Jorge Fragua | Universidad Complutense de Madrid (original) (raw)
Videos by Jorge Fragua
Trataré de exponer la importancia del enfoque interdisciplinar para señalar, principalmente en di... more Trataré de exponer la importancia del enfoque interdisciplinar para señalar, principalmente en diseño, pero también en historia, no tanto la carencia como la oportunidad.
Utilizando la figura de Tomás Maldonado y su teoría como uno de los referentes para el enfoque que hemos intentado tomar en estas Jornadas, me gustaría plantear cómo los diseñadores desarrollan sus metodologías, desde un punto principalmente práctico y ligado a cierta identidad personal. Señalar cómo una práctica con un objetivo presuntamente social es, paradójicamente, individualista en su aproximación afectando la forma de entender, en este caso, los objetos impresos. Una vez hecho esto, pretendo señalar brevemente las ventajas de sumar una metodología teórica a la aproximación práctica a los objetos. Este cierre, igual que las conferencias tiene varios objetivos; recalcar la necesidad en diseño de un enfoque teórico; señalar brevemente lo que, como diseñadores, nos aleja de el.
8 views
I Jornadas sobre Teoría y Crítica del Diseño: El Objeto Impreso Indeterminado El problema de l... more I Jornadas sobre Teoría y Crítica del Diseño: El Objeto Impreso Indeterminado
El problema de la belleza del objeto impreso radica, como ya aventuró Adorno refiriéndose a la belleza natural, en la “indeterminación, la del objeto y también la del concepto.”
A raíz de ese problema invitamos a reflexionar sobre la estética editorial desde una perspectiva interdisciplinar. Es decir, criticar el discurso y los antecedentes históricos sobre la evolución técnica, social y estética del tradicional libro impreso, elaborando así su concepto como objeto contemporáneo.
2 views
Papers by Jorge Fragua
además de evista on line de artes decorativas y diseño, 2023
Durante el texto trataré de analizar y exponer la importancia del enfoque transdisciplinar para s... more Durante el texto trataré de analizar y exponer la importancia del enfoque transdisciplinar para señalar, principalmente en diseño, pero también en historia, no tanto la carencia como la oportunidad. Utilizando la figura de Tomás Maldonado y su teoría me gustaría plantear cómo los diseñadores desarrollan sus metodologías, desde un punto principalmente práctico y ligado a cierta identidad personal. Señalar cómo una práctica con un objetivo presuntamente social es, paradójicamente, individualista en su aproximación afectando la forma de entender los objetos a los que se aproximan. Una vez hecho esto, pretendo señalar brevemente las ventajas de sumar una metodología teórica a la aproximación práctica a los objetos. El objetivo de este texto es, por tanto, recalcar la necesidad en diseño de un enfoque teórico; señalar brevemente lo que, como diseñadores, nos aleja de él; y principalmente invitar a la colaboración entre diferentes campos para continuar su desarrollo.
Arbor , 2023
El texto hace una revisión de las diferentes teorías del diseño que han enfrentado a los principa... more El texto hace una revisión de las diferentes teorías del diseño que han enfrentado a los principales representantes del campo de la estética durante el siglo XX. Para ello utiliza algunos de los textos teóricos de William Morris, Adolf Loos o Lewis Mumford y los pone en diálogo con otros de Theodor W. Adorno y otros representantes de la Escuela de Frankfort. De esta manera buscamos dar respuesta a las preguntas ya clásicas: ¿arte o diseño?, ¿forma o contenido?, ¿cuál es el valor del diseño? PALABRAS CLAVE: diseño, teoría, estética, historia DESIGN, THEORIES AND BLUNDERS Copyright: © 2023 CSIC. Este es un artículo de acceso abierto distribuido bajo los términos de la licencia de uso y distribución Creative Commons Reconocimiento 4.0 Internacional (CC BY 4.0).
Mirai. Estudios Japoneses, 2021
Resumen. Recorrido histórico a través de las filosofías orientales tales como el Budismo Zen para... more Resumen. Recorrido histórico a través de las filosofías orientales tales como el Budismo Zen para demostrar la influencia de estas en el contexto artístico occidental del siglo XX. El objetivo es hacer patente la importancia de este tipo de corrientes en la obra de artistas como Kandinsky y Malévich. Para esta labor se expone el desarrollo y llegada de la doctrina junto a un análisis del contexto artístico. En el caso de Kandinsky, se realiza una comparativa con la obra del monje budista Sengai Gibon. Para el análisis de Malévich, utilizaremos y compararemos su obra con el templo budista Genko-an, para así poder vislumbrar los principales conceptos, no solo de su obra, sino también de su filosofía en relación con el Suprematismo.
