last names beginning with Woa-Wzz (original) (raw)

America's Distinguished Artists

a national registry of historic artists

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Deceased American artists and artisans of note who created representational art are indexed in this catalogue by last name in alphabetical order. There are references to Resource Library texts and those from other sites. Click on letters below to access the alphabetical index.

Marion Post Wolcottfrom Resource Library article (not solely dedicated to this artist) also see Marion Post Wolcott from Wikipedia

Hamilton A. Wolffrom Resource Library biography dedicated to this artist by a named author

Margaret Eve Wolffrom Resource Library essay (not solely dedicated to this artist by a named author)

Muriel Sibell Wollefrom Resource Library essay (not solely dedicated to this artist by a named author) also see Muriel Sibell Wolle from Wikipedia

Adolf Wolff from Resource Library essay (not solely dedicated to this artist by a named author) also seeAdolf Wolff from Informa UK Limited

Carrie Wolff from Resource Library essay (not solely dedicated to this artist by a named author)

Irving Wolfson from Resource Library article (not solely dedicated to this artist) also see Irving Wolfson from Dixie Art Colony Foundation

John Wollastonfrom Resource Library essay (not solely dedicated to this artist by a named author) also see John Wollaston from Wikipedia

Paul Wonnerfrom Resource Library article (not solely dedicated to this artist) also see Paul John Wonnerfrom Wikipedia

Beatrice Wood from Resource Library article (not solely dedicated to this artist) also seeBeatrice Wood from Wikipedia

Grant Wood from Resource Library essay (dedicated solely to this artist by a named author) plus more texts; also see Grant DeVolson Wood from Wikipedia

Artwork by Grant Wood

John Wood from Resource Library article (not solely dedicated to this artist)

Millie L. Burrall Wood from Resource Library article (not solely dedicated to this artist)

Robert E. Wood from Resource Library article (not solely dedicated to this artist) also see Robert E. Wood from California Watercolor Gallery

Stanley H. Woodfrom Resource Library biography dedicated to this artist by a named author

Thomas Waterman Woodfrom Resource Library essay (not solely dedicated to this artist by a named author) also see Thomas Waterman Wood from Wikipedia

(above: Thomas Waterman Wood, The Yankee Pedlar, 1872, oil on canvas, Art Institute of Chicago, Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund. Public domain, via Wikimedia Commons*)

(above: Thomas Waterman Wood, Now for a Good Smoke, 1899, oil on canvas, 30 x 20 inches, Birmingham Museum of Art, 1983.73. Public domain, via Wikimedia Commons*)

Charles Herbert Woodburyfrom Resource Library article (not solely dedicated to this artist) also see Charles Herbert Woodbury from Wikipedia

Edith K. Woodburyfrom Resource Library essay (not solely dedicated to this artist by a named author)

Hale Woodruff from Resource Library essay (not solely dedicated to this artist by a named author) also see Hale Woodruff from New Georgia Encyclopedia

Helen Woodward Woodsfrom Resource Library essay (not solely dedicated to this artist by a named author) also see Helen M. Woodward Woods from Fine Estate Art

Richard Caton Woodville from Resource Library article (not solely dedicated to this artist) also see Richard Caton Woodville from Wikipedia

Ellsworth Woodward from Resource Library article (not solely dedicated to this artist) also see Ellsworth Woodward from Wikipedia

John Douglas Woodward from Resource Library essay (not solely dedicated to this artist by a named author) also see John Douglas Woodward from Wikipedia

(above: John Douglas Woodward,Crescent Moon over Bridge, 1870, oil on canvas, 14 x 24 inches. Public domain, via Wikimedia Commons*)

Laura Woodward from Resource Library article (not solely dedicated to this artist) also see Laura Woodward from Edward and Deborah Pollack Fine Art

Louise Giesen Woodward from Resource Library essay (not solely dedicated to this artist by a named author)

Mabel May Woodwardfrom Resource Library essay (dedicated solely to this artist by a named author) also see Mabel May Woodward from Pierce Galleries

(above: Mabel May Woodward, Young Girl with Fish Bowl, oil on canvas, 20 x 16 inches, Shannon's Fine Art, Milford, Connecticut. Public domain, via Wikimedia Commons*)

William Woodward from Resource Library article (not solely dedicated to this artist) also see William Woodward from Wikipedia

(above: William Woodward (1859-1939),Old Mattress Factory, New Orleans, 1904, oil crayon drawing on cardboard, Public domain, via Wikimedia Commons*)

(above: William Woodward (1859-1939),Rue Chartres N.O, 1905, oil crayon drawing on cardboard. Public domain, via Wikimedia Commons)

Joseph Woodwellfrom Resource Library essay (not solely dedicated to this artist by a named author) also see Joseph Ryan Woodwell from Wikipedia

Carl Woolseyfrom Resource Library essay (not solely dedicated to this artist by a named author) also see Carl E. Woolsey from J. Mark Sublette, Medicine Man Gallery, Inc.

