Stavros Mamaloukos | University of Patras (original) (raw)
LIST OF PUBLICATIONS by Stavros Mamaloukos
Books by Stavros Mamaloukos
Ioanna Stoufi-Poulimenou – Stavros Mamaloukos (eds.), 6th Symposium of Neohellenic Ecclesiastical Art (Theological School, Panepistimioupolis, October 9-11, 2020, Proceedings) Athens 2022 https://drive.google.com/file/d/1rvZYiu0Ow6qgpdUZATWQpHbH8eF92Nca/view
Charalampos Bouras - Klimis Aslanidis - Stavros Mamaloukos (eds), Εκκλησίες στην Ελλάδα μετά την Άλωση 8 [Churches in Greece 1453-1830 8], Mygdonia, Thessaloniki 2021, 2021
Σταύρος Μαμαλούκος (επιμ), Λεοντάρι Αρκαδίας. Ιστορία, αρχιτεκτονική και προστασία, Ελληνική Εταιρία Περιβάλλοντος και Πολιτισμού -25η Εφορεία Βυζαντινών Αρχαιοτήτων Τμήμα Αρχιτεκτόνων Πανεπιστημίου Πατρών, Θεσσαλονίκη - Αθήνα 2020, 2020
by Ιωάννης Χουλιαράς / Ioannis (C)houliaras, Stavros Mamaloukos, Paschalis Androudis, Eugenia Drakopoulou, Michail Papavarnavas, Vasileios Katsaros, Maria Lappa, Elena Katsouli, Aggeliki Stavropoulou, Georgia Georgiou, and Ioanna Kwsth
027 Παναγιώτης Γραμματόπουλος – Σταύρος Μαμαλούκος – Στυλιανή Νέλλα-Ποτηροπούλου – Γεώργιος Πανέτσος – Χρήστος Πανουσάκης, Αστυπάλαια. Πολεοδομία και Αρχιτεκτονική της Χώρας, Αθήνα 1994, Περίληψη : Conclusions, 197-198
Papers by Stavros Mamaloukos
Ο ναός του Αγίου Κωνσταντίνου στην ομώνυμη νησίδα της Απολλωνίας λίμνης στη Βιθυνία δημοσιeύτηκe ... more Ο ναός του Αγίου Κωνσταντίνου στην ομώνυμη νησίδα της Απολλωνίας λίμνης στη Βιθυνία δημοσιeύτηκe για πρώτη φορά το 1979 από τον C. Mango, ο οποίος χρονολόγησe το μνημeίο στον 9ο-10ο αιώνα. Πρόκeιται για σταυροeιδή eγγeγραμμένο ναό μe τρούλο μιας σπάνιας παραλλαγής του τύπου μe απομονωμένα γωνιακά διαμeρίσματα. Πρόσφατη eπιτόπια έρeυνα ανέδeιξe νέα στοιχeία που πιστοποιούν ότι το μνημeίο, eκτός από τις δύο κόγχeς στα πέρατα της διαμήκους κeραίας του σταυρού, διέθeτe δύο eπιπλέον κόγχeς στα άκρα των eγκάρσιων σταυρικών σκeλών.
Pisa University Press eBooks, 2023
The monuments of the Frankish period in Greece have been examined by researchers, mainly historia... more The monuments of the Frankish period in Greece have been examined by researchers, mainly historians but also architects and archaeologists, in the context of attempts to interpret the architecture and art of this important period. The above context includes the examination of a 13th century feudal castle, in central Euboea. The castle is found on a remote steep rocky hill, 7 km south of Chalcis, east of the plain of the river Lilas at an altitude of about 160 m above sea level. At a small distance to the west of the castle the two towers of Mytikas dominate on a lower hill. The outline of the castle has the shape of an almost equilateral triangle with the three sides curved freely and following the natural configuration of the rock mainly on the west and southeast side. The general dimensions of the complex are about 50 X 60 m. The naturally fortified edge of this rock is surrounded by walls that surround an area of 1700 m 2 ., and includes a large enclosure, two large two-storey buildings on the south side of the walls, two auxiliary buildings-probably barracks and warehouses-attached to the north side of the walls and a three-room vaulted tank. The castle had three entrances. The walls are 1.20 m thick at their base and continued with the same width until their top. At the top of the walls were ramparts, while behind them to the inside there was a narrow corridor (perimeter). The most interesting and undoubtedly the most impressive building of the castle is the two-storey Great Hall in the southwest corner, whose two walls are part of the castle walls, at the most extreme and naturally fortified point of the hill, at the edge of the remote rock. Despite its ruinous state the castle of Fylla is one of the best preserved castles from the period of the Latin domination in Greece.
Stavros Mamaloukos, Architecture in Central Greece during 13th and 14th centuries, Between East and West. Saint Alexander Nevsky, His Time and Image in Art, Collected Papers of the International Scientific Conference. Moscow, September 15-18, 2021, Moscow 2023, 270-301, il.1-12, 768-773, 2023
The aim of the paper is a presentation of the architecture in Southeastern Central Greece during ... more The aim of the paper is a presentation of the architecture in Southeastern Central Greece during 13th and 14th centuries. Numerous monuments which can be dated with some certainty in the period under consideration — the long period between the Latin and Ottoman conquest — have survived in the several regions of Greece. The majority of those are, of course, religious architecture monuments, though there are also a fair number of secular monumental buildings, such as defensive works of urban centers and scattered in the countryside fortified complexes which served as the new rulers' residences.
As far as typology is concerned, church architecture in Central Greece during the 13th and 14th centuries is characterized, on the one hand, by the continuation of the use of old building types and, on the other, by the great dissemination of the so cold “cross-vaulted”, a new church type which first appeared in the 13th century. Most of the surviving churches are small single nave, vaulted basilicas or simple “cross-vaulted”. The bigger ones belong to the cross-in-square church type. There are, however, some peculiar big churches, like the one of St. Demetrius in Chania of Avlonari, Euboea. In terms of morphology, architecture in Central Greece during the period under consideration constitutes, without any doubt, a continuation of the Middle Byzantine “École Grecque”. However, special characteristics, which differentiate it from its predecessor, can be traced. These are: a. The variety of forms, expressed by the different stylistic trends which very frequently are found within the same building. b. The Frankish influence, either direct (use of gothic forms), or indirect (changes in the character of architecture).
Stavros Mamaloukos – Giannis Stavropoulos, Eikosifoinissa Monastery. Principles and goals of a restoration project on a forcefully destroyed monumental complex, 6ο Πανελλήνιο Συνέδριο Αναστηλώσεων, ΕΤΕΠΑΜ, Thessaloniki 2023, 883-903 https://www.etepam.gr/ekdoseis/, 2023
The following presentation was inspired by the involvement of the authors in the preparation of a... more The following presentation was inspired by the involvement of the authors in the preparation of a land use planning proposal for the building complex of Panagia Eikosifoinissa Monastery assigned by the Holy Monastery to the Special Architectural Design Office – Mnimeio Ltd, with Stavros Mamaloukos as the principal consultant, and Yannis Stavropoulos as the main partner.
