Karlheinz Stockhausen (original) (raw)

Karlheinz Stockhausen (22. srpna 1928 – 5. prosince 2007) byl německý hudební skladatel, jeden z nejvýznamnějších novátorů a současně kontroverzních osobností hudby 20. století[zdroj?!], proslavený především svými experimenty v rámci elektronické hudby a systémem „kontrolované náhody“ v seriálním způsobu komponování.

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dbo:abstract	Karlheinz Stockhausen (22. srpna 1928 – 5. prosince 2007) byl německý hudební skladatel, jeden z nejvýznamnějších novátorů a současně kontroverzních osobností hudby 20. století[zdroj?!], proslavený především svými experimenty v rámci elektronické hudby a systémem „kontrolované náhody“ v seriálním způsobu komponování. (cs) كارل هاينز شتوكهاوزن (بالألمانية: Karlheinz Stockhausen)‏ (تلفظ ألماني: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 أغسطس 1928 – 5 ديسمبر 2007) ملحن ألماني، يعده الكثيرون من النقاد أحد أهم الملحنين (باريت 1988,45؛ هارفي 1975b، 705؛ هوبكنز 1972,33؛ كلين 1968، 117) وأكثرهم جدلاً (باور 1990، 30) في القرن العشرين وأوائل القرن الحادي والعشرين. ويطلق عليه أحد النقاد «أحد أعظم موسيقيي القرن العشرين أصحاب الرؤى» (هيويت 2007). وهو معروف بأعماله الرائدة في الموسيقى الإلكترونية، والعفوية (العفوية المنظمة) في التلحين بالمصفوفات، والحيز (spatialization) الموسيقي. وقد درس شتوكهاوزن في جامعة كولونيا للموسيقى وجامعة كولونيا، كما درس بعد ذلك مع أوليفييه ميسيان في باريس، ومع فيرنر ماير-إيبلير في جامعة بون. وبصفته من الشخصيات الرائدة في مدرسة دارمشتات، مازالت ألحانه ونظرياته ذات تأثير كبير، ليس فقط على مؤلفي الموسيقى الفنية، ولكن أيضًا على الجاز والموسيقى الشائعة. وتبتعد أعمال شتوكهاوزن، التي وضعها على مدار فترة تقترب من ستين عامًا، دائمًا عن الأنماط التقليدية. وبالإضافة إلى الموسيقى الإلكترونية، مع وبدون مغنين، تتنوع هذه الأعمال بين مصغرات لصناديق الموسيقى (musical box) وأعمال لآلاتٍ فردية، وأغانٍ، وموسيقى الحجرة، وموسيقى الجوقة، والموسيقى الأوركسترالية، وحتى دورة من سبعة عروض أوبرالية كاملة. وتصل أعماله النظرية وغيرها إلى عشرة مجلدات كبيرة. وقد حصل شتوكهاوزن على العديد من الجوائز والأوسمة عن ألحانه، وتسجيلاته، والأرقام القياسية التي حققتها شركته للنشر. ومن أهم أعمال شتوكهاوزن الجديرة بالذكر مجموعة من تسع عشرة مقطوعة تحمل اسم مقطوعات البيانو (Klavierstücke)، وكونترا-بونكتي (Kontra-Punkte) لعشر آلات، وأغاني الشباب (Gesang der Jünglinge) التي تنتمي إلى الموسيقى المصنّعة، ومجموعات (Gruppen) لثلاث أوركسترات، والعزف الإيقاعي المنفرد الدائرة (Zyklus)، والوصلات (Kontakte)، وغنائية اللحظات (Momente)، والمقطوعة الإلكترونية الحية الميكروفون الأولى (Mikrophonie)، والأناشيد الوطنية (Hymnen)، والتناغم (Stimmung) لستة منشدين، ومن وحي الأيام السبعة (Aus den sieben Tagen)، ومانترا والتي تُعزف بجهازي بيانو وبعض الأدوات الإلكترونية، والأبراج (الأبراج)، والابتهالات (Inori)للعازفين المنفردين والأوركسترا، ودورة الأوبرا الضخمة الضوء (Licht). وقد توفي شتوكهاوزن نتيجة فشل مفاجئ في القلب عن عمرٍ يناهز 79 عامًا، في 5 من ديسمبر 2007م في منزله في كيرتن (Kürten) بألمانيا. (ar) Karlheinz Stockhausen fou un dels compositors més importants de música clàssica del segle xx. Va estudiar piano i pedagogia musical al , així com musicologia, germanística i filosofia a la Universitat de la mateixa ciutat, dedicant-se a la composició des dels anys 50 i orientant-se des d'un principi cap a la música serial. Obres d'aquest període són, entre d'altres, Kreuzspiel i Formel. El 1952 estudia amb Olivier Messiaen rítmica i estètica a París, on s'introdueix en la tècnica del serialisme integral, amb altres compositors importants de l'època i també alumnes de Messiaen, com Iannis Xenakis i Pierre Boulez. Des de 1953 compon obres de música electrònica, com Gesang der Jünglinge (El cant dels adolescents). És un dels pioners d'aquest gènere, juntament amb Pierre Boulez. Des de llavors va escriure més de tres-centes obres, algunes de les quals han sigut de gran influència en el desenvolupament de la música de la segona part del segle xx. La seva influència ha sobrepassat l'àmbit de l'anomenada música culta, arribant fins al Jazz i al Rock. Músics com Miles Davis, o Frank Zappa, per posar dos exemples, reconeixen la influència de la música de Stockhausen. A més de compositor, és remarcable també la seva tasca com a director d'orquestra. En les seves obres, compostes en un període de gairebé seixanta anys, s'eviten formes musicals tradicionals. A més de la música electrònica —amb presentacions en viu i sense— les seves composicions van des de miniatures de caixes de música a través d'obres per a instruments solistes, cançons, música de cambra, música coral i orquestral, amb un cicle de set òperes de llarga durada. Els seus escrits, teòrics i altres, comprenen deu volums de grans dimensions. Va rebre nombrosos premis i distincions per les seves composicions I enregistraments, i tot per les partitures produïdes per la seva companyia editorial. Algunes de les seves composicions notables inclouen la sèrie de dinou Klavierstücke (Peces per a piano, 1952–2004), Kontra-Punkte per a deu instruments (1952–53), la música electrònica/concreta Gesang der Jünglinge (1955–56), Gruppen per a tres orquestres (1955–57), el solo per un percussionista Zyklus (1959), la música electrònica i amb solistes Kontakte (1958–60) i Hymnen (1966–67/69), la cantata Momente (1962–64/69), la música en viu-electrònic Mikrophonie I (1964), Stimmung per sis cantants (1968), la música intuïtiva Aus den sieben Tagen (1968), Mantra per a dos pianos i electrònica (1970), Tierkreis (1975), Inori per a solistes i orquestra (1974), i la gegantina cicle d'òpera Licht (1977–2004). (ca) Ο Καρλχάιντς Στοκχάουζεν (γερμαν. Karlheinz Stockhausen στα γερμανικά προφέρεται: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩], 22 Αυγούστου 1928 — 5 Δεκεμβρίου 2007) ήταν Γερμανός συνθέτης ο οποίος θεωρείται από πολλούς κριτικούς ως ένας από τους σημαντικότερους αλλά και αμφιλεγόμενους συνθέτες του 20ου και του 21ου αιώνα. Έχει, επίσης, χαρακτηριστεί ως «ένας από τους μεγαλύτερους οραματιστές της μουσικής του 20ου αιώνα». Είναι γνωστός για το πρωτοπόρο έργο του στην ηλεκτρονική μουσική, στην αλεατορική μουσική και στη μουσική . Σπούδασε στο και στο , καθώς και στο Ωδείο του Παρισιού υπό την καθοδήγηση του Ολιβιέ Μεσιάν και στο Πανεπιστήμιο της Βόννης υπό την καθοδήγηση του . Όντας μία από τις σημαντικότερες προσωπικότητες της , οι συνθέσεις και οι θεωρίες του άσκησαν σημαντική επιρροή τόσο στην όσο και στην τζαζ και