Carla Chiummo - Academia.edu (original) (raw)
Interested in Italian Literature, Philology, Comparative Studies
less
Uploads
Papers by Carla Chiummo
Pascoli, Pinocchio e altre storie, 2018
This book brings together nineteen studies exploring original research perspectives that seek to ... more This book brings together nineteen studies exploring original research perspectives that seek to expand our understanding of the concept of resistance in Italian culture. The scope is not restricted to the theme of the political Resistance leading up to and following World War II, or to the legacy of the Resistance in the context of modern Italian society and its institutions – as has been the case of all important volumes that have dealt with this subject so far. Instead, we have embraced historical and multidisciplinary perspectives to examine ideas and practices adopted from early modern Italy to the 21st century challenging ideologies, political powers, patriarchal society, and, more recently, globalisation. In doing so, we intend to recognize that the concept of resistance should be seen as a distinctive mark of Italian cultural identity.
La pubblicazione di questo volume si è avvalsa del contributo straordinario
Either as a proper literary genre or rather as a various rhetorical code, in the poetry of 20th c... more Either as a proper literary genre or rather as a various rhetorical code, in the poetry of 20th century the political and moral invective had its principal models in the post-war invectives by Saba, as his Opicina 1947 – whose echoes arrive to Sereni’s Saba and Caproni’s Anarchiche – and Pasolini, starting from his Epigrammi and Poesie incivili (1959-’61). The invectives of several politically committed poets, such as as Leonetti, Roversi, Pagliarani, Raboni, D’Elia, will be shaped mainly on that poetry by Pasolini. On the other side, a more playful and parodistic invective is shaped by Sanguineti, particularly in a erotic key - as in his Novissimum Testamentum ‒ which will be present also in other poets, such as Bellezza, in his Invettive e licenze , or Valduga in her Donna di dolori . The years of Berlusconi’s power gave new impulse to the political invective, in both a parodistic and serious key: including Sanguineti and his Malebolge 1994 ‒ similar to the “acid and ascetic a...
Pascoli, Pinocchio e altre storie, 2018
This book brings together nineteen studies exploring original research perspectives that seek to ... more This book brings together nineteen studies exploring original research perspectives that seek to expand our understanding of the concept of resistance in Italian culture. The scope is not restricted to the theme of the political Resistance leading up to and following World War II, or to the legacy of the Resistance in the context of modern Italian society and its institutions – as has been the case of all important volumes that have dealt with this subject so far. Instead, we have embraced historical and multidisciplinary perspectives to examine ideas and practices adopted from early modern Italy to the 21st century challenging ideologies, political powers, patriarchal society, and, more recently, globalisation. In doing so, we intend to recognize that the concept of resistance should be seen as a distinctive mark of Italian cultural identity.
La pubblicazione di questo volume si è avvalsa del contributo straordinario
Either as a proper literary genre or rather as a various rhetorical code, in the poetry of 20th c... more Either as a proper literary genre or rather as a various rhetorical code, in the poetry of 20th century the political and moral invective had its principal models in the post-war invectives by Saba, as his Opicina 1947 – whose echoes arrive to Sereni’s Saba and Caproni’s Anarchiche – and Pasolini, starting from his Epigrammi and Poesie incivili (1959-’61). The invectives of several politically committed poets, such as as Leonetti, Roversi, Pagliarani, Raboni, D’Elia, will be shaped mainly on that poetry by Pasolini. On the other side, a more playful and parodistic invective is shaped by Sanguineti, particularly in a erotic key - as in his Novissimum Testamentum ‒ which will be present also in other poets, such as Bellezza, in his Invettive e licenze , or Valduga in her Donna di dolori . The years of Berlusconi’s power gave new impulse to the political invective, in both a parodistic and serious key: including Sanguineti and his Malebolge 1994 ‒ similar to the “acid and ascetic a...