Review of The Dramatic Art of Athol Fugard: From South Africa to the World (original) (raw)
The Dramatic Art of Athol Fugard: From South Africa to the World (review)
Henry I Schvey
Africa Today, 2002
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Protest without Placards: Themes and Techniques in Athol Fugard’s Anti-Apartheid Plays
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Identity, politics and restriction in Athol Fugard’s art: Writing and liberalism in apartheid South Africa
Shamsuddeen Bello
Literator, 2018
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Femi Euba
Theatre Journal, 2002
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Athol Fugard and the new South Africa
Anne Sarzin
Arts the Journal of the Sydney University Arts Association, 2012
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A century of South African theatre
Samuel Ravengai
Critical Arts, 2021
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‘My English name is patience’: Mediating the voice of the other in South African theatre today
Dennis Walder
Contemporary Theatre Review, 1999
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(Meta)theatre as a political weapon: Voicing dissidence in South African drama
Clémence Talec
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Chitra Jayathilake
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David Peimer
The Palgrave Handbook of Theatre and Race, 2021
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Tipping Points in the History of Academic Theatre and Performance Studies in South Africa
Temple Hauptfleisch
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Loren Kruger
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“Performing South Africa's Truth Commission: Stages of Transition” (book review). Theatre Journal 63:4, December 2011, 664-666.
Megan Lewis
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Joe Martin
PressOpen, 2017
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Theatre in Transformation: Artistic Processes and Cultural Policy in South Africa
Lebogang L Nawa
Theatre in Transformation: Artistic Processes and Cultural Policy in South Africa , 2019
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Introduction: Ashwin Singh’s Drama: Reconstructing South Africanness
Felicity Hand
2020
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The Larger Stages: The 'Becoming Minor' of South African Theatres
Jill Planche
2020
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Kene Igweonu, ed. Trends in Twenty-First-Century African Theatre and Performance Amsterdam; New York: Rodopi, 2011. 474 p. £85.00. ISBN: 978-9-0420-3386-3
Yvette Hutchison
New Theatre Quarterly, 2012
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Fugard and the Recent Afrikaans Translations of His Plays: A Subversive Exercise
Marisa Keuris
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“Experiments in Freedom: Explorations of Identity in New South African Drama; At This Stage: Plays from Post-apartheid South Africa; Armed Response: Plays from South Africa” (book reviews). Theatre Survey 53:1, April 2012, 151-155.
Megan Lewis
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Keyan Tomaselli
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Andrew Horn
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Facing the Stranger in the Mirror: Staged complicities in recent South African performances
Miki Flockemann
South African Theatre Journal, 2011
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Apartheid Laws and the Oppressed in South Africa: An Example of Athol Fugard's Sizwe Bansi is Dead
Aloy Obika
2018
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South Africa and the Future of Post-Apartheid Theatre: An Interview with Mark Dornford-May, Artistic Director of Isango Ensemble
Carla Neuss
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Dissertation: Topographies Of Cruelty: Radical Performances in South African and British Theatre (PhD Thesis)
Elisabeth Knittelfelder
2021
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April Sizemore-Barber
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Mark Fleishman
1991
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Mshengu Kavanagh, Robert Mshengu Kavanagh
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A Boal Companion: Dialogues on Theatre and Cultural Politics
Awam Amkpa
2006
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Book Review World Encyclopedia of Contemporary Theatre: Africa (Volume 3). Edited by Don Rubin , Ousmane Diakhate , and Hansel Ndumbe Eyoh . London : Routledge , 2001 ; 448 pp.; illustrations. 175.00cloth,175.00 cloth, 175.00cloth,42.95 paper
Ravi Chaturvedi
TDR/The Drama Review, 2002
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‘The Cartography of Struggle’ in South African Theatre, with Particular Reference to Reoca Light by Ashwin Singh
Betty Govinden
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DRAMA AND THE RHYTHMS OF SOCIAL REALITY: A SOCIOLOGICAL PERSPECTIVE ON ATHOL FUGARD'S SIZWE BANSI IS DEAD
Sam Okoronkwo
2011
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(Re)membering history: performative disinterment in post-TRC South African theatre-making
LESEGO CHAUKE
2019
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Maedza (2017) Performing Asylum: Theatre of Testimony in South Africa. Leiden. African Studies Centre, University of Leiden
Pedzisai Maedza
Performing Asylum: Theatre of Testimony in South Africa. , 2017
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