Gerald Volker Grimm | Bonn Universität (original) (raw)

Papers by Gerald Volker Grimm

Research paper thumbnail of Vorbericht zu Funden einer Bilderbäckerwerkstatt, Grabung Prinzenhofstraße in Aachen

Aachener Geschichtsverein-Online Beiträge, 2011

Im Zuge der Grabung "Prinzenhofstraße" (NW 2011 / 0051) kam im Mai 2011 eine Abwurfgrube eines Bi... more Im Zuge der Grabung "Prinzenhofstraße" (NW 2011 / 0051) kam im Mai 2011 eine Abwurfgrube eines Bilderbäckers zutage 1. Diese Grube befand sich unter einer deckenden Schicht, die wiederum von einem Mauerfundament überdeckt war (siehe Abb. 1). Nach der Freilegung des ersten Pfeifentonfragmentes legte der Aachener Stadtarchäologe Andreas Schaub persönlich die Fundstelle weiter frei. Die Grube enthielt, ebenso wie die umgebende Fundschicht, neben Pfeifentonplastiken auch Fragmente von Steinzeug und bleiglasierter Irdenware, die in beiden Fällen etwa in das erste Drittel des 15. Jahrhunderts datiert werden können. Die beiden darüber befindlichen Schichten enthielten Funde wohl des mittleren bis späten 15. Jahrhunderts 2 .

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Research paper thumbnail of Ländliche Pferdeschwemmen. Unverzichtbar, aber selten?. Mitteilungen der Deutschen Gesellschaft für Archäologie des Mittelalters und der Neuzeit 35, 2022, 105-114.

Mitteilungen der Deutschen Gesellschaft für Archäologie des Mittelalters und der Neuzeit, 2022

This paper presents a short overview and typology of horse bathes, mostly from the late middle ag... more This paper presents a short overview and typology of horse bathes, mostly from the late middle ages up to the 19th century. Horse bathes are a necessity, since horses would easily overheat after work. So they must have been ubiquos. Some horse bathes are even preserved in photographs. Concerning archeological exavations, horse bathes previously recognized as such were build at least partly in stone or their function was evident by historical notes. So in addition to plans historical depictions mayy help recognizing them by showing where to look after horse bathes and what kind of architectual features are typical especially for those which were mainly build with local soil and organic construction materials.

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Research paper thumbnail of Gerald Volker Grimm, Kinder in Aktion. Der Meister der Ladenburger Dreikönige – ein Goldschmied der Spätgotik, Judocus Vredis und das Siegburger Steinzeug.

In: Stiftung „Fürst-Pückler-Park Bad Muskau“ (Hrsg.), Keramik im häuslichen und repräsentativen Gebrauch. 52. Internationales Keramiksymposium in Bad Muskau vom 16. bis zum 20. September 2019 (Bad Muskau 2022) 73-80., 2022

This article is a short catalogue of the works by an anonymous goldsmith: The Master of the Laden... more This article is a short catalogue of the works by an anonymous goldsmith: The Master of the Ladenburg Holy Kings. The work of this highly influential contemporary to Niclas Gerhaert van Leyden has some structural similarities with the Dutch sculptor. Apart from a broch reused in 1473 in a bust by Hans Dirmstein, silver model from the Amberbach cabinet and two angels most likely executed in 1476 his work is mostly preserved in pastry moulds and copies therefrom, which had been also used for the decoration of pipe clay reliefs and various artwork like Siegburg stoneware, bells and mortars. While one pastry mould was recovered in a pit dated to 1454 and Master E. S. made use of his St. Sebastian several times his work was especially popular in the 16th century.

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Research paper thumbnail of Zwei ländliche Pferdeschwemmen aus Bocholt-Mussum und die Frage nach den Gründen für die scheinbare Seltenheit von Pferdeschwemmen im ländlichen Raum. Mitteilungen der deutschen Gesellschaft für Archäologie des Mittelalters und der Neuzeit 35, 2022, 115-124

Mitteilungen der deutschen Gesellschaft für Archäologie des Mittelalters und der Neuzeit, 2022

In the years 2019 to 2021, large-scale rescue excavations were carried out in Bocholt-Mussum. The... more In the years 2019 to 2021, large-scale rescue excavations were carried out in Bocholt-Mussum. The place is in the western Münster region, just a few kilometers from the border with the Netherlands.
A special feature there is the extraordinarily high groundwater level, which - with seasonal fluctuations - is only about 1-2 m below the surface of the ground. During the excavations, this led on the one hand to the fact that the investigation of deeper features caused the excavators some problems, but on the other hand to good preservation conditions for organic finds, especially wood.
During the excavations, among other things medieval predecessor buildings and other outbuildings of three farms were discovered which existed there from the High Middle Ages up to the present.
A horse bath was also discovered at two of the farms (Groß-Egeling and Groß-Hardt). The distance to each other is about 500 m.
There are some similarities, but also differences. The period of use is similar in each case: one was used from the High Middle Ages (probably the second half of the 13th century) into the 17th century, the other one from the late 13th century into the decades around 1600. According to this, the horse baths could have been used at the same time for more than three centuries.
When they were built it was close to then existing buildings, similar to what is depicted on a late 18th century etching/chalcography showing the ideal type of Westphalian farm. But they continued to be used when the respective settlement core had moved somewhat away. Both horse baths are completely artificial installations.
They were built into already existing relatively large moats or were perhaps built at the same time as the moats.
One seems to have had a simple, linear form throughout the ages, while the other one has undergone several transformations during its use. In the case of the latter, there are also indications of an additional – at least temporary – use as a washing area. However, it cannot be ruled out that the other one could also have been used in this way.
Horse baths were an essential infrastructure element from the High Middle Ages at the latest, when horses began to play a greater role in agriculture. Nevertheless, horse baths like the two examples from Bocholt-Mussum have only rarely been described. This of course raises the question of why horse ponds were not discovered much more frequently in medieval/modern settlement contexts.
In our opinion, there are various possible reasons for this, which are not mutually exclusive. These reasons are discussed.

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Research paper thumbnail of Bilddrucke aus Neuss

Novaesium. Neusser Jahrbuch für Kunst, Kultur und Geschichte, 2011

Novaesium. Neusser Jahrbuch für Kunst, Kultur und Geschichte, 2011, 259-270. This article gives a... more Novaesium. Neusser Jahrbuch für Kunst, Kultur und Geschichte, 2011, 259-270.
This article gives an overview of late medieval pipe clay figures and a pastry mould found in Neuss, Germany.
Larger versions of the figures are added at the end of the text.

