Verna Fields (original) (raw)
فيرنا فيلدز (بالإنجليزية: Verna Fields) هي مونتيرة ومحررة الصوت أمريكية، ولدت في 21 مارس 1918 في سانت لويس في الولايات المتحدة، وتوفيت في 30 نوفمبر 1982 في في الولايات المتحدة بسبب سرطان.
| Property | Value |
|---|---|
| dbo:abstract | فيرنا فيلدز (بالإنجليزية: Verna Fields) هي مونتيرة ومحررة الصوت أمريكية، ولدت في 21 مارس 1918 في سانت لويس في الولايات المتحدة، وتوفيت في 30 نوفمبر 1982 في في الولايات المتحدة بسبب سرطان. (ar) Verna Fields (* 21. März 1918 in St. Louis, Missouri als Verna Hellman; † 30. November 1982 in Encino, Los Angeles) war eine US-amerikanische Filmeditorin. (de) Verna Fields (nacida Hellman; San Luis (Misuri), 21 de marzo de 1918 – Los Ángeles, 30 de noviembre de 1982) fue una editora de cine y sonido, educadora y ejecutiva de la industria del entretenimiento. En la primera fase de su carrera, desde 1954 hasta 1970, Fields participó en proyectos pequeños que apenas le supusieron reconocimiento. Trabajó como editora de sonido para varios programas de televisión en la década de 1950, después en películas independientes como The Savage Eye (1959), en documentales apoyados por el gobierno en los años 1960 y en algunos filmes menores de estudio como la primera película de Peter Bogdanovich, Targets (1968). Durante varios años a finales de la década de 1960 enseñó montaje cinematográfico en la Universidad del Sur de California. Su único trabajo en una gran producción, El Cid (1961), le permitió ganarse el reconocimiento de la industria del cine en esta fase de su carrera, materializado en la concesión en 1962 del Golden Reel (Carrete dorado) a la mejor edición de sonido. Fields saltó a la fama como montadora de cine y ejecutiva durante la etapa del Nuevo Hollywood (1968-1982). Había entablado contacto profesional con cineastas como Peter Bogdanovich, George Lucas y Steven Spielberg al comienzo de sus carreras y se convirtió en su colaboradora de confianza en el montaje de cine. El éxito de crítica y público de películas como What's Up, Doc? (1972), American Graffiti (1973) y Tiburón (1975) le deparó a Verna Fields un nivel de reconocimiento único entre los montadores de cine coetáneos. Tiburón en particular resultó un éxito arrollador y muy rentable que dio inicio a la era de los «taquillazos veraniegos». La contribución de Fields a este fenómeno cinematográfico tuvo un amplio reconocimiento: fue galardonada con el Premio Óscar y el premio de los Editores de Cine de Estados Unidos. Un año después del estreno de esta película había sido nombrada Vicepresidenta de Producción de Largometrajes de Universal Studios, con lo que pasó a ser una de las primeras mujeres en ocupar un cargo de tan alto nivel en la industria del entretenimiento. Su carrera como alta ejecutiva en Universal continuó hasta su fallecimiento en 1982 a los 64 años. (es) Verna Fields, née Hellman, est une monteuse américaine née le 21 mars 1918 à Saint-Louis (Missouri) et morte le 30 novembre 1982 dans le quartier d'Encino à Los Angeles (Californie). (fr) Verna Fields (née Hellman; March 21, 1918 – November 30, 1982) was an American film editor, film and television sound editor, educator, and entertainment industry executive. In the first phase of her career, from 1954 through to about 1970, Fields mostly worked on smaller projects that gained little recognition. She was the sound editor for several television