last names beginning with Hia-Hoz (original) (raw)
America's Distinguished Artists
a national registry of historic artists
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Deceased American artists and artisans of note who created representational art are indexed in this catalogue by last name in alphabetical order. There are references to Resource Library texts and those from other sites. Click on letters below to access the alphabetical index.
Aldro T. Hibbard, N.A.from Resource Library essay (dedicated solely to this artist by a named author)
Elizabeth H. Hibbard from Resource Library article (not solely dedicated to this artist)
Edward Hicks from Resource Library article (dedicated solely to this artist)
(above: Edward Hicks, Peaceable Kingdom of the Branch, c. 1826 -1830, oil on canvas, Reynolda House Museum of American Art, Winston-Salem, North Carolina. Public domain, via Wikimedia Commons*)
Thomas Hicks from Resource Library article (not solely dedicated to this artist) also see Thomas Hicks from James A. Michener Art Museum
(above: Thomas Hicks, A Friendly Warning, c. 1881-90, oil on canvas, Art Institute of Chicago, A. A. MacKay Fund Income. Public domain, via Wikimedia Commons*)
Eugene Higgins from Resource Library essay (dedicated solely to this artist by a named author)
George Frank Higgins from Resource Library article (not solely dedicated to this artist) also seeGeorge Frank Higgins from U.S. Department of State
Victor Higgins from Resource Library essay (dedicated solely to this artist by a named author)
(above: Victor Higgins (1884-1949),The White Gate, 1919, oil on canvas, 18.1 x 20.2 in. Owings-Dewey Fine Art, Santa Fe, New Mexico. Public domain, via Wikimedia Commons)
Howard Logan Hildebrandtfrom Resource Library article (not solely dedicated to this artist) also see Howard Logan Hildebrandt from Archives of American Art
T. J. Hileman from Resource Library article (not solely dedicated to this artist)) also see T. J. (Tomar Jacob) Hileman from Wikipedia
Hilaire Hiler from Resource Library essay (not solely dedicated to this artist by a named author) also see Hilaire Hiler from Wikipedia
Abby Rhoda Williams Hillfrom Resource Library essay (not solely dedicated to this artist by a named author) also see Abby Williams Hill from Wikipedia
Edward Rufus Hill from Resource Library article (not solely dedicated to this artist) also see Edward Hill from Wikipedia
John Henry Hillfrom Resource Library essay (not solely dedicated to this artist by a named author) also see John Henry Hill (1839-1922) from Questroyal Fine Art, LLC
John William Hillfrom Resource Library article (not solely dedicated to this artist) also see John William Hill from Wikipedia
(above: John William Hill, Cucumbers, c. 1860, watercolor on cream wove paper, 7 7/16 x 12 1/2 inches, Museum purchase, Laura P. Hall Memorial Fund, Princeton University Art Museum. Public domain, via Wikimedia Commons*)
Myrtle Hill from Resource Library biography dedicated to this artist by a named author
Polly Knipp Hill from Resource Library article (not solely dedicated to this artist) also see Polly Knipp Hill from Google News (St. Petersburg Times, 10/26/41)
Thomas Hill from Resource Library article (dedicated solely to this artist) also see Thomas Hill from Wikipedia
(above: Thomas Hill, Great Canyon of the Sierra, Yosemite, 1872. Crocker Art Museum). Public domain, via Wikimedia Commons*)
additional paintings by Thomas Hill and brief biography
John (Jack) Hillersfrom Resource Library essay (not solely dedicated to this artist by a named author)
William Henry Hilliard from Resource Library article (not solely dedicated to this artist) also see William Henry Hilliard from White Mountain Art & Artists
John Hilling from Resource Library article (not solely dedicated to this artist) also seeJohn Hilling from National Gallery of Art
Anna Althea Hillsfrom Resource Library article (not solely dedicated to this artist) also see Anna Althea Hills from Viki Sonstegard
(above: Anna Althea Hills, Sunshine & Shadow, Orange Co. Park, California, 1915, oil on board, 7 x 10 inches, American Eagle Fine Arts, Benicia, California. Public domain, via Wikimedia Commons*)
Additional artwork by Anna Althea Hills
Anna Althea Hills, a significant figure in early 20th-century California art, distinguished herself through her exquisitelandscapes that captured the essence of California's diverse scenery. Born in Ravenna, Ohio, in 1882, Hills demonstrated an early passion for art and pursued formal training at the Art Institute of Chicago and later at the Broadmoor Academy in Colorado.
Hills' choice of subject matter primarily focused on the scenic landscapes of California, particularly the coastal regions and the desert landscapes of the southwest. Her paintings often depicted the rugged coastline of Laguna Beach, the majestic vistas of the Sierra Nevada mountains, and the tranquil deserts of Palm Springs. Hills' deep appreciation for the natural beauty of these regions inspired her to capture their unique characteristics on canvas.
One of the defining features of Hills' art was her adeptness at capturing the atmospheric effects and the play of light in her landscapes. Influenced by the Impressionist and Tonalist movements, she employed a soft, harmonious palette and a delicate brushstroke to evoke a sense of tranquility and mood in her paintings. This approach allowed her to convey not just the physical appearance of the landscapes but also their emotional resonance and spiritual depth.
Hills' fascination with painting landscapes was rooted in her belief that art had the power to uplift and inspire viewers. She sought to convey the beauty and serenity she found in nature, inviting viewers to experience a sense of connection with the natural world through her art. Her paintings often served as a form of visual poetry, capturing fleeting moments of beauty and encouraging contemplation and reflection.
Beyond her technical skill and artistic vision, Hills' paintings were also a reflection of her personal experiences and travels. She was known for her adventurous spirit and her willingness to explore remote and rugged landscapes in search of inspiration. Her travels throughout California and the Southwest provided her with a rich tapestry of subjects, each offering its own unique beauty and charm.
Throughout her career, Hills' dedication to capturing the essence of California's landscapes earned her critical acclaim and recognition within the artistic community. Her works were exhibited widely across the United States and garnered numerous awards and honors. Today, Hills' paintings are celebrated for their timeless beauty and their ability to evoke a sense of wonder and appreciation for the natural world.
In conclusion, Anna Althea Hills' decision to paint California's landscapes was driven by a deep-seated passion for the beauty of nature and a desire to share that beauty with others. Her paintings continue to serve as a testament to her artistic vision and her enduring legacy as a pioneering female artist in early 20th-century California art.
The preceding brief essay was generated by AI, based from our online materials, and edited in July 2024.
Laura Coombs Hillsfrom Resource Library essay (dedicated solely to this artist by a named author)
Fannie Hillsmithfrom Resource Library article (not solely dedicated to this artist) also see Fannie Hillsmithfrom Wikipedia
John Hilton from Resource Library essay (not solely dedicated to this artist by a named author) also see John William Hilton from Bodega Bay Heritage Gallery
Roy Hilton from Resource Library essay (not solely dedicated to this artist by a named author) also see Roy Hilton from Pittsburgh-Post Gazette
Mary Martha Himlerfrom Resource Library article (not solely dedicated to this artist) also see Mary Martha Himler from Pittsburgh-Post Gazette
Thomas Hewes Hinckley from Resource Library article (not solely dedicated to this artist) also seeThomas Hewes Hinckleyfrom Childs Gallery
Lewis Wickes Hinefrom Resource Library article (dedicated solely to this artist) also seeLewis Wickes Hinefrom Wikipedia
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Distinguished Artists catalogue
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