Stefano Poillucci - Academia.edu (original) (raw)

Stefano Poillucci

I work in entertainment, music and events.
I designs, produce and manage projects of different kinds in the field of music business, live events, entertainment.

Someone also said I make a good Carbonara!

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Papers by Stefano Poillucci

Research paper thumbnail of Layers Of Visual Imagination And Degrees Of Subjectivity In Listening Experiences Exploring Visual Imagination In Acousmatic Composition And Listening

International Journal of Scientific & Technology Research, 2015

Research paper thumbnail of Layers Of Visual Imagination And Degrees Of Subjectivity In Listening Experiences

The paper is a theoretical, inter-disciplinary analysis, backed by a questionnaire-based experime... more The paper is a theoretical, inter-disciplinary analysis, backed by a questionnaire-based experiment and research on the foundations of senses, perception, cognition, emotions, etc. An artistic approach based on scientific evidences led to the theorisation of the existence of four layers of imagination and their bias to produce visual images with a degree of subjectivity that lies into micro aspects of sounds and in the perceptual and innate 'knowledge' of each individual.

Research paper thumbnail of Layers Of Visual Imagination And Degrees Of Subjectivity In Listening Experiences Exploring Visual Imagination In Acousmatic Composition And Listening

International Journal of Scientific & Technology Research, 2015

Research paper thumbnail of Layers Of Visual Imagination And Degrees Of Subjectivity In Listening Experiences

The paper is a theoretical, inter-disciplinary analysis, backed by a questionnaire-based experime... more The paper is a theoretical, inter-disciplinary analysis, backed by a questionnaire-based experiment and research on the foundations of senses, perception, cognition, emotions, etc. An artistic approach based on scientific evidences led to the theorisation of the existence of four layers of imagination and their bias to produce visual images with a degree of subjectivity that lies into micro aspects of sounds and in the perceptual and innate 'knowledge' of each individual.

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