The Soundscape and Listening as an Approach to Sensuous Urbanism: The Case of Puerta del Sol (Madrid) (original) (raw)
«The value of the Public in Sound Art as a metaphor of an Expanded Spatiality. Creating and Curating Public Sound Art» Actas del congreso Sound, Media, and the Environment. Hochschule Darmstadt, Media Campus: Dieburg, Alemania, 2012 ISBN 978-3-00-038817-0
María Andueza Olmedo
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Soundwalking in the City: a socio-spatio-temporal sound practice
John L Drever
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Soundscape research put into practice: The exploration of soundwalks in the city of Bern
Britta Sweers
Muzikologija, 2017
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«Spatiality and Public Art. Thoughts on Sound and Urban Space» Tacet. De l’espace sonore. Vol.3 (2014) pp.186-227. Le Presses du Réel. ISBN: 978-2-84066-717-9 EAN: 9782840667179
María Andueza Olmedo
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Investigating the Relationship between Soundscape and Collective Memory: The Application of Theories of Urban Space to Soundscape Analysis
Pepi Chourmouziadou
2020
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Music Culture and Urban Life. Build and Inhabit the City from the Sound
Javier Ares Yebra
UNESCO City of Music - Kirsheir International Music Symposium. Ed. Fenomen (Turkey), pp. 485-496, 2022
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Site-Specific Sound Installations in the Urban Environment. In: Motje Wolf (Ed.) Proceedings of Sound, Sight, Space and Play 2009 Postgraduate Symposium for the Creative Sonic Arts De Montfort University Leicester, United Kingdom, 6-8 May 2009 http://www.mti.dmu.ac.uk/events-conferences/sssp2009
María Andueza Olmedo
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__zz__(waiting to merge) Site-Specific Sound Installations in the Urban Environment. In: Motje Wolf (Ed.) Proceedings of Sound, Sight, Space and Play 2009 Postgraduate Symposium for the Creative Sonic Arts De Montfort University Leicester, United Kingdom, 6-8 May 2009
María Andueza Olmedo
2009
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«Beyond Sound and Listening: Urban Sound Installations and Perception» En The Art of Immersive Soundscapes. Harley, J., Minevich, P. y Waterman, E., eds. Regina, Sask.: Canadian Plains Research Centre Press, 2013, pp. 25-36. ISBN: 978-0-88977-258-8
María Andueza Olmedo
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«A new kind of audience: the citizen of the work. But…What does the “citizen of the work” means?» En: Proceedings of the International Symposium on Soundscape “Keep an ear on”. Florencia: Forum Klanglandschaft (FKL), May, 20-22, 2011. ISBN 978-88-6794-001-1
María Andueza Olmedo
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City Sound & Emotion: The City Understood as an Emotional Scenario from the Perspective of Sound
Ivan Chaparro
2019
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Call for Participation - Mapping Sounds and Cities Workshop (3-5 October 2017, Vilnius)
Pavel Niakhayeu
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“Close Your Eyes and I’ll Kiss You”: The Role of Soundtracks in the Construction of Place
Diogo Teixeira
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Sound & the City: Rethinking Spatial Epistemologies with Urban Sound Maps [pre-print]
Hadar Levy-Landesberg
Sound Studies, 2021
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Situated Emotions. The Role of the Soundscape in a Geo-Based Multimodal Application in the Field of Cultural Heritag
Letizia Bollini
Computational Science and Its Applications – ICCSA 2020. ICCSA 2020. Lecture Notes in Computer Science, 2020
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Getting participants' voices heard: using mobile, participant led, sound-based methods to explore place-making
Julian Holloway
Area, 2016
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Locative media soundwalks: a rhizomatic approach to urban public space sound art
Dana Papachristou
2015
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Soundscape for European cities and landscape: understanding and exchanging
daniele dubois
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Taking care of sonic identity. Local development between urban sound art and planning
Nicola Di Croce
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Sounds in the city: bridging the gaps from research to practice through soundscape workshops
Catherine Guastavino
Journal of Urban Design, 2019
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Between the Music of the City and the Urban Noise
Filipe Temtem
ARTE IMAGEN Y SONIDO
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"Sounding" the space: soundscape and construction of the imaginary in the historical district of San Berillo
Giuseppe Sanfratello
CHIGIANA | Journal of Musicological Studies, III Serie, 3, 2021
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Audiovisual Memory and Placemaking in the Music City : Salford Lads in the Digital Era. Presented at ‘Groove the City 2020 – Constructing and Deconstrucing Urban Spaces Through Music’, Leuphana University of Lüneburg, 13-15 February 2020.
Dagmar Brunow
2020
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Resonance – soundscapes of material and immaterial qualities of urban spaces
Ellen Braae
Cities & health, 2019
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Sound diaries: a method of listening to place
Michelle Duffy
2011
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Using and composing the landscape, attending to the making of place through sound in London´s East End. Lila: a case study
Karla Berrens
Oceanide, 2013
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A vision of Sound art, architecture and sound practices in the field of Sonic Urbanism
Julien Ottavi
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Sound Diaries: A Method for Listening to Place
Chris Lukinbeal
Aether: Journal of Media Geography, 2011
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Can Participatory Experience Performances co-create qualification and design of audible public realm
Rikke Munck Petersen
Inter-Noise 2018 Proceeding, 2018
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Urban sound: an analysis of discourses constructed by sound studies
Sevindzh Idrisova
Logos (Lithuania), 2019
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Sonic menageries: composing the sound of place
Budhaditya Chattopadhyay
Organised Sound, Cambridge University Press., 2012
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Sensing Vulnerability, Listening to Urban Atmosphere. The political possibility of participatory sound art practice within Palermo’s suburbs.
Nicola Di Croce
Ambiances, Alloaesthesia: Senses, Inventions, Worlds, 2020
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Situated Soundscapes: Redefining Media Art and the urban experience
Fionnuala Conway
Leonardo Electronic Almanac, Vol. 18, No. 3. , 2013
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Our Sonic Playground: A Model for Active Engagement in Urban Soundscapes
Eric Leonardson
Journal of Urban Cultural Studies, Volume 2, Issue 1-2, 2015
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Urban soundscapes and critical citizenship: Explorations in activating a ‘sonic turn’ in urban cultural studies
Tony Langlois
Journal of Urban Cultural Studies, 2015
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