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Papers by Gabor Csepregi
In numerous articles and reviews, Gabriel Marcel advanced stimulating and still relevant ideas on... more In numerous articles and reviews, Gabriel Marcel advanced stimulating and still relevant ideas on the complex relationship between the listener and the musical work. He made a fundamental distinction between hearing and understanding music. He analyzed in some detail the notions of musical idea and musical presence. The purpose of this paper is to present Marcel's original views on the chief elements of our experience of classical music. It also seeks to highlight some of the benets of active music making for our life today.
The purpose of this article is to complete, and build on, the theories of a certain number of sch... more The purpose of this article is to complete, and build on, the theories of a certain number of scholars, chiefly philosophers of previous generations, and a few eminent performers of classical music who all bring to the fore the essential link between music and play. Because of their impulse value and appealing character, tones and other elements of the performance could generate a playful attitude in the musicians. Play is understood as a reciprocal interaction with something that plays with the player: indeed, tones play with the musicians and, reciprocally, the musicians play with them. While engaging in a musical play, they draw on the remarkable creative abilities of their body, namely its spontaneity, sensibility, and “imaginative” anticipation. The satisfaction provided by the playful activity comes, in part, from the possibility of experiencing the body as a source of creative power and original performance.
The Senses and Society, 2008
Books by Gabor Csepregi
In Western civilization, we have come to regard the body as an instrument or a machine that respo... more In Western civilization, we have come to regard the body as an instrument or a machine that responds to external challenges but does not have a life or creativity of its own. Thanks to some of its inherent capabilities, however, the living body can act in a highly intelligent and creative manner. All of us have noticed from time to time that our body can move naturally, without any conscious effort; it can adapt to new situational demands and propose unexpected solutions. While skiing or rock climbing or sailing, we may have abandoned ourselves to our bodily timing and responsiveness, our acute feeling for new solutions. In The Clever Body, Gabor Csepregi describes in detail the nature and scope of these innate abilities – sensibility, spontaneity, mimetic faculty, sense of rhythm, memory, and imagination – and reflects on their significance in human life.
In numerous articles and reviews, Gabriel Marcel advanced stimulating and still relevant ideas on... more In numerous articles and reviews, Gabriel Marcel advanced stimulating and still relevant ideas on the complex relationship between the listener and the musical work. He made a fundamental distinction between hearing and understanding music. He analyzed in some detail the notions of musical idea and musical presence. The purpose of this paper is to present Marcel's original views on the chief elements of our experience of classical music. It also seeks to highlight some of the benets of active music making for our life today.
The purpose of this article is to complete, and build on, the theories of a certain number of sch... more The purpose of this article is to complete, and build on, the theories of a certain number of scholars, chiefly philosophers of previous generations, and a few eminent performers of classical music who all bring to the fore the essential link between music and play. Because of their impulse value and appealing character, tones and other elements of the performance could generate a playful attitude in the musicians. Play is understood as a reciprocal interaction with something that plays with the player: indeed, tones play with the musicians and, reciprocally, the musicians play with them. While engaging in a musical play, they draw on the remarkable creative abilities of their body, namely its spontaneity, sensibility, and “imaginative” anticipation. The satisfaction provided by the playful activity comes, in part, from the possibility of experiencing the body as a source of creative power and original performance.
The Senses and Society, 2008
In Western civilization, we have come to regard the body as an instrument or a machine that respo... more In Western civilization, we have come to regard the body as an instrument or a machine that responds to external challenges but does not have a life or creativity of its own. Thanks to some of its inherent capabilities, however, the living body can act in a highly intelligent and creative manner. All of us have noticed from time to time that our body can move naturally, without any conscious effort; it can adapt to new situational demands and propose unexpected solutions. While skiing or rock climbing or sailing, we may have abandoned ourselves to our bodily timing and responsiveness, our acute feeling for new solutions. In The Clever Body, Gabor Csepregi describes in detail the nature and scope of these innate abilities – sensibility, spontaneity, mimetic faculty, sense of rhythm, memory, and imagination – and reflects on their significance in human life.