Sofia Remiddi | Università Degli Studi Di Roma Tre (original) (raw)

Papers by Sofia Remiddi

InCricolo 17, 2024

This contribution aims to investigate how there is a way of understanding fragmentation, avoiding... more This contribution aims to investigate how there is a way of understanding fragmentation, avoiding returning to inscribing it in the suffocating mesh of its relationship with the Whole, and highlighting the link that the theme has with aesthetics and art. From this perspective, if Deleuze's philosophy is generally characterized as a philosophy of relationships and connectivity, we would like to propose, without denying the significance of relationships and their capacity to dissolve the terms between which they pass, a passage from the other side of the tape of Möbius to examine fragmentation in its connection with the outside, from which derive both an aesthetic of chaos and consistency in the cosmos of art. This fragmentation, which is difference, then comes out of a patchwork that can restore the crystal that is Deleuze in the links with the conceptual persona and interlocutors who make up his thought.

Scenari 20, 2024

The present contribution aims to emphasize the subversive and posi- tive centrality of the imag... more The present contribution aims to emphasize the subversive and posi-
tive centrality of the image in the initial deleuzian thought and to em-
phasize its aesthetic attributes, particularly regarding the theatre and the
concept of dramatization. To achieve this, the work begins by examining
the implications of the dogmatic representation of thought. The image
is surrounded by negativity, which leads Deleuze to search for a thought
that is free of it, but it fails to explain the proposal for a new image of
thought. This oscillation will be resolved in the last part of the article by
focusing on the importance of that image without similarity which is the
simulacrum whose aesthetic value is central both in relation to transcen-
dental empiricism, and in leading to an exercise of thought explained by
Deleuze through the art of theatre.

B@belonline 9 (November), 2022

The essay aims to investigate the permanence of the theme of conflict within the philosophy of Gi... more The essay aims to investigate the permanence of the theme of conflict within the philosophy of Gilles Deleuze, by making particular reference to its link with the concept of becoming. Furthermore, it will be shown how conflict is conceived within a non-dialectical and oppositional logic. Starting from Roberto Esposito's criticisms about the absence of 'negative' in Deleuzian philosophy and from Andrew Culp's need to restore the dark side of the french philosopher, we will go back to the root of the conflict by identifying it in the thought of Heraclitus to show how the Ephesian remain a constant reference in deleuzian philosophy. In this respect, fragment B 52 will be used as a guideline to retrace the interpretation of Nietzsche in Philosophy in the Tragic Age of the Greeks, and of Kostas Axelos in Héraclite et la philosophie. Thus, we will have the opportunity to recognize that struggle and contention are intrinsic to the deleuzian ontology by binding to the conflict thinker par excellence, even though they have no affinity with a frontal clash of affirmation and negation.

Book Reviews by Sofia Remiddi

Fata Morgana Web, 2023

Recensione a "Deleuze. Filosofia di una vita" di Filippo Domenicali e Paolo Vignola.

InCricolo 17, 2024

This contribution aims to investigate how there is a way of understanding fragmentation, avoiding... more This contribution aims to investigate how there is a way of understanding fragmentation, avoiding returning to inscribing it in the suffocating mesh of its relationship with the Whole, and highlighting the link that the theme has with aesthetics and art. From this perspective, if Deleuze's philosophy is generally characterized as a philosophy of relationships and connectivity, we would like to propose, without denying the significance of relationships and their capacity to dissolve the terms between which they pass, a passage from the other side of the tape of Möbius to examine fragmentation in its connection with the outside, from which derive both an aesthetic of chaos and consistency in the cosmos of art. This fragmentation, which is difference, then comes out of a patchwork that can restore the crystal that is Deleuze in the links with the conceptual persona and interlocutors who make up his thought.

Scenari 20, 2024

The present contribution aims to emphasize the subversive and posi- tive centrality of the imag... more The present contribution aims to emphasize the subversive and posi-
tive centrality of the image in the initial deleuzian thought and to em-
phasize its aesthetic attributes, particularly regarding the theatre and the
concept of dramatization. To achieve this, the work begins by examining
the implications of the dogmatic representation of thought. The image
is surrounded by negativity, which leads Deleuze to search for a thought
that is free of it, but it fails to explain the proposal for a new image of
thought. This oscillation will be resolved in the last part of the article by
focusing on the importance of that image without similarity which is the
simulacrum whose aesthetic value is central both in relation to transcen-
dental empiricism, and in leading to an exercise of thought explained by
Deleuze through the art of theatre.

B@belonline 9 (November), 2022

The essay aims to investigate the permanence of the theme of conflict within the philosophy of Gi... more The essay aims to investigate the permanence of the theme of conflict within the philosophy of Gilles Deleuze, by making particular reference to its link with the concept of becoming. Furthermore, it will be shown how conflict is conceived within a non-dialectical and oppositional logic. Starting from Roberto Esposito's criticisms about the absence of 'negative' in Deleuzian philosophy and from Andrew Culp's need to restore the dark side of the french philosopher, we will go back to the root of the conflict by identifying it in the thought of Heraclitus to show how the Ephesian remain a constant reference in deleuzian philosophy. In this respect, fragment B 52 will be used as a guideline to retrace the interpretation of Nietzsche in Philosophy in the Tragic Age of the Greeks, and of Kostas Axelos in Héraclite et la philosophie. Thus, we will have the opportunity to recognize that struggle and contention are intrinsic to the deleuzian ontology by binding to the conflict thinker par excellence, even though they have no affinity with a frontal clash of affirmation and negation.

Fata Morgana Web, 2023

Recensione a "Deleuze. Filosofia di una vita" di Filippo Domenicali e Paolo Vignola.