The Monastery of Panagia Eikosifoinissa, previously known as Kosnitsa or Kosinitisa Monastery, a somewhat more correct name, is located on the border between the prefectures (nowadays regional units) of Kavala and Serres, between the villages Kormista of Serres and Nikisiani of Kavala. The history of the monastery is associated with numerous traditions and legends that obscure its true history. The Monastery appears to have been founded in the mid 8th or mid 9th century, but the earliest building remains (namely the floor of the Katholikon and sculptures) date back to the late 10th or the first quarter of the 11th century. The period of Ottoman rule was a period of growth for the monastery. As a result of this growth the monastery buildings were repeatedly renovated during this period. Extensive interventions were carried out in the monastery building complex during the first quarter of the 19th century; these expanded the area of the monastery complex to over twice its original size, and radically altered its form. The new Katholikon of the monastery was erected between 1837 and 1842.
On March 27th 1917 the relics of the monastery were looted by the Bulgarians. On July 12th 1943 the monastery complex was torches by the Bulgarian occupying forces. During the first post-War years parts of the completely destroyed building complex of the monastery were repaired or rebuilt entirely. After 1967 the monastery saw a flurry of building activity, which progressed rapidly at first, and somewhat more slowly later on, until 2005 when the new metropolital bishop Pavlos expressly forbid any new construction, before the completion of a full and systematic proposal towards the restoration of the misshapen monument. Thus, in 2012, the preparation of a land use design proposal was assigned, which was finally completed and submitted for approval by the Hellenic Ministry of Culture services in 2015; the proposal was approved in 2020.
Despite the extreme destruction that the building complex of Panagia Eikosifoinissa Monastery has suffered, a reconstruction of its form before World War II is still largely possible. The current form of the monastery, which resulted from its frantic post-War rebuilding, bears little resemblance to its forms before this destruction. The rebuilding was characterized by a complete lack of willingness to restore previous remains, and a total absence of archaeological documentation. The main problems that the building complex faces today are: 1. Problems of enhancement if its historic and archaeological value, 2. Aesthetic issues, 3. Building and structural problems, and 4. Functional issues due to the bad design of the complex.
A principle of the new proposal is the restoration, to the extent possible, of the historic form of the building complex, despite the time that has elapsed since its destruction; this is a prerequisite to the restoration of such a monumental complex that possesses great symbolic value for the wider region of Eastern Macedonia, and the country of Greece in general. The new proposal includes the conservation and restoration of all surviving older buildings, the reconstruction of most monastic building in the form they had before the destruction, based on methodical documentation of their remains, the demolition of buildings that irreparably alter the form of the complex, the refurbishment of new buildings that are deemed indispensable, provided that they do not alter the overall form of the complex, or if their demolition is not possible, and an overall functional redesign of the monastic complex.
Ioanna Stoufi-Poulimenou – Stavros Mamaloukos (eds.), 6th Symposium of Neohellenic Ecclesiastical Art (Theological School, Panepistimioupolis, October 9-11, 2020, Proceedings) Athens 2022 https://drive.google.com/file/d/1rvZYiu0Ow6qgpdUZATWQpHbH8eF92Nca/view
Charalampos Bouras - Klimis Aslanidis - Stavros Mamaloukos (eds), Εκκλησίες στην Ελλάδα μετά την Άλωση 8 [Churches in Greece 1453-1830 8], Mygdonia, Thessaloniki 2021, 2021
Σταύρος Μαμαλούκος (επιμ), Λεοντάρι Αρκαδίας. Ιστορία, αρχιτεκτονική και προστασία, Ελληνική Εταιρία Περιβάλλοντος και Πολιτισμού -25η Εφορεία Βυζαντινών Αρχαιοτήτων Τμήμα Αρχιτεκτόνων Πανεπιστημίου Πατρών, Θεσσαλονίκη - Αθήνα 2020, 2020
by Ιωάννης Χουλιαράς / Ioannis (C)houliaras, Stavros Mamaloukos, Paschalis Androudis, Eugenia Drakopoulou, Michail Papavarnavas, Vasileios Katsaros, Maria Lappa, Elena Katsouli, Aggeliki Stavropoulou, Georgia Georgiou, and Ioanna Kwsth
027 Παναγιώτης Γραμματόπουλος – Σταύρος Μαμαλούκος – Στυλιανή Νέλλα-Ποτηροπούλου – Γεώργιος Πανέτσος – Χρήστος Πανουσάκης, Αστυπάλαια. Πολεοδομία και Αρχιτεκτονική της Χώρας, Αθήνα 1994, Περίληψη : Conclusions, 197-198
Ο ναός του Αγίου Κωνσταντίνου στην ομώνυμη νησίδα της Απολλωνίας λίμνης στη Βιθυνία δημοσιeύτηκe ... more Ο ναός του Αγίου Κωνσταντίνου στην ομώνυμη νησίδα της Απολλωνίας λίμνης στη Βιθυνία δημοσιeύτηκe για πρώτη φορά το 1979 από τον C. Mango, ο οποίος χρονολόγησe το μνημeίο στον 9ο-10ο αιώνα. Πρόκeιται για σταυροeιδή eγγeγραμμένο ναό μe τρούλο μιας σπάνιας παραλλαγής του τύπου μe απομονωμένα γωνιακά διαμeρίσματα. Πρόσφατη eπιτόπια έρeυνα ανέδeιξe νέα στοιχeία που πιστοποιούν ότι το μνημeίο, eκτός από τις δύο κόγχeς στα πέρατα της διαμήκους κeραίας του σταυρού, διέθeτe δύο eπιπλέον κόγχeς στα άκρα των eγκάρσιων σταυρικών σκeλών.
Pisa University Press eBooks, 2023
The monuments of the Frankish period in Greece have been examined by researchers, mainly historia... more The monuments of the Frankish period in Greece have been examined by researchers, mainly historians but also architects and archaeologists, in the context of attempts to interpret the architecture and art of this important period. The above context includes the examination of a 13th century feudal castle, in central Euboea. The castle is found on a remote steep rocky hill, 7 km south of Chalcis, east of the plain of the river Lilas at an altitude of about 160 m above sea level. At a small distance to the west of the castle the two towers of Mytikas dominate on a lower hill. The outline of the castle has the shape of an almost equilateral triangle with the three sides curved freely and following the natural configuration of the rock mainly on the west and southeast side. The general dimensions of the complex are about 50 X 60 m. The naturally fortified edge of this rock is surrounded by walls that surround an area of 1700 m 2 ., and includes a large enclosure, two large two-storey buildings on the south side of the walls, two auxiliary buildings-probably barracks and warehouses-attached to the north side of the walls and a three-room vaulted tank. The castle had three entrances. The walls are 1.20 m thick at their base and continued with the same width until their top. At the top of the walls were ramparts, while behind them to the inside there was a narrow corridor (perimeter). The most interesting and undoubtedly the most impressive building of the castle is the two-storey Great Hall in the southwest corner, whose two walls are part of the castle walls, at the most extreme and naturally fortified point of the hill, at the edge of the remote rock. Despite its ruinous state the castle of Fylla is one of the best preserved castles from the period of the Latin domination in Greece.