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Research paper thumbnail of Narreme als Schlüssel zur Interpretation von Darstellungen auf Keramik – Der Parisurteilmeister

Hallesche Beiträge zur Archäologie des Mitelalters 3 , 2019

Gerald Volker Grimm, Narreme als Schlüssel zur Interpretation von Darstellungen auf Keramik – Der... more Gerald Volker Grimm, Narreme als Schlüssel zur Interpretation von Darstellungen auf Keramik – Der Parisurteilmeister. In: Hans-Georg Stephan (Hrsg.), Keramik in Norddeutschland. Beiträge des 48. Symposiums für Keramikforschung vom 14. bis 18. September 2015 in Mölln. Hallesche Beiträge zur Archäologie des Mitelalters 3 (Langenweissbach 2019) 71-83.

This paper discusses the work oft he Master oft he Judgment of Paris, a goldsmith known by a group of late gothic pastry moulds, who used side narremes in his depictions. This is a very rare feature in contempory ceramics. It shows an overview of his works and the relation to 15th century engravings, mostly by Master ES. Some of his moulds later served as decorations for Siegburg Stoneware and bells.

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Research paper thumbnail of Typochronologie rheinischer Trichterhalsgefäße.

Bonner Beiträge zur Vor-und Frühgeschichtlichen Archäologie Herausgegeben von Band 23, 2019

In: Michael Schmauder / Marion Roehmer (Hrsg.), Keramik als Handelsgut. Produktion – Distribution... more In: Michael Schmauder / Marion Roehmer (Hrsg.), Keramik als Handelsgut. Produktion – Distribution – Konsumption. 49. Symposium Keramikforschung des Arbeitskreises für Keramikforschung, des LVR-LandesMuseums Bonn, der Vor- und Frügeschichtlichen Archäologie der Rheinischen Friedrich-Wilhelms-Univrsität Bonn und des LVR-Amtes für Bodendenkmalpflege im Rheinland vom 19. bis 23. September 2016 in Bonn. Bonner Beiträge zur Vor- und Frühgeschichtlichen Archäologie 23 (Bonn 2019) 151-165.
This paper tests the validity of the Deventer Systeem by taking stoneware finds and depictions of funnel-necked jugs and beakers into account, mostly from Siegburg. This dating system is based on certain typological characteristics and dated contexts in the Netherlands and provides generally reliable comparisons for ceramics and glass of the middle ages and modern times. It gives additional chrono-typological hints according to the development of certain features of those vessels. In the end early relief-decorated funnel-neck jugs with the Three Holy Kings are dated anew according to the comparisons, showing the possibilities and the limitations of both methods.
The Deventer Systeem went online in the meantime: https://www.deventersysteem.nl.

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Research paper thumbnail of Nicolas Tournier. Les deux fumeurs. Eine faszinierende Bildquelle zum frühen Tabaksgenuss.

In: H. Stadler / L. Obojes / M. Roemer (Hrsg.), Keramik zwischen Werbung, Propaganda und praktischem Gebrauch. Beiträge vom 50. Internationalen Symposium Keramikforschung in Innsbruck 2017 (Innsbruck 2018), 2018

This paper deals with a painting in the Musée du Tabac, Bergerac, attributed to the early work of... more This paper deals with a painting in the Musée du Tabac, Bergerac, attributed to the early work of the French carravaggionist Nicolas Tournier. This attribution is based on elements of the style but also on the use of models and realia that also appear in other paintings of Tournier. The dating is further confirmed by the realia depicted in the painting and comparable finds. In particular, this painting is a rich source on various forms of 1st generation pipes and other smoking utensils of the early 17th century. In terms of meaning, it stands at the transition from allegorical, descriptive and droll images to those with clearly negative connotations or depictions that play with negative connotations. Additional hint: An especially close parallel to the beaker (Waffelbecher, Spechter; fig. 23) can be added. It was excavated in Bocholt Old Townshall dated tot he 17th century. Schloss Horst (Gelsenkirchen) and can be attributed to an Antwerp workshop from the 2nd half of the 16th century: see Heike Tausendfreund, Hohlglas aus Westfalen-Lippe. Vergleichende Untersuchungen zu archäologischen Funden des Mittelalters und der Neuzeit. Dissertation zur Erlangung des akademischen Grades Doktor der Philosophie der Philosophischen Fakultät der Eberhard Karls Universität Tübingen (Tübingen 2014), Band/vol. 1, 95, Band/vol. 2, 67, Taf./pl. 2, Nr. 113.see also Band/vol. 1, 94, Band/vol. 2, 67, Taf./pl. 10, Nr. 633.

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Research paper thumbnail of Tonfiguren der Spätgotik und Renaissance im Töpfereimuseum Raeren

Raerener Museumkurier 28, 2010

Online offprint after: Gerald Volker Grimm, Tonfiguren der Spätgotik und Renaissance im Töpfereim... more Online offprint after: Gerald Volker Grimm, Tonfiguren der Spätgotik und Renaissance im Töpfereimuseum Raeren. Im Andenken an Otto Eugen Mayer. Raerener Museumskurier 28, 2010, 63-75. https://www.toepfereimuseum.org/TopfereimuseumRaeren/files/69/694d34e9-499c-45b8-a7f5-636286020561.pdf
The article deals with the late gothic to renaissance clay figures (pipe clay and stoneare) in the Töpfereimuseum Raeren. Wit a single exception these had been found in the important stoneware production site Raeren near Aken.

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Research paper thumbnail of H. Rosmanitz / G. V. Grimm,  VII.9. Fragment eines Jesusknaben

Reformation in Württemberg. Freiheit - Wahrheit - Evangelium, 2017

Harald Rosmanitz / Gerald Volker Grimm, VII.9. Fragment eines Jesusknaben. In: Landesarchiv Baden... more Harald Rosmanitz / Gerald Volker Grimm, VII.9. Fragment eines Jesusknaben. In: Landesarchiv Baden-Württemberg, Hauptstaatsarchiv Stuttgart / Staatliche Schlösser und Gärten Baden-Württemberg (Hrsg.) / Peter Rückert / Alma-Maria Brandenburg / Eva Linda Müller (Bearb.), Reformation in Württemberg. Freiheit - Wahrheit - Evangelium. Katalogband zur Ausstellung des Landesarchivs Baden-Württemberg, Hauptstaatsarchiv Stuttgart (Ostfildern / Stuttgart 2017), 262-263.