στη . Τα έργα του, τα οποία δημιουργήθηκαν μέσα σε μία περίοδο περίπου 60 χρόνων, απορρίπτουν τις παραδοσιακές δομές της μουσικής. Εκτός από έργα ηλεκτρονικής μουσικής, στο έργα του Στοκχάουζεν συμπεριλαμβάνονται και συνθέσεις για , σόλο όργανα, μουσική δωματίου, χωροδιακή και ορχηστρική μουσική, καθώς και επτά όπερες. Το θεωρητικό του έργο καλύπτει 10 τόμους. Έχει λάβει έναν σημαντικό αριθμό βραβείων για τις συνθέσεις, τις ηχογραφήσεις και τις παρτιτούρες που εξέδωσε ο εκδοτικός του οίκος. Στα σημαντικότερα έργα του συμπεριλαμβάνονται, μεταξύ άλλων, η σειρά 19 συνθέσεων για πιάνο, το για 10 όργανα, τα έργα ηλεκτρονικής/συγκεκριμένης μουσικής και για τρεις ορχήστρες, το σόλο κρουστών , το , η καντάτα , τα έργα , και για έξι τραγουδιστές, τα έργα και για δύο πιάνα και ηλεκτρονικά όργανα, τα έργα και για σολίστες και ορχήστρα και η σειρά από όπερες . Πέθανε στις 5 Δεκεμβρίου 2007 σε ηλικία 79 ετών, στο σπίτι του στο της Γερμανίας, από ξαφνική ανακοπή καρδιάς. (el) Karlheinz Stockhausen (* 22. August 1928 in Mödrath, heute zu Kerpen; † 5. Dezember 2007 in Kürten-Kettenberg) war ein deutscher Komponist. Vor allem in seiner Eigenschaft als Pionier der elektronischen Musik gilt er als einer der bedeutendsten Komponisten des 20. Jahrhunderts. (de) Karlheinz Stockhausen (naskiĝis la 22-an de aŭgusto 1928 en Kerpen-Mödrath (Germanio) - mortis la 5-an de decembro 2007 en Kürten-Kettenberg) estis germana muzikkomponisto, unu el la plej elstaraj novismuloj kaj samtempe la plej kontroversaj personuloj de la muziko de la 20-a jarcento, famiĝinta precipe pro siaj eksperimentoj en elektronika muziko kaj sistemo de "kontrolita hazardo" en seria muziko. Kadre de muzikoterapio li estas aprezata precipe kiel supozeble la unua eŭropano, kiu ellernis teknikon de t.n. supera harmonia kantado, devenanta de Tuvio kaj Tibeto, kaj kiu grave kontribuis al ĝia disvastiĝo en Eŭropo. (eo) Karlheinz Stockhausen (kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩ ahoskatua; Mödrath, Kerpen, 1928ko abuztuaren 22a - Kürten, 2007ko abenduaren 5a) alemaniar musikagilea izan zen. , O. Messiaen eta D. Milhaudekin egin zituen musika-ikasketak. Parisko Musique Concrète Estudioan lan egin zuen P. Schaefferrekin. Koloniara itzuli zenean, alemaniar irratiko musika elektronikoaren estudioko laguntzaile izan zen, eta, geroago, zuzendari. A. Schoenberg, A. Webern eta B. Bartóken lana aztertu zuen, eta Darmstadteko uda-ikastaroetan irakasle aritu zen. Gerra osteko musika-abangoardiaren aitzindari izan zen. Serieko musika idatzi zuen, eta maisu izan zen musika elektronikoan. Lan-mota ugari egin zituen. Orkestrarako: Formel (1951), Punkte (1952), Gruppen (1955-1957), Trans (1971), Licht (1977-1978). Ganbera musika: Kreuzspiel (1951); Zeitmasse (1955-1956); Tierkreis (1975). Musika elektronikoa: Kontakte (1959-1960); Hymen (1966-1967); Sirius (1975). Ahotserako, pianorako eta perkusiorako musika ere egin zuen. Sari ugari eman zizkioten, Alemanian bertan zein beste herrialde askotan. (eu) Karlheinz Stockhausen (German: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance (aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company. His notable compositions include the series of nineteen Klavierstücke (Piano Pieces), Kontra-Punkte for ten instruments, the electronic/musique-concrète Gesang der Jünglinge, Gruppen for three orchestras, the percussion solo Zyklus, Kontakte, the cantata Momente, the live-electronic Mikrophonie I, Hymnen, Stimmung for six vocalists, Aus den sieben Tagen, Mantra for two pianos and electronics, Tierkreis, Inori for soloists and orchestra, and the gigantic opera cycle Licht. He died of sudden heart failure at the age of 79, on 5 December 2007 at his home in Kürten, Germany. (en) Karlheinz Stockhausen ([kaɐ̯lˈhaɪnts ˈʃtɔkhaʊzn̩] , 22 de agosto de 1928-, 5 de diciembre de 2007) fue un compositor alemán ampliamente reconocido, tanto por la crítica como por la opinión musical más ilustrada, como uno de los compositores más destacados y polémicos de la música culta del siglo XX. Para muchos, no solo es una figura importante, sino que se trata de uno de los mayores visionarios de la música del siglo XX. Es conocido por sus trabajos de música contemporánea y sus innovaciones en música electroacústica, música aleatoria y composición serial. Fue educado primeramente en la Hochschule für Musik Köln para después acudir a la Universidad de Colonia. Posteriormente, Stockhausen estudiaría con Olivier Messiaen en París y Werner Meyer-Eppler en la Universidad de Bonn. Como una de las principales figuras de la Escuela de Darmstadt que fue, sus teorías y composiciones siguen siendo, aún hoy en día, de gran influencia para compositores de todos los tipos y estilos (también en la música popular y en el jazz). Sus obras, compuestas a lo largo de casi sesenta años, se abstienen de ser partícipes de las formas musicales más tradicionales. Aparte de las obras de música electrónica, sus trabajos van desde realizar miniaturas para cajas de música hasta trabajos para instrumentos solistas, canciones, música de cámara, músicas coral y orquestal e incluso un ciclo de siete óperas de larga duración. Sus escritos, tanto teóricos como de diversos temas, ocupan más de diez imponentes volúmenes. Stockhausen recibió numerosos premios y distinciones por sus composiciones, grabaciones y partituras publicadas por su propia editorial. Entre sus composiciones más notables encontramos la serie de diecinueve Klavierstücke (piezas para piano), Kontra-Punkte para diez instrumentos, su electrónica/música concreta Gesang der Jünglinge, Gruppen para tres orquestas, la obra para percusión solista Zyklus, Kontakte, la cantata Momente, su obra de electrónica en vivo Mikrophonie I, Hymnen, Stimmung para seis vocalistas, Aus den sieben Tagen, Mantra para dos pianos y electrónica, Tierkreis, Inori para solistas y orquesta, y su gigantesco círculo de operas Licht. Stockhausen murió de improviso, debido a un ataque cardiaco, el 5 de diciembre de 2007, a la edad de 79 años, en su residencia de Kürten, Alemania. (es) Karlheinz Stockhausen est un compositeur allemand né le 22 août 1928 à Mödrath (actuellement quartier de Kerpen) et mort le 5 décembre 2007 à Kürten, en Allemagne. Son travail se construit autour de la musique électroacoustique, de la spatialisation du son et, les dernières années, de longs cycles