Youth on the Prow, and Pleasure at the Helm (original) (raw)
Juventud en la Proa, y Placer en el Timón, también conocido como Risas Justas en la Mañana y Juventud y Placer, es una pintura al óleo sobre tela realizada por el artista inglés William Etty, exhibida por primera vez en 1832 y actualmente expuesta en la Tate Britain.
| Property | Value |
|---|---|
| dbo:abstract | الشباب يزحف والمتعة تقود (بالإنجليزية: Youth on the Prow, and Pleasure at the Helm) ، تعرف أيضاً بالحسناء تضحك للضحى والشباب والمتعة، هي لوحة زيتية للفنان الإنغليزي وليام إيتي، عُرضت لأول مرة عام 1832 وموجودة حالياً في تات بريطانيا. كان إيتي يخطط للوحة منذ 1818-19، وعُرضت نسخة مبكرة منها عام 1822. اللوحة مستوحاة من استعارة في قصيدة لتوماس غراي والتي تظهر فيها بداية مشرقة من سوء حكم ريتشارد الثاني ملك إنجلترا مقارنة بالسفينة المذهبة التي يجهل راكبوها باقتراب العاصفة. اختار إيتي رسم توضيح خطوط غراي حرفيا، واصفاً القارب المذهب المملوء والمحاط بالشخصيات العارية وشبه العارية. شعر إيتي أن مقاربته للعمل توضح التحذير الأخلاقي عن السعي وراء المتعة، لكنه مقاربته لم تكن ناجحة تماماً. الشاعر الملحمي كانت على وشك مواجهة لعنة في بلانتاجانت والتي نظمها وليزي في أعقاب محاولات إدوارد الأول ملك إنجلترا القضاء على الثقافة الويلزية، شعر النقاد أن إيتي أساء إلى حد ماء فهم الغرض من قصيدة غراي. أشاد بعض المراجعين بلوحة إيتي، وخاصة قدراته التقنية، لكن الجمهور في ذلك الوقت وجدوا بأنه من الصعب فهم الغرض من لوحة إتي، واستخدامه للشخصيات العارية جلب بعض النقد حيث اعتبر عملاً عديم الذوق وهجومياً. اللوحة اشتراها عام 1832 لتصبح جزءاً من مجموعته الخاصة بالفن البريطاني. تبرع قرنون بمجموعته، ومن بينها الشباب يزحف والمتعة تقود، إلى المعرض الوطني عام 1847، والذي بدوره، قام بنقلها إلى عام 1949. تظل هذه اللوحة من أشهر أعمال إيتي، وشكلت جزءاً رئيسياً من المعروضات في تات بريطانيا في 2001-02 وفي في 2011-12. (ar) Juventud en la Proa, y Placer en el Timón, también conocido como Risas Justas en la Mañana y Juventud y Placer, es una pintura al óleo sobre tela realizada por el artista inglés William Etty, exhibida por primera vez en 1832 y actualmente expuesta en la Tate Britain. (es) Youth on the Prow, and Pleasure at the Helm (also known as Fair Laughs the Morn and Youth and Pleasure) is an oil painting on canvas by English artist William Etty, first exhibited in 1832. Etty had been planning the painting since 1818–19, and an early version was exhibited in 1822. The piece was inspired by a metaphor in Thomas Gray's poem The Bard in which the apparently bright start to the notorious misrule of Richard II of England was compared to a gilded ship whose occupants are unaware of an approaching storm. Etty chose to illustrate Gray's lines literally, depicting a golden boat filled with and surrounded by nude and near-nude figures. Etty felt that his approach to the work illustrated a moral warning about the pursuit of pleasure, but his approach was not entirely successful. The Bard was about a supposed curse on the House of Plantagenet placed by a Welsh bard following Edward I of England's attempts to eradicate Welsh culture, and critics felt that Etty had somewhat misunderstood the point of Gray's poem. Some reviewers greatly praised the piece, and in particular Etty's technical abilities, but audiences of the