shows in the 1950s. She worked on independent films (including The Savage Eye (1959), on government-supported documentaries of the 1960s, and on some minor studio films such as Peter Bogdanovich's first film, Targets (1968). For several years in the late 1960s, she was a film instructor at the University of Southern California. Her one major studio film, El Cid (1961), led to her only industry recognition in this phase of her career, which was the 1962 Golden Reel award for sound editing. Fields came into prominence as a film editor and industry executive during the 'New Hollywood' era (1968–1982). She had established close ties with the directors Peter Bogdanovich, George Lucas, and Steven Spielberg early in their careers, and became known as their "mother cutter"; the term "cutter" is an informal variation of "film editor". The critical and commercial success of the films What's Up, Doc? (1972), American Graffiti (1973), and Jaws (1975) brought Fields a level of recognition that was unique among film editors at the time. Jaws in particular was enormously and unexpectedly profitable, and ushered in the era of the "summer blockbuster" film. Fields' contributions to this success were widely acknowledged. She received an Academy Award and an American Cinema Editors Award for best editing for the film. Within a year of the film's release, she had been appointed as Vice-President for Feature Production at Universal Pictures. She was thus among the first women to enter upper-level management in the entertainment industry. Her career as an executive at Universal continued until her death in 1982 at age 64. (en) Verna Fields, nata Verna Hellman (Saint Louis, 21 marzo 1918 – Los Angeles, 30 novembre 1982), è stata una montatrice statunitense. Figlia di Sam Hellman, giornalista e sceneggiatore hollywoodiano, dopo la laurea in giornalismo alla University of Southern California comincia a lavorare come assistente al montaggio del suono (La donna del ritratto, 1944, di Fritz Lang). Nel 1946 sposa il montatore Sam Fields e smette di lavorare. Nel 1954, alla morte del marito, torna a lavorare come montatrice del suono sia in televisione che al cinema: Furia, serie TV, 1955 - 1960; Quando la città dorme, 1956, di Fritz Lang; El Cid, 1961, di Anthony Mann (per il quale vince il Golden Reel Award per il miglior montaggio del suono); Bersagli,1968, esordio nel lungometraggio di fiction del regista Peter Bogdanovich. Al lavoro sul suono affianca quello sulle immagini a partire dal film Vivi con rabbia (1960, regia di Irving Lerner). Dalla metà degli anni '60 e per alcuni anni è anche docente di montaggio alla University of Southern California. Nel 1967 lavora a Journey to the Pacific (regia di Gary Goldsmith), un mediometraggio documentario, commissionato dalla United States Information Agency, che documenta del viaggio del presidente Lyndon B. Johnson in alcune nazioni del Pacifico. Come assistente al montaggio, Fields ingaggia George Lucas (suo studente alla University of Southern California) che in quest'occasione conosce Marcia Griffin, apprendista presto Fields. I due si sposeranno nel 1972, e Griffin sarà la co-montatrice della prima trilogia della saga di Guerre Stellari (1977 - 1983). Nel 1973 Lucas ottiene dagli Universal Studios che Griffin monti il suo secondo lungometraggio (American Graffiti) solo a patto che Fields sia