CLEUTON D O N A S C I M E N T O BATISTA - Profile on Academia.edu (original) (raw)
Cleuton do Nascimento Batista é músico performance, professor e pesquisador. Atualmente é Prof Adjunto da Universidade Federal do Acre-Ufac, disciplina:Prática Instrumental de Sopros. Como Instrumentista atuou na Orquestra Sinfônica Municipal de Goiânia por 16 anos, e Orquestra de Câmara Goyazes da Agência Goiana de Cultura, Agepel, por 10 anos. Lecionou Clarinete e Saxofone no Mvsika Centro de Artes, foi professor substituto na Escola de Música e Artes Cênicas da Universidade Federal de Goiás, Emac-UFG. Concluiu os cursos Bacharelado em Clarinete, Especialização em Música Brasileira de Câmara no Séc. XX, e Mestrado em Performance de Música Eletroacústica, na Emac-UfG, na linha de pesquisa, música tecnologia e suas interfaces, pesquisando A Clarineta na Contemporaneidade: Técnicas Estendidas e Performance Eletroacústica.
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Papers by CLEUTON D O N A S C I M E N T O BATISTA
This approach the eletro-acustic music trough "Ponto, Linha e Plano by Tim Rescala. In "Ponto, Li... more This approach the eletro-acustic music trough "Ponto, Linha e Plano by Tim Rescala. In "Ponto, Linha sobre Plano" based on a book by Wassily Kandinsky. Rescala portrays the forces acting on paiting in a sonorous way, as described in the book, has been possible to make an analysis and interpretation of the music work, looking for information and about knowledge eletro-acustic music directed through a short discourse of the clarinet development and probably reasons who have been used by composers in their musical experience. There is also a history of eletroa-coustic and the development of a language used by composer and computer; a study about the piece with structural analyses and, in this are some suggestions for some sonorous effects exploited by the composer.
In the conclusion is included a view abaout the fusion of clarinet and computer. Has been debated the pre-disposition to stabilish barriers between people and a suggestion put forward by Maurício Loureiro recommending interdisciplinary program study.
Ao professor e orientador desta dissertação, Anselmo Guerra Almeida, pela confiança e dedicação.
This approach the eletro-acustic music trough "Ponto, Linha e Plano by Tim Rescala. In "Ponto, Li... more This approach the eletro-acustic music trough "Ponto, Linha e Plano by Tim Rescala. In "Ponto, Linha sobre Plano" based on a book by Wassily Kandinsky. Rescala portrays the forces acting on paiting in a sonorous way, as described in the book, has been possible to make an analysis and interpretation of the music work, looking for information and about knowledge eletro-acustic music directed through a short discourse of the clarinet development and probably reasons who have been used by composers in their musical experience. There is also a history of eletroa-coustic and the development of a language used by composer and computer; a study about the piece with structural analyses and, in this are some suggestions for some sonorous effects exploited by the composer.
In the conclusion is included a view abaout the fusion of clarinet and computer. Has been debated the pre-disposition to stabilish barriers between people and a suggestion put forward by Maurício Loureiro recommending interdisciplinary program study.
Ao professor e orientador desta dissertação, Anselmo Guerra Almeida, pela confiança e dedicação.