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Research paper thumbnail of Lindau, Deutschland und die Niederlande

Mitteilungen der DGAMN: Befestigung und Grenze in Mittelalter und Neuzeit, 2019

Mitteilungen der DGAMN: Befestigung und Grenze in Mittelalter und Neuzeit. Vol 32. The differenc... more Mitteilungen der DGAMN: Befestigung und Grenze in Mittelalter und Neuzeit. Vol 32.
The differences resulting from the different approaches in the Netherlands, where metal detectors are widely used and a publication of excavations is mandatory (according to the Valletta Treaty) are discussed on the basis of military finds, mostly from the Thirty Years War in Germany (1618-1648) and the Eighty Years War (1568-1648). These present new evidence about the functioning of fortresses and the life in particular to combat operations

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Research paper thumbnail of Gerald Volker Grimm, Literatur und Einzelbelege zu „Typochronologie rheinischer Trichterhalsgefäße“. Propylaeum.DOK 4331 (Heidelberg / München 2019). http://archiv.ub.uni-heidelberg.de/propylaeumdok/volltexte/2019/4331

This paper gives additional data and refernces to a test of the validity of the Deventer Systeem ... more This paper gives additional data and refernces to a test of the validity of the Deventer Systeem by taking stoneware finds and depictions of jugs and beekers into account, mostly from Siegburg: Gerald Volker Grimm, Typochronologie rheinischer Trichterhalsgefäße. In: Michael Schmauder / Marion Roehmer (Hrsg.), Keramik als Handelsgut. Produktion – Distribution – Konsumption. 49. Symposium Keramikforschung des Arbeitskreises für Keramikforschung, des LVR-LandesMuseums Bonn, der Vor- und Frügeschichtlichen Archäologie der Rheinischen Friedrich-Wilhelms-Univrsität Bonn und des LVR-Amtes für Bodendenkmalpflege im Rheinland vom 19. bis 23. September 2016 in Bonn. Bonner Beiträge zur Vor- und Frühgeschichtlichen Archäologie 23 (Bonn 2019) 151-165. Apart from that some new typochronolgical features of German stoneware and related ceramics (mostly from Stralsund) are discussed.

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Research paper thumbnail of Gerald Volker Grimm,  Brühler Ofenkacheln aus dem Mittelalter - mit einem Beitrag zur Datierung und zur Entwicklung der Verkleidungen vom Typus Burg Tannenberg. Bonner Jahrbücher 209, 2009, 215-238.

Bonner Jahrbücher 209, 2009

This article deals with the typology of stove tiles of the Burg Tannenberg type and some misfired... more This article deals with the typology of stove tiles of the Burg Tannenberg type and some misfired specimens from Brühl near Cologne. Some are mid 14th century but the bulk of the finds was likely intended for Dietrich Schenk von Erbach, archbishop of Mainz from 1434 to 1459.

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Research paper thumbnail of Gerald Volker Grimm (mit einem Beitrag von Ralf Weisbarth), Spätgotische Kunsttöpferei im Hanseraum. Weiß glasierte und hochverzierte Irdenware in Steinzeugtradition aus Stralsund.

47. Internationales Symposium Keramikforschung 2014 in Wittenberg (D). Keramik und Töpferei im 15./16. Jahrhundert, 2016

In: Hans-Georg Stephan (Hrsg.), 47. Internationales Symposium Keramikforschung 2014 in Wittenberg... more In: Hans-Georg Stephan (Hrsg.), 47. Internationales Symposium Keramikforschung 2014 in Wittenberg (D). Keramik und Töpferei im 15./16. Jahrhundert Keramik und Töpferei im 15./16. Jahrhundert : Beiträge des 47. Internationalen Symposiums für Keramikforschung vom 8. bis 12. September 2014 in der Lutherstadt Wittenberg. Hallesche Beiträge zur Archäologie des Mittelalters und der Neuzeit 2 (Langenweissbach 2016) 59-72.
This paper introduces a late medieval art pottery from Stralsund which produced extraordinary jugs, tiles and stove tiles. Some decorations were made by prototypes for medieval ivories. As my co-author Ralf Weisbarth found out some of its products were glazed in a white claze that differs from all known majolica products of the 14th and 15th century.

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Research paper thumbnail of Blumen und verräterische Falten. Nachbearbeitungsspuren als Datierungshilfe bei serieller Kleinplastik

Beiträge zur Mittelalterarchäologie in Österreich 27, 2011, 309-313, 2011

In: Sabine Felgenhauer-Schmiedt / Nikolaus Hofer / Karin Kühtreiber / Gabriele Scharrer Liska: K... more In: Sabine Felgenhauer-Schmiedt / Nikolaus Hofer / Karin Kühtreiber / Gabriele Scharrer Liska: Keramik und Technik. Internationale Fachtagung der Österreichischen Gesellschaft für Mittelalterarchäologie zugleich 43. Internationales Symposium des Arbeitskreises für Keramikforschung. Mautern an der Donau, 20. bis 25. September 2010
This paper deals with alterations on pipe clay figures and reliefs and the methods of dating.

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Research paper thumbnail of Vom Modello zum Model. Herstellungsverfahren und Weiterverarbeitung spätmittelalterlicher Bilddrucke

Keramik und Technik. Internationale Fachtagung der Österreichischen Gesellschaft für Mittelalterarchäologie zugleich 43. Internationales Symposium des Arbeitskreises für Keramikforschung. Mautern an der Donau = Beiträge zur Mittelalterarchäologie in Österreich 27, 2011, 145-154., 2011

The paper discusses diverse technical features and the importance of mould generations for the re... more The paper discusses diverse technical features and the importance of mould generations for the research on medival pipe clay figures.
In: Sabine Felgenhauer-Schmiedt / Nikolaus Hofer / Karin Kühtreiber / Gabriele Scharrer Liska: Keramik und Technik. Internationale Fachtagung der Österreichischen Gesellschaft für Mittelalterarchäologie zugleich 43. Internationales Symposium des Arbeitskreises für Keramikforschung. Mautern an der Donau, 20. bis 25. September 2010 (Wien 2011 = Beiträge zur Mittelalterarchäologie in Österreich 27, 2011) 145-154.

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Research paper thumbnail of W. Giertz – G. V. Grimm – T. Kaszab-Olschewski – A. Schaub – H. Mommsen, Eine spätmittelalterliche Bilderbäckerwerkstatt in der Prinzenhofstraße zu Aachen. Bonner Jahrb. 213, 2013, 199-278. (Ersch. 2015).

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Research paper thumbnail of Gerald Volker Grimm, Eine hochmittelalterliche Henkelflasche mit gefälschtem Kaisersiegel

Gerald Volker Grimm, Eine hochmittelalterliche Henkelflasche mit gefälschtem Kaisersiegel. In: Si... more Gerald Volker Grimm, Eine hochmittelalterliche Henkelflasche mit gefälschtem Kaisersiegel. In: Silvia Glaser (Hrsg.), Keramik im Spannungsfeld zwischen Handwerk und Kunst. Beiträge des 44. Internationalen Symposiums Keramikforschung im Germanischen Nationalmuseum, Nürnberg, 19.-23.September 2011. Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums 40 (Nürnberg 2015) 41-50.
This paper reviews a high medieval ceramic bottle decorated with a faked imperial seal. It also contains a scetch for the chronology of high to late medieval ceramic bottle forms.

