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Papers by Stefano Harney
n-1edicoes.org
Translated by Ana Cláudia Holanda and Haroldo Saboia
Busan Biennale, 2024
Black Shoals/Black-Scholes In the late 1960's and early 1970s, at the University of Chicago, with... more Black Shoals/Black-Scholes In the late 1960's and early 1970s, at the University of Chicago, within the frame of that institution's particular and foundational contributions to the development and refinement of neoliberalism, two mathematicians, Fischer Black and Myron Scholes, constructed a model for understanding the dynamics of a financial market containing, and increasingly dominated by, derivative instruments. In finding a way to measure the risk of a deal within the time frame of the deal, investors were allowed to hedge their bets on the bets that other investors made, thereby allowing this cascading structure of hedged bets and externalized risks to constitute a category of commodity all its own.
New Naratif, 2021
How Singapore imposes scarcity through an artificial meritocracy.
E-Flux, 2021
Conversation on Formless Formation (Minor Compositions, 2021) by Hypatia Vourloumis and Sandra Ru... more Conversation on Formless Formation (Minor Compositions, 2021) by Hypatia Vourloumis and Sandra Ruiz, with Stefano Harney and Fred Moten
A Black Intellectual's Odyssey
At Harvard in the early 1980s, to be in Professor Martin Luther Kilson's class was to be on the f... more At Harvard in the early 1980s, to be in Professor Martin Luther Kilson's class was to be on the front line of a war of apposition. We were in movement, and movement meant that every week he would come into the classroom with copies of articles from major newspapers, academic journals, and a wide range of magazines. He would distribute them, ask about the ones from last week, and usually launch into an analy sis of why it was important that a certain author got space to write something challenging white supremacy, or that a certain enemy was able to perpetuate another sham argument. There was constant attention to international politics and what used to be called "national affairs. " His lessons didn't end in the classroom. If you stopped by his office, you were likely to be walked around the room or directed to go pick up more articles and books. We liked going to his office because he'd commandeered a large common table where he worked on a typewriter at one end while having laid out all these materials across the table. His office was really a situation room. And more often than not, a session in the situation room ended with an invitation for dinner at the house Professor Kilson shared with his partner, the anthropologist Professor Marion Kilson. Class would then recommence on the ride to their home and continue through the preparation and eating of our meal and end with coffee in a study that felt more like the situation room's deep archive. And you would leave-of course, with more articles and already annotated copies of his working manuscripts-full from Martin's cooking and happy from Marion's manhattans. At our last dinner with Professor Kilson, he playfully, but seriously, accused us of having no stomach for incrementalism. We made the mistake of dropping an offhanded insult of Barack Obama, and he gave us our
South Atlantic Quarterly
The Le Mardi Gras Listening Collective is a group of friends who listen to music together and is ... more The Le Mardi Gras Listening Collective is a group of friends who listen to music together and is named after a bar in Pittsburgh where the collective was conceived. In this article we consider ways by which music might be a mode of planning opposed to individuation and measure, and beyond the instrumentalities to which music itself is often submitted. We do so by thinking about how jazz—where it takes on the improvisatory character of the busker, rehearsal, or jam—becomes a form of love. We consider the song as an expression of antagonism that the song itself cannot contain. We ask if we might conceive music as a mode of criminality opposed to the violence and discipline imposed upon the body by capital. We look to understand capitalism by situating the plantation system at its center. We ask what sort of place our listening takes place in and how the song might inhabit it. We wonder what it might mean for all of this to remain unresolved, and how to remain attuned to that irresolut...
Educational Philosophy and Theory, 2020
This article considers the role of meritocracy in the ruling ideology of Singapore. It argues tha... more This article considers the role of meritocracy in the ruling ideology of Singapore. It argues that meritocracy, far from being a system for the management of scarce resources, is in fact the imposition of scarcity. It uses the example of the university in Singapore as the prime site for the production of meritocratic ideology and considers the consequences of meritocratic higher education as it articulates with meritocracy more generally in the Singapore polity.
