The interactivity of the landscape space and interiors in the architecture of the Latvian education and art buildings of the 20th/21st century (original) (raw)
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Harmony in Indoor / Outdoor Context in the Architecture of 21 st Century Schools
2013
Mankind has recognised the damage brought upon the nature and is looking for ways to amend it. The nature and its importance in modern human lives have become even more significant and affect all areas of life including environmental art. The present research addresses the development of school architecture in 20-21 centuries and confirms the general social and, accordingly, architectural trend toward openness and harmony with nature. Abundant use of curved and multifaceted glazed surfaces on vertical and horizontal planes of exterior building walls makes integration of indoor and outdoor space very visible. When analysing environmental harmony in school interiors one may see that a most essential condition for indoor-outdoor harmony is a presence of a landscaped greenbelt. In order to take practical steps on the way to harmonious environments in school buildings and other objects, according to their function, as well as in towns and cities in general, long-term urban greening devel...
Za krásnější svět: Tradicionalismus v architektuře 20. a 21. století / Toward a More Beautiful World: Traditionalism in Architecture of the 20th and 21st Centuries , 2013
TOWARD A MORE BEAUTIFUL WORLD (Brno: Barrister & Principal – VUTIUM 2013, 448 pp., 760 ill., an extensive English summary) uses innovative methodology to look at the traditionalist attitude in architecture and in the formation of architectural environment. In the five parts, the book (I) analyzes the professional debate around the history of architecture and the diversity of aesthetic preferences within this debate, (II) clarifies a theory that uses results of neuroscience to explain the attractiveness of traditional buildings, (III) based on this theory, sums up the history of twentieth- and twenty-first-century traditionalist architecture around the world and (IV) in the Czech Lands (the present Czech Republic), and (V) uses two specific examples to illustrate current variations in the relationship between heritage protection, musealization of art and the creation of an aesthetically valuable environment. The scope of the publication and its comprehensiveness make this book the first of its kind in the field of architectural history. The text is in Czech, nevertheless, international readers find all captions in English and an extensive English summary. The methodology of this book builds upon the architectural theory of the American scientist Nikos Salingaros, the impulses of world art studies, and the idea that there is a direct relationship between personal preference for a specific artistic morphology and the manner of its (art-historical) interpretation. The findings of brain science help specify the meaning of the words beauty and traditionalism. Even an untrained viewer can feel the contrast between traditional and modern architecture, while neighboring buildings in two different traditional styles (for example a baroque palace and a Gothic church) do not create the same impression of contrast or disharmony. The book explains the difference in aesthetic effect through Salingaros’s term structural order. This concept understands traditional architecture as an architecture designed according to the principles of structural order and modernist architecture as an architecture, where structural order is weak or non-existent. The concept put forward in this book is that architectural traditionalism strives to express structural order, while architectural modernism, which exists simultaneously, does not aim for this kind of order, neither consciously nor intuitively. Art-historical conceptions are also referred to as either traditionalist or modernist, according to which approach to artistic creation they prefer. The struggle toward a more beautiful world is considered a leitmotif of traditionalism – hence the title of the book. The book’s five parts and fifty chapters address themes such as: the aesthetic theory of empathy as elaborated by Heinrich Wölfflin and Geoffrey Scott; the scientific theory of architecture according to Christopher Alexander and Nikos Salingaros; American renaissance and the City Beautiful movement; city building according to artistic principles in the work of Camillo Sitte, Werner Hegemann and Gustavo Giovannoni; the Heimatschutz movement and Paul Schultze-Naumburg; the destruction and reconstruction of old cities and the Venice Charter; the New Tradition, New Urbanism and the vision of harmonious building according to Prince Charles. The chapters on the Czech Lands describe architectural works by Friedrich Ohmann, Jan Vejrych, Kamil Hilbert, Ladislav Skřivánek and Dušan Jurkovič and analyze texts by Václav Wagner, Břetislav Štorm, Josef Karel Říha, Ladislav Žák and Jiří Kroha. These chapters also discuss cubism and socialist realism in Czech architecture, new development and heritage conservation during the communist era and after the regime change in 1989, and public interest in the fate of old buildings and in the appearance of towns, villages and landscapes.
