Paradisi porta—An Iconographic Analysis of Mary as a Humanity’s Mediator in the Light of Medieval Liturgical Hymns 14 00284 v
José María SALVADOR-GONZALEZ
Religions, 2023
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« Propagatio imaginum. The translated images of Our Lady of Foy », dans Mia Mochizuki et Christine Göttler (éds), The Nomadic Object: The Challenge of World for Early Modern Religious Art, Leiden, Brill, p. 241-267.
Ralph Dekoninck
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The Virgin Mary as a model of obedience in the patristic tradition and her representation in the late medieval iconography of the Annunciation
José María SALVADOR-GONZALEZ
Oxford Academic Studies Press (OASP) Social Sciences and Humanities Journal (SSHJ), Vol. 10 | No. 8 | Aug 2015, p. 2-23, 2015
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The Symbol of Door as Mary in Images of the Annunciation of the 14th-15th Centuries
José María SALVADOR-GONZALEZ
Fenestella. Inside Medieval Art, 2021
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Regina Coeli—Doctrine and Iconography of the Virgin Mary’s Heavenly Royalty
José María SALVADOR-GONZALEZ
Religions
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Symbol of Door as Mary in Images of the Annunciation of the 14th-15th Centuries
José María SALVADOR-GONZALEZ
Fenestella. Dentro l'arte medievale
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The temple in images of the Annunciation: a double dogmatic symbol according to the Latin theological tradition (6th-15th centuries)
José María SALVADOR-GONZALEZ
De Medio Aevo 14, 2020
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The Virgin of the Passion: Development, Dissemination and Afterlife of a Byzantine Icon Type
Matthew Milliner
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The Virgin Mary in the Middle Ages and the Renaissance Devotion and Iconography
José María SALVADOR-GONZALEZ
The Virgin Mary in the Middle Ages and the Renaissance Devotion and Iconography, 2023
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Typology Refigured: Marian Devotions derived from the Speculum humanae salvationis
Jeffrey Hamburger
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Flos campi et lilium convallium. Third interpretation of the lily in the iconography of The Annunciation in Italian Trecento art from patristic and theological sources
José María SALVADOR-GONZALEZ
Eikón Imago, 2014
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The Imperial Theotokos: Revealing the Concept of Early Christian Imagery in Santa Maria Maggiore in Rome, Convivium II/2 (2015), pp. 60-81.
Maria Lidova
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Byzantine iconography of The Nativity of the Virgin Mary in the light of a homily of St. John Damascene
José María SALVADOR-GONZALEZ
Mirabilia Ars, nº 2 (2015 /1), Institut d'Estudis Medievals, Universitat Autònoma de Barcelona, 2015, p. 200-226, 2015
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Opening the Gates of Paradise: Function and the iconographical program of Ghiberti's bronze door
Gwynne Rohner Dilbeck
2011
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Iconographic Interpretation of the Temple as a Theological Symbol in Images of the Annunciation of the 14th and 15th Centuries
José María SALVADOR-GONZALEZ
Fenestella. Inside Medieval Art, 2020
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Hortus Conclusus—A Mariological Metaphor in Some Renaissance Paintings of the Annunciation in the Light of Medieval Liturgical Hymns
José María SALVADOR-GONZALEZ
Religions
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Bending Heaven Down to Earth: The Medieval Icon
Arianne Conty
Religion and the Arts, 2015
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The Glory of the Virgin: The Mariology of the Incarnation in Early Modern Castilian Mystical Sermons
Jessica A . Boon
La Coronica, 2012
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The Flight into Egypt - Virgin Mary as Christ-Bearer Iconographic Models in Romanian Mural Paintings of 18th and 19th Centuries
Silvia Marin Barutcieff
IKON, 2017
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HOLY GATE Revealing the Edessa paradigm in Christian imagery
Alexei Lidov
2007
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Diagrammatic Devotion and the Defensorium Mariae in the Funerary Chapel of Hărman Parish Church
Mihail Mihnea
Marian Devotion in the Late Middle Ages Image and Performance, 2022
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Megalla, M. 2022: The Depictions of the Theotokos at the Boyana Church: A Celebration of the Virgin Mary
Mina Megalla
Boyana Church Between the East and the West in the Cultural and Historical Context of the 13th Century, 2022
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Flos de radice Iesse. A hermeneutic approach to the theme of the lily in Spanish Gothic painting of The Annunciation from patristic and theological sources
José María SALVADOR-GONZALEZ
Eikón Imago, nº 4 (2013 / 2), Universidad Complutense de Madrid, 2013, pp. 183-222, 2013
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The Word Incarnate. Interpretation of Scripture in Medieval Art.
Lasse Hodne
Nordik 2006. Tradition and Visual Culture, 2006
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Per aurem intrat Christus in Mariam. An iconographic approach to the conceptio per aurem in Italian Trecento painting from patristic and theological sources
José María SALVADOR-GONZALEZ
De Medio Aevo, 9, 2016
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Hrabanus redivivus Berthold of Nuremberg’s Marian Supplement to In honorem sanctae crucis
Jeffrey Hamburger
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The Mother of God and the Passion: A Byzantine Icon of the Virgin and the Man of Sorrows
Fr. Maximos Constas
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Worlds Within: Opening the Medieval Shrine Madonna. Elina Gertsman. University Park: Pennsylvania State University Press, 2015. xviii + 268 pp. $79.95
judith collard
Renaissance Quarterly, 2016
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Iconography of The Birth of the Virgin Mary on the basis of a homily of St. John Damascene Iconografía del Nacimiento de la Virgen María sobre la base de una homilía de San Juan Damasceno
José María SALVADOR-GONZALEZ
Eikón Imago, nº 10 (2016/2), 2016, p. 39-68. ISSN 2254-8718, 2018
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The Heavenly Guard of the Mother of God: Mary between the Angels in Early Byzantine Art, in J. Herrin and F. E. Consolino (eds.), The Early Middle Ages (Bible and Women 6.1). (Atlanta: SBL press, 2020), 121-166.
Maria Lidova
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(NB: NEW DATE) Talk: Beata humilitas: an eighth-century 'textual icon'? Florence, KHI/Max-Planck-Institut, 18.07.2023, h 18.00
Francesca Dell'Acqua, Associate Prof., History of Medieval and Byzantine Art
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Sicut lilium inter spinas. Floral metaphors in late medieval Marian iconography from patristic and theological sources
José María SALVADOR-GONZALEZ
Eikón Imago, 6 (2014 / 2), ISSN-e 2254-8715, 2014
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Theotokos: Temple of God. A new 18th century Greek icon on the Presentation of Our Lady in the Temple
Miguel Galles Magri
Религија. Зборник на трудови од Осмиот меѓународен симпозиум за византиски и средновековни студии „Денови на Јустиниjан I“, Скопје, 13-14.11.2020 г., 2021
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The path to redemption: Reconsidering the role of the image of the virgin above the entrance to the church of the Virgin Hodegetria at the Pec Monastery
Ljubomir Milanovic
Zbornik radova Vizantoloskog instituta, 2016
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The Transit of Mary Magdalene’s Soul in Catalan Artistic Production in the 15th Century
Elena Monzón Pertejo
Religions, 2021
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