The Chronic - Chimurenga, 2015
Are the creative industries turning the tide against urban development in the global South, gobbl... more Are the creative industries turning the tide against urban development in the global South, gobbling up space, agency and voice in the pursuit of distorted trends of progress? Stefano Harney and Tonika Sealy, founding members of Ground Provisions, an educational and curatorial collective in Barbados, argue that nouveau creative compradors are getting rich through cultural reappropriation. "Creative industries" is an increasingly popular term which refers to a range of economic activities that contribute to generating information, knowledge and cultural identity, including film, music, architecture, fashion, education, digital technologies and gaming development. "Underdevelopment", on the other hand, is a term that is rapidly being forgotten. We find this curious, particularly because, in our contention, the creative industries are busy underdeveloping cities across the global South. It is easy to understand the ideological power of the creative industries and the pull of the idea of creative cities as a development strategy in countries of the global South with large and often vulnerable urban populations. But it is also easy to see the structural distortion produced by this fashionable, "industrial" strategy. Anyone who goes to an art museum or a concert hall or a festival in most countries in the global South will surely notice a dual economy: there are people who sell art and make a lot of money, and there are people who sell the tickets, the beer, or the chicken, who do not. This is not going to change no matter how big the festival gets, and no matter how much chicken gets sold. It might be better to have the chance to sell beer than not sell beer. But to support the strategy of creative cities amounts to making the same argument made by colonisers, who claimed that colonial countries would develop despite selling cheap and buying dear. In the creative industries, not only does the beer seller sell cheap, she also buys dear. The creative industries do nothing to slow underdevelopment. When the economy of the many is structured to serve the few, that economy and its people are underdeveloped, even as overdevelopment looms directly above them. This is also why one can see the appeal of the creative industries to policy makers and the ruling classes. It will make a comprador class rich, as it already has in Mumbai, Cape Town, and Shanghai. And yet, unlike the comprador class that relied on metropolitan support and alliance, this new rich class is fully integrated and employs the fruits of its
Afterall: Journal Art, Context, and Enquiry, 2018
At its source, Ground Provisions is a reading camp. We do many things together. We write, we orga... more At its source, Ground Provisions is a reading camp. We do many things together. We write, we organise with others, we make movies, work with artists and curate music and film. We travel the Afro-Asian century. We work in the Caribbean and we work in Asia. But if we were to return to the source, this source would be our reading camp. We conceived of the reading camp as a kind of refuge where people can read together. We use the word refuge because the camp involves reading in a quiet place, a place of contemplation and reflection. We read together and to each other and by reading together we make this refuge a place of conversation, discussion and conviviality. It's a retreat, but one we make together. And this is why we call it a refuge. We retreat together. We read together. We read to each other. When we offer a reading residency at our base in Barbados, we offer it to read together.
Business Ethics: A European Review, 2013
Discusses the origins of logistics in racial capitalism, the slave trade, and colonialism, and th... more Discusses the origins of logistics in racial capitalism, the slave trade, and colonialism, and the way these origins continue to structure, logistics, shipping, supply chains, resilience, surveillance, migrancy etc
Ground Provisions, 2014
Program by Ground Provisions in Singapore in 2014
The Futures of Black Radicalism edited by Gaye Theresa Johnson & Alex Lubin, 2017
n-1edicoes.org
Translated by Ana Cláudia Holanda and Haroldo Saboia
Busan Biennale, 2024
Black Shoals/Black-Scholes In the late 1960's and early 1970s, at the University of Chicago, with... more Black Shoals/Black-Scholes In the late 1960's and early 1970s, at the University of Chicago, within the frame of that institution's particular and foundational contributions to the development and refinement of neoliberalism, two mathematicians, Fischer Black and Myron Scholes, constructed a model for understanding the dynamics of a financial market containing, and increasingly dominated by, derivative instruments. In finding a way to measure the risk of a deal within the time frame of the deal, investors were allowed to hedge their bets on the bets that other investors made, thereby allowing this cascading structure of hedged bets and externalized risks to constitute a category of commodity all its own.
New Naratif, 2021
How Singapore imposes scarcity through an artificial meritocracy.
