Sandra Sansone | Università Iuav di Venezia (original) (raw)

Uploads

Papers by Sandra Sansone

Representações do Campo de Batalha em Portugal (1521-1621) Imagens e textos, 2024

«Per havermi sognato un gran tesoro». Studi offerti a Giovanna Curcio, 2021

Michelangelo Arte-Materia-Lavoro, 2019

Annali di Architettura, 2012

Il testo analizza due fogli della raccolta dell’Archivio vanvitelliano di Caserta. Si tratta di a... more Il testo analizza due fogli della raccolta dell’Archivio vanvitelliano di Caserta. Si tratta di alcuni disegni, non chiaramente attribuiti, già posti in relazione con una ipotetica veduta dei palazzi reali di Lisbona disegnata da Filippo Juvarra e “messa in quadro” da Gaspar van Wittel, poi scomparsa.
Dallo studio emerge sia la ricostruzione dell’architettura che Juvarra aveva progettato per la nuova chiesa e per i palazzi del re Dom João V, sia la sua localizzazione nel tessuto urbano della città.
Lo studio ha permesso inoltre delle nuove riflessioni sull’opera dell’architetto messinese e in particolare sono emersi i legami che collegano il progetto della veduta con quello di palazzo Madama, realizzato l’anno successivo a Torino.
La collocazione in un preciso ambito temporale ha infine consentito di tracciare anche un breve ritratto di un eccezionale committente e della sua corte.

Filippo Juvarra 1678 -1736, architetto dei Savoia, architetto in Europa, 2013

Si tratta del secondo grande progetto a cui lavora Filippo Juvarra durante il suo soggiorno a Lis... more Si tratta del secondo grande progetto a cui lavora Filippo Juvarra durante il suo soggiorno a Lisbona nel 1719.
Da una lettura comparata delle fonti iconografiche, d'archivio e letterarie è stato possibile individuare il sito chiamato Buenos Aires.

Estudos de Lisboa, n. 11, 2014

LINEA SU TITOLO DELL'ATTIVITÀ DI FILIPPO JUVAR.RA PER D. JOAO V DI PORTOGALLO SA N DRA SAN !.ONE ... more LINEA SU TITOLO DELL'ATTIVITÀ DI FILIPPO JUVAR.RA PER D. JOAO V DI PORTOGALLO SA N DRA SAN !.ONE Un ta lua d Qllo:sw ,uJglo f p u le di un p•u unp•o la111Jro Mill illtlVIt.l dlilllpprt H.v.mJ pN Jo,1o V di Porto fiUIIn i ltllllt dl•.w· ollllt•llolll .ttiii,JIItr t.ill'Uruvcall,1 hiJY rll VC'lll' tot IHillldl dL·I :lO IO i•r•r dpprofon-dt~lml bli!lloqrllf!n t! un 11nnlr; mu di'l t •gllilt/1 r:le~ O•arl Mnve•IIL u• 1 a w• 11u1 Mfmorre:> uraa VIVItl~ llllllloiCJIIIC dullt (llllt ' Jl0fl(lljhi!SC di p11m0

Storia e restauro Studi, ricerche, tesi - Università Iuav di Venezia Dipartimento di Culture del Progetto quaderni della ricerca, 2014

Conference Presentations by Sandra Sansone

People, Books and Models, 2014

Confluências Artísticas na Cultura Iberoamericana (1600-1850). O mundo de Robert C. Smith (1912-1975), 2022

Doge's burials in Venice. Stone cutting, construction practices and materials. The speech aims to... more Doge's burials in Venice. Stone cutting, construction practices and materials.
The speech aims to present the results of the study carried out on some doge's burials made in Venice between the end of the 15th and the beginning of the 16th century. These monuments are characterized by a great freedom of composition and design that allows them to represent the architectural environment in which they were built.
The choice of case studies tries to comprehend different aspects and authors of the period In particular had been chosen the burial of Andrea Vendramin at San Giovanni e Paolo of Tullio Lombardo, the tomb of Francesco Venier in San Salvador di Jacopo Sansovino and the double monument to Lorenzo and Girolamo Priuli in the same church of San Salvador.
The methodology to investigate into Venetian monuments is the same used for the Medici tombs in the New Sacristy of San Lorenzo (speech: Architettura delle sepolture nella Sacrestia Nuova. Concezione e Costruzione. Conference: Michelangelo. Arte - Materia - Lavoro at the Kunsthistorische Institut in Florence). It is based on the identification of the stereotomic model of stone construction.
Identifying the elements number, size, cutting and assembly plane of the stone allows the development of knowledge relating to construction practice, the use of
materials and the building site practice.
Michelangelo's work in the Sacrestia Nuova is the benchmark to which the Venetian case studies can be compared, in order to benefit from comparative research.
The peculiarity of the Venetian building world aside, the study reveals differences and affinities that can contribute to the debate on the construction and building of burial monuments of the period but also provide interesting insights for observations of a more theoretical nature.

is believed to be the Pmtuguese Sun King. He not only put P ortugal into the European politics ra... more is believed to be the Pmtuguese Sun King. He not only put P ortugal into the European politics raising its prestige to unknown levels but he also developed an ambitious artistic policy suppo rted by huge spending in art, music and luxury items.