Stavros Mamaloukos, Architecture in Central Greece during 13th and 14th centuries, Between East and West. Saint Alexander Nevsky, His Time and Image in Art, Collected Papers of the International Scientific Conference. Moscow, September 15-18, 2021, Moscow 2023, 270-301, il.1-12, 768-773, 2023
The aim of the paper is a presentation of the architecture in Southeastern Central Greece during ... more The aim of the paper is a presentation of the architecture in Southeastern Central Greece during 13th and 14th centuries. Numerous monuments which can be dated with some certainty in the period under consideration — the long period between the Latin and Ottoman conquest — have survived in the several regions of Greece. The majority of those are, of course, religious architecture monuments, though there are also a fair number of secular monumental buildings, such as defensive works of urban centers and scattered in the countryside fortified complexes which served as the new rulers' residences.
As far as typology is concerned, church architecture in Central Greece during the 13th and 14th centuries is characterized, on the one hand, by the continuation of the use of old building types and, on the other, by the great dissemination of the so cold “cross-vaulted”, a new church type which first appeared in the 13th century. Most of the surviving churches are small single nave, vaulted basilicas or simple “cross-vaulted”. The bigger ones belong to the cross-in-square church type. There are, however, some peculiar big churches, like the one of St. Demetrius in Chania of Avlonari, Euboea. In terms of morphology, architecture in Central Greece during the period under consideration constitutes, without any doubt, a continuation of the Middle Byzantine “École Grecque”. However, special characteristics, which differentiate it from its predecessor, can be traced. These are: a. The variety of forms, expressed by the different stylistic trends which very frequently are found within the same building. b. The Frankish influence, either direct (use of gothic forms), or indirect (changes in the character of architecture).
Stavros Mamaloukos – Giannis Stavropoulos, Eikosifoinissa Monastery. Principles and goals of a restoration project on a forcefully destroyed monumental complex, 6ο Πανελλήνιο Συνέδριο Αναστηλώσεων, ΕΤΕΠΑΜ, Thessaloniki 2023, 883-903 https://www.etepam.gr/ekdoseis/, 2023
The following presentation was inspired by the involvement of the authors in the preparation of a... more The following presentation was inspired by the involvement of the authors in the preparation of a land use planning proposal for the building complex of Panagia Eikosifoinissa Monastery assigned by the Holy Monastery to the Special Architectural Design Office – Mnimeio Ltd, with Stavros Mamaloukos as the principal consultant, and Yannis Stavropoulos as the main partner.
The Monastery of Panagia Eikosifoinissa, previously known as Kosnitsa or Kosinitisa Monastery, a somewhat more correct name, is located on the border between the prefectures (nowadays regional units) of Kavala and Serres, between the villages Kormista of Serres and Nikisiani of Kavala. The history of the monastery is associated with numerous traditions and legends that obscure its true history. The Monastery appears to have been founded in the mid 8th or mid 9th century, but the earliest building remains (namely the floor of the Katholikon and sculptures) date back to the late 10th or the first quarter of the 11th century. The period of Ottoman rule was a period of growth for the monastery. As a result of this growth the monastery buildings were repeatedly renovated during this period. Extensive interventions were carried out in the monastery building complex during the first quarter of the 19th century; these expanded the area of the monastery complex to over twice its original size, and radically altered its form. The new Katholikon of the monastery was erected between 1837 and 1842.
On March 27th 1917 the relics of the monastery were looted by the Bulgarians. On July 12th 1943 the monastery complex was torches by the Bulgarian occupying forces. During the first post-War years parts of the completely destroyed building complex of the monastery were repaired or rebuilt entirely. After 1967 the monastery saw a flurry of building activity, which progressed rapidly at first, and somewhat more slowly later on, until 2005 when the new metropolital bishop Pavlos expressly forbid any new construction, before the completion of a full and systematic proposal towards the restoration of the misshapen monument. Thus, in 2012, the preparation of a land use design proposal was assigned, which was finally completed and submitted for approval by the Hellenic Ministry of Culture services in 2015; the proposal was approved in 2020.
Despite the extreme destruction that the building complex of Panagia Eikosifoinissa Monastery has suffered, a reconstruction of its form before World War II is still largely possible. The current form of the monastery, which resulted from its frantic post-War rebuilding, bears little resemblance to its forms before this destruction. The rebuilding was characterized by a complete lack of willingness to restore previous remains, and a total absence of archaeological documentation. The main problems that the building complex faces today are: 1. Problems of enhancement if its historic and archaeological value, 2. Aesthetic issues, 3. Building and structural problems, and 4. Functional issues due to the bad design of the complex.
A principle of the new proposal is the restoration, to the extent possible, of the historic form of the building complex, despite the time that has elapsed since its destruction; this is a prerequisite to the restoration of such a monumental complex that possesses great symbolic value for the wider region of Eastern Macedonia, and the country of Greece in general. The new proposal includes the conservation and restoration of all surviving older buildings, the reconstruction of most monastic building in the form they had before the destruction, based on methodical documentation of their remains, the demolition of buildings that irreparably alter the form of the complex, the refurbishment of new buildings that are deemed indispensable, provided that they do not alter the overall form of the complex, or if their demolition is not possible, and an overall functional redesign of the monastic complex.
Stavros Mamaloukos, The Architecture in the Region of Souli in the Context of the Epirote Architecture of the Late 18th and Early 19th Centuries, Ioannis Chouliaras (ed.), 200 χρόνια από την Ελληνική επανάσταση (1821-2021). Πρακτικά ημερίδας, Igoumenitsa 2023, 40-64, 2023
The study of the architecture of Souli is of particular interest in the architectural history of ... more The study of the architecture of Souli is of particular interest in the architectural history of the wider geographical region surrounding it, for the following reasons:
1st As in its heyday, Souli was an – even if somewhat peculiar – local regional center during its period of growth, building activity in its region was not only intense, but also – always within the confines of the local “traditional” architecture – exhibited high intensions,
2nd Following the final departure of the Souliotes, human activity in the region was confined to the rudimentary coverage of the needs of the small and extremely poor farming-animal raising communities that replaced the once stately and populous settlements; hence, the buildings of this period of growth were deserted and fell into ruin, but, nevertheless, were not replaced with new buildings – save for minor exceptions -, and thus form a closed group, the study of which can be pivotal in the research of the architectural production of the region during the period under study, and,
3rd Exactly due to the minimal human activity at Souli after 1822, the buildings of its period of growth were preserved, even if at ruinous state, in contrast to buildings in other areas of Thesprotia and the rest of Epirus, which saw a modern period of growth during the 19th and early 20th century. These buildings, thus, form one of the oldest, dated monumental groups that survive in Epirus and its wider geographic region.