E-Flux, 2021
Conversation on Formless Formation (Minor Compositions, 2021) by Hypatia Vourloumis and Sandra Ru... more Conversation on Formless Formation (Minor Compositions, 2021) by Hypatia Vourloumis and Sandra Ruiz, with Stefano Harney and Fred Moten
A Black Intellectual's Odyssey
At Harvard in the early 1980s, to be in Professor Martin Luther Kilson's class was to be on the f... more At Harvard in the early 1980s, to be in Professor Martin Luther Kilson's class was to be on the front line of a war of apposition. We were in movement, and movement meant that every week he would come into the classroom with copies of articles from major newspapers, academic journals, and a wide range of magazines. He would distribute them, ask about the ones from last week, and usually launch into an analy sis of why it was important that a certain author got space to write something challenging white supremacy, or that a certain enemy was able to perpetuate another sham argument. There was constant attention to international politics and what used to be called "national affairs. " His lessons didn't end in the classroom. If you stopped by his office, you were likely to be walked around the room or directed to go pick up more articles and books. We liked going to his office because he'd commandeered a large common table where he worked on a typewriter at one end while having laid out all these materials across the table. His office was really a situation room. And more often than not, a session in the situation room ended with an invitation for dinner at the house Professor Kilson shared with his partner, the anthropologist Professor Marion Kilson. Class would then recommence on the ride to their home and continue through the preparation and eating of our meal and end with coffee in a study that felt more like the situation room's deep archive. And you would leave-of course, with more articles and already annotated copies of his working manuscripts-full from Martin's cooking and happy from Marion's manhattans. At our last dinner with Professor Kilson, he playfully, but seriously, accused us of having no stomach for incrementalism. We made the mistake of dropping an offhanded insult of Barack Obama, and he gave us our
South Atlantic Quarterly
The Le Mardi Gras Listening Collective is a group of friends who listen to music together and is ... more The Le Mardi Gras Listening Collective is a group of friends who listen to music together and is named after a bar in Pittsburgh where the collective was conceived. In this article we consider ways by which music might be a mode of planning opposed to individuation and measure, and beyond the instrumentalities to which music itself is often submitted. We do so by thinking about how jazz—where it takes on the improvisatory character of the busker, rehearsal, or jam—becomes a form of love. We consider the song as an expression of antagonism that the song itself cannot contain. We ask if we might conceive music as a mode of criminality opposed to the violence and discipline imposed upon the body by capital. We look to understand capitalism by situating the plantation system at its center. We ask what sort of place our listening takes place in and how the song might inhabit it. We wonder what it might mean for all of this to remain unresolved, and how to remain attuned to that irresolut...
Educational Philosophy and Theory, 2020
This article considers the role of meritocracy in the ruling ideology of Singapore. It argues tha... more This article considers the role of meritocracy in the ruling ideology of Singapore. It argues that meritocracy, far from being a system for the management of scarce resources, is in fact the imposition of scarcity. It uses the example of the university in Singapore as the prime site for the production of meritocratic ideology and considers the consequences of meritocratic higher education as it articulates with meritocracy more generally in the Singapore polity.
The Chronic - Chimurenga, 2015
Are the creative industries turning the tide against urban development in the global South, gobbl... more Are the creative industries turning the tide against urban development in the global South, gobbling up space, agency and voice in the pursuit of distorted trends of progress? Stefano Harney and Tonika Sealy, founding members of Ground Provisions, an educational and curatorial collective in Barbados, argue that nouveau creative compradors are getting rich through cultural reappropriation. "Creative industries" is an increasingly popular term which refers to a range of economic activities that contribute to generating information, knowledge and cultural identity, including film, music, architecture, fashion, education, digital technologies and gaming development. "Underdevelopment", on the other hand, is a term that is rapidly being forgotten. We find this curious, particularly because, in our contention, the creative industries are busy underdeveloping cities across the global South. It is easy to understand the ideological power of the creative industries and the pull of the idea of creative cities as a development strategy in countries of the global South with large and often vulnerable urban populations. But it is also easy to see the structural distortion produced by this fashionable, "industrial" strategy. Anyone who goes to an art museum or a concert hall or a festival in most countries in the global South will surely notice a dual economy: there are people who sell art and make a lot of money, and there are people who sell the tickets, the beer, or the chicken, who do not. This is not going to change no matter how big the festival gets, and no matter how much chicken gets sold. It might be better to have the chance to sell beer than not sell beer. But to support the strategy of creative cities amounts to making the same argument made by colonisers, who claimed that colonial countries would develop despite selling cheap and buying dear. In the creative industries, not only does the beer seller sell cheap, she also buys dear. The creative industries do nothing to slow underdevelopment. When the economy of the many is structured to serve the few, that economy and its people are underdeveloped, even as overdevelopment looms directly above them. This is also why one can see the appeal of the creative industries to policy makers and the ruling classes. It will make a comprador class rich, as it already has in Mumbai, Cape Town, and Shanghai. And yet, unlike the comprador class that relied on metropolitan support and alliance, this new rich class is fully integrated and employs the fruits of its
Afterall: Journal Art, Context, and Enquiry, 2018
At its source, Ground Provisions is a reading camp. We do many things together. We write, we orga... more At its source, Ground Provisions is a reading camp. We do many things together. We write, we organise with others, we make movies, work with artists and curate music and film. We travel the Afro-Asian century. We work in the Caribbean and we work in Asia. But if we were to return to the source, this source would be our reading camp. We conceived of the reading camp as a kind of refuge where people can read together. We use the word refuge because the camp involves reading in a quiet place, a place of contemplation and reflection. We read together and to each other and by reading together we make this refuge a place of conversation, discussion and conviviality. It's a retreat, but one we make together. And this is why we call it a refuge. We retreat together. We read together. We read to each other. When we offer a reading residency at our base in Barbados, we offer it to read together.