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Research paper thumbnail of Zu einer künstlerischen Rekonstruktion der Grabmemorie Karls des Großen

In: Tobias Gärtner / Stefan Hesse / Sonja König, Von derWeser in die Welt. Festschrift für Hans-Georg Stephan zum 65. Geburtstag. Alteuropäische Forschungen. Neue Folge 7 (Langenweissbach 2015) 123-139., 2015

In this essay, the basics of a reconstruction of the grave memorial conceived by the authors toge... more In this essay, the basics of a reconstruction of the grave memorial conceived by the authors together with Wolfram Giertz for the Centre Charlemagne are presented. One result of the research was that the faces of the portrait figures in Müstair and in the Louvre have similar characteristics, which suggests a representation of physigiognomic features of the king at his prime respectively of the old emperor. Also the hairstyle of both figures fits to a dating into the late 8th century on the one hand and the early 9th century on the other hand.

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Research paper thumbnail of Archäologie trifft Kunstgeschichte: "The agrafe forger"

In: Christoph Rinne / Jochen Reinhard / Eva Roth Heege / Stefan Teuber (Hrsg.), Vom Bodenfund zum Buch. Archäologie durch die Zeiten. Festschrift für Andreas Heege (Bonn 2017). Historische Archäologie Sonderband 2017, 451-476.

This article discusses the validity of the so-called Agrafe Forger, an artist of the late 18th to... more This article discusses the validity of the so-called Agrafe Forger, an artist of the late 18th to early 19th century who restaured medieval ivories and also is responsible of forgeries in the light of archeological finds from Stralsund in the German Hanse region. There ceramics had been discovered in a late medieval pottery which made wide use of prototypes for late 14th to early 15th century ivory designs for the decoration of there vessels. Some of them had a white glaze of previously unknown composition which resembles the earliest majolica in color and German stoneware in form. The Agraffe-Forger was identified by the use of brooches, which Leeuwenberg who compiled the oeuvre thought to be a certain feature of forgeries. This is evidently wrong, since brooches were still in use in the 15th century, but the forgery around which the work of the forger was assembled unmasks itself because the brooch in question dates from the wrong epoch...

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Research paper thumbnail of Vorbericht zu Funden einer Bilderbäckerwerkstatt, Grabung Prinzenhofstraße in Aachen

Aachener Geschichtsverein-Online Beiträge, 2011

Im Zuge der Grabung "Prinzenhofstraße" (NW 2011 / 0051) kam im Mai 2011 eine Abwurfgrube eines Bi... more Im Zuge der Grabung "Prinzenhofstraße" (NW 2011 / 0051) kam im Mai 2011 eine Abwurfgrube eines Bilderbäckers zutage 1. Diese Grube befand sich unter einer deckenden Schicht, die wiederum von einem Mauerfundament überdeckt war (siehe Abb. 1). Nach der Freilegung des ersten Pfeifentonfragmentes legte der Aachener Stadtarchäologe Andreas Schaub persönlich die Fundstelle weiter frei. Die Grube enthielt, ebenso wie die umgebende Fundschicht, neben Pfeifentonplastiken auch Fragmente von Steinzeug und bleiglasierter Irdenware, die in beiden Fällen etwa in das erste Drittel des 15. Jahrhunderts datiert werden können. Die beiden darüber befindlichen Schichten enthielten Funde wohl des mittleren bis späten 15. Jahrhunderts 2 .

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Research paper thumbnail of Ländliche Pferdeschwemmen. Unverzichtbar, aber selten?. Mitteilungen der Deutschen Gesellschaft für Archäologie des Mittelalters und der Neuzeit 35, 2022, 105-114.

Mitteilungen der Deutschen Gesellschaft für Archäologie des Mittelalters und der Neuzeit, 2022

This paper presents a short overview and typology of horse bathes, mostly from the late middle ag... more This paper presents a short overview and typology of horse bathes, mostly from the late middle ages up to the 19th century. Horse bathes are a necessity, since horses would easily overheat after work. So they must have been ubiquos. Some horse bathes are even preserved in photographs. Concerning archeological exavations, horse bathes previously recognized as such were build at least partly in stone or their function was evident by historical notes. So in addition to plans historical depictions mayy help recognizing them by showing where to look after horse bathes and what kind of architectual features are typical especially for those which were mainly build with local soil and organic construction materials.

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Research paper thumbnail of Gerald Volker Grimm, Kinder in Aktion. Der Meister der Ladenburger Dreikönige – ein Goldschmied der Spätgotik, Judocus Vredis und das Siegburger Steinzeug.

In: Stiftung „Fürst-Pückler-Park Bad Muskau“ (Hrsg.), Keramik im häuslichen und repräsentativen Gebrauch. 52. Internationales Keramiksymposium in Bad Muskau vom 16. bis zum 20. September 2019 (Bad Muskau 2022) 73-80., 2022

This article is a short catalogue of the works by an anonymous goldsmith: The Master of the Laden... more This article is a short catalogue of the works by an anonymous goldsmith: The Master of the Ladenburg Holy Kings. The work of this highly influential contemporary to Niclas Gerhaert van Leyden has some structural similarities with the Dutch sculptor. Apart from a broch reused in 1473 in a bust by Hans Dirmstein, silver model from the Amberbach cabinet and two angels most likely executed in 1476 his work is mostly preserved in pastry moulds and copies therefrom, which had been also used for the decoration of pipe clay reliefs and various artwork like Siegburg stoneware, bells and mortars. While one pastry mould was recovered in a pit dated to 1454 and Master E. S. made use of his St. Sebastian several times his work was especially popular in the 16th century.

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Research paper thumbnail of Zwei ländliche Pferdeschwemmen aus Bocholt-Mussum und die Frage nach den Gründen für die scheinbare Seltenheit von Pferdeschwemmen im ländlichen Raum. Mitteilungen der deutschen Gesellschaft für Archäologie des Mittelalters und der Neuzeit 35, 2022, 115-124

Mitteilungen der deutschen Gesellschaft für Archäologie des Mittelalters und der Neuzeit, 2022

In the years 2019 to 2021, large-scale rescue excavations were carried out in Bocholt-Mussum. The... more In the years 2019 to 2021, large-scale rescue excavations were carried out in Bocholt-Mussum. The place is in the western Münster region, just a few kilometers from the border with the Netherlands.
A special feature there is the extraordinarily high groundwater level, which - with seasonal fluctuations - is only about 1-2 m below the surface of the ground. During the excavations, this led on the one hand to the fact that the investigation of deeper features caused the excavators some problems, but on the other hand to good preservation conditions for organic finds, especially wood.
During the excavations, among other things medieval predecessor buildings and other outbuildings of three farms were discovered which existed there from the High Middle Ages up to the present.
A horse bath was also discovered at two of the farms (Groß-Egeling and Groß-Hardt). The distance to each other is about 500 m.
There are some similarities, but also differences. The period of use is similar in each case: one was used from the High Middle Ages (probably the second half of the 13th century) into the 17th century, the other one from the late 13th century into the decades around 1600. According to this, the horse baths could have been used at the same time for more than three centuries.
When they were built it was close to then existing buildings, similar to what is depicted on a late 18th century etching/chalcography showing the ideal type of Westphalian farm. But they continued to be used when the respective settlement core had moved somewhat away. Both horse baths are completely artificial installations.
They were built into already existing relatively large moats or were perhaps built at the same time as the moats.
One seems to have had a simple, linear form throughout the ages, while the other one has undergone several transformations during its use. In the case of the latter, there are also indications of an additional – at least temporary – use as a washing area. However, it cannot be ruled out that the other one could also have been used in this way.
Horse baths were an essential infrastructure element from the High Middle Ages at the latest, when horses began to play a greater role in agriculture. Nevertheless, horse baths like the two examples from Bocholt-Mussum have only rarely been described. This of course raises the question of why horse ponds were not discovered much more frequently in medieval/modern settlement contexts.
In our opinion, there are various possible reasons for this, which are not mutually exclusive. These reasons are discussed.