THE ARCHITECTURAL FACADE AS AN ART DECOR IN SOFIA AND PLOVDIV
V INTERNATIONAL SYMPOSIUM FOR STUDENTS OF DOCTORAL STUDIES IN THE FIELDS OF CIVIL ENGINEERING, ARCHITECTURE AND ENVIRONMENTAL PROTECTION, 2019
Abstract: The video shows three public buildings with architectural facades in the cities of Sofia and Plovdiv. These architectural and artistic works are being analyzed because they share messages of National and European value. The analyzed videos are: 3D Mapping Show "Europe - Your Home" on the facade of the Royal Palace in Sofia - an affiliate of the National Gallery;3D "Water and Biodiversity" show on the façade of the "Кvadrat 500" building - central building of the National Art Gallery; Light installation on the facade of Plovdiv Municipality, ”Art Liberty - From the Berlin Wall to Street Art” in Plovdiv, as part of the Art Liberty exhibition dedicated to the 30th anniversary of the fall of the Berlin Wall. The aim of the study is to track various parameters that lead to interaction between architecture and visual arts. The main ones are: the year the building was built, its purpose, shape and composition of the façades, occasion for video creation, video storyline, artistic means, color, visibility of the facade in the video, connection between the purpose of the building and the message the video as a means of achieving it, the theoretical capabilities and ways of spatial perception of 3D mapping, the continuation of the specific 3D mapping (or the researcher's perspective) over time. As a result of the study, a conclusion has been drawn on the growing share of video arts in the urban spatial environment. They are related to specific occasions and major social events and contribute to the aesthetics of the urban environment. They have direct impact on it, but this impact can hardly be measured due to their variability. This complexity is also related to the urban environment itself and to the variety of ways visual arts can be perceived Кey words: 3D mapping, urban spatial environment, social events, visual arts, archtectural façade
Landscape architecture and art, 2021
In the art of environmental design, architecture, landscape architecture and interiors need to be balanced through interdisciplinary collaborative planning to enhance the psycho-emotional quality of environment, and in this respect, the study of the interaction of landscapes and indoor space through comparative analysis and inductive reference continue. Enclosed by evergreen Vacciniosa type of forest, the impressive building of the new Roja Stage / Summer Concert Hall has been standing proudly on the shores of the Gulf of Riga since 2019. The building actively contrasts with the surrounding landscape. The language of architectural forms in glass and concrete is geometrically sharp, saturated with broken lines and planes in contrast to the adjacent natural landscape, pine forest. The specific detailed case study underlines the importance of balanced interdisciplinary collaboration in harmonious interaction between architecture, landscape and indoor space.
Space of Architecture: From the Canvas to the City
Architecture as a media, covers the plurality of languages. Being architectural is not only ‘relating to the art or practice of designing and constructing buildings’ but also relating to constructing the textu(r)al, graphic, photo-graphic and urban space; from the canvas to the city, as an architectural object. The analysis and discussion on how the evolutions affected the perception, position and historical understanding of ‘architectural’ object, will be based on the resolution above. The relationship between media and architectural object that I defined as various ‘spaces’ are almost overlapped as thinking is ‘architectural’. Due to cultural and temporal changes, ‘space’ of text, texture, graphic and photograph has been defined, transformed, fragmented, pluralized, destructed, reproduced. Throughout the essay, spatial transformation of each language/media will be discussed through some examples in historical evolution of media and position of artist and architect, in an accumulative approach.
Interface of Indoor and Outdoor Spaces in Buildings A Syntactic Comparison of Architectural Schools
2009
Educational atmosphere in schools of architecture can be connected to interrelation of indoor/outdoor spaces as well as the environmental effects. No matter what the level of education is, the outdoor spaces are crucial for the student life; thus the school designers take this matter into serious consideration. Moreover, architectural school designs are also a critical issue for architectural students, as they set an example of application. In most cases, architectural school designs somehow suffice the optimum settings for the requirements. However, there are numbers of school design choices, where the outcomes are solely defined by the pragmatic decisions; such as the two oldest state architectural schools of Istanbul, MSGSU and ITU, where large scaled institutional buildings were converted with concerns of spatial adequacy rather than a design strategy. This paper mainly focuses on the examination of the educational environs of these 150 years old buildings and their interface be...
Philosophy and Perception of Beauty in Architecture
American Journal of Civil Engineering, 2019
Definitions of beauty and space are as diverse as defined by the disciplines in which it plays a fundamental role; from science and philosophy to art and architecture, each field's definition for the perception of the beauty of space is often simplified or reduced. This consequently denies us access new spaces whose definitions and perspectives, strategies and impacts on human perception of beauty of space are rarely considered in any cohesive manner. The debate, "Perception of beauty in Architecture and human perception of space". The research tries to reflect upon new understanding to the meaning of beauty in architecture and thus access new definitions and understanding to the beauty perspectives, strategies and processes of perception beauty in architecture. Some works of architecture have remarkable aesthetic value. According to certain philosophers, part of this value derives from the appearance of such constructions to fulfill the function for which they were built. The research digs through the dilemma of form follows function and argues that one way of understanding the connection between function and aesthetic value resides in the concept of functional and beauty together not the idea of function vs. beauty; the paper attempts to offer a better way of understanding it.