Business Ethics: A European Review, 2013
Discusses the origins of logistics in racial capitalism, the slave trade, and colonialism, and th... more Discusses the origins of logistics in racial capitalism, the slave trade, and colonialism, and the way these origins continue to structure, logistics, shipping, supply chains, resilience, surveillance, migrancy etc
Ground Provisions, 2014
Program by Ground Provisions in Singapore in 2014
The Futures of Black Radicalism edited by Gaye Theresa Johnson & Alex Lubin, 2017
Le Monde Diplomatique Brasil, 2024
A presente entrevista é um convite para a leitura e a socialidade suscitada pelo livro Sobcomuns:... more A presente entrevista é um convite para a leitura e a socialidade suscitada pelo livro Sobcomuns: planejamento fugitivo e estudo negro, de Fred Moten e Stefano Harney, publicado em 2013 nos Estados Unidos e, após uma década, lançado no Brasil, em 2024, numa edição cuidadosa da editora Ubu. Edição 205 Agosto 2024 COMPRAR Home Edições Online Especiais TV Diplô Podcast Loja NEWSLETTER ACESSAR CONTA ASSINE 19/08/2024, 16:27 "Não há nada de errado conosco, vamos planejar algo juntas"-Le Monde Diplomatique https://diplomatique.org.br/nao-ha-nada-de-errado-conosco-vamos-planejar-algo-juntas/ 1/17 Capa do livro "Sobcomuns: planejamento fugitivo e estudo negro" Créditos: editora Ubu 19/08/2024, 16:27 "Não há nada de errado conosco, vamos planejar algo juntas"-Le Monde Diplomatique https://diplomatique.org.br/nao-ha-nada-de-errado-conosco-vamos-planejar-algo-juntas/ 2/17 Fred Moten e Stefano Harney são, sobretudo, professores universitários. O primeiro, doutor em Letras pela Universidade da Califórnia, é professor na Universidade de Nova York. O segundo, doutor em Ciências Sociais e Políticas pela Universidade de Cambridge, é professor na European Graduate School, tendo ambos passado por diferentes instituições universitárias. Também transitam fora da universidade, com destaque para a participação em diferentes grupos de estudo, incluindo o Le Mardi Gras Listening Collective, mas é a universidade o ponto de partida ou território existencial de suas análises dialógicas, sendo o livro Sobcomuns sua obra inaugural, fruto de uma amizade iniciada ainda quando eram estudantes de graduação na década de 1980 em Harvard. Os ensaios que compõem o livro começaram a ser escritos em 2003, em con uência com o movimento antiguerra diante da invasão do Iraque pelos Estados Unidos, sendo concluídos em 2012, num momento de grande revolta frente ao assassinato de Trayvonn Martin na Flórida, além das manifestações e acampamentos insurgentes desse mesmo período. O livro foi publicado em 2013, ano de de agração do movimento internacional Black Lives Matter, Vidas Negras Importam. Nesse sentido, Sobcomuns foi gestado para re etir sobre o que estava acontecendo naquele período nos Estados Unidos, sem se limitar a esse Estado-nação. Essa análise passa a ser situada pelo simples fato de a universidade ser o local de trabalho em que estavam quando essas coisas aconteciam, ao mesmo tempo em que se propuseram a pensar as condições do trabalho acadêmico, procurando sobretudo entender como a universidade "nos pro ssionalizou, nos isolou e nos capturou", evocando uma passagem da entrevista. Nas palavras de Denise Ferreira da Silva, "Sobcomuns é uma intervenção poderosa e necessária que nos convida a imaginar e realizar a vida social e a con guração neoliberal da universidade atual de outra maneira". Em entrevista exclusiva ao Le Monde Diplomatique Brasil a respeito da publicação do livro Sobcomuns no Brasil, Fred Moten e Stefano Harney falam sobre a tradição radical negra, o contexto de criação do livro, o fundamento do trabalho colaborativo, os conceitos mobilizados, os perigos da individuação, a abolição da universidade, a tradução de seus livros, as continuidades e descontinuidades entre eles, bem como os projetos em curso e porvir, com destaque para o educador Paulo Freire.
