The Visual Archive: the self as author and actor (original) (raw)

Reading through Photography: Roland Barthes's Last Seminar "Proust et la photographie"

Kathrin Yacavone

French Forum, 2009

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Image, Affect, and Autobiography: Roland Barthes’ Photographic Theory in Light of his Posthumous Publications

Kathrin Yacavone

The Routledge Companion to Photography Theory, ed. by Mark Durden and Jane Tormey, 2020

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a/b: Auto/Biography Studies Autobiographical Revisions: Photography in Roland Barthes by Roland Barthes and Claude Cahun's Disavowals Lee-Von Kim

Rhea chy

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The Question of Photographic Meaning in Roland Barthes’ Camera Lucida

Lior Levy

Philosophy Today , 2009

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Photographeme: Mythologizing in Camera Lucida. (Roland Barthes)

Jolanta Wawrzycka

Writing the image After Roland Barthes, ed. Jean Michele Rabate, 1995

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The Photograph as a Site of Writing

jessica potter

2013

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Borders of the Visible: Intersections between Literature and Photography Seuils du visible. Intersections entre littérature et photographie Soglie del visibile. Intersezioni fra letteratura e fotografia

CoSMo - Comparative Studies in Modernism

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The Photograph as Trace: Barthes, Benjamin, and the Intermediality of Photographic Discourse’

Kathrin Yacavone

Mosaic. An Interdisciplinary Critical Journal, special issue on Camera Lucida, vol. 53.4, 2020

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Pictures of the past: Benjamin and Barthes on photography and history (Tim Dant & Graeme Gilloch)

Tim Dant

European Journal of Cultural Studies, 2002

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From Hoffmann to Barthes: 'Images that speak' and the 'placeless place' of photography

Layla E Hamon

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Short Reflection on Roland Barthes’ “Camera Lucida”

J. Peter Siriprakorn

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On/For/Against the Apparatus: the photographic arché revisited

Benjamim Picado

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Photography as Writing of the Self

papadimitropoulos panayotis

Igi-global, 2023

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Partial Objects, Infinite References: The Punctum and the Photographic ‘Effect of the Real’ in Roland Barthes’ Camera Lucida

Ralph Pordzik

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‘Evanescent as a gentle dream’. Stories and Dialogues on Italian pictorial photography through the archive of Gustavo Bonaventura (1882-1966)

Emanuele Carlenzi

Birkbeck University of London - History of Art Department Postgraduate Summer Conference Dialogues Friday 24th June 2022, 1:00-5:30pm Keynes Library, 2022

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In the Eye of the Archive: A Triumphant Autopoiesis of Photography

Katharina Sykora

Edition Open Access, 2019

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The Rhetorical Afterlife of Photographic Evidence: Roland Barthes, Avital Ronell, Roni Horn

John H Muse

2006

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“The Performance Space of the Photograph: From the Anti-Photographers to the Directorial Mode”, rebus: journal of postgraduate research, University of Essex, issue 5, summer 2010

Catherine Grant

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Suspended Evidence: Rethinking the Photographic

Luisella Farinotti

2016

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Something’s Missing. The vanished meaning in photography

Teresa Arozena

Edición TEA (Tenerife Espacio de las Artes)–Colección Ordoñez Falcón de Fotografía, 2012. ISBN: 978-84-937979-4-2. , 2012

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“Yet it is not (it seems to me) by Painting that Photography touches art, but by Theatre.” Discuss.

Richard Burniston

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Book chapter: ‘The Whereabouts of the Work'. In The Object of Photography (Leeds: Burton Gallery, 2009), 14-17

Eve Kalyva

Leeds: The Stanley & Audrey Burton Gallery, 2009

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On the Reception of Photography: Between Roland Barthes and Walter Benjamin

russell stephens

The Renaissance of Roland Barthes special issue - The Conversant, 2014

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Tracing the Obscure Image: Maurice Blanchot on Photography

Patrick Lyons

French Forum, 2018

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STEFANO VELOTTI: THE PRESENT OF PHOTOGRAPHY AND THE DIALECTICS OF CONTROL STEFANO VELOTTI: THE PRESENT OF PHOTOGRAPHY AND THE DIALECTICS OF CONTROL

stefano velotti

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Notes on Love and Photography. On Roland Barthes's Camera Lucida

Paola Cortes Rocca

October N 116, 2006

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The “Eternal Return”: Self‐Portrait Photography as a Technology of Embodiment

Amelia Jones

Signs: Journal of Women in Culture and Society, 2002

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PHOTOGRAPHY, MEMORY AND IDENTITY FOTOGRAFÍA, MEMORIA E IDENTIDAD

REVISTA SEECI

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A Semiotic Analysis of Photographic Represantation: Sample of Robert Doisneau

Özlem Dağ Tarcan

A Literary Approach to Media , 2020

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The Modern Gaze: Photography as Object and Memory

Maria Joao Baltazar

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Eliane de Larminat, Véra Léon, Alice Morin, Anaïs Mauuarin (ed.), « (Re)politicizing Discourses on Photography », Image and Narrative, vol. 18, n° 2, 2017.

Véra Léon, Anaïs Mauuarin, Alice Morin

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A Fold in Time: Filmic Readings of Still Photography

Alina Predescu

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Artful Lives: Photography's other Truths in Helena Janeczek's La Ragazza con la Leica

Giorgia Alù

Image [&] Narrative, 2019

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Looking at Family Photographs: Reading Camera Lucida with Merleau-Ponty

Gülsüm Depeli

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Voyage au bout de l'ennui: Alexandre Kojeve as a Photographer

Alex Dubilet

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