Abstract: Historical journey through Eastern philosophies such as Zen Buddhism to prove the influence of these in the Western artistic context of the 20th century. The aim is to clarify the importance of these types of movements in the work of artists such as Kandinsky and Malevich. For this purpose, the development and arrival of the doctrine is presented together with an analysis of the artistic context. In the case of Kandinsky, a comparison is made with the work of the Buddhist monk Sengai Gibon. For Malevich’s analysis, we will compare his work with the Genko-an Buddhist temple, in order to get a glimpse of the main concepts, not only of his work, but also of his philosophy in relation to Suprematism.
Book Reviews by Jorge Fragua
Renaud Milazzo, Jorge Fragua Valdivieso, Janne van der Loop, Hubert Meeus in De Gulden Passer, vol. 101 (2023), nr. 2, pp. 245–252, 2023
De Gulden Passer. Jaargang 73 10 Ik beperk me daarbij tot eigen onderzoek; aanvullingen uit ander... more De Gulden Passer. Jaargang 73 10 Ik beperk me daarbij tot eigen onderzoek; aanvullingen uit andere bron en vermeldingen van gesigneerde drukken worden verzameld door Drs R. Breugelmans, conservator van de Universiteitsbibliotheek te Leiden. Op verzoek van Prof. Voet zal hij t.z.t een supplement op The Plantin Press publiceren.
Tijdschrift voor Geschiedenis, Volume 135, Issue 4, Dec 2022, p. 449 - 450 , 2022
Revista General de Información y Documentación, 2022
Revista General de Información y Documentación, 2021
Talks by Jorge Fragua
International Conference: Circulation of Written Heritage, 2024
In the last decades of the sixteenth century, as a consequence of the revision and reformation of... more In the last decades of the sixteenth century, as a consequence of the revision and reformation of the liturgical books by the Council of Trent, a process of quality control and editorial distribution was established in Spain. This process, divided into two parts, concerned the printed liturgical books that include the exception of the Hispanic liturgy granted by Pius V. It was organized from the court of Philip II and his secretaries, through the Monastery of El Escorial, and involved its main producers, the Giunta family and Christophe Plantin in Antwerp.
The purpose of this paper is to determine who took part in this process, what its purpose was, how it was carried out and its main consequences for the books involved. After understanding and establishing the official agents of control and its purpose, I will focus on how the process was carried out by unofficial actors. The members of civil society, the booksellers, merchants and bookbinders who tried to circumvent the control to make profit out of these books. Thus, this work aims to shed light on the complete infrastructure, methods and consequences of control of the Reformed liturgical books in Philip II's territories during last decades of sixteenth century.
XV Congreso Virtual de Enseñanza del Diseño, 2024
The concept quality, often related in historical terms to that of harmony and perfection, has bee... more The concept quality, often related in historical terms to that of harmony and perfection, has been a fundamental aspect of design and the material aspect of the printed book since its inception. Regardless of the type of book, its material condition and how it was produced, it has influenced its understanding and form. Furthermore, in certain types of books, such as religious and liturgical books, the idea of quality and the concept of harmony was another ritual aspect of the book. In those cases, the printed book is a political and cultic object.
This paper uses an interdisciplinary approach to examine the concept of quality in liturgical books and its production in the 16th century. It draws upon Georg Lukács's aesthetic theory and the concepts of homogeneous medium, anthropomorphizing and de-anthropomorphizing reflection, along with documents related to Christopher Plantin's liturgical production, its design and results.
The aim is firstly to explore how the concept of quality was manifested in the printed book through the theological concept of beauty and its compression through the specific demands to the printer. Secondly, to understand through him that his production and his idea of quality were independent and subordinate to the cultural and technical context of which his production was a part.
Organized by Dr. Laurie Atkinson - Tübingen Spring School Programme
Conference: Circulation of written heritage: local production, global knowledge (15th to 19th centuries), 2023
The post-Tridentine period and its production of liturgical books provided the perfect environmen... more The post-Tridentine period and its production of liturgical books provided the perfect environment for cultural exchange and fierce competition between publishers. In this context, Christoper Plantin's liturgical production and his relationship with the court of Philip II has been the subject of multiple studies. We know its political implications, its marketing, distribution and production. However, the role of design in these books has gone unnoticed.