time found it hard to understand the purpose of Etty's painting, and his use of nude figures led some critics to consider the work tasteless and offensive. The painting was bought in 1832 by Robert Vernon to form part of his collection of British art. Vernon donated his collection, including Youth on the Prow, and Pleasure at the Helm, to the National Gallery in 1847, which, in turn, transferred it to the Tate Gallery in 1949. It remains one of Etty's best-known works, and formed part of major exhibitions at Tate Britain in 2001–02 and at the York Art Gallery in 2011–12. (en) A Juventude na Proa e o Prazer no Leme, também conhecida como Juventude e Prazer, é uma pintura a óleo sobre tela de do artista inglês William Etty, exibida pela primeira vez em 1832. Encontra-se, actualmente, na Tate Britain. Etty tinha planeado elaborar esta obra desde 1818–19, e em 1822 foi exibida uma primeira versão. A pintura foi inspirada numa metáfora do poema The Bard de Thomas Gray, no qual o aparente brilhante início do mau governo de Ricardo II de Inglaterra, foi comparado a um navio dourado cujos ocupantes não se apercebem de uma tempestade que se aproxima. Etty decidiu ilustrar o texto de Gray' de gorma literal, pintando um barco dourado tendo a bordo, e em seu redor, figuras nuas e outras quase nuas. Etty tinha a intenção de ilustrar um aviso moral acerca da procura do prazer, mas a sua abordagem não foi completamente bem sucedida. The Bard era uma suposta maldição sobre a Casa Plantageneta levada a cabo por um bardo galês, na sequência das tentativas de Eduardo I da Inglaterra de erradicar a cultura galesa, mas os críticos acharam que Etty não teria compreendido na totatilade a perspectiva do poema de Gray. Alguns críticos elogiaram a obra e, em particular, as capacidades técnicas de Etty, mas a população em geral, que viu a pintura na época, teve dificuldade em entender qual o objectivo da obra de Etty, e a sua inclusão de figuras nuas levou a que alguns críticos considerassem o trabalho sem gosto e ofensivo. A pintura foi comprada em 1832 por , um patrono de arte, para fazer parte da sua colecção de arte britânica. Vernon doou a sua colecção, incluindo esta pintura, à National Gallery de Londres em 1847, a qual, por sua vez, a transferiu para a Tate Gallery em 1949. É um dos trabalhos mais conhecidos de Etty', e fez parte das grandes exposições da Tate Britain em 2001–02 e da em 2011–12. (pt) |
| dbo:thumbnail | wiki-commons:Special:FilePath/Etty_Youth_1832.jpg?width=300 |
| dbo:wikiPageExternalLink | https://archive.org/details/williametty00farr%7Curl-access=registration%7Cyear=1958%7Cpublisher=Routledge |
| dbo:wikiPageID | 46880915 (xsd:integer) |
| dbo:wikiPageLength | 24082 (xsd:nonNegativeInteger) |
| dbo:wikiPageRevisionID | 1063372750 (xsd:integer) |