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Research paper thumbnail of Bilddrucke aus Neuss

Novaesium. Neusser Jahrbuch für Kunst, Kultur und Geschichte, 2011

Novaesium. Neusser Jahrbuch für Kunst, Kultur und Geschichte, 2011, 259-270. This article gives a... more Novaesium. Neusser Jahrbuch für Kunst, Kultur und Geschichte, 2011, 259-270.
This article gives an overview of late medieval pipe clay figures and a pastry mould found in Neuss, Germany.
Larger versions of the figures are added at the end of the text.

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Research paper thumbnail of Narreme als Schlüssel zur Interpretation von Darstellungen auf Keramik – Der Parisurteilmeister

Hallesche Beiträge zur Archäologie des Mitelalters 3 , 2019

Gerald Volker Grimm, Narreme als Schlüssel zur Interpretation von Darstellungen auf Keramik – Der... more Gerald Volker Grimm, Narreme als Schlüssel zur Interpretation von Darstellungen auf Keramik – Der Parisurteilmeister. In: Hans-Georg Stephan (Hrsg.), Keramik in Norddeutschland. Beiträge des 48. Symposiums für Keramikforschung vom 14. bis 18. September 2015 in Mölln. Hallesche Beiträge zur Archäologie des Mitelalters 3 (Langenweissbach 2019) 71-83.

This paper discusses the work oft he Master oft he Judgment of Paris, a goldsmith known by a group of late gothic pastry moulds, who used side narremes in his depictions. This is a very rare feature in contempory ceramics. It shows an overview of his works and the relation to 15th century engravings, mostly by Master ES. Some of his moulds later served as decorations for Siegburg Stoneware and bells.

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Research paper thumbnail of Typochronologie rheinischer Trichterhalsgefäße.

Bonner Beiträge zur Vor-und Frühgeschichtlichen Archäologie Herausgegeben von Band 23, 2019

In: Michael Schmauder / Marion Roehmer (Hrsg.), Keramik als Handelsgut. Produktion – Distribution... more In: Michael Schmauder / Marion Roehmer (Hrsg.), Keramik als Handelsgut. Produktion – Distribution – Konsumption. 49. Symposium Keramikforschung des Arbeitskreises für Keramikforschung, des LVR-LandesMuseums Bonn, der Vor- und Frügeschichtlichen Archäologie der Rheinischen Friedrich-Wilhelms-Univrsität Bonn und des LVR-Amtes für Bodendenkmalpflege im Rheinland vom 19. bis 23. September 2016 in Bonn. Bonner Beiträge zur Vor- und Frühgeschichtlichen Archäologie 23 (Bonn 2019) 151-165.
This paper tests the validity of the Deventer Systeem by taking stoneware finds and depictions of funnel-necked jugs and beakers into account, mostly from Siegburg. This dating system is based on certain typological characteristics and dated contexts in the Netherlands and provides generally reliable comparisons for ceramics and glass of the middle ages and modern times. It gives additional chrono-typological hints according to the development of certain features of those vessels. In the end early relief-decorated funnel-neck jugs with the Three Holy Kings are dated anew according to the comparisons, showing the possibilities and the limitations of both methods.
The Deventer Systeem went online in the meantime: https://www.deventersysteem.nl.

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Research paper thumbnail of Nicolas Tournier. Les deux fumeurs. Eine faszinierende Bildquelle zum frühen Tabaksgenuss.

In: H. Stadler / L. Obojes / M. Roemer (Hrsg.), Keramik zwischen Werbung, Propaganda und praktischem Gebrauch. Beiträge vom 50. Internationalen Symposium Keramikforschung in Innsbruck 2017 (Innsbruck 2018), 2018

This paper deals with a painting in the Musée du Tabac, Bergerac, attributed to the early work of... more This paper deals with a painting in the Musée du Tabac, Bergerac, attributed to the early work of the French carravaggionist Nicolas Tournier. This attribution is based on elements of the style but also on the use of models and realia that also appear in other paintings of Tournier. The dating is further confirmed by the realia depicted in the painting and comparable finds. In particular, this painting is a rich source on various forms of 1st generation pipes and other smoking utensils of the early 17th century. In terms of meaning, it stands at the transition from allegorical, descriptive and droll images to those with clearly negative connotations or depictions that play with negative connotations. Additional hint: An especially close parallel to the beaker (Waffelbecher, Spechter; fig. 23) can be added. It was excavated in Bocholt Old Townshall dated tot he 17th century. Schloss Horst (Gelsenkirchen) and can be attributed to an Antwerp workshop from the 2nd half of the 16th century: see Heike Tausendfreund, Hohlglas aus Westfalen-Lippe. Vergleichende Untersuchungen zu archäologischen Funden des Mittelalters und der Neuzeit. Dissertation zur Erlangung des akademischen Grades Doktor der Philosophie der Philosophischen Fakultät der Eberhard Karls Universität Tübingen (Tübingen 2014), Band/vol. 1, 95, Band/vol. 2, 67, Taf./pl. 2, Nr. 113.see also Band/vol. 1, 94, Band/vol. 2, 67, Taf./pl. 10, Nr. 633.

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Research paper thumbnail of Tonfiguren der Spätgotik und Renaissance im Töpfereimuseum Raeren

Raerener Museumkurier 28, 2010

Online offprint after: Gerald Volker Grimm, Tonfiguren der Spätgotik und Renaissance im Töpfereim... more Online offprint after: Gerald Volker Grimm, Tonfiguren der Spätgotik und Renaissance im Töpfereimuseum Raeren. Im Andenken an Otto Eugen Mayer. Raerener Museumskurier 28, 2010, 63-75. https://www.toepfereimuseum.org/TopfereimuseumRaeren/files/69/694d34e9-499c-45b8-a7f5-636286020561.pdf
The article deals with the late gothic to renaissance clay figures (pipe clay and stoneare) in the Töpfereimuseum Raeren. Wit a single exception these had been found in the important stoneware production site Raeren near Aken.

