O STAGNACIJI KRITIKE I APELU ZA ZAŠTITU AUTORSTVA (original) (raw)

2022, Kontura

Artur Żmijewski postavlja pitanje ima li i suvremena umjetnost stvarni društveni utjecaj, mogu li se učinci umjetničkog djela razumjeti i verificirati, ima li umjetnost ikakav politički značaj – osim što se s njome izruguju različiti populisti? Je li moguće upustiti se u razgovor s umjetničkim djelom, i je li ono toga vrijedno? I ponajviše, zašto su pitanja te vrste smatrana udarom na samu bit umjetnosti?

Josip Vaništa kao „lažni Rimbaud”

Ars Adriatica

The author confirms Zagreb’s proto-conceptual art group Gorgona as an anti-aesthetic and anti-painting association, which sought to initiate a revision of the existing art, desacralize artistic creation, and secularize the artwork and its message. Gorgona ventured into the domain of mental freedom with the aim of demystifying the very language of art. In the group’s manuscripts, the reality of the work of art comes forth charged and impressive as something independent and self-sufficient, free from the traditional, canonized, prescribed, and academicized customs of representative painting. Through a critical re-examination of the function of art and artistic language, Gorgona came to the insight that the convention of painting was inappropriate to the ethics of art. Painting – now perceived as an outdated and worn-out instrument of artistic expression – was to be minimized and in fact – conceptually – removed from the artistic context, although the group members engaged in painting ...

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