Up) documentary, "The Edge of Legibility." (en) |
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http://creativetimereports.org/2016/02/12/black-lives-matter-kameelah-janan-rasheed/ http://wellandoftenpress.com/reader/interview-ocean-vuong/ http://www.kameelahr.com/ http://www.spectermagazine.com/interviews/laymon/ https://kameelahr.com/ http://gawker.com/stakes-is-high-and-black-lives-are-worthy-of-elaboratio-1587471910 https://www.gf.org/fellows/all-fellows/kameelah-janan-rasheed/ https://www.printedmatter.org/catalog/51106/ https://art21.org/watch/new-york-close-up/kameelah-janan-rasheed-the-edge-of-legibility/ https://thenewinquiry.com/features/the-carceral-state/ http://www.spectermagazine.com/interviews/gay/ http://www.spectermagazine.com/interviews/lavalle/ http://www.spectermagazine.com/interviews/ortiz-interview/ http://www.spectermagazine.com/twenty-three/older/ https://www.theguardian.com/commentisfree/2016/feb/12/black-deaths-matter-victims-humanity-not-perfection-are-the-reason-to-mourn https://longreads.com/2014/08/16/loneliness-and-solitude-a-reading-list/ https://creative-capital.org/2022/01/12/the-2022-creative-capital-awards/ |
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Stanford University (en) |
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1985 (xsd:integer) |
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Kameela Janan Rasheed giving a talk in the Jacob Lawrence Gallery at the University of Washington in Seattle. (en) |
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Stanford University, Pomona College (en) |
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Contemporary Art, Writing, Education (en) |
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Kameelah Janan Rasheed (en) |
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How to Suffer Politely , No Instructions for Assembly (en) |
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http://www.kameelahr.com/ |
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Kameelah Janan Rasheed (Palo Alto, California 1985) es una artista, educadora y escritora americana.Es conocida por su trabajo en instalaciones, libros de artista, obras en espacios públicos a gran escala, publicaciones, collages, y registros de audio. El arte de Rasheed explora la memoria, el ritual, los regímenes discursivos, la historiografía y las prácticas de archivo mediante el uso de fragmentos y restos históricos. Vive en Brooklyn, NY, es la Editora de Arte para la revista SPOOK y es también co-editora de The New Inquiry. (es) Kameelah Janan Rasheed (born 1985) is an American writer, educator, and artist from East Palo Alto, California. She is a 2021 Guggenheim Fellow in Fine Arts known for her work in installations, book arts, immersive text-based installations, large-scale public text pieces, publications, collage, and audio recordings. Rasheed's art explores memory, ritual, discursive regimes, historiography, and archival practices through the use of fragments and historical residue. Based in Brooklyn, NY, she is currently the Arts Editor for SPOOK magazine. In 2021 her work was featured in an Art 21 (New York Close Up) documentary, "The Edge of Legibility." (en) |
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