In this paper I will focus on the evolution and graphic references of the missals produced by Plantin between 1572 and 1575. From the documentation on his production and the manuscript origins of the liturgical book, I intend to point out the graphic models imposed on the Antwerp printer when printing the reformed missal for the court of Philip II.
The aim of my paper is to show the origins, graphic influences during the graphic development of the post-Tridentine missals for the Hispanic Monarchy. To show how the design of these books was influenced by a rich cultural, commercial and transnational context that, crossing borders, shaped the books.
Liturgical texts and the book market/BE4COPY ERC Workshop - Oslo University, 2023
SHARP annual conference, 2023
In this presentation I will focus on the role of two handwritten signatures on two Plantin missal... more In this presentation I will focus on the role of two handwritten signatures on two Plantin
missals from 1572. One is preserved in the Biblioteca Apostolica Vaticana and the other
in the Biblioteca del Monasterio de El Escorial. First, I will identify both signatures and
their function to discuss why they are not property signatures, but a form of textual control
and distribution. I will emphasize how they are part of different processes, but both are
related to the Hispanic Rite. This rite was one of the liturgical exceptions included in the
Roman Missal reformed in 1570, whose production was commissioned, among others, to
Plantin. It was of the greatest importance for the crown of Philip II, and everything related
to its production was closely supervised. Finally, I will explain the role of those who
signed them in the process of production and distribution of the Hispanic Rite. The
intention of this presentation is, on the one hand, to show the existence of these signed
copies. On the other hand, to understand their differences within the process of
distribution and production of the Hispanic Rite.
The post-Tridentine period and its liturgical book production provided the perfect environment fo... more The post-Tridentine period and its liturgical book production provided the perfect environment for cultural exchange and fierce competition between publishers. In this context, I will focus on the production of missals by Christopher Plantin and Lucantonio Giunta pointing out the similarities found in the typographic style and general outlook of their imprints.
By way of the actual artefacts and the available documentation I will show how the Roman typography Plantin chose for his early production, and how it influenced the outlook of some of the late editions printed by Lucantonio Giunta in Venice.
The goal of my paper is to point out how the inner characteristics and graphic evolution of both productions were influenced by a rich context of silent cultural and commercial transnational exchange that, crossing borders, shaped books.
For this conference I intend to explore the evolution and graphic consistency of the Cannon Missa... more For this conference I intend to explore the evolution and graphic consistency of the Cannon Missae of the Missals produced by Plantin in Antwerp and the Giunta family in Italy in the early post-Tridentine editions. This section of the Missal shows a graphic consistency that transcends the Reformation and geographical production of the text while at the same time showing specific regional variations.
We will begin by analysing the idea of graphic value and then apply it to the printed elements of the page: texts, images, capital letters and symbols. We will then first try to understand the hierarchy established between the printed elements, and then look at the graphic evolution of the section in general and of the recto and verso forming the title page.
We will see how the evolution of this section and the graphic value of the elements that form it is subject to political, cultural and ideological issues.
For this Sharp 2022 I intend to critically analyse the importance of the instructions sent by the... more For this Sharp 2022 I intend to critically analyse the importance of the instructions sent by the Spanish crown to Christobal Plantin to produce the new liturgical texts in the context of the Protestant Reformation. The instructions sent between 1572 and 1576 include specific orders that affected the graphic development of the Plantinian liturgical text. Through them, I will trace the graphic evolution of the Plantinian liturgical texts during the first years of their production.
Once the orders of the Hispanic crown to the printer are understood, I will analyze how the 1572 copies change with respect to those of 1573. In the latter copies I find handwritten corrections that I will relate to the orders received, hoping to discern between what was ordered and what was delivered. The graphic context of the printer, linked to the socio-political context of the last years of the 16th century, is also key at this point.
Having understood the instructions, their application and the origin of other influences, I will offer a conclusion on the importance they had in the graphic evolution of Plantin and the printed book.
Jornada de doctorandos en Patrimonio bibliográfico: 'Retos y soluciones en el estudio del libro a... more Jornada de doctorandos en Patrimonio bibliográfico: 'Retos y soluciones en el estudio del libro antiguo'
Organiza 'Quid est liber: proyecto de innovación para la docencia en libro antiguo y patrimonio bibliográfico' https://www.ucm.es/quidestliber/ 9.30 h. Inauguración
Trataré de exponer la importancia del enfoque interdisciplinar para señalar, principalmente en di... more Trataré de exponer la importancia del enfoque interdisciplinar para señalar, principalmente en diseño, pero también en historia, no tanto la carencia como la oportunidad.
