Musical Topics and Musical Performance (Routledge, Julian Hellaby, ed.) Review
David S . Baltuch
Musical Topics and Musical Performance - Book review, 2023
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EMS-Beijing 2006 Negotiating the Musical Work . An empirical study on the interrelation between composition , interpretation and performance
Henrik Frisk
2007
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Musical Representation and the Evaluation of Musical Performances
Kalle Puolakka
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On the Meanings and Media of the Art of Music Performance
Lina Navickaitė-Martinelli
Lietuvos muzikologija, 2007
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Staring at an Absolute Beauty – Why Musical Scores are not mere Performing Instructions and what Literature can teach us about them
Marcello Ruta
Corinne Fournier Kiss (ed.), Musique et émotions dans la littérature - Musik und Emotionen in der Literatur - Music and Emotions in Literature, Colloquium Helveticum, Aisthesis, Bielefeld, forthcoming in 2019 , 2019
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The Crisis of Musical Aesthetics in the 21st Century
Gianmario Borio
Topoi-an International Review of Philosophy, 2009
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Rethinking Classical Sound Recordings: Creativities Beyond the Score. In A. Aguilar, R. Cole, M. Pritchard & E. Clarke (Eds.), Remixing Music Studies: Essays in Honour of Nicholas Cook (Routledge, 2020), 61-75.
Georgia Volioti
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Review of Critical Musicological Reflections
Stan Hawkins
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Disseration: "A holistic view of the creative potential of performance practice in contemporary music"
Barbara Lüneburg
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Music Analysis and the Avant-Garde Compositions of Post-World War II: Four Case Studies
Stephen Emmerson
2018
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THE CHAOS OF MUSICAL MEANING: DOES MUSICAL ANALYSIS BELONG?
Lynne Fugard
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EXCESS. FORUM FOR PHILOSOPHY AND ART (4.-7.8.2016) 48th International Summer Course for New Music Darmstadt curated by Fahim Amir, Jörn Peter Hiekel, Dieter Mersch, Michael Rebhahn
Fahim Amir, chaya czernowin, Christian Grüny
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Text, Sound and the Freedom of Interpretation: Observations on Beethoven's Music (Musiktheorie: Zeitschrift für Musikwissenschaft, 28(4), 2013, 325-350)
Antonio Baldassarre
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In the Face of the Other: Contemporary Composers' Reflections on the (Ideal) Listener
Ewa Schreiber
International Review of the Aesthetics and Sociology of Music, 2017
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Musical Thinking and Aesthetic Reception during Modernity: Between the Project of Searching after the Origins of Art and the Project of Transgressing Art Itself
Andreea Stoicescu
Musicology Today, 2022
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Three in one: Composer`s intentions and performers reflections
Gísli Grétarsson
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The Vitality of Music: From the Origins to the Realities of Non-Classics
Художественная Культура
Savenko S.I. The Vitality of Music: From the Origins to the Realities of Non-Classics. Hudozhestvennaya kul’tura [Art & Culture Studies], 2022, no. 2, pp. 10–55. https://doi.org/10.51678/2226-0072-2022-2-10-55.
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Review: Modernist Moments – Arnold Whittall: Exploring Twentieth-Century Music (Musical Times, 2003)
Nigel Simeone
The Musical Times, 2003
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Performance Canon in Western Music: conventional, avant-garde, and "authentic" ideologies
Aleksey Nikolsky
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A twist on the historically authentic musical performance (Penultimate version prior acceptance)
Nemesio Garcia Carril Puy
Philosophical Studies, 2024
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Composers' Intentions?: Lost Traditions of Musical Performance
Andrew Parrott
2015
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New Music: Performance Institutions and Practices
Ian Pace
2021
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Music and Society - The Modern Era
James Booth
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SHUT UP'N'PLAY! Negotiating the Musical Work
Stefan Östersjö
2008
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Seeing Sound: Music Performativity in the Theatre of Georges Aperghis, Niels Rønsholdt and Wojtek Blecharz
Magdalena Figzał-Janikowska
Creating for the Stage and Other Spaces: Questioning Practices and Theories, 2021
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Changes in the Aesthetic Understanding of Music as a Result of Stylistic Fragmentation in the 20th Century and the Possibility of True Criticism of Music
Ian Mikyska
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Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships, and the Musical Work
Michael Gardiner
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Music as performance – gestures, sound and energy
Tanja Orning
Journal for Research in Arts and Sports Education
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Approaching the Analysis of Post-1945 Music: Pedagogical Considerations
Miguel Roig-Francoli
2016
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The composer as facilitator. Composition as an invitation for improvisation and collective processes by the performers.
Alexis Porfiriadis
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The Oxford Handbook of Western Music and Philosophy
Nanette Nielsen
2020
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‘Absolute Music’ in The Oxford Handbook of Western Music and Philosophy, eds. Nanette Nielsen, Tomas McAuley and Jerrold Levinson (Oxford University Press, 2020)
Sarah Collins
2020
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What is Musical Meaning? Theorizing Music as Performative Utterance [A 2022 Recipient of the Society for Music Theory's Emerging Scholar Award]
Andrew J Chung
Music Theory Online, 2019
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Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002
Lydia Goehr
Current Musicology, 2002
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Review of "Philosophy of Western Music: A Contemporary Introduction"
Anton Killin
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