The buildings of the region of Souli include the Castle of Kiafa, which was built by Ali Pasha of Ioannina in 1803, a substantial number of churches, all of which exhibit the typical features of Epirote church architecture of the era, numerous houses, many of which lend themselves to further study, despite their ruinous state, and some water-mills. The architecture of Souli was rugged, almost primitive, and extremely simple and austere, perfectly reflecting the mentality and the wild and hard life of its inhabitants.
It be noted here, however, that these same elements are also often encountered elsewhere in Epirus during the 18th, 19th and even in the 20th century. Hence, both in terms of building program and typology, as well as construction and morphology, the architecture of the region of Souli in the 18th and early 19th century is fully integrated into the architecture of the Modern Time Period in the wider region of Epirus, while at the same time constitutes an extremely interesting unique group.
Stavros Mamaloukos, The settlement organization and architecture of Astypalaia from the 7th to the mid-20th century, Andreas Vlachopoulos (ed.), Βαθύ Αστυπάλαιας. Δέκα χρόνια έρευνας (2011-2020) σε ένα διαχρονικό παλίμψηστο του Αιγαίου. Τόμος 1. Η Αστυπάλαια στον χρόνο, Athens 2023, 156-189, 2023
From the mid-seventh century AD onwards, the ancient coastal settlements of Astypalaia were appar... more From the mid-seventh century AD onwards, the ancient coastal settlements of Astypalaia were apparently abandoned and their remaining inhabi- tants sought refuge in naturally-fortified places and castles (castra). The island’s few churches that can be dated fairly con-fidently to the Byzantine period, both in terms of typology and of construction and mor-phology, belong in the church-building tradition of the Aegean. Nothing is known for cer-tain about the Medieval dwellings on the island. From 1204 until the early twentieth centu-ry, Astypalaia followed the fortunes of the other islands of the Archipelago, initially under Venetian rule and subsequently under the Ottomans. The demographic decline and the pov-erty which the island experienced during the twentieth century was overturned only in the late 1970s, when the development of tourism began. During the first two centuries of Latin dom- ination, it seems that the earlier settlement pattern of the Middle Byzantine period continued in exist - ence. However, this must have declined or even been completely aban-doned, due to the Turkoman incursions in the fourteenth century. An important turning point in the settlement organization of Asty pa laia was the founding or the re-founding of the Castro of Chora, by Giovanni IV Querini, in the early fiſteenth century. Like all the Ae-gean fortified settlements/burgs, the Castro had the form of a co- hesive building com-plex. It is not known exactly when the Castro settlement expanded extra muros, signalling the beginning of the creation of the later settlement of Chora. In all likelihood, this took place from the 1830s onward. By the end of the nineteenth century, the urban tissue had acquired the form known from images of it in the early twentieth century. From the 1950s it spread in the direction of Pera Gialos, with significant consequences for the historic cen-tre of the settle- ment. From the Late Middle Ages until the twentieth century, in addition to the settlement of Castro and subsequently of Chora, several hamlets and dispersed rural installations must have existed in the countryside. According to their use, the churches of Astypalaia are classed as parish churches, katholika of monasteries, and family chapels. In terms of typology, as well as of construction and morphology, the Astypalaian churches be-long in the Post-Byzantine architectural tradition of the Aegean islands, and indeed of its Cycladic version, the general form and development of which they follow. From the stand-point of type and development, the Astypalaian house belongs in the large unit of dwellings of the wider Aegean region. The rural installations in the countryside of Astypalaia, the katoikiès, are small farmsteads of rather primitive character.
Stavros Mamaloukos, The Ottoman Phases of the Fortifications of Chalkis, Pavlos Triantafyllidis (ed), Fortifications of the Ottoman Period in the Aegean. Proceedings of the International Scientific Conference. Mytilene, 30th – 31th October 2018. Mytilene 2021, 361-376, 2021
Chalcis (Evripos, Negroponte, Egriboz), one of the most important cities in the south Balkan pen-... more Chalcis (Evripos, Negroponte, Egriboz), one of the most important cities in the south Balkan pen-insula during the Middle Ages, was captured by the Turks after a fierce siege in 1470. The unsuccessful siege of Chalcis by the Venetians in 1688 was one of the most important historical events of the city’s Ottoman period. In 1833 the city officially became part of the newly found Greek state. The Kastron, i.e. the fortified city of Chalcis of the Middle Ages and the Early Modern Era, whose fortifications were largely demolished in the late 19th and early 20th century, was laid out in the shape of an elongated, irregular pentagon with maximum dimensions c. 400 x 700 m. that lay to the east of the Euripus Strait, and was surrounded by the sea on three sides. The other two sides of this pentagon were lined with a dry moat. Three gates, one on the Euripos Bridge, and two on the land walls allowed access to fortified city from Boeotia and the rest of the island of Euboea respectively. The fortifications of the Kastron, in the form that they survived into the 19th century, resembled an impressive, as well as complex and hard to read monumental compound, with distinct medieval phases, as well as critical alteration dating back to the period of Ottoman rule, the majority of which had been implemented in anticipation of the 1688 Venetian siege. The Fortress of Karambambas, on the steep hill by the same name on the Boeotian shore can also be dated to the same time period. Scope of the present paper is the study of the Ottoman phases of the fortifications. The study is based on the few surviving remnants and various old depictions and survey drawings of the fortifications as well as on the - up to now - limited archaeological research.
Stavros Mamaloukos - Philippos Kanatouris - Michael Miaoulis, Castle of Fylla, History and Architecture Defensive Architecture of the Mediterranean (DAM) 14 (2023), Pisa University Press 2023, 663-670, 2023
The monuments of the Frankish period in Greece have been examined by researchers, mainly historia... more The monuments of the Frankish period in Greece have been examined by researchers, mainly historians but also architects and archaeologists, in the context of attempts to interpret the architecture and art of this important period. The above context includes the examination of a 13th century feudal castle, in central Euboea. The castle is found on a remote steep rocky hill, 7 km south of Chalcis, east of the plain of the river Lilas at an altitude of about 160 m above sea level. At a small distance to the west of the castle the two towers of Mytikas dominate on a lower hill. The contour of the castle has the shape of an almost equilateral triangle with the three sides curved freely and following the natural configuration of the rock mainly on the west and southeast side. The general dimensions of the complex are about 50 X 60 m. The naturally fortified edge of this rock is surrounded by walls that surround an area of 1700 m2., and includes a large enclosure, two large two-storey buildings on the south side of the walls, two auxiliary buildings - rather barracks and warehouses - attached to the north side of the walls and a three-room vaulted tank. The castle had three entrances. The walls are 1.20 m thick at their base and continued with the same width until their top. At the top of the walls were ramparts, while behind them to the inside there was a narrow corridor (perimeter). The most interesting and undoubtedly the most impressive building of the castle is the two-storey Great Hall of its southwest corner, whose two walls are part of the castle walls, at the most extreme and naturally fortified point of the hill, at the edge of the remote rock. Despite its ruinous state the castle of Fylla is one of the best-preserved castles from the period of the Latin domination in Greece.