co-montatrice. Fields collabora poi anche con Peter Bogdanovich e Steven Spielberg, divenendo così responsabile del montaggio di alcune delle opere centrali della Nuova Hollywood (come Paper Moon - Luna di carta 1973, di Peter Bogdanovich). Nel 1976 ottiene l'Oscar al miglior montaggio per Lo squalo (1975, di Steven Spielberg). Dopo questo film abbandona il mestiere di montatrice e viene assunta dagli Universal Studios come vicepresidente della divisione produzione lungometraggi, divenendo così una delle prime donne a ricoprire un incarico di potere nell'industria cinematografica americana. Muore vittima di un cancro nel 1982. (it) Verna Fields (St. Louis, 21 de março de 1918 — Encino, 30 de novembro de 1982) foi uma editora estadunidense. Venceu o Oscar de melhor montagem na edição de 1976 por Jaws. (pt) Verna Fields (ur. 21 marca 1918 w Saint Louis, zm. 30 listopada 1982 w Los Angeles) – amerykańska montażystka filmowa. Laureatka Oscara za najlepszy montaż do filmu Szczęki (1975) Stevena Spielberga. Była wcześniej nominowana do tej nagrody za Amerykańskie graffiti (1973) George'a Lucasa. Kilkukrotnie współpracowała z reżyserem Peterem Bogdanovichem, dla którego zmontowała filmy No i co, doktorku? (1972), Papierowy księżyc (1973) i Daisy Miller (1974). Odpowiadała również za montaż filmu Spielberga Sugarland Express (1974). (pl) |
| dbo:activeYearsEndYear | 1975-01-01 (xsd:gYear) |
| dbo:activeYearsStartYear | 1954-01-01 (xsd:gYear) |
| dbo:birthDate | 1918-03-21 (xsd:date) |
| dbo:birthName | Verna Hellman (en) |
| dbo:birthPlace | dbr:St._Louis,_Missouri |
| dbo:birthYear | 1918-01-01 (xsd:gYear) |
| dbo:deathDate | 1982-11-30 (xsd:date) |
| dbo:deathPlace | dbr:Los_Angeles,_California |
| dbo:deathYear | 1982-01-01 (xsd:gYear) |
| dbo:imdbId | 0276368 |
| dbo:nationality | dbr:Americans |
| dbo:occupation | dbr:Film_editor dbr:Sound_editor_(filmmaking) dbr:Verna_Fields__PersonFunction__1 |
| dbo:stateOfOrigin | dbr:Americans |
| dbo:thumbnail | wiki-commons:Special:FilePath/Verna_Fields,_1975.jpg?width=300 |
| dbo:wikiPageExternalLink | http://www.fathom.com/feature/122531/ https://web.archive.org/web/20120204052526/http:/www.fathom.com/feature/122531/ |
| dbo:wikiPageID | 4300085 (xsd:integer) |
| dbo:wikiPageLength | 29256 (xsd:nonNegativeInteger) |
| dbo:wikiPageRevisionID | 1095066595 (xsd:integer) |
| dbo:wikiPageWikiLink | dbr:American_Cinema_Editors dbr:Roger_Greenspun dbr:Sidney_Meyers dbr:Ben_Maddow dbr:Berry_Gordy dbr:Bill_Warren_(film_historian_and_critic) dbr:David_Bordwell dbr:David_Brown_(producer) dbr:Death_Valley_Days dbr:Paul_Golding dbr:Peter_Benchley dbr:Peter_Bogdanovich dbr:Richard_D._Zanuck dbr:Universal_City,_California dbr:Universal_Pictures dbr:University_of_California,_Los_Angeles dbr:University_of_Southern_California dbr:David_Edelstein dbr:Douglas_Gomery dbc:1918_births dbr:Matthew_Robbins_(screenwriter) dbr:Medium_Cool dbr:Office_of_Economic_Opportunity dbr:Close_Encounters_of_the_Third_Kind dbr:Fritz_Lang dbr:Fury_(American_TV_series) dbr:George_Lucas dbr:Gloria_Katz dbr:The_Last_Picture_Show dbr:The_Legend_of_the_Boy_and_the_Eagle dbr:The_Savage_Eye dbr:The_Sugarland_Express dbr:The_Woman_in_the_Window_(1944_film) dbr:Motion_Picture_Sound_Editors dbr:Hollywood,_Los_Angeles,_California dbr:Anthony_Mann dbr:Leonard_Maltin dbr:Los_Angeles,_California dbr:Sky_King dbr:Steven_Spielberg dbr:Studs_Lonigan dbr:Joseph_Strick dbc:1982_deaths dbc:American_film_editors dbc:Deaths_from_cancer_in_California dbc:People_from_St._Louis dbc:USC_Annenberg_School_for_Communication_and_Journalism_alumni dbc:Women_sound_editors dbr:USC_School_of_Cinematic_Arts dbr:Walt_Disney_Pictures dbr:Walter_Murch dbr:What's_Up,_Doc?