Ekaterina Glazunova (Zavarina) - Academia.edu (original) (raw)
Papers by Ekaterina Glazunova (Zavarina)
Restoration the wimple of an early 20th century from the collection of the house-museum of Grand Duchess Elizabeth Feodorovna. Features of the monument exhibition., 2024
Реставрация тканевых элементов плащаницы первой половины XIX в. из собрания музея-заповедника «Ки... more Реставрация тканевых элементов плащаницы первой половины XIX в. из собрания музея-заповедника «Кижи» проводилась поэтапно. Она заключалась в выборе способа и проведении общей очистки, выборе метода дублирования, укреплении тканей и декоративных элементов. Был выбран комплексный подход, направленный на воссоздание общей художественной целостности всего произведения.
The article analyzes the graphic decor of the sakkos, known as the “sakkos of the Patriarch Pitir... more The article analyzes the graphic decor of the sakkos, known as the “sakkos of the Patriarch Pitirim”. The stylistic and technical features of his sewing are compared with the works of the Tsaritsa’s Workshop in the middle of the 17th century. The first mention of the sakkos in question was identified in the “Book of notebook vestments and the act of the great sovereign His Holiness Nikon the Archbishop of the reigning city of Moscow and All Great and Malyi and Belyi Rosii Patriarch” and in the inventory of 1658. This information made it possible to clarify the attribution of the monument. The double naming of the vestments “Evdokeinsky” and “Pitirimovsky”, obviously, is associated with two different events. Probably, the sakkos was granted to Patriarch Nikon by the royal family, during the consecration of the church of the Martyr Evdokia in 1653, and in 1672–1673 he was renewed for the Patriarch Pitirim. The estimated date of creation of the sakkos is also confirmed by its comparison with the works of the Tsaritsa’s Workshop, allowing to date the sewn details of the vestments in the early 1650s. This hypothesis is required by the sakkos decoration program, which points to trends that were specifically characteristic of the church reforms of Patriarch Nikon.
В статье анализируется изобразительный декор саккоса, известного как «саккос патриарха Питирима». Стилистические и технические особенности его шитья сравниваются с произ- ведениями Царицыной мастерской палаты середины XVII века. Первые упоминания
о рассматриваемом саккосе выявлены в «Книге записной облачениям и действу великаго государя святейшего Никона архиепископа царствующего града Москвы и Всея Великия
и Малыя и Белыя Росии патриарха» и в описи Патриаршей ризницы 1658 года. Эти сведения позволили уточнить атрибуцию памятника. Двойное именование облачения «Евдокеин- ским» и «Питиримовским», очевидно, связано с двумя разными событиями. Вероятно, саккос был пожалован патриарху Никону царской семьей при освящении дворцового храма преподобномученицы Евдокии в 1653 году, а в 1672–1673 годы его поновили для патриарха Питирима. Предполагаемая дата создания саккоса находит подтверждение и при его сопоставлении с произведениями царицыной мастерской, позволяя датировать шитые детали облачения 1652–1653 годами. Эту гипотезу подтверждает программа декорации саккоса, которая отражает тенденции, определившие характер церковных реформ патриарха Никона.
DATINGOF TWO DOUBLE-FACED KHORUGVSAPPEARANCEOF THEOTOKOSTO ST. SERGIY (17TH CENTURY) FROM COLLECTIONOF SERGIEV POSAD MUSEUM-PRESERVE, 2019
This article deals with the dating of two embroidered double-faced khorugvs (Russ. хоругвь) with ... more This article deals with the dating of two embroidered double-faced khorugvs (Russ. хоругвь) with the image Appearance of Theotokos to St. Sergiy of Radonezh (17th century) from the collection of Sergiev Posad Museum-Preserve. The article compares and analyses stylistic and technical features of embroidering of khorugvs and their relation to products of Tsaritsa’s Masters’ Chamber (Russ. царицына мастерская палата) of the mid-17th century. Both khorugvs are designed in the technique of double-face silk embroidering, skan’ and golden thread. Showing the same plot which is expounded in St. Sergiy’s Life, they have a number of dissimilarities, both in the composition and in style. The author of the article has found in the act of restoration of 1924 a description of the double-faced khorugv embroidered on green satin, as well as its later edging of blue satin with a chronicle of 1793. The comparison of the design and stylistic features allowed us to attribute the red-background khorugv to the objects of the 1630‒1640s. The double-face khorugv, embroidered on green satin (taking into account its description before the restoration of 1924), has been included in the range of early products of Tsaritsa’s chambers of the time of tsaritsa Maria Ilyinichna and has been dated to 1650 due to a separately kept removable inscription
Restoration the wimple of an early 20th century from the collection of the house-museum of Grand Duchess Elizabeth Feodorovna. Features of the monument exhibition., 2024
Реставрация тканевых элементов плащаницы первой половины XIX в. из собрания музея-заповедника «Ки... more Реставрация тканевых элементов плащаницы первой половины XIX в. из собрания музея-заповедника «Кижи» проводилась поэтапно. Она заключалась в выборе способа и проведении общей очистки, выборе метода дублирования, укреплении тканей и декоративных элементов. Был выбран комплексный подход, направленный на воссоздание общей художественной целостности всего произведения.