Utilizando la figura de Tomás Maldonado y su teoría como uno de los referentes para el enfoque que hemos intentado tomar en estas Jornadas, me gustaría plantear cómo los diseñadores desarrollan sus metodologías, desde un punto principalmente práctico y ligado a cierta identidad personal. Señalar cómo una práctica con un objetivo presuntamente social es, paradójicamente, individualista en su aproximación afectando la forma de entender, en este caso, los objetos impresos. Una vez hecho esto, pretendo señalar brevemente las ventajas de sumar una metodología teórica a la aproximación práctica a los objetos. Este cierre, igual que las conferencias tiene varios objetivos; recalcar la necesidad en diseño de un enfoque teórico; señalar brevemente lo que, como diseñadores, nos aleja de el.
8 views
I Jornadas sobre Teoría y Crítica del Diseño: El Objeto Impreso Indeterminado El problema de l... more I Jornadas sobre Teoría y Crítica del Diseño: El Objeto Impreso Indeterminado
El problema de la belleza del objeto impreso radica, como ya aventuró Adorno refiriéndose a la belleza natural, en la “indeterminación, la del objeto y también la del concepto.”
A raíz de ese problema invitamos a reflexionar sobre la estética editorial desde una perspectiva interdisciplinar. Es decir, criticar el discurso y los antecedentes históricos sobre la evolución técnica, social y estética del tradicional libro impreso, elaborando así su concepto como objeto contemporáneo.
2 views
además de evista on line de artes decorativas y diseño, 2023
Durante el texto trataré de analizar y exponer la importancia del enfoque transdisciplinar para s... more Durante el texto trataré de analizar y exponer la importancia del enfoque transdisciplinar para señalar, principalmente en diseño, pero también en historia, no tanto la carencia como la oportunidad. Utilizando la figura de Tomás Maldonado y su teoría me gustaría plantear cómo los diseñadores desarrollan sus metodologías, desde un punto principalmente práctico y ligado a cierta identidad personal. Señalar cómo una práctica con un objetivo presuntamente social es, paradójicamente, individualista en su aproximación afectando la forma de entender los objetos a los que se aproximan. Una vez hecho esto, pretendo señalar brevemente las ventajas de sumar una metodología teórica a la aproximación práctica a los objetos. El objetivo de este texto es, por tanto, recalcar la necesidad en diseño de un enfoque teórico; señalar brevemente lo que, como diseñadores, nos aleja de él; y principalmente invitar a la colaboración entre diferentes campos para continuar su desarrollo.
Arbor , 2023
El texto hace una revisión de las diferentes teorías del diseño que han enfrentado a los principa... more El texto hace una revisión de las diferentes teorías del diseño que han enfrentado a los principales representantes del campo de la estética durante el siglo XX. Para ello utiliza algunos de los textos teóricos de William Morris, Adolf Loos o Lewis Mumford y los pone en diálogo con otros de Theodor W. Adorno y otros representantes de la Escuela de Frankfort. De esta manera buscamos dar respuesta a las preguntas ya clásicas: ¿arte o diseño?, ¿forma o contenido?, ¿cuál es el valor del diseño? PALABRAS CLAVE: diseño, teoría, estética, historia DESIGN, THEORIES AND BLUNDERS Copyright: © 2023 CSIC. Este es un artículo de acceso abierto distribuido bajo los términos de la licencia de uso y distribución Creative Commons Reconocimiento 4.0 Internacional (CC BY 4.0).
Mirai. Estudios Japoneses, 2021
Resumen. Recorrido histórico a través de las filosofías orientales tales como el Budismo Zen para... more Resumen. Recorrido histórico a través de las filosofías orientales tales como el Budismo Zen para demostrar la influencia de estas en el contexto artístico occidental del siglo XX. El objetivo es hacer patente la importancia de este tipo de corrientes en la obra de artistas como Kandinsky y Malévich. Para esta labor se expone el desarrollo y llegada de la doctrina junto a un análisis del contexto artístico. En el caso de Kandinsky, se realiza una comparativa con la obra del monje budista Sengai Gibon. Para el análisis de Malévich, utilizaremos y compararemos su obra con el templo budista Genko-an, para así poder vislumbrar los principales conceptos, no solo de su obra, sino también de su filosofía en relación con el Suprematismo.