_(1972_film) dbr:While_the_City_Sleeps_(1956_film) dbr:Willard_Huyck dbr:Universal_Studios dbr:20th_Century_Fox dbr:Academy_Award_for_Best_Film_Editing dbr:Alfred_Hitchcock dbr:American_Film_Institute dbr:American_Graffiti dbr:Americans dbr:An_Affair_of_the_Skin dbc:People_from_Los_Angeles dbr:Daisy_Miller_(film) dbr:Federico_Fellini dbr:Film_editor dbr:Paper_Moon_(film) dbr:Gerald_Peary dbr:St._Louis_Post-Dispatch dbr:Sound_editor_(filmmaking) dbr:Haskell_Wexler dbr:Irving_Lerner dbr:Jaws_(film) dbr:Jaws_2 dbr:Jeannot_Szwarc dbr:Targets dbr:The_Balcony_(film) dbc:Best_Film_Editing_Academy_Award_winners dbc:American_sound_editors dbr:Joe_Alves dbr:Joel_Schumacher dbr:John_D._Hancock dbr:John_Milius dbr:Blockbuster_(entertainment) dbr:Summer_of_'42 dbr:El_Cid_(film) dbr:Marcia_Lucas dbr:Greek_chorus dbr:Ahmet_Ertegün dbr:Michael_Kahn_(film_editor) dbr:Michael_Sragow dbr:Women_in_Film_Crystal_+_Lucy_Awards dbr:United_States_Information_Agency dbr:New_Hollywood dbr:Verna_Fields_Award dbr:Motion_Picture_Editors_Guild dbr:St._Louis,_Missouri dbr:Women_in_Film_Los_Angeles dbr:Saturday_Evening_Post dbr:MPSE dbr:Academy_Award_for_Film_Editing dbr:Berlinale_Talent_Campus dbr:U.S._Department_of_Health,_Education,_and_Welfare |
| dbp:birthDate | 1918-03-21 (xsd:date) |
| dbp:birthPlace | St. Louis, Missouri, U.S. (en) |
| dbp:birthname | Verna Hellman (en) |
| dbp:caption | Verna Fields in her editing room in Los Angeles, 1975 (en) |
| dbp:children | 2 (xsd:integer) |
| dbp:deathDate | 1982-11-30 (xsd:date) |
| dbp:deathPlace | Los Angeles, California, U.S. (en) |
| dbp:id | 276368 (xsd:integer) |
| dbp:name | Verna Fields (en) |
| dbp:nationality | dbr:Americans |
| dbp:occupation | dbr:Film_editor dbr:Sound_editor_(filmmaking) |
| dbp:spouse | 1946 (xsd:integer) 1954 (xsd:integer) (en) Sam Fields (en) |
| dbp:wikiPageUsesTemplate | dbt:Authority_control dbt:Birth_date dbt:Blockquote dbt:Cite_web dbt:Good_article dbt:IMDb_name dbt:Infobox_person dbt:Reflist dbt:Short_description dbt:Use_mdy_dates dbt:Death_date_and_age dbt:Awd dbt:Academy_Award_Best_Film_Editing |
| dbp:wordnet_type | http://www.w3.org/2006/03/wn/wn20/instances/synset-actor-noun-1 |
| dbp:yearsActive | 1954 (xsd:integer) |
| dcterms:subject | dbc:1918_births dbc:1982_deaths dbc:American_film_editors dbc:Deaths_from_cancer_in_California dbc:People_from_St._Louis dbc:USC_Annenberg_School_for_Communication_and_Journalism_alumni dbc:Women_sound_editors dbc:People_from_Los_Angeles dbc:Best_Film_Editing_Academy_Award_winners dbc:American_sound_editors |
| gold:hypernym | dbr:Editor |
| schema:sameAs | http://viaf.org/viaf/34653527 |
| rdf:type | owl:Thing foaf:Person dbo:Person dul:NaturalPerson wikidata:Q19088 wikidata:Q215627 wikidata:Q5 wikidata:Q729 yago:WikicatAmericanFilmEditors yago:WikicatAmericanPeople dbo:Animal dbo:Eukaryote dbo:Species schema:Person yago:WikicatWomen yago:Adult109605289 yago:CausalAgent100007347 yago:Editor110044879 yago:Female109619168 yago:LivingThing100004258 yago:Object100002684 yago:Organism100004475 yago:Person100007846 yago:PhysicalEntity100001930 yago:Woman110787470 yago:Worker109632518 yago:YagoLegalActor yago:YagoLegalActorGeo yago:SkilledWorker110605985 yago:Whole100003553 |