Talks by Sandra Sansone

Malta Ricerche in corso, 2014

Scuola di Dottorato - Università Iuav di Venezia

Filippo Juvarra in Lisbon, the image of a capital city. The study of some sheets from the collect... more Filippo Juvarra in Lisbon, the image of a capital city.
The study of some sheets from the collection of the Vanvitellian Archive of Caserta is the starting point for a reflection involving some urban projects for the city of Lisbon, from the early eighteenth century to the Pombal reconstruction after the earthquake of 1755.
As Manuel da Maia himself, chief engineer of the reconstruction plan, states, the speed of execution and reconstruction of the city is partly due to the existence of a plan drawn up previously and not specified in greater detail.
The reading of the sheets of Caserta and the interweaving with the sources of the time allow us to reconstruct the image of this plan. The analysis of the project and the comparison with the built architecture have finally highlighted the close relationship between the two.
Caserta's drawings, not clearly attributed, had already been related to a view of the royal palaces of Lisbon drawn by Filippo Juvarra and painted by Gaspar van Wittel.
The analysis shows both the reconstruction of the architecture that Juvarra had designed for the new church and the palace of King João V, and its location in the urban context of the city.
The study allowed new reflections on the work of the architect from Messina and in particular the links that connect the project with that of Palazzo Madama, built the following year in Turin, emerged.
The intervention also tends to bring out the relationships that firmly link contemporary Lisbon to its historical past, the city arises from Juvarra's plan but also from some local and traditional experiences, a theme often little frequented because we tend to consider the center of Lisbon born from a tabula rasa, a reconstruction from scratch occurred on the ruins of the earthquake of 1755.
These themes are intertwined with Giulio Carlo Argan's concept of the capital city and its characteristics.

Drafts by Sandra Sansone

Entwurf, Planung und Baupraxis im Zeitalter Michelangelos, 2023

Stone cutting, construction practices and materials. The text aims to present the results of the... more Stone cutting, construction practices and materials. The text aims to present the results of the study carried out on some doge's burials made in Venice between the end of the 15th and the beginning of the 16th century. These monuments are characterized by a great freedom of composition and design that allows them to represent the architectural environment in which they were built. The choice of case studies tries to comprehend different aspects and authors of the period In particular had been chosen the burial of Andrea Vendramin at San Giovanni e Paolo of Tullio Lombardo, the tomb of Francesco Venier in San Salvador di Jacopo Sansovino and the double monument to Lorenzo and Girolamo Priuli in the same church of San Salvador. The methodology to investigate into Venetian monuments is the same used for the Medici tombs in the New Sacristy of San Lorenzo (speech: Architettura delle sepolture nella Sacrestia Nuova. Concezione e Costruzione. Conference: Michelangelo. Arte - Materia - Lavoro at the Kunsthistorische Institut in Florence). It is based on the identification of the stereotomic model of stone construction. Identifying the elements number, size, cutting and assembly plane of the stone allows the development of knowledge relating to construction practice, the use of materials and the building site practice. Michelangelo's work in the Sacrestia Nuova is the benchmark to which the Venetian case studies can be compared, in order to benefit from comparative research. The peculiarity of the Venetian building world aside, the study reveals differences and affinities that can contribute to the debate on the construction and building of burial monuments of the period but also provide interesting insights for observations of a more theoretical nature.

REPRESENTAÇÕES DO CAMPO DE BATALHA EM PORTUGAL (1521-1621) IMAGENS E TEXTOS, 2023

Das representações da guerra e seus actores A imprensa e a difusão do livro na era do Renasciment... more Das representações da guerra e seus actores A imprensa e a difusão do livro na era do Renascimento Antonio Espino Lopez (Universitat Autònoma de Barcelona) Representações nas escritas de guerra dos homens e das ações bélicas (1578-1613) Ana Paula Avelar (Universidade Aberta e CHAM-NOVA/FCSH) A noite em contexto militar português no Norte de África (1415-1521) Paulo M. Dias (IEM-NOVA/FCSH) 1576: Filipe II e D. Sebastião em Guadalupe. Aspectos cerimoniais Ana Isabel Buescu (CHAM-NOVA/FCSH) Nos palcos de guerra no Além-Mar (sécs. XVe XVI). Recortes de participação das mulheres.