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Papers by vicente lleo-cañal

Explores the religious context of Seville in the Golden Age, rife with theological controversies,... more Explores the religious context of Seville in the Golden Age, rife with theological controversies, and its impact in contemporary artiists .

A study of the important collection of classical sculpure formed by Perafán de Ribera, 1st. Duke... more A study of the important collection of classical sculpure formed by Perafán de Ribera, 1st. Duke of Alcalá (1509-1571) during his time as Viceroy in Naples.

It records an umpublishedd contract of Herrera the Elder, at the time when Velázquez was active ... more It records an umpublishedd contract of Herrera the Elder, at the time when Velázquez was active in his workshop

Studies the evolution of the paschal monument of the Cathedral of Sevilla during the Renaissance

Iconographical and iconological analysis of the painting called "Los Borrachos" by Velaqzquez

Studies the transformations experimentes by moslem mosques adapted to Christian temples after the... more Studies the transformations experimentes by moslem mosques adapted to Christian temples after the expulsion of the former.

Iconography and iconology of the chapterhouse of the Cathedral of Seville.

Stgudies the evolution of the sevillian palace, XVth to XVIIth c., from the point of view of cha... more Stgudies the evolution of the sevillian palace, XVth to XVIIth c., from the point of view of changing social habits.-

Explores art trade and connoisseurs in XIXth C. Seville

Explores the evolution of the "Capilla de la Estrella) from the work carried out by Hernan Ruiz (... more Explores the evolution of the "Capilla de la Estrella) from the work carried out by Hernan Ruiz (+1569) to that carried out by his son in law, Jerónimo Hernández (+1586 )

Discovers an early owner of the painting called 'Las Hilanderas' by Velázquez: the 9º Duque de Me... more Discovers an early owner of the painting called 'Las Hilanderas' by Velázquez: the 9º Duque de Medinaceli (1660-1711)

Reveals that the tryptych of Saint John by Van der Weyden, presently in the Staatliche Museum of ... more Reveals that the tryptych of Saint John by Van der Weyden, presently in the Staatliche Museum of Berlin, was originally in the Charterhouse of Seville, given as a gift by Emperor Charles in 1526, although misatributed as by Durer

Benvenuto Tortello (+ 1594) was known basically as sculptor and engineer in Viceregal Naples, ho... more Benvenuto Tortello (+ 1594) was known basically as sculptor and engineer in Viceregal Naples, however, during his stay in Seville (c. 1568-1571) sent by the Viceroy Duke of Alcalá to reform his palace, he developped an extraordinary activity as architect , becoming succesively master architect to the City and the Cathedral and playing a fundamental role in the decorations for the ceremonial entrance of Philip II and other festivities

Studies the development of a classicist trend in sevilliian sculpture in the last quarter of the ... more Studies the development of a classicist trend in sevilliian sculpture in the last quarter of the XVIth. c. connected to the settlement in the city of sculptors with an italian experience who used stone and marble as a medium rather than the traditional carved wood. It also highlights the humanistic context of this development

The sevillian church of San Luis de los Franceses is a rare example of baroque building, built an... more The sevillian church of San Luis de los Franceses is a rare example of baroque building, built and decorated in a brief period of time (1699-1731) with strict adherence to its original plan and with a complex iconographic program elaborated by the Jesuits.

Explores the bonds formed in Seville during the "Siglo de Oro" between painters and poets. that i... more Explores the bonds formed in Seville during the "Siglo de Oro" between painters and poets. that is, poets who also painted and painters who also wrote poetry, and their common intellecrtual basis

Studies the art collection formed by Luis de la Cerda Fernández de Córdoba, 9º Duke of Medinace... more Studies the art collection formed by Luis de la Cerda Fernández de Córdoba, 9º Duke of Medinaceli, who was Spanish bAmbassador to Rome (1687-1692) and Viceroy in Naples (1692-1701) , which included important works hitherto of unknown provenanmce

Studies the net of aristocrats, collectors and intellectuals and the climate of erudition existin... more Studies the net of aristocrats, collectors and intellectuals and the climate of erudition existing during the youth of athe artist in Seville. and its possible influence in the same

Young Velazquez was deeply admired by a group of aristocrats and intelectuals in his native Sevil... more Young Velazquez was deeply admired by a group of aristocrats and intelectuals in his native Seville. Since very early he was considered a sort of genius and spared the usual but tiresome process of biding for contracts. This same group would eventually pave the way for his departure to the Court.