New Black Agenda Report, 2023
Roberto D. Sirvent of the New Black Agenda Report posed the following interview questions to us o... more Roberto D. Sirvent of the New Black Agenda Report posed the following interview questions to us on the publication of our book All Incomplete, a collaborative effort of Fred Moten, Zun Lee, Denise Ferreira da Silva and Stefano Harney. Fred Moten and Stefano Harney answered the questions on behalf of the collaboration.
The interview questions were for BAR's Book Forum. However, the interview was not published and so it is made available here.
Journal of Architectural Education, 2022
E-Flux, 2021
Interview to mark the publication of new book by Stefano Harney and Fred Moten, All Incomplete, b... more Interview to mark the publication of new book by Stefano Harney and Fred Moten, All Incomplete, brought out by Stevphen Shukaitis of Minor Compositions.
The College Hill Independent, 2020
Interview with Fred Moten and Stefano Harney
Full-Stop
Interview of Stefano Harney on race, study and logistics in conversations with Michael Schapira a... more Interview of Stefano Harney on race, study and logistics in conversations with Michael Schapira and Jesse Montgomery for Full Stop magazine
Interview of Fred Moten and Stefano Harney with Transversal Texts
Interview by artist MPA with Fred Moten and Stefano Harney
An Interview on "Algorithmic Institutions" in Vienna 2015 for "Algorithmic Regimes" hosted by Fel... more An Interview on "Algorithmic Institutions" in Vienna 2015 for "Algorithmic Regimes" hosted by Felix Stalder and Konrad Becker
Videos on concepts of undercommons, logistics and logisticality, on study, the biobargain, specu... more Videos on concepts of undercommons, logistics and logisticality, on study, the biobargain, speculative practice, militant preservation, study...
The Chronic, 2015
Free to download: http://chimurengachronic.co.za/the-alternative-is-at-hand/
Archive Books, 2021
Progetto grafico di copertina: Archive Appendix, Berlino Impaginazione: greg olla e Sara Marcon, ... more Progetto grafico di copertina: Archive Appendix, Berlino Impaginazione: greg olla e Sara Marcon, Archive Appendix Caratteri tipografici: Capraia, fugue, OPS Favorite Questo libro è disponibile in open access sui siti di Tamu e Archive Books. Crediamo che la diffusione libera della conoscenza sia essenziale. La condivisione, la riproduzione e la riutilizzazione dei saggi raccolti nel libro sono ammesse per scopi non commerciali, se attribuite correttamente agli autori.
Los Abajocomunes, 2018
Créditos libro Abajocomunes: Página legal Texto original en inglés: Fred Moten y Stefano Ha... more Créditos libro Abajocomunes:
Página legal
Texto original en inglés:
Fred Moten y Stefano Harney
Coordinación editorial:
Yollotl Gómez Alvarado
Traducción:
Juan Pablo Anaya
Cristina Rivera Garza
Marta Malo
Traducción Entrevista:
Aline Hernández
Luciano Concheiro
Juan Pablo Anaya
Entrevista”Conversación”
Aline Hernández
Luciano Concheiro
Juan Pablo Anaya
Yollotl Gómez Alvarado
Cristina Rivera Garza
Corrección de estilo:
Saùl Hernández
Revisión Ortotipográfica:
Ingrid Ebergenyi
Dibujos:
Jazael Olguín Zapata
Rodrigo Treviño
Dominique Pérez Ratton
Diseño Gráfico:
Juan Leduc
Con aportaciones de:
Diego Aguirre.
Formación en Markdown y LaTeX:
Daniel Cuevas
Epub:
Babel
Revisión y corrección:
Francisco Estrada Medina y Daniel Cuevas
Primera edición en Inglés:
Minor Compositions / Autonomedia.
http://www.minorcompositions.info
Colofón
Impreso en la risográfica “LAEL” en la Cooperativa Cráter Invertido.
Impresión de portadas: José Cuellar Ofsset
México D.F
Tiraje de 777 ejemplares.
Se llegó tarde y temprano.
