Review of THE AGE OF NEW WAVES: ART CINEMA AND THE STAGING OF GLOBALIZATION (Oxford UP, 2013): (original) (raw)

The French New Wave, New Hollywood, and the role of Post Modernism.

James Hoskins

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Deadly Deviations, Subversive Cinema: The Influence of Hollywood Film Noir on the French New Wave (Ph.D Dissertation)

James Rowlins

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“Film Scholarship and the 50th Anniversary of the French New Wave.”

James Rowlins

The London Film and Media Reader , 2013

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The French New Wave and the New Hollywood: Le Samourai and its American legacy

Acta Universitatis Sapientiae, Film and Media Studies Journal

Acta Universitatis Sapientiae, Film and Media Studies, 2010

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Anatomy of a film revolution: The case of the Nouvelle Vague

Seth Rachlin

Poetics, 1993

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France on film: reflections on popular French cinema

Lucy Mazdon

Wallflower Press eBooks, 2001

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REVIEW: French blockbusters: cultural politics of a transnational cinema

Charlie Michael

Modern & Contemporary France, 2020

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The Social Architecture of French Cinema, 1929–1939

Martin O'Shaughnessy

2014

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In Search of an Alma Mater: Nouvelle Vague and its Relation to the American Cinema

CHRISTOS STAVROU

2016

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Three Non-Places of Supermodernity in the History of French Cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

Greg Hainge

'Australian Journal of French Studies' 45.3, 2008

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Realism, revisionism and visual style: The French Connection and the New Hollywood policier

Paul Ramaeker

New Review of Film and Television Studies, 2010

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The Shifting Identities of French Popular Cinema

Martin O'Shaughnessy

Film-Philosophy

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Cinema as Translucent Reality: The Actuality Aesthetic in the French New Wave

James Rowlins

Post-Scriptum, 2011

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The Parisian Avant-Garde in the Age of Cinema, 1900–1923 by Jennifer Wild

Kirsten Strom

Modernism/modernity, 2018

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A Certain Tendency in Post-New Wave French Shakespearean Cinema : from early Truffaut to late Godard via Orson

Anthony Guneratne

2016

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Interpreting Intouchables: Competing Transnationalisms in Contemporary French Cinema

Charlie Michael

SubStance, 2014

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Understanding Cinema: the Avant-gardes and the Construction of Film Discourse

Mirian Nogueira Tavares

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Site 2: Style and Encounter in Rithy Panh's Cinéma-monde (forthcoming)

Joseph Mai

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'Difficult Relations: Film Studies and Continental European Philosophy'

Hamish Ford

2008

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The Cinematic Temporalities of Modernity: Deleuze, Quijano and How Tasty was my Little Frenchman

David Martin-Jones

2013

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Disciplining the Nouvelle Vague: Censoring A Bout de Souffle and other early French New Wave movies (1956-62)

Daniel Biltereyst

Disciplining the Nouvelle Vague: Censoring A Bout de Souffle and other early French New Wave movies (1956-62), pp. 103-116 in: L. Mazdon & C. Wheatley (Eds.) Je t’aime … moi non plus: Franco-British Cinematic Relations. NY/Oxford: Berghan Books., 2010

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The Story of a Myth: The “Tracking Shot in Kapò” or the Making of French Film Ideology

Jean-Marc Leveratto

HAL (Le Centre pour la Communication Scientifique Directe), 2016

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Introduction: world cinema and television “in French”

Leslie Kealhofer-Kemp, Michael Gott

Contemporary French Civilization, 2018

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The Cosmopolitanization of French Cinema

michelle royer

Literature Aesthetics, 2011

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"Envisioning the Scene of the Modern: Modernism and European Cinema"

Michael V Moses

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Reinventing the everyday in the age of spectacle: Jean-Luc Godard’s artistic and political response to modernity in his early works, Studies in French Cinema 15.2: 123-137, 2015

Ahmet Süner

Studies in French Cinema , 2015

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Adrian Martin, Mise en Scène and Film Style; Mysteries of Cinema (in Screen 63, no. 2, 2022)

Seth Barry Watter

Screen, 2022

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BOOK REVIEW: “The Emergence of Film Culture. Knowledge, Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945, Book Review, Historical Journal of Film, Radio and Television, Vol° 35, N° 3, pp. 530-533, DOI:10.1080/01439685.2015.1059616

Andrea Mariani

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Cinema Against Spectacle: Technique and Ideology Revisited

Jean-Louis Comolli

2015

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Writing about a Common Love for Cinema: Discourses of Modern Cinephilia as a trans-European Phenomenon

Fernando Ramos Arenas

2012

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"High Fidelity: France’s Conversion Era and the Limits of the Classical Style" (Review). Framework: The Journal of Film and Media 47.2 (Fall 2006): 137-139.

Colin Burnett

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“Cinema and the Two Cultures: Robert Lepage’s La face cachée de la lune.” New Review of Film and Television Studies 8.4 (December 2010): 372-395.

Sylvie Bissonnette

New Review of Film and Television Studies, 2010

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Reading the geographies of post-war British film culture through the reception of French film

Melanie Selfe

New Review of Film and Television Studies, 2013

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The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax

David E Fresko

JCMS, 2023

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Nationalism and the cinema in France: political mythologies and film events, 1945–1995

Keith Reader

Historical Journal of Film, Radio and Television, 2015

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