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Research paper thumbnail of H. Rosmanitz / G. V. Grimm,  VII.9. Fragment eines Jesusknaben

Reformation in Württemberg. Freiheit - Wahrheit - Evangelium, 2017

Harald Rosmanitz / Gerald Volker Grimm, VII.9. Fragment eines Jesusknaben. In: Landesarchiv Baden... more Harald Rosmanitz / Gerald Volker Grimm, VII.9. Fragment eines Jesusknaben. In: Landesarchiv Baden-Württemberg, Hauptstaatsarchiv Stuttgart / Staatliche Schlösser und Gärten Baden-Württemberg (Hrsg.) / Peter Rückert / Alma-Maria Brandenburg / Eva Linda Müller (Bearb.), Reformation in Württemberg. Freiheit - Wahrheit - Evangelium. Katalogband zur Ausstellung des Landesarchivs Baden-Württemberg, Hauptstaatsarchiv Stuttgart (Ostfildern / Stuttgart 2017), 262-263.

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Research paper thumbnail of Lindau, Deutschland und die Niederlande

Mitteilungen der DGAMN: Befestigung und Grenze in Mittelalter und Neuzeit, 2019

Mitteilungen der DGAMN: Befestigung und Grenze in Mittelalter und Neuzeit. Vol 32. The differenc... more Mitteilungen der DGAMN: Befestigung und Grenze in Mittelalter und Neuzeit. Vol 32.
The differences resulting from the different approaches in the Netherlands, where metal detectors are widely used and a publication of excavations is mandatory (according to the Valletta Treaty) are discussed on the basis of military finds, mostly from the Thirty Years War in Germany (1618-1648) and the Eighty Years War (1568-1648). These present new evidence about the functioning of fortresses and the life in particular to combat operations

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Research paper thumbnail of Gerald Volker Grimm, Literatur und Einzelbelege zu „Typochronologie rheinischer Trichterhalsgefäße“. Propylaeum.DOK 4331 (Heidelberg / München 2019). http://archiv.ub.uni-heidelberg.de/propylaeumdok/volltexte/2019/4331

This paper gives additional data and refernces to a test of the validity of the Deventer Systeem ... more This paper gives additional data and refernces to a test of the validity of the Deventer Systeem by taking stoneware finds and depictions of jugs and beekers into account, mostly from Siegburg: Gerald Volker Grimm, Typochronologie rheinischer Trichterhalsgefäße. In: Michael Schmauder / Marion Roehmer (Hrsg.), Keramik als Handelsgut. Produktion – Distribution – Konsumption. 49. Symposium Keramikforschung des Arbeitskreises für Keramikforschung, des LVR-LandesMuseums Bonn, der Vor- und Frügeschichtlichen Archäologie der Rheinischen Friedrich-Wilhelms-Univrsität Bonn und des LVR-Amtes für Bodendenkmalpflege im Rheinland vom 19. bis 23. September 2016 in Bonn. Bonner Beiträge zur Vor- und Frühgeschichtlichen Archäologie 23 (Bonn 2019) 151-165. Apart from that some new typochronolgical features of German stoneware and related ceramics (mostly from Stralsund) are discussed.

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Research paper thumbnail of Gerald Volker Grimm,  Brühler Ofenkacheln aus dem Mittelalter - mit einem Beitrag zur Datierung und zur Entwicklung der Verkleidungen vom Typus Burg Tannenberg. Bonner Jahrbücher 209, 2009, 215-238.

Bonner Jahrbücher 209, 2009

This article deals with the typology of stove tiles of the Burg Tannenberg type and some misfired... more This article deals with the typology of stove tiles of the Burg Tannenberg type and some misfired specimens from Brühl near Cologne. Some are mid 14th century but the bulk of the finds was likely intended for Dietrich Schenk von Erbach, archbishop of Mainz from 1434 to 1459.

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Research paper thumbnail of Gerald Volker Grimm (mit einem Beitrag von Ralf Weisbarth), Spätgotische Kunsttöpferei im Hanseraum. Weiß glasierte und hochverzierte Irdenware in Steinzeugtradition aus Stralsund.

47. Internationales Symposium Keramikforschung 2014 in Wittenberg (D). Keramik und Töpferei im 15./16. Jahrhundert, 2016

In: Hans-Georg Stephan (Hrsg.), 47. Internationales Symposium Keramikforschung 2014 in Wittenberg... more In: Hans-Georg Stephan (Hrsg.), 47. Internationales Symposium Keramikforschung 2014 in Wittenberg (D). Keramik und Töpferei im 15./16. Jahrhundert Keramik und Töpferei im 15./16. Jahrhundert : Beiträge des 47. Internationalen Symposiums für Keramikforschung vom 8. bis 12. September 2014 in der Lutherstadt Wittenberg. Hallesche Beiträge zur Archäologie des Mittelalters und der Neuzeit 2 (Langenweissbach 2016) 59-72.
This paper introduces a late medieval art pottery from Stralsund which produced extraordinary jugs, tiles and stove tiles. Some decorations were made by prototypes for medieval ivories. As my co-author Ralf Weisbarth found out some of its products were glazed in a white claze that differs from all known majolica products of the 14th and 15th century.

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Research paper thumbnail of Blumen und verräterische Falten. Nachbearbeitungsspuren als Datierungshilfe bei serieller Kleinplastik

Beiträge zur Mittelalterarchäologie in Österreich 27, 2011, 309-313, 2011

In: Sabine Felgenhauer-Schmiedt / Nikolaus Hofer / Karin Kühtreiber / Gabriele Scharrer Liska: K... more In: Sabine Felgenhauer-Schmiedt / Nikolaus Hofer / Karin Kühtreiber / Gabriele Scharrer Liska: Keramik und Technik. Internationale Fachtagung der Österreichischen Gesellschaft für Mittelalterarchäologie zugleich 43. Internationales Symposium des Arbeitskreises für Keramikforschung. Mautern an der Donau, 20. bis 25. September 2010
This paper deals with alterations on pipe clay figures and reliefs and the methods of dating.

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Research paper thumbnail of Vom Modello zum Model. Herstellungsverfahren und Weiterverarbeitung spätmittelalterlicher Bilddrucke

Keramik und Technik. Internationale Fachtagung der Österreichischen Gesellschaft für Mittelalterarchäologie zugleich 43. Internationales Symposium des Arbeitskreises für Keramikforschung. Mautern an der Donau = Beiträge zur Mittelalterarchäologie in Österreich 27, 2011, 145-154., 2011

The paper discusses diverse technical features and the importance of mould generations for the re... more The paper discusses diverse technical features and the importance of mould generations for the research on medival pipe clay figures.
In: Sabine Felgenhauer-Schmiedt / Nikolaus Hofer / Karin Kühtreiber / Gabriele Scharrer Liska: Keramik und Technik. Internationale Fachtagung der Österreichischen Gesellschaft für Mittelalterarchäologie zugleich 43. Internationales Symposium des Arbeitskreises für Keramikforschung. Mautern an der Donau, 20. bis 25. September 2010 (Wien 2011 = Beiträge zur Mittelalterarchäologie in Österreich 27, 2011) 145-154.

