Antonella Chiazza - Academia.edu (original) (raw)
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Centre National de la Recherche Scientifique / French National Centre for Scientific Research
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Papers by Antonella Chiazza
The article analyzes the artistic research by Salvatore Scarpitta, one of the major protagonists ... more The article analyzes the artistic research by Salvatore Scarpitta, one of the major protagonists of the international art scene after the Second World War, in its different phases: expressionist, abstract-figurative and informal. Through a historical-critical and aesthetic approach, proceeding onto reading some important works of art through an interpretative methodology, a further development of critical thinking by the artist's production.
The purpose of this article is to examine the environmental issue which plays a key role in the a... more The purpose of this article is to examine the environmental issue which plays a key role in the art world since 1967, especially through the American Land Art and the European Environmental Art. Due to the pop art’s assemblages and the Land Art conceptual experiences, the Environmental Art has developed its own contents. Through a review of significant endeavours, we will be able to appreciate an unprecedented interpretation of human’s actions on the environment. From a critical and historical point of view, this article aims to examine some art facts which are fundamental to rough out the current shape of the Environmental Art. This can only be achieved by the widest range research of any stripe and variety and the widest range of functional diversity.
This article explores the Spatialism in architectural terms, which is at the base of Lucio Fontan... more This article explores the Spatialism in architectural terms, which is at the base of Lucio Fontana’s work after the Second World War. A fundamental and lesser-known aspect of the artist’s work, developed since 1949, is the creation of ‘Ambienti Spaziali’, really and truly architectural spaces that test the perception and often even the sense of balance of visitors. Thus, the article highlights Fontana’s figure as an environmental artist, investigating the artist’s most intimate work and poetics, a topic often neglected by international critics and not highly considered by the most authoritative sources.
The article analyzes the artistic research by Salvatore Scarpitta, one of the major protagonists ... more The article analyzes the artistic research by Salvatore Scarpitta, one of the major protagonists of the international art scene after the Second World War, in its different phases: expressionist, abstract-figurative and informal. Through a historical-critical and aesthetic approach, proceeding onto reading some important works of art through an interpretative methodology, a further development of critical thinking by the artist's production.
The purpose of this article is to examine the environmental issue which plays a key role in the a... more The purpose of this article is to examine the environmental issue which plays a key role in the art world since 1967, especially through the American Land Art and the European Environmental Art. Due to the pop art’s assemblages and the Land Art conceptual experiences, the Environmental Art has developed its own contents. Through a review of significant endeavours, we will be able to appreciate an unprecedented interpretation of human’s actions on the environment. From a critical and historical point of view, this article aims to examine some art facts which are fundamental to rough out the current shape of the Environmental Art. This can only be achieved by the widest range research of any stripe and variety and the widest range of functional diversity.
This article explores the Spatialism in architectural terms, which is at the base of Lucio Fontan... more This article explores the Spatialism in architectural terms, which is at the base of Lucio Fontana’s work after the Second World War. A fundamental and lesser-known aspect of the artist’s work, developed since 1949, is the creation of ‘Ambienti Spaziali’, really and truly architectural spaces that test the perception and often even the sense of balance of visitors. Thus, the article highlights Fontana’s figure as an environmental artist, investigating the artist’s most intimate work and poetics, a topic often neglected by international critics and not highly considered by the most authoritative sources.