Versión impresa publicada por:
Cooperativa Cráter Invertido
Joaquín García Icazbalceta 32b
Col. San Rafael, Ciudad Monstruo, México
http://www.crateinvertido.org
Versión digital publicada por:
La Campechana Mental
Rancho Electrónico, México.
https://campechana.nomia.mx/
Pàgina de agradecimientos
Agradecimientos:
A todos los integrantes del círculo de estudio “Subrayado Común”
Fondeada por:
Stefano Harney y Fred Moten
Cooperativa Cráter Invertido
Minor Compositions, 2021
Every decision always includes a choice of one thing among others; a choice which is always also ... more Every decision always includes a choice of one thing among others; a choice which is always also of the lesser because no one thing can meet all demands of what is called desire. Or, perhaps, it is the lesser because what we call desire is but the presence of a demand to choose, to decide, to pick one and only one, and go your merry way. Either way, the algorithm, the formal deciding tools of logistical capital fails where it has to work with more than what is adequate for it to do its thing, to choose, to decide. When the input does not match the data, the process stalls. An input, any input is always less than a thing. It is never raw material; it is never just something. Input is data, it has a form and a purpose. It is always ready to be in relation, to make a connection. Which means also that, for it to work, for the algorithm to do its thing, the input it needs to fit as part in the structure and be able to facilitate the procedure it is submitted to, it needs to be processable. This is way an input cannot be a thing. It is always an object. Despite of what Heidegger may say it is, the thing does not exist exclusively for the existential thing. Nor does Descartes' exercise on mental fitness immediately and irrevocability renders a thing res extensa. More along the lines of what Kant realized, the thing exceeds whatever can be apprehended as form, as object or data. As such, a thing always mismatches the structure (and do so
Les sous communs: planification fugitive et étude noire , 2022
Préface de Jack Halberstam traduite par Sophie Paymal, avec l'aide de Marie Verry et Manon Schwic... more Préface de Jack Halberstam traduite par Sophie Paymal, avec l'aide de Marie Verry et Manon Schwich. Traduction collective publiée en français avec l'accord de Minor Compositions.
And when we are called to this other place, the wild beyond, "beyond the beyond" in Moten and Har... more And when we are called to this other place, the wild beyond, "beyond the beyond" in Moten and Harney's apt terminology, we have to give ourselves over to a certain kind of craziness. Moten reminds us that even as Fanon took an anti-colonial stance, he knew that it "looks crazy" but, Fanon, as a psychiatrist, also knew not to accept this organic division between the rational and the crazy and he knew that it would be crazy for him not to take that stance in a world that had assigned to him the role of the unreal, the primitive and the wild. Fanon, according to Moten, wants not the end of colonialism but the end of the standpoint from which colonialism makes sense. In order to bring colonialism to an end then, one does not speak truth to power, one has to inhabit the crazy, nonsensical, ranting language of the other, the other who has been rendered a nonentity by colonialism. Indeed, blackness, for Moten and Harney by way of Fanon, is the willingness to be in the space that has been abandoned by colonialism, by rule, by order. Moten takes us there, saying of Fanon finally: "Eventually,
The idea for this book first developed while I was working with British economist Robin Murray in... more The idea for this book first developed while I was working with British economist Robin Murray in the New Democratic Government in Ontario during 1994-1995. His ability to combine a scholarly life and a bureaucratic one with such enthusiastic creativity was inspiring. Also in Toronto, I would like to thank Corrado Paina and my brother Nicholas DeMaria Harney for their comradeship and insights. In government and politics in Ontario over the course of four years, I was lucky to work for, at di√erent times,
Results of the 2007 financial scandals on ordinary people
Times Higher Education
Ethical downfalls are not the result of single acts, but rather the daily erosion of moral standa... more Ethical downfalls are not the result of single acts, but rather the daily erosion of moral standards, says Stefano Harney There is a simple teaching device for any module in corporate social responsibility: direct the students to the vision statement on a corporation's website. Whether the company makes toys, mines coal or lends money, the statement will inevitably include a commitment to environmental sustainability, community empowerment and human rights.
Tilápia-Azul , 2024
This is the English version of an introduction in Portuguese to a conversation between the theori... more This is the English version of an introduction in Portuguese to a conversation between the theorist, translator, and art worker Viniciux da Silva and the artist and art worker Jandir Jr. We are grateful to them for the chance to introduce their conversation, to be published in Tilápia-Azul