| rdfs:comment | فيرنا فيلدز (بالإنجليزية: Verna Fields) هي مونتيرة ومحررة الصوت أمريكية، ولدت في 21 مارس 1918 في سانت لويس في الولايات المتحدة، وتوفيت في 30 نوفمبر 1982 في في الولايات المتحدة بسبب سرطان. (ar) Verna Fields (* 21. März 1918 in St. Louis, Missouri als Verna Hellman; † 30. November 1982 in Encino, Los Angeles) war eine US-amerikanische Filmeditorin. (de) Verna Fields, née Hellman, est une monteuse américaine née le 21 mars 1918 à Saint-Louis (Missouri) et morte le 30 novembre 1982 dans le quartier d'Encino à Los Angeles (Californie). (fr) Verna Fields (St. Louis, 21 de março de 1918 — Encino, 30 de novembro de 1982) foi uma editora estadunidense. Venceu o Oscar de melhor montagem na edição de 1976 por Jaws. (pt) Verna Fields (ur. 21 marca 1918 w Saint Louis, zm. 30 listopada 1982 w Los Angeles) – amerykańska montażystka filmowa. Laureatka Oscara za najlepszy montaż do filmu Szczęki (1975) Stevena Spielberga. Była wcześniej nominowana do tej nagrody za Amerykańskie graffiti (1973) George'a Lucasa. Kilkukrotnie współpracowała z reżyserem Peterem Bogdanovichem, dla którego zmontowała filmy No i co, doktorku? (1972), Papierowy księżyc (1973) i Daisy Miller (1974). Odpowiadała również za montaż filmu Spielberga Sugarland Express (1974). (pl) Verna Fields (nacida Hellman; San Luis (Misuri), 21 de marzo de 1918 – Los Ángeles, 30 de noviembre de 1982) fue una editora de cine y sonido, educadora y ejecutiva de la industria del entretenimiento. En la primera fase de su carrera, desde 1954 hasta 1970, Fields participó en proyectos pequeños que apenas le supusieron reconocimiento. Trabajó como editora de sonido para varios programas de televisión en la década de 1950, después en películas independientes como The Savage Eye (1959), en documentales apoyados por el gobierno en los años 1960 y en algunos filmes menores de estudio como la primera película de Peter Bogdanovich, Targets (1968). Durante varios años a finales de la década de 1960 enseñó montaje cinematográfico en la Universidad del Sur de California. Su único trabajo en una g (es) Verna Fields, nata Verna Hellman (Saint Louis, 21 marzo 1918 – Los Angeles, 30 novembre 1982), è stata una montatrice statunitense. Figlia di Sam Hellman, giornalista e sceneggiatore hollywoodiano, dopo la laurea in giornalismo alla University of Southern California comincia a lavorare come assistente al montaggio del suono (La donna del ritratto, 1944, di Fritz Lang). Nel 1946 sposa il montatore Sam Fields e smette di lavorare. Nel 1954, alla morte del marito, torna a lavorare come montatrice del suono sia in televisione che al cinema: Furia, serie TV, 1955 - 1960; Quando la città dorme, 1956, di Fritz Lang; El Cid, 1961, di Anthony Mann (per il quale vince il Golden Reel Award per il miglior montaggio del suono); Bersagli,1968, esordio nel lungometraggio di fiction del regista Peter Bogd (it) Verna Fields (née Hellman; March 21, 1918 – November 30, 1982) was an American film editor, film and television sound editor, educator, and entertainment industry executive. In the first phase of her career, from 1954 through to about 1970, Fields mostly worked on smaller projects that gained little recognition. She was the sound editor for several television shows in the 1950s. She worked on independent films (including The Savage Eye (1959), on government-supported documentaries of the 1960s, and on some minor studio films such as Peter Bogdanovich's first film, Targets (1968). For several years in the late 1960s, she was a film instructor at the University of Southern California. Her one major studio film, El Cid (1961), led to her only industry recognition in this phase of her career, (en) |