S. Mamaloukos - V. Papadopoulou - Ch. Papadimitriou - A. Koumantos, The Imaret of Arta. Issues of history, architecture and preservation, E. Kolovos – G. Pallis – P. Poulos (eds), Ottoman Monuments in Greece. Legacies under Negotiation, Athens: Kapon 2023, 185-198, 2022
The Imaret of Arta was founded by Faik Pasha in the late 15th century and continued to function u... more The Imaret of Arta was founded by Faik Pasha in the late 15th century and continued to function until the area of Arta was incorporated into the Modern Greek state in the early 20th century. The remains of the building complex of this holy foundation, which include the Faik Pasha Mosque, its precinct and a more recent, small, accommodation building, as well as a ruined bathhouse, are located 2.5 km to the north-west of the city of Arta, across the Arachtos River, in an area full of lush vegetation, known today as Marati. Even though the monumental complex is known to the scholarly community for a long time, it has not yet received the kind of systematic study that it deserves.
The mosque is without a doubt one of the most important Ottoman monuments that sur-vive in Greece today. In terms of typology, it belongs to the most common type of Ottoman mosques, that of a simple square hall with a portico (revak); in terms of morphology and con-struction it exhibits all the attributes of early, namely 14th and 15th century, Ottoman architecture. It a rather simple building with a T-shaped floorplan, comprised of the main mosque, a portico running along its northern façade, i.e. the revak, and a wooden portico that enveloped the revak along its east, north and west sides.
The main mosque building has an almost perfect square floorplan with exterior dimensions 11.60 x 11.80, and is comprised of a single prayer hall. The hall is covered with a closed dome, supported on so-called “Turkish triangles” that are commonly encountered in early Otto-man monuments. Access to the prayer hall is through a doorway with a marble doorframe and a flattened arch lintel, while natural lighting is provided via eight windows with rectangular marble frames, eight rectangular light holes crowned with pointed relieving arches and screens, as well as four single-light windows in the dome drum, at the height of the triangles that support the dome.
The mihrab of the mosque is located in the middle of the southern wall of the prayer hall, directly across from the main door. Between the windows of the eastern and western walls there are also shallow niches. In its current state, the interior of the mosque is altered by a series of interventions that were carried out when it was transformed into a Christian church. The minaret is located in the northern end of the west façade of the main building; the minaret survives only up to the height of the balcony. The revak has, sadly, not survived, though it is possible to accurately reconstruct it based on available evidence. The revak had the form of a portico that extended along the entire length of the north, main façade of the mosque, and was covered with three scaphoid vaults supported on pointed arches, in turn supported on four columns, and imposts projecting out of the north wall.
According to some old photographs and in-situ surviving evidence, the revak was enveloped on three sides with a tall and wide portico covered with a truncated hipped roof, resting on tall wooden supports that rose from a masonry bench base.
The walls of the mosque are constructed of rubble masonry reinforced with sizeable wood-en beams, while the visibe façades are constructed in the cloisonné masonry system. The construction and morphology features of the revak are particularly interesting. The colonnade is composed of columns in second use, while the bases, column capitals and impost blocks were prepared expressly for the specific building. The faces of the exterior arches of the portico were constructed of marble voussoirs. The exterior faces of the portico walls between the arch extra-dos was constructed entirely of meticulously cut, thin slabs of white marble, assembled with particularly thin masonry joints. The vaulting of the building is constructed exclusively with brick. The eaves of the first building phase of the mosque are in the form of double dentil bands. The interior surfaces of the building are covered with mortar renders with morphological and decorative molding elements.
Upon careful examination of the monument, it becomes evident that the form it had be-fore it was abandoned and ruined was the result of a numerous interventions on the original edifice erected by Faik Pasha in the late 15th century. The most important of these interventions are the following: the construction of a second, taller dome drum, the reconstruction of the upper part of the minaret in a manner that is very similar to that used in later mosques in the region of Epirus, and finally, the construction of the wooden portico that enveloped the original, vaulted revak. These interventions were undoubtedly the work of some unidentified Epirote building workshop, and can be dated to the 18th or, most probably, the 19th century. One can also not exclude the likelihood that these interventions may be correlated with the ambitious despot, but also prolific builder Ali Pasha of Tepelena. Those interventions that resulted from the building’s conversion to a Christian church during the first decades of the 20th century obviously belong to a subsequent building phase of the monument.
Despite the fact that it was listed as a historic monument worthy of preservation in 1938, and the numerous efforts of the Archaeological Service to protect and preserve it, the Faik Pasha Mosque has still remained abandoned and without use for many decades. Since 2015, a systematic effort to protect and enhance the monument is underway by the Ephorate of Antiquities of Arta and the Regional Government of Arta. To this end, a relevant architectural study has been commissioned; the study includes a detailed documentation and the preparation of conservation and restorations proposals, as well as a landscape design proposal for its surroundings.
Michalis Kappas – Stavros Mamaloukos, Observations on the Pre-Venetian Phases of the Fortifications of Methone Castle, in Angeliki Panopoulou (ed.), Methoni and its Region from Antiquity to Modern Times. Archaeological and Historical Approaches, Athens 2022, 127-150, figs.25-46, 2022
The majority of researchers that have so far studied the fortifications of Methoni have focused, ... more The majority of researchers that have so far studied the fortifications of Methoni have focused, on the phases that date back to the First (1207- 1500) and, mainly, the Second Period of Venetian rule (1685-1715), that are prominent in the Kastron. Hence, there has so far been no systematic effort to identify phases prior to those of the early 13th century. This paper shall at- tempt to critically comment on the currently publish evidence on the pre-Venetian phases of the castle, and to present parts of towers and curtain walls that can be safely dated to a period prior the fourth Crusade.
Stavros Mamaloukos, Notes on the Construction History and Architecture of the Protaton Church at Karyes, Mount Athos, Deltíon tis Khristianikís Arkhaioloyikís Etairías 4/43 (2022), 95-110, 2022
The famous for its Paleologan frescoes church of the Protaton at Karyes, Mount Athos, has, for mo... more The famous for its Paleologan frescoes church of the Protaton at Karyes, Mount Athos, has, for more than a millennium, been the symbolic center of the Athonite monastic state. The church, which has acquired its present form after a long series of alterations, was been built in the sixth decade of the 10th century. In its original form it was a large-scale pecu-liar timber-roofed cross-shaped basilica, which, by present-day data, constitutes a unicum for Middle Byzantine architecture. Aim of the paper is a reexamination of the construction history and architecture of the monument based mainly on field work.
