Screenwriters in post-war French cinema: an overview (original) (raw)

France on film: reflections on popular French cinema

Lucy Mazdon

Wallflower Press eBooks, 2001

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The Paradoxes of Cinematic Authorship: Dogma 95

Fernando Ramos Arenas

Drummond, Phillip (Ed.): The London Film and Media Reader 1London: The London Symposium on behalf of Academic Conferences London Ltd. pp. 12–21, 2013

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A Certain Tendency in Post-New Wave French Shakespearean Cinema : from early Truffaut to late Godard via Orson

Anthony Guneratne

2016

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Anatomy of a film revolution: The case of the Nouvelle Vague

Seth Rachlin

Poetics, 1993

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Thirty years of doctoral theses on French cinema

Phil Powrie

Studies in French Cinema, 2003

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BOOK REVIEW: “The Emergence of Film Culture. Knowledge, Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945, Book Review, Historical Journal of Film, Radio and Television, Vol° 35, N° 3, pp. 530-533, DOI:10.1080/01439685.2015.1059616

Andrea Mariani

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Deadly Deviations, Subversive Cinema: The Influence of Hollywood Film Noir on the French New Wave (Ph.D Dissertation)

James Rowlins

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Introduction to Journal of British Cinema and Television vol. 5, no. 2 (2008): special issue on screenwriting;

Andrew Spicer

Journal of British Cinema and Television vol. 5 no. 2, 2008

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Remakes of French films: the classical period

Tom Brown

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French Cinema: A Student's Guide

Vural Uzundağ

2002

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The French New Wave, New Hollywood, and the role of Post Modernism.

James Hoskins

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Cahiers du Cinema and the role played in film theorisation

T.F.R. Perquel

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“Film Scholarship and the 50th Anniversary of the French New Wave.”

James Rowlins

The London Film and Media Reader , 2013

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How Many Steps to the Shooting Script? A Political History of Screenwriting. Iluminace, vol. 25, no. 3 (2013), pp. 73-98.

Petr Szczepanik

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The filmmaker's presence in French contemporary autofiction. From filmeur/filmeuse to acteur/actrice (ACCEPTED MANUSCRIPT). New Review of Film and Television Studies (2021)

Lourdes Monterrubio Ibáñez

New Review of Film and Television Studies, 2021

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From 'minor' to 'major' cinema: women's and feminist film-making in France in the 2000s

Kate Ince

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The Social Architecture of French Cinema, 1929–1939

Martin O'Shaughnessy

2014

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The Screenplay As Literature

Douglas Winston

1973

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[In English] Recurrent phenomena in French film studies: from television to digital media

Philippe Gauthier

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Film Styles and Cinematographic Experiences: French Directors in Spain, 1921-24

Valeria Camporesi

in E. Biasin, G. Bursi, L. Quaresima (eds), Lo stile cinematografico / Film Style, Forum, Udine, 2007

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Screenwriting the Euro-noir thriller: the subtext of Jacques Audiard’s artistic signature

isabelle vanderschelden

Studies in French Cinema

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Filming with writers: Alain Resnais's literary cinema

Brigitte Le Juez

2000

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Essaying the Forms of Popular Cinema: Godard, Farocki, and the Principle of Shot/Countershot

Rick Warner

The Essay Film: Dialogue, Politics, Utopia, ed. Caroline Eades and Elizabeth Papazian, 28-67. London: Wallflower, 2016.

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Review of THE BRESSONIANS: French cinema and the culture of authorship

Brian Price

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N. 18 / CINEPHILE DIRECTOR'S IN MODERN TIMES / Malte Hagener

L'Atalante Revista de estudios cinematográficos

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Introduction: world cinema and television “in French”

Leslie Kealhofer-Kemp, Michael Gott

Contemporary French Civilization, 2018

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[2006] Gimello-Mesplomb F. The economy of 1950s popular French cinema

Frédéric Gimello-Mesplomb

Studies in French Cinema, 2006

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Studies in French Cinema Becomes French Screen Studies

Phil Powrie

French Screen Studies

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"Cinema(s) of Quality." Directory of World Cinema: France (2012), edited by Tim Palmer and Charlie Michael.

Colin Burnett

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Foucault's Authors and Film Auteurs

The Foundationalist

2019

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The Shifting Identities of French Popular Cinema

Martin O'Shaughnessy

Film-Philosophy

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Shaping and Reshaping WWII: French Cinema and the National Past

michelle royer

Literature Aesthetics, 2012

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A Theory on Its Own: Georgette Leblanc's "Propos sur le cinéma"

Monica Dall'Asta

Francesco Casetti, Jane M. Gaines, Valentina Re, eds, In the Very Beginning, at the Very End. Film Theories in Perspective, Udine: Forum, 2010

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Who Needs the Cinematic Author? Film Criticism, Hegemony and the Invention of the Auteur [in Alberto Beltrame, Ludovica Fales, Giuseppe Fidotta, "Whose Right? Media, Intellectual Property and Authorship in the Digital Era", Forum, Udine 2014]

Giuseppe Fidotta

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Strategies of the French war film

noah mclaughlin

2007

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