The article analyzes the graphic decor of the sakkos, known as the “sakkos of the Patriarch Pitir... more The article analyzes the graphic decor of the sakkos, known as the “sakkos of the Patriarch Pitirim”. The stylistic and technical features of his sewing are compared with the works of the Tsaritsa’s Workshop in the middle of the 17th century. The first mention of the sakkos in question was identified in the “Book of notebook vestments and the act of the great sovereign His Holiness Nikon the Archbishop of the reigning city of Moscow and All Great and Malyi and Belyi Rosii Patriarch” and in the inventory of 1658. This information made it possible to clarify the attribution of the monument. The double naming of the vestments “Evdokeinsky” and “Pitirimovsky”, obviously, is associated with two different events. Probably, the sakkos was granted to Patriarch Nikon by the royal family, during the consecration of the church of the Martyr Evdokia in 1653, and in 1672–1673 he was renewed for the Patriarch Pitirim. The estimated date of creation of the sakkos is also confirmed by its comparison with the works of the Tsaritsa’s Workshop, allowing to date the sewn details of the vestments in the early 1650s. This hypothesis is required by the sakkos decoration program, which points to trends that were specifically characteristic of the church reforms of Patriarch Nikon.
В статье анализируется изобразительный декор саккоса, известного как «саккос патриарха Питирима». Стилистические и технические особенности его шитья сравниваются с произ- ведениями Царицыной мастерской палаты середины XVII века. Первые упоминания
о рассматриваемом саккосе выявлены в «Книге записной облачениям и действу великаго государя святейшего Никона архиепископа царствующего града Москвы и Всея Великия
и Малыя и Белыя Росии патриарха» и в описи Патриаршей ризницы 1658 года. Эти сведения позволили уточнить атрибуцию памятника. Двойное именование облачения «Евдокеин- ским» и «Питиримовским», очевидно, связано с двумя разными событиями. Вероятно, саккос был пожалован патриарху Никону царской семьей при освящении дворцового храма преподобномученицы Евдокии в 1653 году, а в 1672–1673 годы его поновили для патриарха Питирима. Предполагаемая дата создания саккоса находит подтверждение и при его сопоставлении с произведениями царицыной мастерской, позволяя датировать шитые детали облачения 1652–1653 годами. Эту гипотезу подтверждает программа декорации саккоса, которая отражает тенденции, определившие характер церковных реформ патриарха Никона.
DATINGOF TWO DOUBLE-FACED KHORUGVSAPPEARANCEOF THEOTOKOSTO ST. SERGIY (17TH CENTURY) FROM COLLECTIONOF SERGIEV POSAD MUSEUM-PRESERVE, 2019
This article deals with the dating of two embroidered double-faced khorugvs (Russ. хоругвь) with ... more This article deals with the dating of two embroidered double-faced khorugvs (Russ. хоругвь) with the image Appearance of Theotokos to St. Sergiy of Radonezh (17th century) from the collection of Sergiev Posad Museum-Preserve. The article compares and analyses stylistic and technical features of embroidering of khorugvs and their relation to products of Tsaritsa’s Masters’ Chamber (Russ. царицына мастерская палата) of the mid-17th century. Both khorugvs are designed in the technique of double-face silk embroidering, skan’ and golden thread. Showing the same plot which is expounded in St. Sergiy’s Life, they have a number of dissimilarities, both in the composition and in style. The author of the article has found in the act of restoration of 1924 a description of the double-faced khorugv embroidered on green satin, as well as its later edging of blue satin with a chronicle of 1793. The comparison of the design and stylistic features allowed us to attribute the red-background khorugv to the objects of the 1630‒1640s. The double-face khorugv, embroidered on green satin (taking into account its description before the restoration of 1924), has been included in the range of early products of Tsaritsa’s chambers of the time of tsaritsa Maria Ilyinichna and has been dated to 1650 due to a separately kept removable inscription