de création qui aboutissent à des œuvres monumentales. (fr) Ba chumadóir Gearmánach é Karlheinz Stockhausen (22 Lúnasa 1928 - 5 Nollaig 2007). Ceaptar é go minic mar dhuine de na cumadóirí is tábhachtaí sa 20ú haois. Chum sé 370 saothar. Ach lean conspóid i gcónaí é. (ga) Karlheinz Stockhausen (22 Agustus 1928 – 5 Desember 2007) merupakan seorang komposer berkebangsaan Jerman. Dia dilahirkan di . Dia merupakan seorang komposer Kontroversial pada Abad ke-20. (in) Karlheinz Stockhausen (Kerpen, 22 agosto 1928 – Kürten, 5 dicembre 2007) è stato un compositore tedesco. Viene riconosciuto dalla critica, salvo qualche controversia, come uno dei compositori più all'avanguardia del XX secolo. È conosciuto per il suo lavoro sulla musica elettronica, sull'alea nella composizione seriale, sulla musica intuitiva e sulla spazializzazione in musica. Karlheinz Stockhausen compì gli studi alla Hochschule für Musik Köln di Colonia e alla Università di Colonia. Più tardi studiò con Olivier Messiaen a Parigi e con Werner Meyer-Eppler alla Rheinische Friedrich-Wilhelms-Universität Bonn. Fu una delle figure più carismatiche della Darmstadt School e le sue teorie sulla composizione furono e sono ancora oggi seminali non solo fra i compositori di musica contemporanea, ma anche nel jazz e nella musica popolare. Il suo lavoro, che si estende in oltre sessant'anni, travalica i moduli tradizionali. Oltre alla musica elettronica, la sua sperimentazione comprende composizioni per carillon, strumenti solisti, canzoni, musica da camera, musica corale, musica orchestrale ed operistica. Il suo lavoro come teorico e saggista comprende 10 volumi. Ricevette inoltre numerosi premi per le sue composizioni, le sue registrazioni e per le vendite della sua casa di produzione. Alcune delle sue composizioni degne di nota sono una serie di 19 , per 10 strumenti, la composizione elettronica/concreta Gesang der Jünglinge im Feuerofen, per tre orchestre, il solo di percussioni dal titolo , , la cantata , il concerto elettronico dal titolo , Hymnen, per sei cantanti, , per due piani ed elettronica, , Inori per solista ed orchestra ed il gigantesco ciclo operistico dal titolo . (it) 카를하인츠 슈토크하우젠(Karlheinz Stockhausen, 1928년 8월 22일~2007년 12월 5일)은 독일의 작곡가이다. 현대 전위 작곡가의 한 사람으로 전자음악의 발전에 크게 기여한 인물로 유명하다. 파리에 유학하였으며 1953년 쾰른 방송국에서 전자 음악을 담당하면서 《습작 1·2》를 발표하였다. 1960년 전자 음악의 최고 걸작이라 일컬어지는 《접촉》(Kontakt)를 발표, 전자 음악의 새로운 길을 개척하였다. 1963년 쾰른 방송국 전자 음악 실장이 되었으며, 프랑스의 피에르 불레즈, 이탈리아의 루이지 노노와 함께 유럽 현대 음악의 3대 작곡가로 불린다. 2001년 폴라음악상을 수상하였다. (ko) Karlheinz Stockhausen (Mödrath, 22 augustus 1928 – Kürten-Kettenberg, 5 december 2007) was een Duitse componist. Hij wordt beschouwd als een van de invloedrijkste componisten uit de tweede helft van de 20e eeuw. (nl) カールハインツ・シュトックハウゼン（Karlheinz Stockhausen、1928年8月22日 - 2007年12月5日）は、ドイツの現代音楽の作曲家。 (ja) Karlheinz Stockhausen (Mödrath, 22 de agosto de 1928 — Kürten, 5 de dezembro de 2007) foi um compositor alemão de música contemporânea. Foi colega de Pierre Boulez, Edgar Varése e Iannis Xenakis. Ambos estudaram com o compositor e organista Olivier Messiaen. Críticos do seu trabalho apontam-no como "um dos grandes visionários do século XX no contexto da música pós-moderna". É conhecido, entre outras coisas, por um trabalho notório durante a génese da música electroacústica, para introduzir procedimentos estocásticos, ao nível do indeterminismo musical, após o seu cruzamento com o compositor da cena musical do fluxus, surrealismo, e dadaísmo norte-americano Cage, mas sobretudo pelo seu envolvimento em composição serial e espacialização sonora. Considerado um dos maiores compositores do final do século XX, foi o responsável por trabalhos artísticos de grandiosidade indiscutível. As suas obras revolucionaram a percepção de ritmo, melodia e harmonia. Trabalhos como Stimmung e Mikrophonie marcaram época quando da sua estreia pois exigiam do público percepção musical aguçada. De suas obras mais ambiciosas destacam-se o quarteto de cordas com helicópteros (Helikopter-Streichquartett) (que é tocado com estes instrumentos mesmo: um quarteto de cordas e quatro helicópteros), parte integrante de um trabalho em desenvolvimento de mais de dez anos, e a ópera Licht baseada em textos sânscritos e budistas que tem suas partes distribuídas nos dias da semana. A sua música encontra paralelos com correntes do misticismo germânico do século XX. Consta-se que Stockhausen terá tido um envolvimento grande com a cultura indiana, que terá estudado o pensamento de Sri Aurobindo, e tido um interesse fecundo, pela escola teosófica da Aurum Sri. Stockhausen aparece na capa do álbum Sargent Pepper dos Beattles. Estudou na Hochschule für Musik Köln e na Universidade de Colónia, estudando mais tarde com Olivier Messiaen em Paris e com Werner Meyer-Eppler e com University of Bonn. Uma das figuras líderes da Escola de Darmstadt, as suas composições ehis composições mantêm-se largamente influenciais, não apenas com compositores de arte musical, mas também jazz e música popular) - ver Holger Czukay, Markus Stockhausen e Simon Stockhausen. Os seus trabalhos, compostos durante um período de cerca de sessenta anos, encopassem formas tradicionais. Em adição a música electrónica - tanto com e sem intérpretes, com e sem electrónica em tempo real - estas vão desde mantras para caixa de música através de trabalhos para instrumentos a solo, canções, música de câmara coro, e orquestra, para um ciclo de sete óperas de longa duração. Os seus trabalhos de teoria musical, e outros escritos incluem cerca de dez volumes de grande dimensão. Recebeu vários prémios e distinções pelas suas composições pelas suas composições, gravações, e pelas peças produzidas, pela editora de partituras. Os seus trabalhos de composição incluem as séries de dezenove Klavierstücke (Peças para piano), Kontra-Punkte para dez instrumentos, a nível de música electrónica e musique-concrète Gesang der Jünglinge, Gruppen para três orquestras, e solos de percussão Zyklus, Kontakte, a cantata Momente, os trabalhos de live-electronics Mikrophonie I, Hymnen, Stimmung para seis vocalistas, Aus den sieben Tagen, Mantra para dois pianos e electrónica, Tierkreis, Inori para solistas e orquestra, e o círculo gigantesco da ópera Licht. Morreu em 5 de dezembro de 2007, de parada cardio-vascular, na sua casa em Kürten, na Germany. (pt) Karlheinz Stockhausen (ur. 22 sierpnia 1928 w w Nadrenii Północnej-Westfalii, zm. 5 grudnia 2007 w Kürten) – niemiecki kompozytor i pedagog, jedna z najbardziej prominentnych postaci muzyki współczesnej. W swych kompozycjach Stockhausen starał się dotrzeć do fundamentalnych kwestii akustyki i psychologii odbioru dźwięku i dzieła muzycznego. W swojej twórczości nie dążył do wypracowania własnego, rozpoznawalnego stylu, lecz w każdym utworze starał się wkraczać w nieznany obszar, tworzyć muzykę według nowych reguł. Z jego nazwiskiem wiąże się wiele kluczowych dla sztuki muzycznej XX w. pojęć i idei, takich jak serializm, punktualizm, nowa muzyka elektroniczna (wraz z live electronic music), muzyka przestrzenna, statystyczna, rytualna, intuitywna, kompozycja grupowa, momentowa, „formula composition” i „multi-formula composition”, muzyka świata (integracja „obiektów znalezionych”, m.in. hymnów narodowych i muzyki etnicznej najrozmaitszych krajów), „telemusic” (synteza muzyki różnych kontynentów), wreszcie wertykalna „muzyka oktofoniczna”. (pl) Karlheinz Stockhausen, född 22 augusti 1928 i , Kerpen, Rhenprovinsen, död 5 december 2007 i Kürten nära Köln, Nordrhein-Westfalen, var en tysk kompositör. Han utmärkte sig för mångsidighet och experimentlust med utgångspunkt från den klassiska traditionen och spelade en huvudroll i utvecklingen av konkreta, elektroakustiska och elektroniska uttrycksmedel. (sv) Карлгайнц Штокгаузен (нім. Karlheinz Stockhausen) (*22 серпня 1928 — †5 грудня 2007) — німецький композитор, диригент, музичний теоретик, один з лідерів музичного авангардизму. (uk) Карлхайнц Штокхаузен (нем. Karlheinz Stockhausen; 22 августа 1928, , нынешний район Керпена — 5 декабря 2007, Кюртен, близ Кёльна) — немецкий композитор, дирижёр, музыкальный теоретик. Один из крупнейших новаторов музыки второй половины XX века и лидеров музыкального авангарда. (ru) 卡尔海因茨·施托克豪森（德語：Karlheinz Stockhausen，德语发音：[kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩] （）；1928年8月22日－2007年12月5日），德国作曲家，被广泛认为是20世纪和21世纪初最重要但也最具争议的作曲家之一。他因在電子音樂方面的开创性工作、将受控的偶然性引入到序列主义音乐创作中以及而闻名。他在科隆音乐学院和科隆大学接受教育，后来在巴黎跟随奥利维埃·梅西安学习，在波恩大学师从。作为的领军人物，他的作品和理论对古典音乐、爵士乐和流行音乐都有广泛的影响，至今仍如此。他的作曲生涯长达60年，其中的作品完全摒弃传统曲式。除了现场表演或预先录制的电子音乐，他的作品涵盖了八音盒小品、独奏器乐、藝術歌曲、室内乐、合唱和管弦乐等众多体裁，还有七部长篇歌剧。他的理论和其他著作有十卷之多。他的作品、唱片以及由他的出版公司制作的乐谱获得了许多奖项和荣誉。他著名的作品包括十九部《》、为10件乐器而作的《》、电子/具象音乐《》、为三支管弦乐团而作的《》、打击乐独奏《》、《》、清唱套曲《》、现场电子音乐《》、《》、为6名声乐而作的《》、《》、为两架钢琴和电子装置而作的《》、《》和为独奏家和管弦乐团而作的《》以及庞大的歌剧系列《》。 2007年12月5日，他在德国屈尔滕的家中因突发心脏衰竭去世，享年79岁。 (zh)
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dbp:reference	0001-03-05 (xsd:gMonthDay) 0001-04-12 (xsd:gMonthDay) 0001-05-24 (xsd:gMonthDay) 0001-07-07 (xsd:gMonthDay) 0001-08-13 (xsd:gMonthDay) 0001-08-22 (xsd:gMonthDay) 0001-12-10 (xsd:gMonthDay) Toop, Richard. 2005. Six Lectures from the Stockhausen Courses Kürten 2002. Stockhausen-Verlag. . (en) Kramer, Jonathan. 1998. "Karlheinz in California." Perspectives of New Music 36, no. 1 : 247–261. (en) Kurtz, Michael. 1992. Stockhausen: A Biography, translated by Richard Toop. London and Boston: Faber and Faber. . (en) Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press, Inc. . (en) Tannenbaum, Mya. 1987. Conversations with Stockhausen, translated from the Italian by David Butchart. Oxford: Clarendon Press; New York: Oxford University Press. . (en) -1968.0 Kohl, Jerome. 1990. "Into the Middleground: Formula Syntax in Stockhausen's Licht". Perspectives of New Music 28, no. 2 : 262–291. (en) Stockhausen, Karlheinz. 2009. Kompositorische Grundlagen Neuer Musik: Sechs Seminare für die Darmstädter Ferienkurse 1970, edited by Imke Misch. Kürten: Stockhausen-Stiftung für Musik. . (en) Cott, Jonathan. 1973. Stockhausen: Conversations with the Composer. New York: Simon and Schuster. . (en) Backus, John. 1962. "Die Reihe—A Scientific Evaluation". Perspectives of New Music 1, no. 1:160–171. (en) Kohl, Jerome. 1993. "Time and Light." Contemporary Music Review 7, no. 2:203–219. (en) Föllmer, Golo. 1996. "Osaka: Technik für das Kugelauditorium." In Musik..., verwandelt. Das Elektronische Studio der TU Berlin 1953–1995, edited by Frank Gertich, Julia Gerlach, and Golo Föllmer, 195–211. Hofheim: Wolke-Verlag. . (en) Conen, Hermann. 1991. Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre. Kölner Schriften zur Neuen Musik 1, ed. Johannes Fritsch and Dietrich Kämper. Mainz: Schott's Söhne. . (en) Anon. 1969. "Stockhausen: Zuviel verlangt". Der Spiegel, no. 49 : 218. (en) Maconie, Robin. 1990. The Works of Karlheinz Stockhausen, second edition. Oxford: Clarendon Press. . (en) Kohl, Jerome. 2004. "Der Aspekt der Harmonik in Licht." In Internationales Stockhausen-Symposion 2000: LICHT: Musikwissenschaftliches Institut der Universität zu Köln, 19. bis 22. Oktober 2000. Tagungsbericht. Signale aus Köln: Beiträge zur Musik der Zeit 10. Ed. Imke Misch and Christoph von Blumröder, 116–132. Münster, Berlin, London: LIT-Verlag. . (en) Guy, Alun, and Iwan Llewelyn-Jones. 2004. Students Guide to Gcse Music for the Wjec Specification: English Language. London: Rhinegold Publishing. . (en) Stockhausen, Christel. 1978. "Stockhausens Tierkreis: Einführung und Hinweise zur praktischen Aufführung." Melos 45/Neue Zeitschrift für Musik 139 : 283–287. Reprinted together with an English translation as "Stockhausen's ZODIAC, Introduction and Instructions for Performance Practice", in a booklet now included with the score of Tierkreis. (en) Ross, Alex. 2004. "Björk's Saga". The New Yorker 80, no. 23 : 49–53, 55–59 . (en) Kaletha, Holger. 2004. "Decomposition of the Sound Continuum: Serialism and Development from a Genetic-Phenomenological Perspective", translated by Jerome Kohl. Perspectives of New Music 42, no. 1 : 84–128. (en) Lentricchia, Frank, and Jody McAuliffe. 2003. Crimes of Art and Terror. Chicago: University of Chicago Press. . (en) Hall, Michael. 1998. Harrison Birtwistle in Recent Years. The Contemporary Composers. Series editor, Nicholas Snowman. London: Robson Books. . (en) Ernst von Siemens Music Foundation. n.d. Prize-Winner Archive. EVS-Musikstiftung.ch website . (en) Stockhausen, Karlheinz. 2004. "Electronic and Instrumental Music", translated by Jerome Kohl, with Suzanne Stephens and John McGuire. In Audio Culture: Readings in Modern Music, edited by Christoph Cox and Daniel Warner, 370–380. New York: Continuum. ; . (en) Toop, Richard. 2001. "Karlheinz Stockhausen". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en) Hopkins, Bill. 1972. "Stockhausen and Others". Tempo, new series, no. 98:32–34. (en) Kohl, Jerome. 1998b. "A Seventieth-Birthday Festschrift for Karlheinz Stockhausen : Guest Editor's Introduction". Perspectives of New Music 36, no. 2 : 5–10. (en) Ferneyhough, Brian. 1988. "Témoignage", translated by Jacques Demierre. In Karlheinz Stockhausen , 18–19. Paris: Edition Contrechamps/Festival d'Automne à Paris . (en) Bergstein, Barry. 1992. "Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship." The Musical Quarterly 76, no. 4. : 502–525. (en) Kohl, Jerome. 2002. "Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's Telemusik." In Electroacoustic Music: Analytical Perspectives, ed. Thomas Licata, 91–118. Westport, Conn. and London: Greenwood Press. (en) Schwartz, Elliott, and Barney Childs, with Jim Fox. 1998. Contemporary Composers on Contemporary Music. Expanded edition. New York: Da Capo Press. . (en) American Academy of Arts & Sciences. 2018. Book of Members: 1780–present. American Academy of Arts & Sciences website . (en) Heuger, Markus. 1998. "Stockhausen Goes to Town: Der öffentliche Stockhausen". Neue Zeitschrift für Musik 159, no. 4 : 10–15. (en) Harvey, Jonathan. 1975b. "Stockhausen's 'Hymnen'". The Musical Times, 116, no. 1590 : 705+707. (en) Craft, Robert, and Igor Stravinsky. 1960. Memories and Commentaries Garden City, NY: Doubleday. (en) Stockhausen, Karlheinz. 1996a. "Electroacoustic Performance Practice". Perspectives of New Music 34, no. 1 : 74–105. (en) Dick, Philip K. 1993. Flow My Tears, the Policeman Said. New York: Vintage Books. . (en) Craft, Robert. 2002. An Improbable Life: Memoirs. Nashville: Vanderbilt University Press. (en) Grant, Morag Josephine. 2001. Serial Music Serial Aesthetics: Compositional Theory in Post-War Europe. Music in the Twentieth Century, Arnold Whittall, general editor. Cambridge: Cambridge University Press. . (en) Morawska-Büngeler, Marietta. 1988. Schwingende Elektronen: Eine Dokumentation über das Studio für elektronische Musik (Köln) des Westdeutschen Rundfunks in Köln, 1951–1986. Köln-Rodenkirchen: P. J. Tonger Musikverlag. (en) Anderson, Julian. 2001. "Nørgård, Per". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en) Aldgate, Anthony, James Chapman, and Arthur Marwick. 2000. Windows on the Sixties: Exploring Key Texts of Media and Culture. London and New York: I. B. Taurus. . (en) Anon. 2014. "Ein Stolperstein für Gertrud Stockhausen in Bärbroich". Press Office of the City of Bergisch-Gladbach, Bürgerportal Bergisch Gladbach . (en) Ulrich, Thomas. 2001. "Sternklang: Karlheinz Stockhausens astronische Musik". Positionen: Beiträge zur neuen Musik 46 : 25–28. (en) Barrett, Richard. 1998. "Not Necessarily Anything to Do with Karlheinz Stockhausen ". Leonardo Music Journal 8 : 17–19. (en) Stockhausen, Karlheinz. 1999. Stockhausen-Kurse Kürten 1999: Kompositions-Kurs: Skizzen von Welt-Parlament'' für Chor a cappella (en) Kohl, Jerome. 2017. Karlheinz Stockhausen: Zeitmaße. Landmarks in Music Since 1950, edited by Wyndham Thomas. Abingdon, Oxon; London; New York: Routledge, 2017. ; . (en) Fritsch, Johannes. 1979. "Prozessplanung". In Improvisation und neue Musik. Acht Kongressreferate, edited by Reinhold Brinkmann, 108–117. Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt 20. Mainz: Schott Musik International. (en) Stockhausen, Karlheinz. 1989b. Towards a Cosmic Music. Texts selected and translated by Tim Nevill. Shaftsbury: Element Books. . (en) Prendergast, Mark. 2000. The Ambient Century: From Mahler to Trance: The Evolution of Sound in the Electronic Age. London and New York: Bloomsbury Publishing. ; . (en) Bäumer, Ingrid. 2007. "'Eine ganz neue Zeit fängt an': Karlheinz Stockhausen arbeitete bis zum letzten Atemzug". Kölner Stadt-Anzeiger . (en) Reier, Sebastian. 2007. "Im Rhythmus der Sterne". Die Zeit . (en) Gimpel, Othmar . 2010. Karlheinz Stockhausen, KLANG, 8. und. 9. Mai. Cologne: MusikTriennale Köln. (en) Stockhausen, Karlheinz. 2001b. Stockhausen Courses Kürten 2001: Composition Course on Lights-Waters for Soprano, Tenor, and orchestra with synthesizer . Kürten: Stockhausen-Verlag. (en) Anon. n.d. "Burg Mödrath". Rhein-Erft Tourismus e.V. website . (en) Sabbe, Herman. 1981. "Die Einheit der Stockhausen-Zeit ...: Neue Erkenntnismöglichkeiten der seriellen Entwicklung anhand des frühen Wirkens von Stockhausen und Goeyvaerts. Dargestellt aufgrund der Briefe Stockhausens an Goevaerts". In Musik-Konzepte 19: Karlheinz Stockhausen: ... wie die Zeit verging ..., edited by Heinz-Klaus Metzger and Rainer Riehn, 5–96. Munich: Edition Text + Kritik. (en) Landschoof, Elke. 2010. "Stockhausen: Ehrenbürger künftig Teil des Namens". Kölner Stadt-Anzeiger . (en) Stockhausen, Karlheinz. 2002. ""Huuuh!" Das Pressegespräch am 16. September 2001 im Senatszimmer des Hotel Atlantic in Hamburg". MusikTexte no. 91:69–77. (en) Hancock, Herbie. 2014. Possibilities. New York: Viking. (en) Stockhausen, Karlheinz. 1996b. "Kino-Bilder". In Bilder vom Kino: Literarische Kabinettstücke, edited by Wolfram Schütte, 138–140. Frankfurt am Main: Suhrkamp Verlag. (en) Stockhausen, Karlheinz. 2003. Stockhausen Courses Kürten 2003: Composition Course on Hoch-Zeiten for Choir . Kürten: Stockhausen-Verlag. (en) Anon. 1971. "Stockhausen: Immer höher". Der Spiegel, 1971 no. 9 : 130, 132, 134. (en) Lebrecht, Norman. 1985. The Book of Musical Anecdotes. New York: Simon and Schuster; London: Sphere Books. . (en) Decroupet, Pascal, and Elena Ungeheuer. 1998. "Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of Gesang der Jünglinge". Translated from the French by Jerome Kohl. Perspectives of New Music 36, no. 1 : 97–142. (en) Bruno, Pascal. 1999. "Donnerstag aus Licht: A New Myth, or Simply an Updating of a Knowledge?" Perspectives of New Music 37, no. 1 : 133–156. (en) Barrett, Richard. 1988. "First Performances: Montag aus LICHT at the Holland Festival". Tempo, new series, no. 166 : 43–45. (en) Peters, Günter. 