| rdfs:label | Verna Fields (en) فيرنا فيلدز (ar) Verna Fields (de) Verna Fields (es) Verna Fields (fr) Verna Fields (it) Verna Fields (pl) Verna Fields (pt) |
| owl:sameAs | freebase:Verna Fields yago-res:Verna Fields http://viaf.org/viaf/34653527 http://d-nb.info/gnd/1211414469 wikidata:Verna Fields dbpedia-ar:Verna Fields dbpedia-de:Verna Fields dbpedia-es:Verna Fields dbpedia-fa:Verna Fields dbpedia-fr:Verna Fields dbpedia-it:Verna Fields dbpedia-pl:Verna Fields dbpedia-pt:Verna Fields dbpedia-sh:Verna Fields https://global.dbpedia.org/id/2NPAS |
| prov:wasDerivedFrom | wikipedia-en:Verna_Fields?oldid=1095066595&ns=0 |
| foaf:depiction | wiki-commons:Special:FilePath/Verna_Fields,_1975.jpg |
| foaf:isPrimaryTopicOf | wikipedia-en:Verna_Fields |
| foaf:name | Verna Fields (en) |
| is dbo:editing of | dbr:Deathwatch_(1965_film) dbr:Medium_Cool dbr:The_Legend_of_the_Boy_and_the_Eagle dbr:The_Sugarland_Express dbr:The_Wild_Racers dbr:Studs_Lonigan dbr:Track_of_Thunder dbr:What's_Up,_Doc?_(1972_film) dbr:An_Affair_of_the_Skin dbr:Daisy_Miller_(film) dbr:Paper_Moon_(film) dbr:Jaws_(film) dbr:Jaws_(franchise) dbr:American_Graffiti__American_Graffiti__1 |
| is dbo:wikiPageRedirects of | dbr:Mother_Cutter |
| is dbo:wikiPageWikiLink of | dbr:Carnation_(brand) dbr:American_Cinema_Editors_Award_for_Best_Edited_Feature_Film_–_Comedy_or_Musical dbr:American_Cinema_Editors_Award_for_Best_Edited_Feature_Film_–_Dramatic dbr:List_of_female_Academy_Award_winners_and_nominees_for_non-gendered_categories dbr:Mother_Cutter dbr:Dede_Allen dbr:List_of_University_of_Southern_California_people dbr:Patricia_Cardoso dbr:Deathwatch_(1965_film) dbr:Independent_film dbr:Medium_Cool dbr:Electronic_Labyrinth:_THX_1138_4EB dbr:George_Lucas dbr:The_Legend_of_the_Boy_and_the_Eagle dbr:The_Savage_Eye dbr:The_Sugarland_Express dbr:The_Thing_(1982_film) dbr:The_Wild_Racers dbr:1982_in_film dbr:Anne_V._Coates dbr:Studs_Lonigan dbr:Zeroville_(film) dbr:March_1918 dbr:Track_of_Thunder dbr:USC_School_of_Cinematic_Arts dbr:What's_Up,_Doc?_(1972_film) dbr:Academy_Award_for_Best_Film_Editing dbr:American_Graffiti dbr:An_Affair_of_the_Skin dbr:29th_British_Academy_Film_Awards dbr:46th_Academy_Awards dbr:48th_Academy_Awards dbr:Daisy_Miller_(film) dbr:Nietzchka_Keene dbr:Paper_Moon_(film) dbr:Jaws_(film) dbr:Jaws_(franchise) dbr:Jaws_2 dbr:Jaws_3-D dbr:Counterprogramming_(television) dbr:The_Balcony_(film) dbr:The_Deer_Hunter dbr:Joe_Alves dbr:Dorothy_Spencer dbr:BAFTA_Award_for_Best_Editing dbr:Marcia_Lucas dbr:Film_editing dbr:Women_in_Film_Crystal_+_Lucy_Awards |
| is dbp:editing of | dbr:Deathwatch_(1965_film) dbr:Medium_Cool dbr:The_Legend_of_the_Boy_and_the_Eagle dbr:The_Wild_Racers dbr:Studs_Lonigan dbr:Track_of_Thunder dbr:What's_Up,_Doc?_(1972_film) dbr:An_Affair_of_the_Skin dbr:Daisy_Miller_(film) dbr:Paper_Moon_(film) dbr:Jaws_(film) |
| is foaf:primaryTopic of | wikipedia-en:Verna_Fields |
