Jürgen Pieters | Ghent University (original) (raw)
BRILL eBooks, Dec 31, 1999
Vladimir Nabokov’s Lectures on Literature, 2018
. She has written extensively on contemporary Argentinian literature (on such authors as Borges, ... more . She has written extensively on contemporary Argentinian literature (on such authors as Borges, Copi, Cortázar, and Saer) as well as on translation issues.
status: published, 2007
KULeuven. ...
FEIT & FICTIE. TIJDSCHRIFT VOOR DE …, Jan 1, 2005
... Record Details. Record ID, 322964. Record Type, journalArticle. Author, Jurgen Pieters [80100... more ... Record Details. Record ID, 322964. Record Type, journalArticle. Author, Jurgen Pieters [801001021082] - Ghent University Jurgen.Pieters@UGent.be; Christophe Madelein [801001794355] - Ghent University Christophe.Madelein@UGent.be. ...
JOURNAL OF DUTCH LITERATURE, Jan 1, 2011
In this article we present three central texts from the Dutch debate on the sublime between 1750 ... more In this article we present three central texts from the Dutch debate on the sublime between 1750 and 1850. It is surprising that hardly any attention has been paid to these three texts – and, by extension, to the translations of international works on the sublime that preceded their publication in the Dutch-language area. These texts, however, are not the work of second-rate authors: Paulus van Hemert, Johannes Kinker and Willem Bilderdijk are leading representatives of Dutch culture in the first decades of the nineteenth century. Each of these three authors was sufficiently familiar with the international debate on the sublime, as the occasional references in their texts to the writings of fellow authors on the sublime from other countries testify. They were also familiar with the history of the sublime, to which they no doubt hoped to contribute with their own texts. We give a short outline of this historical development and then try to place the Dutch interventions within the framework of the international debate. From this it may then transpire that ‘Dutch attempts at sublimity’ should not by definition be thought of disparagingly.
GEMS (Ghent University's Early Modern Studies Centre) is proud to present the programme of this y... more GEMS (Ghent University's Early Modern Studies Centre) is proud to present the programme of this year's Histories and Theories of Reading Seminar. The Seminar is funded by Ghent University's Doctoral School-programme (Humanities and Law) and is open (and exclusively so) to PhD-students. Those of you who want to participate, please get in touch with jurgen.pieters@ugent.be. Students will earn a credit by participating in (at least) three out of six sessions. Below are the details of the programme (the dates for the spring semester have been finalised) and a description of the format. Histories and Theories of Reading: Fourth Series (2018) The specialist course consists of a series of seminars that cover a period from January 2018 to December 2018. As in the previous three successful series, each seminar focuses on the work of one of six eminent international literary scholars who play a leading role in the disciplines of literary and cultural theory and literary and cultural history and have made important theoretical and conceptual contributions to their respective disciplines and to the historiography of both the central object of study (literary writing) and the disciplinary attempts at writing its history. Each of the scholars central to the seminar are, first and foremost, experts in their disciplines and specialists of a particular literary historical moment (ranging from the early modernity to the twentieth century).
de Nederlandse Boekengids, 2019