Cléberton Barboza | UFAL - Universidade Federal de Alagoas (original) (raw)
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Papers by Cléberton Barboza
The present work aims to investigate an affirmation of life through art in Nietzsche's first ... more The present work aims to investigate an affirmation of life through art in Nietzsche's first work, The Birth of Tragedy (1872). We assume that the affirmation of life is already found in the work, so we seek to answer the following problem: why does art affirm life? To serve this manufacturer, a work structure composed of three parts. In the first part, we proceed with the examination of the phenomenon of life as an aesthetic phenomenon, arising from becoming, that is, the Apollonian and the Dionysian as artistic impulses of nature; in a second moment, we analyze the tragic art of the Greeks as an affirmation of life in the face of the terror of becoming; finally we begin to examine the end of tragic art through socratism, as a decline in life. For the development of the research, we adopted the structural method, considering also that Nietzsche is not a systematic author, observing nuances and openings for interpretative lines in his writings. We maintain that life, as an aesth...
The present work aims to investigate an affirmation of life through art in Nietzsche's first ... more The present work aims to investigate an affirmation of life through art in Nietzsche's first work, The Birth of Tragedy (1872). We assume that the affirmation of life is already found in the work, so we seek to answer the following problem: why does art affirm life? To serve this manufacturer, a work structure composed of three parts. In the first part, we proceed with the examination of the phenomenon of life as an aesthetic phenomenon, arising from becoming, that is, the Apollonian and the Dionysian as artistic impulses of nature; in a second moment, we analyze the tragic art of the Greeks as an affirmation of life in the face of the terror of becoming; finally we begin to examine the end of tragic art through socratism, as a decline in life. For the development of the research, we adopted the structural method, considering also that Nietzsche is not a systematic author, observing nuances and openings for interpretative lines in his writings. We maintain that life, as an aesth...