Karl Drerup (original) (raw)

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Karl Joseph Maria Drerup (1904 – 2000) was a leading figure in the mid-twentieth-century American enamels field. Trained as a painter, Drerup taught himself to enamel in the early 1940s, fusing glass to metal through a high-temperature firing process. Through his inventive, "painterly" approach to the medium, he advanced enameling to new levels of beauty, power, and expressiveness. Drerup's love of nature is apparent in every detail of his intimate woodland scenes, just as his depictions of humble workers in natural settings reveal his profound respect for humanity. A modest, self-deprecating individual, he exerted an enormous impact on the generation of enamel artists that emerged in the United States in the period immediately following World War II.

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dbo:abstract Karl Joseph Maria Drerup (1904 – 2000) was a leading figure in the mid-twentieth-century American enamels field. Trained as a painter, Drerup taught himself to enamel in the early 1940s, fusing glass to metal through a high-temperature firing process. Through his inventive, "painterly" approach to the medium, he advanced enameling to new levels of beauty, power, and expressiveness. Drerup's love of nature is apparent in every detail of his intimate woodland scenes, just as his depictions of humble workers in natural settings reveal his profound respect for humanity. A modest, self-deprecating individual, he exerted an enormous impact on the generation of enamel artists that emerged in the United States in the period immediately following World War II. (en)
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rdfs:comment Karl Joseph Maria Drerup (1904 – 2000) was a leading figure in the mid-twentieth-century American enamels field. Trained as a painter, Drerup taught himself to enamel in the early 1940s, fusing glass to metal through a high-temperature firing process. Through his inventive, "painterly" approach to the medium, he advanced enameling to new levels of beauty, power, and expressiveness. Drerup's love of nature is apparent in every detail of his intimate woodland scenes, just as his depictions of humble workers in natural settings reveal his profound respect for humanity. A modest, self-deprecating individual, he exerted an enormous impact on the generation of enamel artists that emerged in the United States in the period immediately following World War II. (en)
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