Stavros Mamaloukos – Vasilis Mamaloukos, The belfry of the church of Hyperagia Theotokos Anaphonitria at Skoulikado, Zakynthos, Ioanna Stoufi-Poulimenou – Stavros Mamaloukos (eds.), 6th Symposium of Neohellenic Ecclesiastical Art, October 9-11, 2020, Proceedings) Athens 2022, 137-161, 2022
The subject of this paper is the history and architecture of the belfry of the church of Hyperagi... more The subject of this paper is the history and architecture of the belfry of the church of Hyperagia Theotokos Anaphonitria at Skoulikado, Zakynthos, one of the most interesting surviving belfries on the island. It is a tower-like belfry, with floor plan dimensions approximately 4.45 x 4.4 m, and a height of about 32 m. It exhibits the typical articulation of tower-like belfries of the Ionian Islands with a base, a trunk and a crown that terminates in a tall, sharp-pointed pyramid. In terms of morphology, it is an austere structure, with typical Classical rhythmology features.
Given the lack of inscriptions and other historical data, the study of the history of the belfry can, for the time being, be based on information provided by a few older depictions, and their commentary in the bibliography on the one hand, and an examination of the monument itself on the other.
The history of the belfry can be obtained from the bibliography, oral accounts, as well as the ample relevant material kept in the archives of the Ephorate of Antiquities of Zakynthos, and the Holy Church of Anaphonitria of Skoulikado. Combining the available data, one can reach the following conclusions: The first historical data provided for the belfry are found in its depiction in the litany of the church of the Anaphonitria, painted in the year 1828 by Nikolaos Viscontis on the parapet of the Gynaeceum's upper storey. The construction date of the monument must be placed in the first half of the 19th century. Sadly, there currently is no evidence on the architect who designed it, or the building workshop that erected it.
The monument suffered serious damage in the great earthquakes of 1953. In 1971, the church council of Skoulikado assigned the earthquake resistant reinforcement design of the belfry to the civil engineer Dionysios Morettis; a large part of the consolidation project of the historic monument carried out in 1971 and 1972 followed this design. The significant interventions carried out in the 1970s and 1980s, on the one hand rescued the belfry from complete annihilation, but on the other hand caused serious issued in the long run, which nowadays must be redressed by a new major consolidation and restoration project.
Stavros Mamaloukos, Rural space and rural buildings in Kythnos (Thermia), Annual of the Society of the Cycladic Studies 24 (2022). Praktiká 4ou Diethnoús Kikladoloyikoú Sinedríou, Chora of Tinos, 22-26 September 2021, Part Α', Athens 2022, 669-680, 2022
The purpose of the research is the contribution to the study of the organization of rural space a... more The purpose of the research is the contribution to the study of the organization of rural space and the architecture of the rural buildings in Kythnos (Thermia) during the 20th century, before the abandonment of traditional agriculture on the island. The research is based on architectural doc-umentation via measured drawings and photographs of various rural structures and on oral testi-monies recorded by the author during the period from June 29 to July 2, 2018.
The rural space in Kythnos was divided into "fields" with an area of 0,7-0,8 to 10 hec-tares, which were cultivated in rotation each year. In the past, wheat (migadi) was also sown in Kythnos, but in recent years, from the mid 20th century onwards, a local variety of barley, most of which was bought by the FIX brewery, was cultivated. Barley cultivation was gradually aban-doned from the 1970s to the 1990s due to the development of tourism. In the summer, for a peri-od of three or four months, from mid-May to the end of September, farmers used to live in their estates to harvest their crops. The estates were fenced with dry stone masonry walls and in most cases had a rural house, called the keli (cell) or, in the cases of larger and more elaborated build-ings, kalyvara (i.e. large hut), a corral for housing animals (oxen, mules, donkeys, goats and sheep), called mandra, and a threshing floor. The architecture of three characteristic rural build-ings, one of each of the above mentioned types, are presented in the present paper: the keli of Froso Gouma in the area of Perdikari, near Dryopida, the kalyvara of Stavros Zabetas, in Kanala and a mandra, also in Perdikari. All three buildings are build of dry stone, according the local building tradition.
Stavros Mamaloukos, The Construction History of the Strofades Monastery, Το αρχαιολογικό έργο στη βορειοδυτική Ελλάδα και τα νησιά του Ιονίου, Ιωάννινα, 23-26 Νοεμβρίου 2017, Πρακτικά, ΥΠΠΟΑ, ΟΔΑΠΠ, Athens 2022, 823-834, 2022
The monastic complex of the Strofades Monastery floor plan reveals a quadrilateral compound of ma... more The monastic complex of the Strofades Monastery floor plan reveals a quadrilateral compound of maximum dimensions of 55m x 35m. It consists of four wings of buildings arranged around a narrow, elongated courtyard. Most of the southern wing is occupied by the impressive monastic tower, the east end of which is occupied by the impressive, if peculiar, katholikon, the main church of the complex. Οnly a very few visible parts of the monastic complex can be traced back to the Monastery’s pre-1500 period with relative certainty. These parts are what remains of a relatively large church, a single-naved basilica, integrated today into the Tower’s lowest level and, possibly, dated back to the 14th or even the 15th c. The destruction of the church by fire, whose traces are still visible today, may be associated with attested catastrophes during the 16th century. Attempts to repair these extensive damages are most likely associated with the erection of the western part of the Tower. It is during the same time – late 16th to early 17th c. – that one should place the construction of the chapel of St. George, where the body of St. Dionysios was burried in 1622. According to a ktetoric inscription, the Tower underwent a thorough renovation in 1609. Work included the demolition of the original eastern wall down to the level of the first storeystory and the construction of the present eastern part of the Tower which includes the katholikon of the Monastery. According to archival sources, extensive works were also carried out at the Monastery around the middle of the 17th century. It is quite possible that the construction of the North Wing can be dated back to this time. The Eastern Wing seems to have been built in 1700. During the 18th c. several repairs to the Monastery buildings were conducted after the 1717 and 1731 raids, and in the wake of several earthquakes. Extensive work was also carried out during the 19th century, resulting, more or less, in the Monastery’s present-day appearance. Minor repairs and maintenance works were also carried out after WWII.
Nis and Byzantium 20 (2021) , 2022
The aim of this, still in progress, research is a reconsideration of the main Byzantine churches ... more The aim of this, still in progress, research is a reconsideration of the main Byzantine churches of Ainos and Selymbria, two of the most important ancient Greek cities of Eastern Thrace, through new evidence that has arisen, mainly via a macroscopic inspection by the authors on occasion of a number of visits to the area during the last fifteen years. As a result of the work done so far, a better understanding of the construction history of some monuments has been achieved leading to a more accurate dating, unknown monuments have been discovered and three-dimensional reconstruction drawings are being prepared based on the available, published ones, as well as supplementary measurements, which produced relatively accurate drawings.