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Research paper thumbnail of W. Giertz – G. V. Grimm – T. Kaszab-Olschewski – A. Schaub – H. Mommsen, Eine spätmittelalterliche Bilderbäckerwerkstatt in der Prinzenhofstraße zu Aachen. Bonner Jahrb. 213, 2013, 199-278. (Ersch. 2015).

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Research paper thumbnail of Gerald Volker Grimm, Eine hochmittelalterliche Henkelflasche mit gefälschtem Kaisersiegel

Gerald Volker Grimm, Eine hochmittelalterliche Henkelflasche mit gefälschtem Kaisersiegel. In: Si... more Gerald Volker Grimm, Eine hochmittelalterliche Henkelflasche mit gefälschtem Kaisersiegel. In: Silvia Glaser (Hrsg.), Keramik im Spannungsfeld zwischen Handwerk und Kunst. Beiträge des 44. Internationalen Symposiums Keramikforschung im Germanischen Nationalmuseum, Nürnberg, 19.-23.September 2011. Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums 40 (Nürnberg 2015) 41-50.
This paper reviews a high medieval ceramic bottle decorated with a faked imperial seal. It also contains a scetch for the chronology of high to late medieval ceramic bottle forms.

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Research paper thumbnail of Zu einer künstlerischen Rekonstruktion der Grabmemorie Karls des Großen

In: Tobias Gärtner / Stefan Hesse / Sonja König, Von derWeser in die Welt. Festschrift für Hans-Georg Stephan zum 65. Geburtstag. Alteuropäische Forschungen. Neue Folge 7 (Langenweissbach 2015) 123-139., 2015

In this essay, the basics of a reconstruction of the grave memorial conceived by the authors toge... more In this essay, the basics of a reconstruction of the grave memorial conceived by the authors together with Wolfram Giertz for the Centre Charlemagne are presented. One result of the research was that the faces of the portrait figures in Müstair and in the Louvre have similar characteristics, which suggests a representation of physigiognomic features of the king at his prime respectively of the old emperor. Also the hairstyle of both figures fits to a dating into the late 8th century on the one hand and the early 9th century on the other hand.

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Research paper thumbnail of Archäologie trifft Kunstgeschichte: "The agrafe forger"

In: Christoph Rinne / Jochen Reinhard / Eva Roth Heege / Stefan Teuber (Hrsg.), Vom Bodenfund zum Buch. Archäologie durch die Zeiten. Festschrift für Andreas Heege (Bonn 2017). Historische Archäologie Sonderband 2017, 451-476.

This article discusses the validity of the so-called Agrafe Forger, an artist of the late 18th to... more This article discusses the validity of the so-called Agrafe Forger, an artist of the late 18th to early 19th century who restaured medieval ivories and also is responsible of forgeries in the light of archeological finds from Stralsund in the German Hanse region. There ceramics had been discovered in a late medieval pottery which made wide use of prototypes for late 14th to early 15th century ivory designs for the decoration of there vessels. Some of them had a white glaze of previously unknown composition which resembles the earliest majolica in color and German stoneware in form. The Agraffe-Forger was identified by the use of brooches, which Leeuwenberg who compiled the oeuvre thought to be a certain feature of forgeries. This is evidently wrong, since brooches were still in use in the 15th century, but the forgery around which the work of the forger was assembled unmasks itself because the brooch in question dates from the wrong epoch...

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Research paper thumbnail of 6.4 Metaal. In: E. Coppens, Hulst, De oude spuye. Plan Nieuwe Bierkaai deelgebied 5: Vismarkt 1 ‐ 's Gravenhof 31‐33. Gemeente Hulst. Opgraven – variant Archeologische Begeleiding (Zaamslag 2021) 94-116. And: Gerald Volker Grimm / Stefanie Hoss, Bijlage 16 Catalogus metaal. In: Ibid.

Gerald Volker Grimm / Stefanie Hoss, 6.4 Metaal. In: E. Coppens, Hulst, De oude spuye. Plan Nieuw... more Gerald Volker Grimm / Stefanie Hoss, 6.4 Metaal. In: E. Coppens, Hulst, De oude spuye. Plan Nieuwe Bierkaai deelgebied 5: Vismarkt 1 ‐ 's Gravenhof 31‐33. Gemeente Hulst. Opgraven – variant Archeologische Begeleiding (Zaamslag 2021) 94-116. And: Gerald Volker Grimm / Stefanie Hoss, Bijlage 16 Catalogus metaal. In: Ibid.
This article is about the medieval to early modern metal finds from Hulst 's‐Gravenhofplein and Vismarkt. Most notable are a number of medieval horse harnesses, some of which were used for pulling wagons. On the other hand there are some parts of arms and armour, pilgrim's badges, coins and tokens, as well as jewellery from the viking times to about 1800. Attached is also the catalogue of all metal finds, selected for determination.

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Research paper thumbnail of 5.3 Metaal / Bijlage 22 Catalogus klein vondstmateriaal en metaal / Bijlage 23 Spoordatering aan de hand van klein vondstmateriaal en metaal

Aeres Milieu projectnummer AM15390, 2019

Stefanie Hoss / Gerald Volker Grimm, 5.3 Metaal. In: N.J.W. van der Feest / D. Hagens, RAPPORT. A... more Stefanie Hoss / Gerald Volker Grimm, 5.3 Metaal. In: N.J.W. van der Feest /
D. Hagens, RAPPORT. Archeologische begeleiding en proefsleuven met doorstart naar een opgraving met beperking aan de Varkensmarkt te Roermond (Roermond 2019) And: Gerald Volker Grimm / Stefanie Hoss, ibid.: Bijlage 22 Catalogus klein vondstmateriaal en metaal / Bijlage 23 Spoordatering aan de hand van klein vondstmateriaal en metaal

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Research paper thumbnail of G. V. Grimm / S. Hoss (2017), Catalogus metaalvondsten. In: S. Depuydt / F. Delporte (eds.), Arcadis Archeologische Rapport 93. Plan Nieuwe Bierkaai te Hulst, gemeente Hulst. Archeologische begeleiding, protocol Opgraven en Opgraving scheepsresten, 's-Hertogenbosch, 1-229

In: S. Depuydt / F. Delporte (eds.), Arcadis Archeologische Rapport 93. Plan Nieuwe Bierkaai te Hulst, gemeente Hulst. Archeologische begeleiding, protocol Opgraven en Opgraving scheepsresten, 's-Hertogenbosch, 1-229, 2017

Catalogue of the metal finds from the habour in Hulst (Zeeuws Vlaanderen, the Netherlands). The... more Catalogue of the metal finds from the habour in Hulst (Zeeuws Vlaanderen, the Netherlands).
The finds are mainly late medieval and early post-medieval, with a high concentration of finds from the late 16th to the early 17th century.
Among the numerous finds of dress asseccoires, two metal wire supports of ruff collars are especially important for the histroy of dress.
Remarkable is the high number and good preservation of the militaria: helmets, armour, swords, and even war scythes and a small war hammer. These are remains from the various battles fought in and around Hulst in the late middle ages and during the 80 years war.

