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Steina, Machine Vision (1975-).
Steina and Woody Vasulka Fonds.
Vera Frenkel, The Institute™: Or, What We Do for Love (2003–2009).
Courtesy of the artist and the National Gallery of Canada (Ottawa).
David Rokeby, The Giver of Names (1991-).
Courtesy of the artist and the Montreal Museum of Fine Arts.
Alan Dunning, Translation (1991).
Courtesy of Alan Dunning.
George Legrady, Pockets Full of Memories (2001).
Courtesy of George Legrady and the Cornerhouse Gallery (Manchester).
Jim Campbell, Home Movies 300-1 (2006).
Courtesy of the artist and the Hosfelt Gallery (San Francisco).
jodi, JET SET WILLY Variations (1982).
Courtesy of the artists and the Guggenheim Museum.
La La La Human Steps, New Work (2011).
Photo: Édouard Lock. Courtesy of La La La Human Steps.
Max Dean and Raffaello D'Andrea, The Table : Childhood (1984-2001).
Courtesy of the artists and the National Gallery of Canada (Ottawa).
Michael Snow, Conception of Light (1992).
Image from Digital Snow. Courtesy of the artist.
Michael Snow, Place des peaux (1998).
Image from Digital Snow. Courtesy of the artist.
Nam June Paik, Royal Canadian Mounted Police (1989).
Courtesy of the Montreal Museum of Fine Arts.
Philip Beesley, Hylozoic Soil (2007).
Courtesy of the artist.
Rafael Lozano-Hemmer, Standards and Double Standards (2004)
Courtesy of the artist and the OMR Gallery (Basel).
Catherine Richards, Curiosity Cabinet at the End of the Millenium (1995).
Courtesy of the artist.
Tmema, The Manual Input Workstation (2004-2006).
Courtesy of the artists and the Lentos Kunstmuseum (Linz).
Norman White, First Tighten Up on the Drums (1968).
Courtesy of the artist and the National Gallery of Canada (Ottawa).
Vera Frenkel, String Games: Improvisations for Inter-City Video (Montreal–Toronto, 1974).
Courtesy of the artist.
Sonia Sheridan manipulating the "C-in-C" copier (1978).
The Daniel Langlois Foundation. Sonia Landy Sheridan fonds.
Eduardo Kac, GFP Bunny (2000).
Courtesy of the artist.
Jessica Field, Semiotic Investigation into Cybernetic Behaviour (2003).
Courtesy of the artist.
Jim Campbell, Portrait of a Portrait of Harry Nyquist (2000).
Courtesy of the artist.
John Cage, Variations VII (1966).
The Daniel Langlois Foundation, 9 Evenings: Theatre and Engineering fonds.
George Legrady, An Anecdoted Archive From the Cold War, 1994.
Screen capture from the CD-ROM George Legrady, From Analogue to Digital: Photography and Interactive Media, 1997.
Courtesy of George Legrady.
Luc Courchesne, Panoscopic Image (2005).
Courtesy of the artist.
Marie Chouinard, Cantique n° 3 (2004).
Courtesy of the Compagnie Marie Chouinard.
Michael Snow in a work by Luc Courchesne, Horizons (2007).
Courtesy of the artists and Pierre-François Ouellette Art Contemporain gallery.
Alex Hay and Robert Rauschenberg in Grass Field (1966).
The Daniel Langlois Foundation. 9 Evenings: Theatre and Engineering fonds.
Sponge/FoAM, TGarden (2000).
Courtesy of Sponge and FoAM.
Tmema, The Manual Input Workstation (2004-2006).
Courtesy of the artists and the Lentos Kunstmuseum (Linz).
Usman Haque (with J. Pletts and L. Turin), Scents of Space (2002).
Courtesy of the artists.
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