1992. "Meditations Modulated: H. Heissenbüttel's 'Einfache Grammatische Meditationen' in K. Stockhausen's Mikrophonie II". In German Literature and Music—An Aesthetic Fusion: 1890–1989, edited by C. Reschke and H. Pollock, Houston Germanic Studies 8, 247–261. Munich: Wilhelm Fink Verlag. Revised German edition 1993: "Die ringmodulierte Meditation: Helmut Heissenbüttels 'Einfache grammatische Meditationen' in Karlheinz Stockhausens Mikrophonie II." In Musik-Konzepte 81: Autoren-Musik. Sprache im Grenzbereich der Künste, 16–40. Munich: Edition Text+Kritik. Reprinted in Peters 2003, 27–62 and 163–198 . (en) Anon. 1967. "Composers: Flashes of a Mad Logic". Time 89, no. 6 : 75. (en) Macon, Edward L. 1997. Rocking the Classics: English Progressive Rock and the Counterculture. New York: Oxford University Press. . (en) Maconie, Robin. 1972. "Stockhausen's Mikrophonie I: Perception in Action." Perspectives of New Music 10, no. 2 : 92–101. (en) Druskin, Mikhail Semenovich. 1974. Igor Stravinskii: Lichnost, Tvorchestvo, Vzgliady [Igor Stravinsky: Personality, Works, Opinions]. Leningrad, Moscow: Izdatelstvo "Sovietska kompozitor". (en) American Academy of Arts and Letters. n.d.. "Honorary Members—Foreign Honorary Members". American Academy of Arts and Letters website . (en) Toop, Richard. 1998. "Mondrian, Fibonacci ... und Stockhausen: Mass und Zahl in Adieu". Neue Zeitschrift für Musik 159, no. 4 : 31–35. (en) Nordin, Ingvar Loco. 2004. "George Crumb, Makrokosmos Books 1 and 2: 24 Fantasy Pieces after the Zodiac for Amplified Piano: Margaret Leng Tan (amplified piano)—Alex Nowitz (whistling). Mode 142". Also found at Mode Records website. (en) Broyles, Michael. 2004. Mavericks and Other Traditions in American Music. New Haven and London: Yale University Press. . (en) Aita, Roberto. 2001. "Brothers Quay: In Absentia". OffScreen . English translation by Donato Totaro under the same title here. (en) Peters, Günter. 2003. Heiliger Ernst im Spiel—Texte zur Musik von Karlheinz Stockhausen / Holy Seriousness in the Play—Essays on the Music of Karlheinz Stockhausen . Kürten: Stockhausen-Stiftung für Musik. . (en) Felder, David. 1977. "An Interview with Karlheinz Stockhausen." Perspectives of New Music 16, no. 1 : 85–101. (en) Stockhausen, Markus. 1998. "Markus Stockhausen plays Karlheinz Stockhausen", notes on pp. 13–17 of booklet to CD recording, Markus Stockhausen plays Karlheinz Stockhausen: Aries, In Freundschaft, Halt, Pietà. EMI Classics 7243 5 56645 2 5. (en) Kohl, Jerome. 1983–84a. "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music". Perspectives of New Music 22, nos. 1 and 2:147–185. (en) Frobenius, Wolf. 1981. 'Die "Neue Einfachheit" und der bürgerliche Schönheitsbegriff', in Zur Neuen Einfachheit in der Musik, edited by Otto Kolleritsch, 48–60. Studien zur Wertungsforschung 14. Vienna and Graz: Universal Edition . . (en) Eloy, Jean-Claude. 2008. "I Owe to Him ...". In Gedenkschrift für Stockhausen, edited by Suzanne Stephens and Kathinka Pasveer, 58. Kürten: Stockhausen-Stiftung für Musik. (en) Hewett, Ivan. 2007. "Karlheinz Stockhausen: Both a Rationalist and a Mystic, the Composer's Influence Stretched from Boulez to the Beatles Guardian Unlimited" . (en) Radano, Ronald M. 1993. New Musical Figurations: Anthony Braxton's Cultural Critique Chicago: University of Chicago Press. (en) Stockhausen-Stiftung. 2007. Stockhausen Aufführungen/Performances 2007. Kürten: Stockhausen-Stiftung. (en) Stockhausen, Karlheinz. 1996c. "Helikopter-Streichquartett". Grand Street 14, no. 4 :213–225. . Online Variant of this text . (en) [Craft, Robert]. 1968. "Side Effects: An Interview with Stravinsky". The New York Review of Books : 3–8. (en) Ballantine, Christopher. 1977. "Towards an Aesthetic of Experimental Music". The Musical Quarterly 63, no. 2 : 224–246. (en) Deutscher Musikeditionspreis. 2009. "Elf Preisträger des Deutschen Musikeditionspreis "BEST EDITION" 2009". Deutscher Musikverleger-Verband . (en) Anon. 2007a. "Avant-garde Composer Karlheinz Stockhausen Dies at 79 ". CBCnews.ca . (en) Maconie, Robin. 1989. "Afterword: Beauty and Necessity". In Karlheinz Stockhausen, Stockhausen on Music: Lectures and Interviews, edited by Robin Maconie. London and New York: Marion Boyars. (en) Kohl, Jerome. 1983–84b. "Stockhausen at La Scala: Semper idem sed non eodem modo". Perspectives of New Music 22, nos. 1 and 2:483–501. (en) Akademie der Künste. n.d. "Musik—Mitglieder: Karlheinz Stockhausen, Komponist, Musiktheoretiker, Dirigent". Berlin: Akademie der Künste . (en) Boulez, Pierre. 1976. Conversations with Célestin Deliège. London: Eulenburg Books. (en) Moritz, Albrecht. 2005. "Stockhausen: LICHTER-WASSER (LIGHTS-WATERS), 1998–99". (en) Stockhausen, Karlheinz. 1962. "The Concept of Unity in Electronic Music". Translated by Elaine Barkin. Perspectives of New Music 1, no. 1 : 39–48. (en) Iddon, Martin. 2004. "The Haus that Karlheinz Built". The Musical Quarterly 87, no. 1:87–118. (en) Neidhöfer, Christoph. 2005. "Joseph N. Straus. Stravinsky's Late Music". Music Theory Spectrum 27:336–53. (en) Stockhausen, Karlheinz. 1989a. Stockhausen on Music: Lectures and Interviews, edited by Robin Maconie. London and New York: Marion Boyars. . (en) MacDonald, Ian. 1995. Revolution in the Head: The Beatles' Records and the Sixties. London: Pimlico. . (en) Anon. 1968. "Interv'iu so Stravinskim". Sovetskaia Muzyka : 141. (en) Anon. 1950. "Burg Mödrath wird Kinderheim". Kölnische Rundschau . (en) Ritzel, Fred. 1970. Musik für ein Haus: Kompositionsstudio Karlheinz Stockhausen, Internationale Ferienkurse für Neue Musik, Darmstadt 1968. Darmstädter Beiträge zur Neuen Musik 12, edited by Ernst Thomas. Mainz: B. Schott's Söhne. (en) Pynchon, Thomas. 1999. The Crying of Lot 49 New York: HarperPerennial. (en) Perle, George. 1960. "Book Review: Die Reihe III: Musical Craftsmanship". Journal of Music Theory 4, no. 1 : 102–104. (en) Bäumer, Ingrid. 2008. "'Ehrung von Karlheinz Stockhausen: Rathausvorplatz trägt seinen Namen". Kölner Stadt-Anzeiger . (en) Hall, Michael. 1984. Harrison Birtwistle. The Contemporary Composers 4. Series editor, Nicholas Snowman. London: Robson Books. . (en) Santschi, Madeleine. 1982. Voyage avec Michel Butor. Lausanne: Éditions L'Age d'Homme. (en) Kohl, Jerome. 1998a. "A Seventieth-Birthday Festschrift for Karlheinz Stockhausen : Guest Editor's Introduction". Perspectives of New Music 36, no. 1 : 59–64. (en) Anon. 2001. "Brief Liaisons Give Haunting Results: Visionary Fusion: In Absentia, Directed by Identical Twins Stephen and Timothy Quay with Music by Karlheinz Stockhausen". The Telegraph . (en) Stockhausen, Karlheinz. 2001a. "Message from Professor Karlheinz Stockhausen" . (en) Power, David. 