Abstract: Historical journey through Eastern philosophies such as Zen Buddhism to prove the influence of these in the Western artistic context of the 20th century. The aim is to clarify the importance of these types of movements in the work of artists such as Kandinsky and Malevich. For this purpose, the development and arrival of the doctrine is presented together with an analysis of the artistic context. In the case of Kandinsky, a comparison is made with the work of the Buddhist monk Sengai Gibon. For Malevich’s analysis, we will compare his work with the Genko-an Buddhist temple, in order to get a glimpse of the main concepts, not only of his work, but also of his philosophy in relation to Suprematism.
Renaud Milazzo, Jorge Fragua Valdivieso, Janne van der Loop, Hubert Meeus in De Gulden Passer, vol. 101 (2023), nr. 2, pp. 245–252, 2023
De Gulden Passer. Jaargang 73 10 Ik beperk me daarbij tot eigen onderzoek; aanvullingen uit ander... more De Gulden Passer. Jaargang 73 10 Ik beperk me daarbij tot eigen onderzoek; aanvullingen uit andere bron en vermeldingen van gesigneerde drukken worden verzameld door Drs R. Breugelmans, conservator van de Universiteitsbibliotheek te Leiden. Op verzoek van Prof. Voet zal hij t.z.t een supplement op The Plantin Press publiceren.
Tijdschrift voor Geschiedenis, Volume 135, Issue 4, Dec 2022, p. 449 - 450 , 2022
Revista General de Información y Documentación, 2022
Revista General de Información y Documentación, 2021
International Conference: Circulation of Written Heritage, 2024
In the last decades of the sixteenth century, as a consequence of the revision and reformation of... more In the last decades of the sixteenth century, as a consequence of the revision and reformation of the liturgical books by the Council of Trent, a process of quality control and editorial distribution was established in Spain. This process, divided into two parts, concerned the printed liturgical books that include the exception of the Hispanic liturgy granted by Pius V. It was organized from the court of Philip II and his secretaries, through the Monastery of El Escorial, and involved its main producers, the Giunta family and Christophe Plantin in Antwerp.
The purpose of this paper is to determine who took part in this process, what its purpose was, how it was carried out and its main consequences for the books involved. After understanding and establishing the official agents of control and its purpose, I will focus on how the process was carried out by unofficial actors. The members of civil society, the booksellers, merchants and bookbinders who tried to circumvent the control to make profit out of these books. Thus, this work aims to shed light on the complete infrastructure, methods and consequences of control of the Reformed liturgical books in Philip II's territories during last decades of sixteenth century.
XV Congreso Virtual de Enseñanza del Diseño, 2024
The concept quality, often related in historical terms to that of harmony and perfection, has bee... more The concept quality, often related in historical terms to that of harmony and perfection, has been a fundamental aspect of design and the material aspect of the printed book since its inception. Regardless of the type of book, its material condition and how it was produced, it has influenced its understanding and form. Furthermore, in certain types of books, such as religious and liturgical books, the idea of quality and the concept of harmony was another ritual aspect of the book. In those cases, the printed book is a political and cultic object.
This paper uses an interdisciplinary approach to examine the concept of quality in liturgical books and its production in the 16th century. It draws upon Georg Lukács's aesthetic theory and the concepts of homogeneous medium, anthropomorphizing and de-anthropomorphizing reflection, along with documents related to Christopher Plantin's liturgical production, its design and results.
The aim is firstly to explore how the concept of quality was manifested in the printed book through the theological concept of beauty and its compression through the specific demands to the printer. Secondly, to understand through him that his production and his idea of quality were independent and subordinate to the cultural and technical context of which his production was a part.
Organized by Dr. Laurie Atkinson - Tübingen Spring School Programme
Conference: Circulation of written heritage: local production, global knowledge (15th to 19th centuries), 2023
The post-Tridentine period and its production of liturgical books provided the perfect environmen... more The post-Tridentine period and its production of liturgical books provided the perfect environment for cultural exchange and fierce competition between publishers. In this context, Christoper Plantin's liturgical production and his relationship with the court of Philip II has been the subject of multiple studies. We know its political implications, its marketing, distribution and production. However, the role of design in these books has gone unnoticed.
In this paper I will focus on the evolution and graphic references of the missals produced by Plantin between 1572 and 1575. From the documentation on his production and the manuscript origins of the liturgical book, I intend to point out the graphic models imposed on the Antwerp printer when printing the reformed missal for the court of Philip II.
