Andrea Sordano - Academia.edu (original) (raw)
Compositore, Chitarrista
Address: Latina
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Il seguente lavoro ha lo scopo di analizzare Fêtes, secondo dei Trois Nocturnes, non solo dal pun... more Il seguente lavoro ha lo scopo di analizzare Fêtes, secondo dei Trois Nocturnes, non solo dal punto di vista musicale. L’analisi delle fonti extramusicali (lettere, saggi, articoli di giornale) redatte dallo stesso Debussy, o da personaggi vicini sia ideologicamente che fisicamente, ha permesso di ottenere informazioni più interessanti del capire una tonalità o del riconoscere i temi.
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Breve saggio sul primo Notturno L. 91 di C. Debussy. Genesi dell'opera e analisi
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Osservazioni su Fernando Sor e il Metodo
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Papers by Andrea Sordano
This paper wants to give a short overview on Eduard Tubin's symphonies in his Estonian and Swedis... more This paper wants to give a short overview on Eduard Tubin's symphonies in his Estonian and Swedish periods.
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This is a summary of a Truax's article published on Perspectives of New Music Vol. 32, No. 1 (Win... more This is a summary of a Truax's article published on Perspectives of New Music Vol. 32, No. 1 (Winter, 1994).
Truax wants to describe a new model to which contemporary classical music should transform in order to fit the new needs of current society. This paper has been published in 1994 and can be enframed in the period where composers, performers and musicologists were starting to use the term “new complexity” referring to music. On the other end, the author speaks about “the new romanticism” as an antagonist of this new wave in classical music.
Bookmarks Related papers MentionsView impact
Il seguente lavoro ha lo scopo di analizzare Fêtes, secondo dei Trois Nocturnes, non solo dal pun... more Il seguente lavoro ha lo scopo di analizzare Fêtes, secondo dei Trois Nocturnes, non solo dal punto di vista musicale. L’analisi delle fonti extramusicali (lettere, saggi, articoli di giornale) redatte dallo stesso Debussy, o da personaggi vicini sia ideologicamente che fisicamente, ha permesso di ottenere informazioni più interessanti del capire una tonalità o del riconoscere i temi.
Bookmarks Related papers MentionsView impact
Breve saggio sul primo Notturno L. 91 di C. Debussy. Genesi dell'opera e analisi
Bookmarks Related papers MentionsView impact
Osservazioni su Fernando Sor e il Metodo
Bookmarks Related papers MentionsView impact
This paper wants to give a short overview on Eduard Tubin's symphonies in his Estonian and Swedis... more This paper wants to give a short overview on Eduard Tubin's symphonies in his Estonian and Swedish periods.
Bookmarks Related papers MentionsView impact
This is a summary of a Truax's article published on Perspectives of New Music Vol. 32, No. 1 (Win... more This is a summary of a Truax's article published on Perspectives of New Music Vol. 32, No. 1 (Winter, 1994).
Truax wants to describe a new model to which contemporary classical music should transform in order to fit the new needs of current society. This paper has been published in 1994 and can be enframed in the period where composers, performers and musicologists were starting to use the term “new complexity” referring to music. On the other end, the author speaks about “the new romanticism” as an antagonist of this new wave in classical music.
Bookmarks Related papers MentionsView impact