Stavros Mamaloukos, A Tale of Two Cities. Chalcis / Negreponte and Chios / Scio during Morosini's Campaign in Katerina Korre (ed.), Morosini e Archeologia, Atti della Giornata di Studio 30 ottobre 2019, Istituto ellenico di studi bizantini e postbizantini di Venezia, Convegni 17, Venezia 2021, 70-89, 2021
The aim of this paper is the study of the now destroyed fortifications of the Greek city of Chalc... more The aim of this paper is the study of the now destroyed fortifications of the Greek city of Chalcis (Evripos / Negreponte / Egriboz). Having been an important urban centre during the Early and Middle Byzantine Period, Chalcis was occupied by the Latins after the capture of Constantinople in 1204 and became a significant trade centre of Venice. By the end of the 14th century the city became a Venetian holding. In 1470 the Ottomans captured the city after a short siege. In 1688 the city was unsuccessfully besieged by the Venetians. And in 1833 it was annexed by the Greek State. In the end of the 19th c. the fortifications of Chalcis were almost completely demolished during an attempt to reorganize and modernize the city. The fortified medieval city of Chalcis, the Kastro, had the shape of a long, irregular pentagon with maximum dimensions 400 x 700 m. It was surrounded on three sides, namely the north, the west and the south, by the sea. Along its two other sides, the northeast and the southeast, there was a dry moat. Its fortifications had three gates, one on Euripus Bridge and two on the land wall, through which the city was connected with Boeotia and Euboea respectively. From the study of the fortifications, based on their depictions in old engravings and photographs as well as on some poor remnants of them that are still visible, it appears that up to their demolition the city walls retained to a large extent their late medieval form, although they had undergone significant interventions by the Ottomans, mainly on the eve, and just after the siege of 1688. The only surviving part of the city’s defences, the fort of Karababa, built on the steep hill of the Boeotian coast, can be dated to this period.
Stavros Mamaloukos, Το Καθολικό της Μονής Γηρομερίου [The Katholikon of the Monastery of Giromeri in Epirus], 2021
The Katholikon of the Monastery of Giromeri is widely known in biblioraphy since the ktetor’s in... more The Katholikon of the Monastery of Giromeri is widely known in biblioraphy since the ktetor’s inscription and the notable painted decoration have attracted the interest of historians and art historians long ago. However, the architecture of the Katholikon has not been the subject of special study until now.
The Katholikon is built approximately in the middle of the southern part of the spacious courtyard of the Monastery and consists of the church, the narthex and an exonarthex. The church belongs to a peculiar variant of the cross-in-square church – complex tetrastyle type. The vaulting of the naos is typical of the layout found in cross-in-square–simple tetrastyle churches. It is supported by perimeter walls and four built supports, of which the western ones are piers and the eastern are columns. The main peculiarity of the church concerns the roofing method of the cross arms. These are covered by short semicircular vaults, which are adjoined with conches that lie at a lower level and are supported by pendentives. The central part of the naos is covered with a tall dome. The eastern wall, which until recently has been fully covered by the newest wooden-carved iconostasis (19th c.), presents a rich tripartite articulation.
The sanctuary of the Katholikon has three spaces. The Bema is covered with a barrel vault. The parabemata are covered by quadrant vaults, but in the case of the Diakonikon the vault is significantly lower than that of the Prothesis. After the removal of the coating, it was found that the space was initially intended to be covered with a quadrant vault but about 45 cm lower than the current one, based on traces on the tympanum of the west wall of the Prothesis.
Externally, the church presents a simple articulation of volumes. The composition of the façades is rather simple. On the south façade there exists a large brick inscription which mentions: ΕΠΙ Ετ(ΟΥ)C ´ΖΟϞ΄ / ΟΞΗΩΤΗ ΠΟΓΟΝΗΑΝ(ί)ΤΗ IC XC. The wall façades are made of elaborate rubble masonry from local limestone and in key locations, such as the corners and frames of the openings, ashlar porous stones were used. The narthex of the Katholikon has been attached to the west of the church at a later date. It is an elongated building, of the same width as the naos, covered with quadrant vault, which is supported at the west end on ¬three equal deep and low blind arches. Parts of its façades are built with cloisonné masonry. The westernmost part of the Katholikon, the exonarthex, originally had the form of an open portico.
The Katholikon has quite a complex building history. The reuse in the construction of the dome of architectural members made of stucco and dating to the Late Byzantine period indicates the existence of an older Katholikon. However, there is currently no other evidence to certify that the present church lies in place of the Katholikon of the Monastery that was founded by Saint Neilos Erichiotis in the early 14th century.
The older part of the Katholikon is a portion of its sanctuary, namely its eastern and southern walls. This part of the building seems to be the remnants of a single nave church possibly of the early 16th century that have been incorporated within the present day Katholikon, which has been built in 1567/8 with expenditures covered by the agha of Wallachia, Oxioti or Axioti from Pogoniani. The presence of joints in several places as well as some changes in the vaulting of the Katholikon indicate that the naos, the sanctuary and the narthex have been erected simultaneously within a single building program, following, however, an unorthodox and peculiar building process.
The first phase of the painted decoration of the Katholikon took place between 1577 and 1590 and it was probably disrupted due to the crisis that the Ottoman Empire faced in the late 16th century, in combination with the problems that the monasteries had as a result of the confiscation of their land by Sultan Selim II. Several decades later, in 1679, -the painted decoration of the naos was completed with expenses covered by merchant Panos Hieromnemon from Ioannina, when Parthenius was the local bishop of Vouthrotos and Gliki (1665-1685), according to the painted inscription on the dedicatory representation on the west wall of the church.
The Katholikon of the Holy Monastery of Giromeri has rather small dimensions, which is not uncommon for churches that were Katholika of Monasteries. The examination of the typology of the Katholikon is very interesting given the peculiar roofing method of the arms of the cruciform body of the naos. The association between this roofing method and Ottoman architecture has long been noted, but it has not been the subject of detailed study. It is obvious that the naos of the Katholikon simplistically copies Ottoman mosques of the type characterized in the bibliography as “clover-leaf cross-in-square plan”, which, according to Machiel Kiel, had already crystallized in Asia Minor in the second half of the 15th century based on various earlier models.
Undoubtedly, the Katholikon of the Monastery of Giromeri constituted a leading edifice for local standards at the time when it was built, thus its examination in terms of construction and morphology presents great interest. With regard to its general form, the church exhibits important differences to the typical cross-in-square churches of the post-Byzantine period, which generally diverge little from their Byzantine standards. These differences bring the church close to various simple buildings of Ottoman architecture, such as provincial mosques, as well as utilitarian buildings, such as monastic kitchens, warming houses and hospitals.
In what concerns its general character, the architecture of the monument is associated with the early post-Byzantine architecture of Epirus, but also with the neighboring regions of Western Central Greece, Western Macedonia and Thessaly. In terms of individual morphological elements, the building is typical of the post-Byzantine church architecture in the wider region where Epirus belongs, which covers the central and southern mainland of the Balkan Peninsula. This architecture is characterized by the coexistence of elements of the Byzantine architecture (not necessarily local) altered by various new features, some of which are due to the amalgamation of Byzantine with Otto-man models. The Katholikon of the Monastery of Giromeri is a typical example of the post-Byzantine church architecture, as defined above, also in terms of its construction. The main characteristic of the construction of the church is the building of the largest part of the walls with elaborate rubble masonry, made of good quality lime mortar and reinforced with invisible external wooden reinforcements, as well as the configuration of part of the façades of the narthex with cloisonné masonry, which is not found in the post-Byzantine monuments of the region and the application of which in this specific case is probably due to the influence of Ottoman architecture. Another possible influence from Ottoman architecture is the pressing of the hewn mortar in several parts of the façades of the church with a trowel, creating small protrusions from the wall surface, while cutting the mortar using a trowel emphasized the contours of the stones, improving the appearance of the stone masonry and making it look more normal than it actually is.
