Reading through Photography: Roland Barthes's Last Seminar "Proust et la photographie" (original) (raw)

Image, Affect, and Autobiography: Roland Barthes’ Photographic Theory in Light of his Posthumous Publications

Kathrin Yacavone

The Routledge Companion to Photography Theory, ed. by Mark Durden and Jane Tormey, 2020

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Photographeme: Mythologizing in Camera Lucida. (Roland Barthes)

Jolanta Wawrzycka

Writing the image After Roland Barthes, ed. Jean Michele Rabate, 1995

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Picturing Barthes: The Photographic Construction of Authorship

Kathrin Yacavone

Interdisciplinary Barthes, ed. by Diana Knight, 2020

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a/b: Auto/Biography Studies Autobiographical Revisions: Photography in Roland Barthes by Roland Barthes and Claude Cahun's Disavowals Lee-Von Kim

Rhea chy

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The Question of Photographic Meaning in Roland Barthes’ Camera Lucida

Lior Levy

Philosophy Today , 2009

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Roland Barthes's Photobiographies: Towards an “Exemption from Meaning”

Fabien Arribert-Narce

2009

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The Photograph as Trace: Barthes, Benjamin, and the Intermediality of Photographic Discourse’

Kathrin Yacavone

Mosaic. An Interdisciplinary Critical Journal, special issue on Camera Lucida, vol. 53.4, 2020

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From Hoffmann to Barthes: 'Images that speak' and the 'placeless place' of photography

Layla E Hamon

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Short Reflection on Roland Barthes’ “Camera Lucida”

J. Peter Siriprakorn

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Mary Bergstein, In Looking Back One Learns to See: Marcel Proust and Photography

Maya Balakirsky Katz

Images: A Journal of Jewish Art and Visual Culture , 2018

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On the Reception of Photography: Between Roland Barthes and Walter Benjamin

russell stephens

The Renaissance of Roland Barthes special issue - The Conversant, 2014

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Partial Objects, Infinite References: The Punctum and the Photographic ‘Effect of the Real’ in Roland Barthes’ Camera Lucida

Ralph Pordzik

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The “Scattered” Proust: On Barthes’s Reading of the Recherche

Kathrin Yacavone

‘When familiar meanings dissolve…’: Essays in French Studies in Memory of Malcolm Bowie, ed. by Gill Rye and Naomi Segal, 2011

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Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida

Andreas Neophytou

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Sensing the Image: Roland Barthes and the Affect of the Visual

Elena Oxman

Substance, 2010

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Tracing the Obscure Image: Maurice Blanchot on Photography

Patrick Lyons

French Forum, 2018

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Benjamin, Barthes and the Singularity of Photography

Timothy Mathews

Benjamin, Barthes and the Singularity of Photography, 2012

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Pictures of the past: Benjamin and Barthes on photography and history (Tim Dant & Graeme Gilloch)

Tim Dant

European Journal of Cultural Studies, 2002

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Notes on Love and Photography. On Roland Barthes's Camera Lucida

Paola Cortes Rocca

October N 116, 2006

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Proustian Developments: The World and Object of Photography

Rok Benčin

SubStance, 2017

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L'Antichambre littéraire: Roland Barthes's Regressive Search

Jeff Fort

Mosaic: An Interdisciplinary Critical Journal, 2020

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Photographic Memories of French Poetry: J.-M Gleize, Denis Roche

Jean-Jacques Thomas

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"Waiting Still:" Baudelaire and the Temporality of the Photographic Portrait

Dana A MacFarlane

History of Photography, 2012

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Borders of the Visible: Intersections between Literature and Photography Seuils du visible. Intersections entre littérature et photographie Soglie del visibile. Intersezioni fra letteratura e fotografia

CoSMo - Comparative Studies in Modernism

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Affecting Art: Barthes, Kertész, and Lacan

Jennifer Friedlander

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Roland Barthes and the conception of aesthetic experience

Liv Hausken

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Personal Effects: Rilke, Barthes, and the Matter of Photography

Kenneth Calhoon

MLN, 1998

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“Yet it is not (it seems to me) by Painting that Photography touches art, but by Theatre.” Discuss.

Richard Burniston

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Looking at Family Photographs: Reading Camera Lucida with Merleau-Ponty

Gülsüm Depeli

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The Photograph as a Site of Writing

jessica potter

2013

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The Visual Archive: the self as author and actor

Maria João Baltazar

Kepes, 2015

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The situation of the text: erotic and pornographic in Barthes's Camera Lucida

Magnus Ullén

Critical Quarterly, 2015

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Barthes the Phenomenologist and the Being of Literature

Nicholas Pagan

Mosaic: An Interdisciplinary Critical Journal, 2019

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On photography. Ariella Azouly

Ioana Cazan-Tufescu

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The Photogenic Invention of Thought-Emotion: Duane Michals and Michel Foucault

Anton Lee

Catherine M. Soussloff ed. Foucault on the Arts and Letters: Perspectives for the 21st Century. London, UK: Rowman & Littlefield, 2016

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