Explores the religious context of Seville in the Golden Age, rife with theological controversies,... more Explores the religious context of Seville in the Golden Age, rife with theological controversies, and its impact in contemporary artiists .

A study of the important collection of classical sculpure formed by Perafán de Ribera, 1st. Duke... more A study of the important collection of classical sculpure formed by Perafán de Ribera, 1st. Duke of Alcalá (1509-1571) during his time as Viceroy in Naples.

It records an umpublishedd contract of Herrera the Elder, at the time when Velázquez was active ... more It records an umpublishedd contract of Herrera the Elder, at the time when Velázquez was active in his workshop

Studies the evolution of the paschal monument of the Cathedral of Sevilla during the Renaissance

Iconographical and iconological analysis of the painting called "Los Borrachos" by Velaqzquez

Studies the transformations experimentes by moslem mosques adapted to Christian temples after the... more Studies the transformations experimentes by moslem mosques adapted to Christian temples after the expulsion of the former.

Iconography and iconology of the chapterhouse of the Cathedral of Seville.

Stgudies the evolution of the sevillian palace, XVth to XVIIth c., from the point of view of cha... more Stgudies the evolution of the sevillian palace, XVth to XVIIth c., from the point of view of changing social habits.-

Explores art trade and connoisseurs in XIXth C. Seville

Explores the evolution of the "Capilla de la Estrella) from the work carried out by Hernan Ruiz (... more Explores the evolution of the "Capilla de la Estrella) from the work carried out by Hernan Ruiz (+1569) to that carried out by his son in law, Jerónimo Hernández (+1586 )

Discovers an early owner of the painting called 'Las Hilanderas' by Velázquez: the 9º Duque de Me... more Discovers an early owner of the painting called 'Las Hilanderas' by Velázquez: the 9º Duque de Medinaceli (1660-1711)

Reveals that the tryptych of Saint John by Van der Weyden, presently in the Staatliche Museum of ... more Reveals that the tryptych of Saint John by Van der Weyden, presently in the Staatliche Museum of Berlin, was originally in the Charterhouse of Seville, given as a gift by Emperor Charles in 1526, although misatributed as by Durer

Benvenuto Tortello (+ 1594) was known basically as sculptor and engineer in Viceregal Naples, ho... more Benvenuto Tortello (+ 1594) was known basically as sculptor and engineer in Viceregal Naples, however, during his stay in Seville (c. 1568-1571) sent by the Viceroy Duke of Alcalá to reform his palace, he developped an extraordinary activity as architect , becoming succesively master architect to the City and the Cathedral and playing a fundamental role in the decorations for the ceremonial entrance of Philip II and other festivities

Studies the development of a classicist trend in sevilliian sculpture in the last quarter of the ... more Studies the development of a classicist trend in sevilliian sculpture in the last quarter of the XVIth. c. connected to the settlement in the city of sculptors with an italian experience who used stone and marble as a medium rather than the traditional carved wood. It also highlights the humanistic context of this development

The sevillian church of San Luis de los Franceses is a rare example of baroque building, built an... more The sevillian church of San Luis de los Franceses is a rare example of baroque building, built and decorated in a brief period of time (1699-1731) with strict adherence to its original plan and with a complex iconographic program elaborated by the Jesuits.

Explores the bonds formed in Seville during the "Siglo de Oro" between painters and poets. that i... more Explores the bonds formed in Seville during the "Siglo de Oro" between painters and poets. that is, poets who also painted and painters who also wrote poetry, and their common intellecrtual basis

Studies the art collection formed by Luis de la Cerda Fernández de Córdoba, 9º Duke of Medinace... more Studies the art collection formed by Luis de la Cerda Fernández de Córdoba, 9º Duke of Medinaceli, who was Spanish bAmbassador to Rome (1687-1692) and Viceroy in Naples (1692-1701) , which included important works hitherto of unknown provenanmce

Studies the net of aristocrats, collectors and intellectuals and the climate of erudition existin... more Studies the net of aristocrats, collectors and intellectuals and the climate of erudition existing during the youth of athe artist in Seville. and its possible influence in the same

Young Velazquez was deeply admired by a group of aristocrats and intelectuals in his native Sevil... more Young Velazquez was deeply admired by a group of aristocrats and intelectuals in his native Seville. Since very early he was considered a sort of genius and spared the usual but tiresome process of biding for contracts. This same group would eventually pave the way for his departure to the Court.