The aim of my paper is to show the origins, graphic influences during the graphic development of the post-Tridentine missals for the Hispanic Monarchy. To show how the design of these books was influenced by a rich cultural, commercial and transnational context that, crossing borders, shaped the books.
Liturgical texts and the book market/BE4COPY ERC Workshop - Oslo University, 2023
SHARP annual conference, 2023
In this presentation I will focus on the role of two handwritten signatures on two Plantin missal... more In this presentation I will focus on the role of two handwritten signatures on two Plantin
missals from 1572. One is preserved in the Biblioteca Apostolica Vaticana and the other
in the Biblioteca del Monasterio de El Escorial. First, I will identify both signatures and
their function to discuss why they are not property signatures, but a form of textual control
and distribution. I will emphasize how they are part of different processes, but both are
related to the Hispanic Rite. This rite was one of the liturgical exceptions included in the
Roman Missal reformed in 1570, whose production was commissioned, among others, to
Plantin. It was of the greatest importance for the crown of Philip II, and everything related
to its production was closely supervised. Finally, I will explain the role of those who
signed them in the process of production and distribution of the Hispanic Rite. The
intention of this presentation is, on the one hand, to show the existence of these signed
copies. On the other hand, to understand their differences within the process of
distribution and production of the Hispanic Rite.
The post-Tridentine period and its liturgical book production provided the perfect environment fo... more The post-Tridentine period and its liturgical book production provided the perfect environment for cultural exchange and fierce competition between publishers. In this context, I will focus on the production of missals by Christopher Plantin and Lucantonio Giunta pointing out the similarities found in the typographic style and general outlook of their imprints.
By way of the actual artefacts and the available documentation I will show how the Roman typography Plantin chose for his early production, and how it influenced the outlook of some of the late editions printed by Lucantonio Giunta in Venice.
The goal of my paper is to point out how the inner characteristics and graphic evolution of both productions were influenced by a rich context of silent cultural and commercial transnational exchange that, crossing borders, shaped books.
For this conference I intend to explore the evolution and graphic consistency of the Cannon Missa... more For this conference I intend to explore the evolution and graphic consistency of the Cannon Missae of the Missals produced by Plantin in Antwerp and the Giunta family in Italy in the early post-Tridentine editions. This section of the Missal shows a graphic consistency that transcends the Reformation and geographical production of the text while at the same time showing specific regional variations.
We will begin by analysing the idea of graphic value and then apply it to the printed elements of the page: texts, images, capital letters and symbols. We will then first try to understand the hierarchy established between the printed elements, and then look at the graphic evolution of the section in general and of the recto and verso forming the title page.
We will see how the evolution of this section and the graphic value of the elements that form it is subject to political, cultural and ideological issues.
For this Sharp 2022 I intend to critically analyse the importance of the instructions sent by the... more For this Sharp 2022 I intend to critically analyse the importance of the instructions sent by the Spanish crown to Christobal Plantin to produce the new liturgical texts in the context of the Protestant Reformation. The instructions sent between 1572 and 1576 include specific orders that affected the graphic development of the Plantinian liturgical text. Through them, I will trace the graphic evolution of the Plantinian liturgical texts during the first years of their production.
Once the orders of the Hispanic crown to the printer are understood, I will analyze how the 1572 copies change with respect to those of 1573. In the latter copies I find handwritten corrections that I will relate to the orders received, hoping to discern between what was ordered and what was delivered. The graphic context of the printer, linked to the socio-political context of the last years of the 16th century, is also key at this point.
Having understood the instructions, their application and the origin of other influences, I will offer a conclusion on the importance they had in the graphic evolution of Plantin and the printed book.
Jornada de doctorandos en Patrimonio bibliográfico: 'Retos y soluciones en el estudio del libro a... more Jornada de doctorandos en Patrimonio bibliográfico: 'Retos y soluciones en el estudio del libro antiguo'
Organiza 'Quid est liber: proyecto de innovación para la docencia en libro antiguo y patrimonio bibliográfico' https://www.ucm.es/quidestliber/ 9.30 h. Inauguración
Breve análisis de la obra de Ikko Tanaka en el contexto del diseño japonés del siglo XX
Análisis de la obra de Warja Lavater
Unpublised , 2019
This work sought to understand graphically the gōkan, the popular illustrated literary genre that... more This work sought to understand graphically the gōkan, the popular illustrated literary genre that flooded Japan during the last decades of the 18th and 19th centuries. The aim of this research was to provide a definition of the genre and to point out its main graphic characteristics for its correct identification. In the same way, it also included a sigillographic study for its dating during that period.