The Katholikon of the Monastery of Giromeri is without doubt one of the most important surviving early post-Byzantine churches of Epirus and it additionally appears to be a monument of great importance for the study of the ecclesiastical architecture of the Ottoman period. The church, Katholikon of an already thriving monastic foundation, was built by the aga of Wallachia, Oxiotis or Axiotis, an important political figure of the era and great supporter of various sacred foundations of his homeland and not only. The period of the reign of Süleyman the Magnificent has been justifiably characterized as the “golden age” for church architecture of the Orthodox Christians under Ottoman domination. For these reasons, the fact that the Byzantine tradition is combined in this building with certain –decisive for its character– typological and morphological elements of the official Ottoman architecture is particularly important, as it provides another opportunity to explore the practical evidence and the ideological framework that produced the post-Byzantine church architecture.
Παναγία στο Ποτάμι Καρλοβάσου Σάμου. Συμπληρωματικά στοιχεία και παρατηρήσεις [The Church of Panagia at Potami Karlovasou, Samos. Supplementary evidence and observations], 2021
The monumental complex at Potamos, which is located to the west of the Karlovasos set-tlement, in... more The monumental complex at Potamos, which is located to the west of the Karlovasos set-tlement, includes the churches of Panagia and Agios Nikolaos, as well as a small fortress, known locally as Kastraki. The church of Panagia is a rather small simple, four-column, cross-in-square type church, with a, nowadays, ruined narthex. Its plan is a slightly elongated rectangle. Despite past assumptions that the church underwent a radical modification, the interior of the church re-mains, beyond doubt, authentic, except for the rebuilt dome. The overall articulation of the inte-rior space is typical for a four-column, cross-in-square type church, with certain limited peculiar-ities.
Moreover, despite the fact that the monument has indeed undergone some alterations, the authentic articulation of volumes remains largely intact. A vaulted structure that served as an sacristy also survives in a ruinous state on the east end of the church’s south façade. A masonry pier survives to the northwest of the church; this pier is what remains of a structurally independ-ent portico that was built at the same time or slightly after the construction of the church, which probably enveloped the building on three sides. The façades of both the church and the sacristy, as well as those of the portico were initially decorated with inscribed and painted plaster, in the well-known and widespread middle and late Byzantine practice. The church has a complex building history, its original construction phase, however, can be safely dated to the second half of the 11th century.
A short distance away, north of the church of Panagia is the of old ruined single-nave church of Agios Nikolaos. The church is built on a raised terrace, under which were two long, underground spaces that obviously served as ossuaries. The church was covered with a barrel vault, reinforced with two arches. Its façades were almost completely covered in render that was decorated in a similar manner as those of the Panagia church. In terms of dating, the church of Agios Nikolaos exhibits such similarities, both in construction and morphology, as that of Panagia, that it can be reasonably assumed that the two buildings are concurrent.
Despite their small size and a certain degree of carelessness in their design, both churches of Potamos are without a doubt important middle Byzantine monuments of the Aegean, and their architecture is closely linked to the so-called School of Constantinople. Hence, they constitute two more specimens of “imported” architecture of high quality into the lagged behind island region. As for their original function, again it is reasonable to assume that the two churches and the fortress that rises over them are the remains of a, yet unidentified, important middle Byzantine monastery, which was founded or re-founded in the late 11th century by monks from Latmos, and was further renovated during the 13th century, during the Lascarid Period.
Stavros Mamaloukos, The Church of Hagios Ioannis Kalyvitis in Psacha, Euboea. History and Architecture, Χριστιανική Αρχαιολογική Εταιρεία, ΣΧΑΕ 42 (Αθήνα, 5, 6, 7 Μαΐου 2023), Πρόγραμμα και περιλήψεις εισηγήσεων και ανακοινώσεων, Αθήνα 2023, 99-100, 2023
In its present state the church of Hagios Ioannis Kalyvitis near Psachna, Euboea, is a peculiar t... more In its present state the church of Hagios Ioannis Kalyvitis near Psachna, Euboea, is a peculiar three-aisled basilica with a raised nave, without a narthex. Remnants of mid-13th century murals are preserved in the parabemata of the church. The current form of the monument is the result of an extensive reconstruction in about 1920 of a ruined composite four-column cross-in-square church without a narthex. The monument was built in 1244/45 as a katholicon of an old orthodox monastery, which seems that not only survived after the Latin conquest of Euboea but also flourished at this time.
Byzantine historiography owes largely to Professor Paul Magdalino. He is known mainly for his mon... more Byzantine historiography owes largely to Professor Paul Magdalino. He is known mainly for his monograph on Manuel I Komnenos and his reign, winner of the 1993 Runciman Award, in which he refuted the negative view that Niketas Choniates expressed on this king and his era. Paul Magdalino has also published extensively on Constantinople and on aspects of religion, science and the occult in Byzantium, evidenced by the over ten collective volumes edited by him, some with the help of worthy collaborators, and his fifty contributions to books and collected studies’ volumes. His numerous papers focus on Byzantine authors and their works, the social ideals of the aristocracy, institutional aspects of Byzantium, but also on art, seen mainly through literary descriptions. His diverse interests, as he admits, derived partly from his early engagement with late byzantine Thessaly, when the principalities of the region were seeking connections with other provincial power centers, as well as with the capital Constantinople after the dissolution of the old mighty empire. Indeed, Paul Magdalino's Ph.D. thesis, titled The History of Thessaly (1266-1393), written and defended at the University of Oxford in 1976, and his study titled “Between Romaniae: Thessaly and Epirus in the Later Middle Ages”, published in the Mediterranean Historical Review 4/1 (1989), pp. 87-110, have since become essential tools for any scholar who studies Thessaly and Epirus in the period before the Ottoman conquest.
For these reasons, the international conference on “Byzantine Thessaly, Twelfth – Fourteenth Centuries” pays tribute to Paul Magdalino. The Conference, both in person and online, will be hosted by the Diachronic Museum of Larissa and it will take place in the early fall of 2023. The organizing committee gladly welcomed papers about the history and archaeology of Thessaly during the late Komnenian and the Palaiologan periods.
Stavros Mamaloukos, Book Review: Kalliopi Theocharidou, The Architecture of the Church of Hagia Sophia in Thessaloniki, Αθήνα 1994, 6ο Πανελλήνιο Συνέδριο Αναστηλώσεων, ΕΤΕΠΑΜ, Thessaloniki 2023, 35-38 https://www.etepam.gr/ekdoseis/, 2023