1990. "Book Reviews: Towards a Cosmic Music, Karlheinz Stockhausen; Tim Nevill". Tempo, new series, no. 175. : 30–31. (en) Cross, Jonathan. 2001. "Birtwistle, Sir Harrison". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en) Stravinsky, Igor, and Robert Craft. 1980. Conversations with Stravinsky. 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(en) Maconie, Robin. 1988. "Great Vintages". Classic CD 5. (en) Andraschke, Peter. 1981. "Kompositorische Tendenzen bei Karlheinz Stockhausen seit 1965". In Zur Neuen Einfachheit in der Musik , edited by Otto Kolleritsch, 126–143. Vienna and Graz: Universal Edition . . (en) Skowron, Zbigniew. 1981. "Muzyka elektroniczna Karlheinza Stockhausena. Okres prób i doswiadczen" [Karlheinz Stockhausen's electronic music. A period of trials and experiences]. Muzyka: Kwartalnik Instytutu Sztuki Polskiej Akademii Nauk 26, nos. 3–4:17–40. (en) Tsahar, Assif. 2006. "Gentle Giant". Haaretz [Tel Aviv] . (en) Fokker, Adriaan D. 1968. "Wherefore, and Why?" Die Reihe 8 [English ed.], 68–79. (en) Witts, Dick. 1995. "Karlheinz Stockhausen: Advice to Clever Children ...". The Wire, issue 141 . (en) Schönberger, Elmer. 2001. "Andriessen: Louis Andriessen". The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en) O'Mahony, John. 2001. "The Sound of Discord". The Guardian . (en) Hagedorn, Volker. 2010. ""Dirigent Michael Gielen: Der Unbeugsame" Die Zeit no. 18 . (en) Guerrieri, Matthew. 2009. "At NEC, Six Hours of Stockhausen". The Boston Globe : G10. (en) Williams, Alastair. 2006. "Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's Fremde Szenen I–III and Related Scores". Music & Letters 87, no. 3:379–397. (en) Klein, Lothar. 1968. "Twentieth-Century Analysis: Essays in Miniature". Music Educators Journal 54, no. 6 : 117–19. (en) Feather, Leonard. 1964. "Blindfold Test: Yusef Lateef." Down Beat 31, no. 25 : 34. (en) Flur, Wolfgang. 2003. Kraftwerk: I Was a Robot. Second Edition. London: Sanctuary Publishing, Ltd. . (en) Blumröder, Christoph von. 1982. "Formel-Komposition—Minimal Music—Neue Einfachheit: Musikalische Konzeptionen der siebziger Jahre." In Neuland Jahrbuch 2 , edited by Herbert Henck, 160–178. Bergisch Gladbach: Neuland Verlag. (en) Stockhausen, Karlheinz. 1963–2014 Texte zur Musik. 17 vols. Vols. 1–3 edited by Dieter Schnebel; vols. 4–10 edited by Christoph von Blumröder. Vols. 1–3, Cologne: Verlag M. DuMont Schauberg ; vols. 4–6 DuMont Buchverlag . Vols. 7–10 Kürten: Stockhausen-Verlag . Vols. 11–17 Kürten: Stockhausen-Verlag . English edition, as Texts on Music, edited by Jerome Kohl, with translations by Jerome Kohl, Richard Toop, Tim Nevill, Suzanne Stephens, et al. Kürten: Stockhausen-Verlag, in preparation. (en) Deutscher Musikeditionspreis. 2004–2007. "Best Edition 2004–2007: Deutscher Musikeditionspreis". Deutscher Musikverleger-Verband . (en) Cross, Jonathan. 2000. Harrison Birtwistle: Man, Mind, Music. Ithaca: Cornell University Press. . (en) Stravinsky, Igor. 1984. Selected Correspondence, vol. 2. Edited and with commentaries by Robert Craft. New York: Alfred A. Knopf. (en) . 1973. Stockhausen: Life and Work. Translated by Bill Hopkins. Berkeley: University of California Press. (en)
dbp:title	Links to related articles (en) Awards for Karlheinz Stockhausen (en)
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rdfs:comment	Karlheinz Stockhausen (22. srpna 1928 – 5. prosince 2007) byl německý hudební skladatel, jeden z nejvýznamnějších novátorů a současně kontroverzních osobností hudby 20. století[zdroj?!], proslavený především svými experimenty v rámci elektronické hudby a systémem „kontrolované náhody“ v seriálním způsobu komponování. (cs) Karlheinz Stockhausen (* 22. August 1928 in Mödrath, heute zu Kerpen; † 5. Dezember 2007 in Kürten-Kettenberg) war ein deutscher Komponist. Vor allem in seiner Eigenschaft als Pionier der elektronischen Musik gilt er als einer der bedeutendsten Komponisten des 20. Jahrhunderts. (de) Karlheinz Stockhausen (naskiĝis la 22-an de aŭgusto 1928 en Kerpen-Mödrath (Germanio) - mortis la 5-an de decembro 2007 en Kürten-Kettenberg) estis germana muzikkomponisto, unu el la plej elstaraj novismuloj kaj samtempe la plej kontroversaj personuloj de la muziko de la 20-a jarcento, famiĝinta precipe pro siaj eksperimentoj en elektronika muziko kaj sistemo de "kontrolita hazardo" en seria muziko. Kadre de muzikoterapio li estas aprezata precipe kiel supozeble la unua eŭropano, kiu ellernis teknikon de t.n. supera harmonia kantado, devenanta de Tuvio kaj Tibeto, kaj kiu grave kontribuis al ĝia disvastiĝo en Eŭropo. (eo) Karlheinz Stockhausen est un compositeur allemand né le 22 août 1928 à Mödrath (actuellement quartier de Kerpen) et mort le 5 décembre 2007 à Kürten, en Allemagne. Son travail se construit autour de la musique électroacoustique, de la spatialisation du son et, les dernières années, de longs cycles de création qui aboutissent à des œuvres monumentales. (fr) Ba chumadóir Gearmánach é Karlheinz Stockhausen (22 Lúnasa 1928 - 5 Nollaig 2007). Ceaptar é go minic mar dhuine de na cumadóirí is tábhachtaí sa 20ú haois. Chum sé 370 saothar. Ach lean conspóid i gcónaí é. (ga) Karlheinz Stockhausen (22 Agustus 1928 – 5 Desember 2007) merupakan seorang komposer berkebangsaan Jerman. Dia dilahirkan di . Dia merupakan seorang komposer Kontroversial pada Abad ke-20. (in) 카를하인츠 슈토크하우젠(Karlheinz Stockhausen, 1928년 8월 22일~2007년 12월 5일)은 독일의 작곡가이다. 현대 전위 작곡가의 한 사람으로 전자음악의 발전에 크게 기여한 인물로 유명하다. 파리에 유학하였으며 1953년 쾰른 방송국에서 전자 음악을 담당하면서 《습작 1·2》를 발표하였다. 1960년 전자 음악의 최고 걸작이라 일컬어지는 《접촉》(Kontakt)를 발표, 전자 음악의 새로운 길을 개척하였다. 1963년 쾰른 방송국 전자 음악 실장이 되었으며, 프랑스의 피에르 불레즈, 이탈리아의 루이지 노노와 함께 유럽 현대 음악의 3대 작곡가로 불린다. 2001년 폴라음악상을 수상하였다. (ko) Karlheinz Stockhausen (Mödrath, 22 augustus 1928 – Kürten-Kettenberg, 5 december 2007) was een Duitse componist. Hij wordt beschouwd als een van de invloedrijkste componisten uit de tweede helft van de 20e eeuw. (nl) カールハインツ・シュトックハウゼン（Karlheinz Stockhausen、1928年8月22日 - 2007年12月5日）は、ドイツの現代音楽の作曲家。 (ja) Karlheinz Stockhausen, född 22 augusti 1928 i , Kerpen, Rhenprovinsen, död 5 december 2007 i Kürten nära Köln, Nordrhein-Westfalen, var en tysk kompositör. Han utmärkte sig för mångsidighet och experimentlust med utgångspunkt från den klassiska traditionen och spelade en huvudroll i utvecklingen av konkreta, elektroakustiska och elektroniska uttrycksmedel. (sv) Карлгайнц Штокгаузен (нім. Karlheinz Stockhausen) (*22 серпня 1928 — †5 грудня 2007) — німецький композитор, диригент, музичний теоретик, один з лідерів музичного авангардизму. (uk) Карлхайнц Штокхаузен (нем. Karlheinz Stockhausen; 22 августа 1928, , нынешний район Керпена — 5 декабря 2007, Кюртен, близ Кёльна) — немецкий композитор, дирижёр, музыкальный теоретик. Один из крупнейших новаторов музыки второй половины XX века и лидеров музыкального авангарда. (ru) 卡尔海因茨·施托克豪森（德語：Karlheinz Stockhausen，德语发音：[kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩] （）；1928年8月22日－2007年12月5日），德国作曲家，被广泛认为是20世纪和21世纪初最重要但也最具争议的作曲家之一。他因在電子音樂方面的开创性工作、将受控的偶然性引入到序列主义音乐创作中以及而闻名。他在科隆音乐学院和科隆大学接受教育，后来在巴黎跟随奥利维埃·梅西安学习，在波恩大学师从。作为的领军人物，他的作品和理论对古典音乐、爵士乐和流行音乐都有广泛的影响，至今仍如此。他的作曲生涯长达60年，其中的作品完全摒弃传统曲式。除了现场表演或预先录制的电子音乐，他的作品涵盖了八音盒小品、独奏器乐、藝術歌曲、室内乐、合唱和管弦乐等众多体裁，还有七部长篇歌剧。他的理论和其他著作有十卷之多。他的作品、唱片以及由他的出版公司制作的乐谱获得了许多奖项和荣誉。他著名的作品包括十九部《》、为10件乐器而作的《》、电子/具象音乐《》、为三支管弦乐团而作的《》、打击乐独奏《》、《》、清唱套曲《》、现场电子音乐《》、《》、为6名声乐而作的《》、《》、为两架钢琴和电子装置而作的《》、《》和为独奏家和管弦乐团而作的《》以及庞大的歌剧系列《》。 2007年12月5日，他在德国屈尔滕的家中因突发心脏衰竭去世，享年79岁。 (zh) كارل هاينز شتوكهاوزن (بالألمانية: Karlheinz Stockhausen)‏ (تلفظ ألماني: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 أغسطس 1928 – 5 ديسمبر 2007) ملحن ألماني، يعده الكثيرون من النقاد أحد أهم الملحنين (باريت 1988,45؛ هارفي 1975b، 705؛ هوبكنز 1972,33؛ كلين 1968، 117) وأكثرهم جدلاً (باور 1990، 30) في القرن العشرين وأوائل القرن الحادي والعشرين. ويطلق عليه أحد النقاد «أحد أعظم موسيقيي القرن العشرين أصحاب الرؤى» (هيويت 2007). وهو معروف بأعماله الرائدة في الموسيقى الإلكترونية، والعفوية (العفوية المنظمة) في التلحين بالمصفوفات، والحيز (spatialization) الموسيقي. (ar) Karlheinz Stockhausen fou un dels compositors més importants de música clàssica del segle xx. Va estudiar piano i pedagogia musical al , així com musicologia, germanística i filosofia a la Universitat de la mateixa ciutat, dedicant-se a la composició des dels anys 50 i orientant-se des d'un principi cap a la música serial. Obres d'aquest període són, entre d'altres, Kreuzspiel i Formel. A més de compositor, és remarcable també la seva tasca com a director d'orquestra. (ca) Ο Καρλχάιντς Στοκχάουζεν (γερμαν. Karlheinz Stockhausen στα γερμανικά προφέρεται: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩], 22 Αυγούστου 1928 — 5 Δεκεμβρίου 2007) ήταν Γερμανός συνθέτης ο οποίος θεωρείται από πολλούς κριτικούς ως ένας από τους σημαντικότερους αλλά και αμφιλεγόμενους συνθέτες του 20ου και του 21ου αιώνα. Έχει, επίσης, χαρακτηριστεί ως «ένας από τους μεγαλύτερους οραματιστές της μουσικής του 20ου αιώνα». Είναι γνωστός για το πρωτοπόρο έργο του στην ηλεκτρονική μουσική, στην αλεατορική μουσική και στη μουσική . (el) Karlheinz Stockhausen ([kaɐ̯lˈhaɪnts ˈʃtɔkhaʊzn̩] , 22 de agosto de 1928-, 5 de diciembre de 2007) fue un compositor alemán ampliamente reconocido, tanto por la crítica como por la opinión musical más ilustrada, como uno de los compositores más destacados y polémicos de la música culta del siglo XX. Para muchos, no solo es una figura importante, sino que se trata de uno de los mayores visionarios de la música del siglo XX. Es conocido por sus trabajos de música contemporánea y sus innovaciones en música electroacústica, música aleatoria y composición serial. (es) Karlheinz Stockhausen (kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩ ahoskatua; Mödrath, Kerpen, 1928ko abuztuaren 22a - Kürten, 2007ko abenduaren 5a) alemaniar musikagilea izan zen. , O. Messiaen eta D. Milhaudekin egin zituen musika-ikasketak. Parisko Musique Concrète Estudioan lan egin zuen P. Schaefferrekin. Koloniara itzuli zenean, alemaniar irratiko musika elektronikoaren estudioko laguntzaile izan zen, eta, geroago, zuzendari. A. Schoenberg, A. Webern eta B. Bartóken lana aztertu zuen, eta Darmstadteko uda-ikastaroetan irakasle aritu zen. Gerra osteko musika-abangoardiaren aitzindari izan zen. Serieko musika idatzi zuen, eta maisu izan zen musika elektronikoan. Lan-mota ugari egin zituen. Orkestrarako: Formel (1951), Punkte (1952), Gruppen (1955-1957), Trans (1971), Licht (1977-1978). Ganbera musika: Kre (eu) Karlheinz Stockhausen (German: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance (aleatory techniques) into serial composition, and for musical spatialization. He died of sudden heart failure at the age of 79, on 5 December 2007 at his home in Kürten, Germany. (en) Karlheinz Stockhausen (Kerpen, 22 agosto 1928 – Kürten, 5 dicembre 2007) è stato un compositore tedesco. Viene riconosciuto dalla critica, salvo qualche controversia, come uno dei compositori più all'avanguardia del XX secolo. È conosciuto per il suo lavoro sulla musica elettronica, sull'alea nella composizione seriale, sulla musica intuitiva e sulla spazializzazione in musica. (it) Karlheinz Stockhausen (ur. 22 sierpnia 1928 w w Nadrenii Północnej-Westfalii, zm. 5 grudnia 2007 w Kürten) – niemiecki kompozytor i pedagog, jedna z najbardziej prominentnych postaci muzyki współczesnej. (pl) Karlheinz Stockhausen (Mödrath, 22 de agosto de 1928 — Kürten, 5 de dezembro de 2007) foi um compositor alemão de música contemporânea. Foi colega de Pierre Boulez, Edgar Varése e Iannis Xenakis. Ambos estudaram com o compositor e organista Olivier Messiaen. Críticos do seu trabalho apontam-no como "um dos grandes visionários do século XX no contexto da música pós-moderna". É conhecido, entre outras coisas, por um trabalho notório durante a génese da música electroacústica, para introduzir procedimentos estocásticos, ao nível do indeterminismo musical, após o seu cruzamento com o compositor da cena musical do fluxus, surrealismo, e dadaísmo norte-americano Cage, mas sobretudo pelo seu envolvimento em composição serial e espacialização sonora. (pt)
rdfs:label	كارلهاينز شتوكهاوزن (ar) Karlheinz Stockhausen (ca) Karlheinz Stockhausen (cs) Karlheinz Stockhausen (de) Καρλχάιντς Στοκχάουζεν (el) Karlheinz Stockhausen (eo) Karlheinz Stockhausen (es) Karlheinz Stockhausen (eu) Karlheinz Stockhausen (ga) Karlheinz Stockhausen (fr) Karlheinz Stockhausen (in) Karlheinz Stockhausen (it) Karlheinz Stockhausen (en) 카를하인츠 슈토크하우젠 (ko) カールハインツ・シュトックハウゼン (ja) Karlheinz Stockhausen (nl) Karlheinz Stockhausen (pl) Karlheinz Stockhausen (pt) Штокхаузен, Карлхайнц (ru) Karlheinz Stockhausen (sv) Карлгайнц Штокгаузен (uk) 卡尔海因茨·施托克豪森 (zh)
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