Jean Woolseyfrom Resource Library essay (not solely dedicated to this artist by a named author)

Wood Woolsey from Resource Library article (not solely dedicated to this artist) also see Wood Woolsey from Fine Estate Art

Theodore Woresfrom Resource Library article (dedicated solely to this artist)

(above: Theodore Wores, New Year's Day in San Francisco's Chinatown, Unknown source. Public domain, via Wikimedia Commons*)

Theodore Wores, an American painter born in 1859, is celebrated for his evocative depictions of diverse cultures and landscapes. His body of work reflects a profound appreciation for the beauty and uniqueness of different places and peoples, as well as a dedication to portraying them with respect and authenticity. Wores's artistic journey took him across the globe, from California to Japan, Hawaii, and Samoa, and his paintings offer a window into the rich tapestry of life in these varied locales.

Wores began his artistic education at a young age, studying at the School of Design in San Francisco before moving on to the Royal Academy of Fine Arts in Munich. His early work was influenced by the European academic tradition, but his style evolved significantly as he traveled and encountered new cultures. Upon returning to San Francisco, he became part of the Bohemian Club, a group of artists and writers who shared a spirit of creativity and adventure.

One of the most significant phases of Wores's career was his time in Japan. Fascinated by Japanese culture and art, Wores spent several years in the country during the late 19th century. His Japanese paintings, such as "The Letter" and "The Lacquer Worker," are notable for their delicate attention to detail and an evident appreciation for Japanese aesthetics. Wores was deeply influenced by the Japanese approach to art, particularly the use of color and composition, and he sought to integrate these elements into his own work. His motivation for painting these scenes was driven by a desire to capture the essence of Japanese life and to share its beauty with a Western audience.

Wores's fascination with different cultures did not end with Japan. He later traveled to Hawaii, where he produced some of his most famous works. In Hawaii, Wores was captivated by the lush landscapes and vibrant indigenous culture. Paintings like "The Lei Maker" and "Hawaiian Boy with Lei" showcase his ability to portray the natural beauty of the islands and the dignity of its people. His Hawaiian works are characterized by their vivid colors and a keen sense of place, reflecting his deep respect for the Hawaiian way of life. Wores's motivation here was to document and celebrate the unique culture of Hawaii at a time when it was undergoing significant changes due to Western influences.

Another significant chapter in Wores's career was his time in Samoa. Like his experiences in Japan and Hawaii, his Samoan paintings, such as "Samoan Women Dressing Their Hair" and "Samoan Hut," are marked by a deep respect for the local culture. Wores's approach was not to exoticize his subjects but to present them with authenticity and sensitivity. His motivation for these works was rooted in his desire to preserve and honor the traditions and daily lives of the Samoan people.

Throughout his career, Wores's paintings were driven by a profound curiosity and an eagerness to learn from the cultures he encountered. His art was a means of documenting the diverse ways of life he experienced and sharing them with a broader audience. Wores believed in the power of art to bridge cultural divides and foster greater understanding and appreciation among people from different backgrounds.

In conclusion, Theodore Wores's paintings are a testament to his lifelong dedication to exploring and portraying the world's diverse cultures and landscapes. His work reflects a deep respect for the people and places he depicted, and his motivation was always to capture their beauty and essence with authenticity and sensitivity. Wores's legacy as an artist is one of cultural appreciation and artistic exploration, offering viewers a glimpse into the rich and varied tapestry of human life

The above brief essay was generated by AI and edited in July, 2024.

Thomas Worthington Whittredge from Resource Library essay (not solely dedicated to this artist by a named author) also see Thomas Worthington Whittredge from Wikipedia

Beatrice Wose-Smithfrom Resource Library article (not solely dedicated to this artist) also see Beatrice Wose Smit from Caldwell Gallery

Frances Wrightfrom Resource Library article (not solely dedicated to this artist) also see Frances Wrightfrom National Portrait Gallery

Frank Lloyd Wrightfrom Resource Library essay (dedicated solely to this artist by a named author)

George Hand Wright from Resource Library article (not solely dedicated to this artist) also see George Hand Wright from Wikipedia

James Couper Wright from Resource Library essay (not solely dedicated to this artist by a named author) also see James Couper Wright from California Watercolor Gallery

Margaret Hardon Wrightfrom Resource Library article (not solely dedicated to this artist)

Rufus Wright from Resource Library article (not solely dedicated to this artist)

Alexander Helwig Wyantfrom Resource Library article (not solely dedicated to this artist) also see Alexander Helwig Wyant from Wikipedia

(above: Alexander Helwig Wyant, _Derbyshire Landscap_e, 1871, oil on canvas, Dayton Art Institute. Public domain, via Wikimedia Commons)

Andrew Wyeth from Resource Library article (dedicated solely to this artist) plus many other texts

Carolyn Wyeth from Resource Library article (dedicated solely to this artist)

Henriette Wyeth from Resource Library article (not solely dedicated to this artist) also see Henriette Wyeth from Hurd La Rinconada Gallery & Guest Homes

Newell Convers Wyeth from Resource Library article (dedicated solely to this artist) plus other texts; also see Newell Convers Wyeth from Wikipedia

(above: N. C. Wyeth, Smokey Face, 1917, oil on canvas, 32 1/4 ? 40 inches, Brigham Young University Museum of Art. Public domain, via Wikimedia Commons*)

Robert Wylie from Resource Library essay (not solely dedicated to this artist by a named author) also see Robert Wylie from Wikipedia

*Tag for expired US copyright of object image:

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