| dbo:wikiPageWikiLink | dbr:Royal_Academy_of_Arts dbc:1832_paintings dbr:House_of_Plantagenet dbr:Judith_Hare,_Countess_of_Listowel dbr:Richard_II_of_England dbc:Allegorical_paintings_by_English_artists dbr:Oil_painting dbr:Old_Masters dbr:Edward_I_of_England dbr:The_Times dbr:Thomas_Gray dbr:Thomas_Lawrence dbr:File:Etty_–_The_Dawn_of_Love.jpg dbr:The_Art_Journal dbr:The_Bard_(poem) dbr:William_Etty dbc:Paintings_based_on_literature dbr:Bard dbr:British_Institution dbc:Paintings_by_William_Etty dbr:Nude_(art) dbr:History_painting dbr:The_Examiner_(1808–86) dbr:The_Gentleman's_Magazine dbr:Tate_Britain dbr:Samuel_Carter_Hall dbc:19th-century_allegorical_paintings dbc:Birds_in_art dbc:Collection_of_the_Tate_galleries dbc:Maritime_paintings dbc:Nude_art dbr:John_Constable dbr:Henry_Howard_(artist) dbr:Tiller dbr:West_wind dbr:Bumboat dbr:Incipit dbr:Kingston_upon_Hull dbr:National_Gallery dbr:Athenaeum_(British_magazine) dbr:Sea_serpent dbr:York dbr:York_Art_Gallery dbr:Robert_Vernon_(art_patron) dbr:Oil_sketch dbr:Royal_Academy_Summer_Exhibition dbr:Naiad dbr:Society_for_the_Suppression_of_Vice dbr:Prow dbr:The_Morning_Chronicle dbr:The_Arrival_of_Cleopatra_in_Cilicia dbr:Tate_Gallery dbr:Society_of_Arts dbr:File:Etty_Youth_1832.jpg dbr:File:Etty_Youth_1822.png dbr:File:Etty_–_Three_Female_Nudes.jpeg dbr:File:William_Blake_-_The_Poems_of_Thomas_Gray,_Design_60_The_Bard_08.jpg dbr:File:Youth_&_Pleasure_handbill.jpg |
| dbp:align | right (en) |
| dbp:quote | Fair laughs the morn, and soft the zephyr blows, While proudly riding o'er the azure realm, In gallant trim, the gilded vessel goes, Youth on the prow and Pleasure at the helm, Unmindful of the sweeping whirlwind's sway, That, hushed in grim repose, expects his evening prey. (en) |
| dbp:salign | right (en) |
| dbp:source | Lines from The Bard which accompanied Youth and Pleasure when originally exhibited. (en) |
| dbp:width | 25 (xsd:integer) |
| dbp:wikiPageUsesTemplate | dbt:Asof dbt:CURRENTYEAR dbt:Circa dbt:Cite_book dbt:Convert dbt:Efn-ua dbt:Featured_article dbt:Inflation dbt:Inflation-fn dbt:Italic_title dbt:Notelist-ua dbt:Quote dbt:Quote_box dbt:Reflist dbt:Sfn dbt:Short_description dbt:Sic dbt:Use_dmy_dates dbt:William_Etty |
| dcterms:subject | dbc:1832_paintings dbc:Allegorical_paintings_by_English_artists dbc:Paintings_based_on_literature dbc:Paintings_by_William_Etty dbc:19th-century_allegorical_paintings dbc:Birds_in_art dbc:Collection_of_the_Tate_galleries dbc:Maritime_paintings dbc:Nude_art |
| gold:hypernym | dbr:Painting |
| rdf:type | dbo:Artwork |
| rdfs:comment | Juventud en la Proa, y Placer en el Timón, también conocido como Risas Justas en la Mañana y Juventud y Placer, es una pintura al óleo sobre tela realizada por el artista inglés William Etty, exhibida por primera vez en 1832 y actualmente expuesta en la Tate Britain. (es) الشباب يزحف والمتعة تقود (بالإنجليزية: Youth on the Prow, and Pleasure at the Helm) ، تعرف أيضاً بالحسناء تضحك للضحى والشباب والمتعة، هي لوحة زيتية للفنان الإنغليزي وليام إيتي، عُرضت لأول مرة عام 1832 وموجودة حالياً في تات بريطانيا. كان إيتي يخطط للوحة منذ 1818-19، وعُرضت نسخة مبكرة منها عام 1822. اللوحة مستوحاة من استعارة في قصيدة لتوماس غراي والتي تظهر فيها بداية مشرقة من سوء حكم ريتشارد الثاني ملك إنجلترا مقارنة بالسفينة المذهبة التي يجهل راكبوها باقتراب العاصفة. اختار إيتي رسم توضيح خطوط غراي حرفيا، واصفاً القارب المذهب المملوء والمحاط بالشخصيات العارية وشبه العارية. (ar) Youth on the Prow, and Pleasure at the Helm (also known as Fair Laughs the Morn and Youth and Pleasure) is an oil painting on canvas by English