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Research paper thumbnail of Vechten tegen de Bierkaai. De metaalvondsten in de Bierkaai in beeld gebracht

Authors: Stefanie Hoss / Gerald Volker Grimm / Paul Stockman / Huub Stals / Antoine Prinsen / Ber... more Authors: Stefanie Hoss / Gerald Volker Grimm / Paul Stockman / Huub Stals / Antoine Prinsen / Bert Zandvoort. Museum Hulst exhibition catalogue of 2018 on the finds from the port of Hulst. Edited by Edie Bogaert, Hanneke Stam and Bert Zandvoort. An unusually high number of militaria were recovered here, most of which can be associated with the respective successful sieges of the town of Hulst in 1452 by Gent and those in the 1590s by the Spanish and the reconquest in 1645 by the Dutch army. In addition to weapons and armour, however, other particularly interesting finds are presented, such as the two almost completely preserved frames of ruffs, and the finds are contextualised in the history of the town. Also published online: https://www.museumhulst.nl/files/exposities/pdf/boekje-bierkaai.pdf.

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Research paper thumbnail of Stove Tiles with Knight Figures and their Master. New Finds and Results on the Low Countries – German – Hungarian Relations. In Honor of the Late Imre Holl. Archaeologia - Altum Castrum Online (Visegrad 2020). https://archeologia.hu/content/archeologia/661/grimm-stoves-st-kicsi.pdf

Archaeologia - Altum Castrum Online, 2020

This online (link below) booklet reflects the research on a group of stoves mainly made for Hunga... more This online (link below) booklet reflects the research on a group of stoves mainly made for Hungarian kings and their nobles. In it the use of pipe clay figures as stove tile decoration, the origin of the workshop in South-Western Germany and it's followers are discussed as well as dating. Next to the heraldry and the style and especially the armour of the figures technical aspects are taken into consideration. https://archeologia.hu/content/archeologia/661/grimm-stoves-st-kicsi.pdf

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Research paper thumbnail of Piessens D., De Rue Y.J.W.R. & Lettany R. (reds.), CAR Publications 2: Archeologische souvenirs uit een Mechels verleden, Mechelen 2019

In de publicatie ‘Archeologische souvenirs uit een Mechels verleden’ zetten archeologen Dana Pies... more In de publicatie ‘Archeologische souvenirs uit een Mechels verleden’ zetten archeologen Dana Piessens, Yvonne de Rue en Rik Lettany uiteenlopende artefacten centraal die werden aangetroffen bij opgravingen te Mechelen. Gebaseerd op de ‘artefacten van de maand’ en in samenwerking met de Dienst Archeologie van de stad Mechelen kwam zo een boek tot stand dat de lezer meeneemt doorheen de Mechelse geschiedenis aan de hand van uiteenlopende en verrassende objecten.

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Research paper thumbnail of Tine Luk Meganck und Sabine van Sprang (Hrsg.); Bruegels Winterlandschaften. Historiker und Kunsthistoriker im Dialog; Berlin: Hatje Cantz 2018; 352 S., 200 Abb.; ISBN 978-3-7757-4514-7; € 58.

Journal für Kunstgeschichte 23/3, 2019

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Research paper thumbnail of Gerald Volker Grimm, Rezension zu: Stichting voor onderzoek historische tabakspijpen (Hrsg.), PKN Jaarboek 2015 (Leiden 2015). 24 €. Berichte aus dem Arbeitskreis Tonpfeifen 1 (Bonn 2017). ISBN: 978-90-801138-6-2.URL: http://archiv.ub.uni-heidelberg.de/propylaeumdok/ volltexte/2017/3403

Berichte aus dem Arbeitskreis Tonpfeifen, 2017

This recension deals mainly with a huge amount of Dutch first generation pipes published by Bert ... more This recension deals mainly with a huge amount of Dutch first generation pipes published by Bert van der Lingen and what these new discoveries mean in respect to early German pipe finds. Other topics are war-related pipes, artistic pipes of the 19th century and a mould by Peter Dorn (1849-1871). A special focus is on a fireplace fireback of cast iron depicting Hollandia and the armed Dutch Lion in a garden. The original design is ascribed to Abraham Bloemaert or his circle.

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Research paper thumbnail of Maltechnik bei Bruegel und Brueghel.

Kunstchronik, 2015

Gerald Volker Grimm, Maltechnik bei Bruegel und Brueghel. Christina Currie/Dominique Allart, The ... more Gerald Volker Grimm, Maltechnik bei Bruegel und Brueghel. Christina Currie/Dominique Allart, The Brueg(H)el phenomenon. Paintings by Pieter Bruegel the Elder and Pieter Brueghel the Younger, with a Special Focus on Technique and Copying Practice. 3 Bde. Turnhout, Brepols 2012. 1061 S., 1392 Abb. ISBN 978-2-930054-14-8. € 160,00. Kunstchronik 68-1, 2015, 15-19.

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Research paper thumbnail of Gerald Volker Grimm, Anabella Weismann; Pieter Bruegel d. Ä.; Reinbeck b. H.: Rowohlt Taschenbuch Verlag 2015; 161 S., zahlreiche Ill.; ISBN 978-3-499-50519-5;€ 8,99. Journal für Kunstgeschichte. Journal of Art History. Die internationale Rezensionszeitschrift 19, 2015, 341-364.

Journal für Kunstgeschichte, 2015

This is a review of a small booklet whose series is actually intended as a fact-based introductio... more This is a review of a small booklet whose series is actually intended as a fact-based introduction to the lives of famous people. Instead the book could be moved to another series
and adapt a title like 'Literary Variations on Free Associations
to some paintings of Pieter Bruegel the Elder'.

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Research paper thumbnail of Archeologische vondsten uit de late middeleeuwen van de hoek Markt en Varkensmarkt te Roermond

Spiegel van Roermond, 2022

At the corner of the Market Square in Roermond, an excavation has yielded remains of 13th and 14t... more At the corner of the Market Square in Roermond, an excavation has yielded remains of 13th and 14th century occupation. The material culture tells of an elite lifestyle, just a few houses from the town hall. In this article, we focus on the material aspects of the dining culture unearthed here. Another emphasis in this article is what the bulk ceramics can tell us about the place of the town of Roermond in the distribution network of ceramics from the production sites in the Roermond hinterland (e.g. Elmpt, Brüggen, Brunssum, Schinveld).

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