Contextualisation of an unpublished document as text collage and experimental writing: Tate Jukka and Pekka (2016) (original ) (raw )Ku-ming (Kevin) Chang, Anthony Grafton, and Glenn W. Most, “Introduction,” in Ku-ming (Kevin) Chang, Anthony Grafton, and Glenn W. Most, eds., Impagination – Layout and Materiality of Writing and Publication: Interdisciplinary Approaches from East and West (Berlin: de Gruyter, 2021), 1-20
Anthony Grafton
View PDFchevron_right
The Society for Textual Scholarship's 2022 Conference: Design and Text [The New School, Eugene Lang College of Liberal Arts, New York; May 31st - June 3rd 2023]
Matteo Maselli
View PDFchevron_right
"The Context as Host: Hans Haacke’s Art of Textual Exhibition"
John A Tyson
Word & Image
View PDFchevron_right
Journal of Literature and Art Studies Vol.3 Issue 1 January 2013
Journal of Literature and Art Studies JLAS
View PDFchevron_right
Pale Fire Upon the Page: the book as object, mutilation, and the transformative touch of the reader
Emily Winter
2019
View PDFchevron_right
Reorienting Ourselves toward the Material: _Between Page and Screen_ as Case Study
Jessica Pressman
View PDFchevron_right
MULTI-THEORETICAL EXPLICATION OF EXPERIMENTAL TYPOGRAPHY: THE CONTEXT OF 21ST CENTURY LITERARY TEXTS
Cognizance Journal Multidisciplinary Studies
Cognizance Journal of Multidisciplinary Studies (CJMS), 2024
View PDFchevron_right
Constructivist Book Design : Shaping the Proletarian Conscience
Margit Rowell
View PDFchevron_right
Reading and Writing in the Digital Age." The Book is Alive! Ed. Emmanuelle Waeckerlé and Richard Sawdon Smith. Sheffield: RGAP / Artspace, 2013
Romi Mikulinsky
View PDFchevron_right
Anthony Grafton, “The Margin as Canvas: A Forgotten Function of the Early Printed Page,” in Ku-ming (Kevin) Chang, et al., eds., Impagination – Layout and Materiality of Writing and Publication: Interdisciplinary Approaches from East and West (Berlin: de Gruyter, 2021), 185-207
Anthony Grafton
View PDFchevron_right
Inside the Black Margin: an essay in words and images
Sam Trubridge
October 2012, 2012
View PDFchevron_right
(In)nvisible writing in contemporary art and performance (open source in link)
Kiff Bamford
Textual Practice, 2022
View PDFchevron_right
Authoring the Readerly Experience: On Materiality, Multimodality and Singularity of Literature in Nicola Barker's H(a)ppy
Tymon Adamczewski
Avant: trends in interdisciplinary studies - 2021, Vol. 12, no 3, 2021
View PDFchevron_right
Through the page, darkly: the data in the Text
Debapriya Basu
View PDFchevron_right
Materiality and the Struggle Against the Screen: Survival of The Printed Literature
Richárd Fejes
View PDFchevron_right
The Aesthetics of Material Textuality
Nathan Jung
View PDFchevron_right
Black Pages and Blank Pages: Shandean Visual Devices in Contemporary Fiction, in «The Shandean» , 29, 2018, pp. 79-100.
Mariano D'Ambrosio
The Shandean - International Laurence Sterne Foundation (shandean.org), 2018
View PDFchevron_right
Out of the Matrix: Decoding curation through print practice
Richard Harding , Chunwai Yeung
IMPACT 11 International Printmaking Conference - Hong Kong, 2021
View PDFchevron_right
Affordances of the Book
Katarzyna Bazarnik
BRILL eBooks, 2021
View PDFchevron_right
THE FUNCTION OF TEXT IN CONTEMPORARY ART
Bostjan Jurecic
Likovne besede, Art Words 112, 2019
View PDFchevron_right
Shuffle Literature: the Meaning of Space and Materiality in Written Literature
Riccardo Cipollari
2020
View PDFchevron_right
From the Novel to the Artists’ Book And Back Again
Barrie Tullett
View PDFchevron_right
Rev. of Reading Experimental Writing by Georgina Colby
Shannon Finck
American Literary History, 2022
View PDFchevron_right
“S is for Seduction: From Electronic Literature to the Printed Book.” In Visual Worlds: The Aesthetics and Politics of Affect. (eds.) Isabelle Boof-Vermesse, Kornelia Slavova, Elena Dineva. Sofia: Polis Press, 2018. 136-144. ISBN: 978-954-796-066-4.
Assoc. Prof. Dr. Alexandra Glavanakova
Visual Worlds: The Aesthetics and Politics of Affect. (eds.) Isabelle Boof-Vermesse, Kornelia Slavova, Elena Dineva. Sofia: Polis Press, 2018. 136-144. ISBN: 978-954-796-066-4.
View PDFchevron_right
Preface - Transgressions and boundaries of the page
Louisemarie Combrink
Literator: Journal of literary criticism, comparative linguistics and literary studies, 2012
View PDFchevron_right
Scrapbooks and messy texts (2011)
Malcolm Reed
View PDFchevron_right
Textuality, Forms of 'Reading', and the Encounter of Art
Rebecca M Harris
2017
View PDFchevron_right
Script on the Margins: Friezes, Frames and Forgeries in Three Stories of Ordinary Carpentry
Allegra Iafrate
View PDFchevron_right
Beneath the Skin of the Book
Peter Schwenger
Intermedialities: Philosophy, Arts, Politics, 2010
View PDFchevron_right
Risking Aesthetic Reading
Patricia Calderwood
View PDFchevron_right
On Tangle Formations and Fluid Narratives: Scrapbooking and Photography in Extremely Loud and Incredibly Close
Michelle Lezana
English Studies in Latin America, 2017
View PDFchevron_right
Form, Medium and Function: the Rhetorics and Poetics of Text and Hypertext in Humanities Publishing Main Description
Tim Bulkeley
View PDFchevron_right
The Archaic Stillness of the Book
Marian Crawford
The Blue Notebook, 2021
View PDFchevron_right
Bridging the unseen in art writing (MFA Thesis) University of Melbourne
Din Heagney
2017
View PDFchevron_right
The Ironic Use of the Gutter in Postmodern Picturebooks
Nivia de Andrade Lima
View PDFchevron_right