artist William Etty, first exhibited in 1832. Etty had been planning the painting since 1818–19, and an early version was exhibited in 1822. The piece was inspired by a metaphor in Thomas Gray's poem The Bard in which the apparently bright start to the notorious misrule of Richard II of England was compared to a gilded ship whose occupants are unaware of an approaching storm. Etty chose to illustrate Gray's lines literally, depicting a golden boat filled with and surrounded by nude and near-nude figures. (en) A Juventude na Proa e o Prazer no Leme, também conhecida como Juventude e Prazer, é uma pintura a óleo sobre tela de do artista inglês William Etty, exibida pela primeira vez em 1832. Encontra-se, actualmente, na Tate Britain. Etty tinha planeado elaborar esta obra desde 1818–19, e em 1822 foi exibida uma primeira versão. A pintura foi inspirada numa metáfora do poema The Bard de Thomas Gray, no qual o aparente brilhante início do mau governo de Ricardo II de Inglaterra, foi comparado a um navio dourado cujos ocupantes não se apercebem de uma tempestade que se aproxima. Etty decidiu ilustrar o texto de Gray' de gorma literal, pintando um barco dourado tendo a bordo, e em seu redor, figuras nuas e outras quase nuas. (pt) |
| rdfs:label | الشباب يزحف والمتعة تقود (ar) Juventud en la proa, y placer en el timón (es) A Juventude na Proa e o Prazer no Leme (pt) Youth on the Prow, and Pleasure at the Helm (en) |
| owl:sameAs | freebase:Youth on the Prow, and Pleasure at the Helm wikidata:Youth on the Prow, and Pleasure at the Helm dbpedia-ar:Youth on the Prow, and Pleasure at the Helm dbpedia-es:Youth on the Prow, and Pleasure at the Helm dbpedia-fa:Youth on the Prow, and Pleasure at the Helm dbpedia-pt:Youth on the Prow, and Pleasure at the Helm https://global.dbpedia.org/id/urzi |
| prov:wasDerivedFrom | wikipedia-en:Youth_on_the_Prow,_and_Pleasure_at_the_Helm?oldid=1063372750&ns=0 |
| foaf:depiction | wiki-commons:Special:FilePath/Etty_Youth_1832.jpg wiki-commons:Special:FilePath/Etty_–_The_Dawn_of_Love.jpg wiki-commons:Special:FilePath/Etty_Youth_1822.png wiki-commons:Special:FilePath/Etty_–_Three_Female_Nudes.jpeg wiki-commons:Special:FilePath/William_Blake_-_The_P...homas_Gray,_Design_60_The_Bard_08.jpg wiki-commons:Special:FilePath/Youth_&_Pleasure_handbill.jpg |
| foaf:isPrimaryTopicOf | wikipedia-en:Youth_on_the_Prow,_and_Pleasure_at_the_Helm |
| is dbo:notableWork of | dbr:William_Etty |
| is dbo:wikiPageRedirects of | dbr:Fair_Laughs_the_Morn_and_Youth_and_Pleasure dbr:Fair_Laughs_the_Morn dbr:Youth_and_Pleasure dbr:Youth_on_the_Prow dbr:Youth_on_the_Prow_and_Pleasure_at_the_Helm |
| is dbo:wikiPageWikiLink of | dbr:Fair_Laughs_the_Morn_and_Youth_and_Pleasure dbr:1822_in_art dbr:1832_in_art dbr:The_Triumph_of_Cleopatra dbr:The_Bard_(poem) dbr:Britomart_Redeems_Faire_Amoret dbr:William_Etty dbr:The_Combat:_Woman_Pleading_for_the_Vanquished dbr:The_Destroying_Angel_and_Daemons_of_Ev...Orgies_of_the_Vicious_and_Intemperate dbr:Fair_Laughs_the_Morn dbr:Youth_and_Pleasure dbr:Youth_on_the_Prow dbr:Youth_on_the_Prow_and_Pleasure_at_the_Helm |
| is foaf:primaryTopic of | wikipedia-en:Youth_on_the_Prow,_and_Pleasure_at_the_Helm |
