Extract: Constructing The Category Matrix (in Beyond The Author, A Manifesto) (Eds. Rosenfield, B and Curd, J) (2015) (original) (raw)
Authorship, Staging and Beyond: From Directorial to Collective Theatrical Mind: Rethinking and Changing Contemporary Theatrical Landscape
Tomaž Toporišič
Authorship, Staging and Beyond - EASTAP MILANO , 2022
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"Authoring Performance: the Director in Contemporary Theatre"
Avra Sidiropoulou
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Theatre as an Art of Emergence and Individuation
Sally Jane Norman
2012
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Notes toward The Philosophy of Theatre
Laura Cull Ó Maoilearca
Anglia
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Intermediality in a Solitary Place, Blending the Media. Art in the Theatre/ Theatre in the Arts Conference Gdansk Shakespearean Theatre, the University of Gdansk and the Adam Mickiewicz Institute, 1-5 August, 2009.
Sozita Goudouna
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The actor the director and the playwright in search of the master artist
Eziwho Azunwo
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“Rethinking Authority, Creativity and Authorship in Twenty-First- Century Performance: The Directorʼs Revised Role.” Avra Sidiropoulou. Critical Stages/Scènes critiques. December 2020: Issue No 22.
Avra Sidiropoulou
Critical Stages, 2020
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Theatre-Makers, Directors, and the Independent Theatre. The Founding Narrative
Iulia Popovici
The End of Directing, the Beginning of Theatre-Making and Devising in European Theatre
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The Philosophy of Theater
Michael Y . Bennett
Oxford Bibliographies, 2020
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“Post-Cinematic Theatre and Performance.” Review of Piotr Woycicki’s Post-Cinematic Theatre and Performance. Theatre & Performance Design 2.1-2 (2016): 181-182.
Melissa Poll
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Imagined Theatres: Writing for a Theoretical Stage ed. by Daniel Sack (review
Melanie Bennett
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Imagined Theatres: Writings for a Theoretical Stage
Dr Joseph Dunne-Howrie
2018
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Creating for the Stage and Other Spaces: Questioning Practices and Theories
Annalisa Ciuffetelli
Creating for the Stage and Other Spaces: Questioning Practices and Theories, 2021
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Theatricality. A critical genealogy
Glen McGillivray
2004
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Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen
Knut Ove Arntzen
2017
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The Problem of Theatrical Autonomy. Analysing Theatre as a Social Practice
Quirijn van den Hoogen, Joshua Edelman
2016
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On Theatricality
Richard Rushton
Performance Research, 2019
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The Applied Theatre Reader. Edited by Tim Prentki and Sheila Preston. New York: Routledge, 2008; xvi + 380 pp. 120.00cloth,120.00 cloth, 120.00cloth,37.95 paper
Sonja Kuftinec
TDR/The Drama Review, 2011
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“Everyone Repeats the Same Rhetorical Question: Do We Still Need Theater?” Notes on One Theatrical Scene and One Work of Theater
Vlatko Ilic
Зборник радова Факултета драмских уметности, 2022
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Book Review, "Critical Perspectives on Applied Theatre"
Asif Majid
Applied Theatre Research, 2019
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Behind the Scenes: Journal of Theatre Production Practice
Renée Newman
2020
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EUROPEAN ASSOCIATION FOR THE STUDY OF THEATRE AND PERFORMANCE BOLOGNA 27 FEB > 1 MAR 2020 ᐅ ARENA DEL SOLE THEATRE ᐅ LA SOFFITTA -DAMSLAB CUR ATORS
Filippo Romanello
Conference paper, 2019
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Training ecologies for the actor-creator and Gordon Craig’s School for the Art of the Theatre
Maiya Murphy
Theatre, Dance and Performance Training, 2020
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The Role of the Performer in Contemporary Theatre
Olly Fry
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Ewa Bal, 2010, Toward a Broken Tradition. Dario Fo - Between Theatrical Illusion and a Speech to the Audience, [w:] Worlds in Words. Storytelling in the Contemporary Theatre and Drama, red. Mateusz Borowski, Małgorzata Sugiera, Cambridge Scholars Publishing 2010, s. 211- 237.
Ewa Bal
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Between Theatre and Society The Question of Understanding
Emmy U . Idegu
2002
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What Phenomenology Can Bring to Theatre Sociology, and What It Cannot
Joshua Edelman
2012
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“mise-en-scène and/or mise-en-cadre?”: Questions from the book Post-Cinematic Theatre and Performance
Cláudia Madeira
Cinema: Journal of Philosophy and the Moving Image, 2015
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"Popular" and "Highbrow" in the theatre. Cultural interaction and osmosis between the genres*
Theodore Grammatas
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Theater Routledge Companion2013
James Hamilton
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THE PLAY DIRECTOR AND PRODUCTION PHILOSOPHY: THE THESIS AND SYNTHESIS
Ademola Abdul Hakeem
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‘Editorial’. Platform: Journal of Theatre and Performing Arts 6.2 (Summer 2012): 5-9. I co-edited this journal issue with Adam Alston.
Louise E LePage
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Understanding the contemporary value of past methods of producing theatre : toward a tripartite approach to venue-performance-document
Kerrie Reading
2017
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Theatre After Gutenberg - TaPRA 2016 David Bradby Keynote, 6 September 2016, University of Bristol
Duška Radosavljević
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Theatre Research International
Freddie Rokem
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