Satenik Chookaszian - Academia.edu (original) (raw)

Uploads

Papers by Satenik Chookaszian

History and Culture, 2022

In the XIX-XX centuries, belt was an important part of the Armenian folk costume. Silver belts we... more In the XIX-XX centuries, belt was an important part of the Armenian folk costume. Silver belts were created in different areas of Western and Eastern Armenia. They varied from one another by the form of clasps, decoration, and often in creation techniques.The silver collection of the Treasury of Mother See of Holy Etchmiadzinis unique in terms of its richness and variety. The purpose of this article is to study the silver belts of the Treasury that have not been examined before.Among the women's belts of the Treasury, there is one with a butterfly-ribbon clasp (199), which repeats the structure of Vaspurakan belts, but the decoration of it seems to be pretty similar to another one that was created in Kars.From the men's belts collection, it is worth mentioning the one decorated with the image of a kinto (258) that has the surname of the master preserved - "М АИРАПETOBЪ". During our research, we had found five belts created by the same silversmith in different museums in Armenia. In fact, so far this is the largest collection known to us being created by the same master and consisting of diverse types of belts. In our opinion, this silversmith is Mkrtich Nikoghos Ayrapetov, who worked in the Armenian market of Tbilisi (Georgia) during 1893-1914.One of the men's belts in the Treasury is decorated with a depiction of a crown. During the research, we found several other belts with such decoration. Probably such "Crown Belts" were created for high-ranking people by special order.Each of the belts of the Treasury collection has unique difference/s from similar ones kept in other museums, which testifies to the skill and mastery of our silversmiths.

Etchmiadzin journal , 2022

The National Gallery of Armenia has a rich collection of silverware. The purpose of this article ... more The National Gallery of Armenia has a rich collection of silverware. The purpose
of this article is to study silver belts made for women, which have not been
examined before. It also aims at comparing them with those alike kept in different
museums in Armenia and other countries in order to identify the silversmiths and
specify the dates of creation.
In the 19th—20th centuries, the belt was an important part of the Armenian folk
costume. These belts can be divided into different groups according to the types of
clasps and ornaments. However, they are very different from one other, as each of
the masters expressed his own aesthetic taste and skill by creating unique designs.
During the study, it turned out that the women’s belts of this collection were created
by masters from Van, Karin, Sebastia, Trabzon, Akhaltsikhe, Syunik, Artsakh, New
Julfa, and other regions. These treasures testify to the high artistic taste and skills of
the silversmiths.

BULLETIN OF MATENADARAN 31, 2021

àëÏ³ÝÛ³Ý ²ëïáõ³Í³ßÝãÇ ÷áñ³•ñ³å³ïÏ»ñÝ»ñÇ ÑÇÙ³Ý íñ³ Üáñ aeáõÕ³ÛÇ Í³ÕÏáÕÝ»ñÇó «í³ñå»ï³ó í³ñå»ï» ïÇïÕ... more àëÏ³ÝÛ³Ý ²ëïáõ³Í³ßÝãÇ ÷áñ³•ñ³å³ïÏ»ñÝ»ñÇ ÑÇÙ³Ý íñ³ Üáñ aeáõÕ³ÛÇ Í³ÕÏáÕÝ»ñÇó «í³ñå»ï³ó í³ñå»ï» ïÇïÕáë³ÏÇñ Ð³Ûñ³å»ïÇ ¢ ²ëïí³Í³ïáõñ ¹åÇñÇ՝ 1645 Ã. êå³Ñ³ÝáõÙ ëï»ÕÍí³Í ÝÏ³ñ³½³ñ¹ ²ëïáõ³Í³ßÝãáõÙ (ºÕÙ. 1933) å³Ñå³Ýí»É ¿ 26 ³Ù-μáÕç³Ï³Ý ¿çÁ •ñ³íáÕ Ù³Ýñ³ÝÏ³ñ, ï»°ë Armenian art treasures of Jerusalem, edt. by B.

SERIES BYZANTINA , VOL. XVI, 2019

Workshops and Conferences by Satenik Chookaszian

Series Byzantina by Satenik Chookaszian

by Waldemar Deluga, Mat Immerzeel, Magdalena Łaptaś, Elena Ene Draghici-Vasilescu (see also Elena Ene D-Vasilescu), Satenik Chookaszian, Anatole Upart, Irina Hayuk, HENRYK PAPROCKI, Series Byzantina, Seyranush Manukyan, Sofia Korol', marta fedak, and Anna Karapetian

Spis treści/ Contents: WALDEMAR DELUGA, MIROSŁAW P. KRUK, Studies on Byzantine and Post-Byzantine... more Spis treści/ Contents: WALDEMAR DELUGA, MIROSŁAW P. KRUK, Studies on Byzantine and Post-Byzantine Art in Central and Eastern Europe; SERGEJ KLIMOVSKI, Two new stone icons from Kiev; LARISA ČLENOVA, A Byzantine relief St. George with the scenes of his life; PIOTR GROTOWSKI, The legend of St. George Saving a Youth from Captivity and its depiction in art; ALEKSANDRA SULIKOWSKA, "New Constantinople." Byzantine tradition in Muscovite Rus' in the 16th century; MARIA HELYTOVYČ, Icons of the 1560s associated with "Dmytrij"; CONSTANTA COSTEA, Une nouvelle réplique slavonne du Paris gr. 74-seven decades after; MIROSLAW P. KRUK, The Lvov Oktoich of 1630 in the collection of the Jagiellonian Library in Cracow; OKSANA YURCHYSHYN-SMYTH, The printing house of the Monastery of Trei Ierarhi in Iasi and its staff; AGNIESZKA GRONEK, On the dependence of Ruthenian Passion presentations on Western graphics in the 16th to 18th centuries Wyd. / Editor Neriton, Warszawa 2003; ISBN 83-88973-65-7 (178 pp.) VOL. II, 2004 Spis treści/ Contents: WALDEMAR DELUGA, Wstęp [Introduction]; BARBARA DĄB-KALINOWSKA, Warsztat historyka sztuki i źródła [Art historian's apparatus and sources]; KS. MICHAŁ JANOCHA, Słowa a obraz: źródła literackie do dziejów estetyki i sztuki bizantyńskiej [Words and image: literary sources for the history of Byzantine aesthetics and arts]; JÓZEF NAUMOWICZ, Posąg Chrystusa z Paneas w źródłach patrystycznych i bizantyńskich [The Statue of Christ from Paneas in patristic and Byzantine sources]; PIOTR ŁUKASZ GROTOWSKI, Konstantynopol w oczach Haruna ibn Yahja i Dobryni Jędrzejkowicza-kilka uwag o wartości relacji przybyszów odwiedzających stolicę Cesarstwa [Constantinople in the eyes of Harun ibn Yahja and Dobrynia Jędrzejkowicz: some remarks on the value of travel relations by visitors to the capital of the Empire]; TAMARA SZTYMA, Wpływy tradycji żydowskiej w sztuce wczesnochrześcijańskiej i bizantyńskiej [The influence of Jewish tradition on the early Christian and Byzantine art]; SŁAWOMIR SKRZYNIARZ, Domniemany podręcznik malarski Ulpiosa

Conference Presentations by Satenik Chookaszian

Books by Satenik Chookaszian