Ben Urwand: The Collaboration. Hollywood's Pact with Hitler (review) (original) (raw)

Imagination and Critique in the Work of Johann Georg Hamann

Mishkan, 2019

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Reading “Sibylline Leaves”: J. G. Hamann in the History of Ideas

Journal of the History of Ideas, 2008

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Eduard Grützner's Munich villa and the German Renaissance

Intellectual History Review, 2007

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Review of Hitler at Home, by Despina Stratigakos, Marianne Eggler, 2016, in Design & Culture

Marianne Eggler, Ph.D.

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The Book Half Open: Humanist Friendship in Holbein's Portrait of Hermann von Wedigh III

Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum, 2022

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Marianne Werefkin Clemens Weilers Legacy by Bernd Fathke

Richard de Koster

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review of exh. cat: Friedl Dicker-Brandeis: Bauhaus Schülerin, Avantgarde-Malerin, Kunstpädagogin / Bauhaus Student, Avant-Garde Painter, Art Teacher Edited by Hemma Schmutz and Brigitte Reutner-Doneus. 252 pp. incl. 150 col. ills. (Hirmer, Munich, and Lentos Kunstmuseum Linz, 2022)

The Burlington Magazine, 2022

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From Unwanted Heritage towards Difficult Heritage Revisiting the Legacies of Arno Breker and His Portrait Busts of the Ludwig Couple

RIHA Journal, 2022

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Weimar Era Breslau and Ismar Littmann's Modern Art Collection

Deborah Ascher Barnstone

The Art Book, 2006

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A man of many gifts and the anti-materialistic struggle in the arts: Ferdinand Feldegg's monographs on Friedrich Ohmann and Leopold Bauer, Journal of Art Historiography, 26, June 2022, 26/JV1

Jindřich Vybíral

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Harald Schulze: James Loeb's Library and Adolf Furtwängler's Scholary Estate

James Loeb. Collector and Patron in Munich, Murnau and Beyond, edited from Herman Mayer, Brigitte Salmen and the James Loeb Gesellschaft, 2018

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Between Patron and Architect: Vera Weizmann's role in designing Villa Weizmann

Shoshana Harary Engelberg

The Department of the Arts, Ben Gurion University of the Negev, 2018

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The archive of sibylle bergemann. questions of memorialisation and reinterpretation xxx miejsce

Miejsce, 2022

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Rolf Lauter: Diary with Herbert Hamak 1991-1996, Schriften zur Sammlung, Museum fuer Moderne Kunst, Frankfurt am Main 1996

Rolf Lauter, Dr. Rolf Lauter, Rolf Lauter MMK Frankfurt 1984-2002

Rolf Lauter: Diary with Herbert Hamak 1991-1996, Schriften zur Sammlung, Museum fuer Moderne Kunst, Frankfurt, 1996

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“Blake was a phenomenon”: Artistic, Domestic, and Blakean Visions in Joseph Paul Hodin’s Writing on Else and Ludwig Meidner

Blake/An Illustrated Quarterly, 2022

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Electing members at the Viennese Academy of Fine Arts. Report in the Wienerisches Diarium on the reception of Johann Platzer’s (1745-1785) "Model room"

Zsófia Vargyas

Bulletin du Musée Hongrois des Beaux-Arts, 2017

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Were Wall Paintings in Unterferlach and Feistritz an Der Drau Carried Out by the Older Villach

Anabelle Kriznar

2011

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Passages with Friedl Dicker-Brandeis: From the Bauhaus through Theresienstadt

Passages of Exile, 2017

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Artwork of the Month: The Berghaus on the Hahnenkamm by Clemens Holzmeister (1929-1930)

Julia Secklehner

CRAACE Blog, 2019

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"The Wanderings of Hermann Struck's Ahasver: The Rediscovery of a Forgotten Painting and Its Evocative Transformation," Ars Judaica, 13 (2017): 129-137

Ars Judaica, 2017

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"The Künstlerehepaar: Ideal and reality," in: Meskimmon and West, eds., Visions of the 'Neue Frau': Women and the Visual Arts in Weimar Germany, pp.28-41.

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Inventur–Art in Germany, 1943-55, Cambridge, MA: Harvard Art Museums, 2018

Inventur–Art in Germany, 1943-55. Harvard Art Museums, 2018

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Artists and Painters in the 'German House' at Thebes, 1905-1915

Neil Cooke, Vanessa Daubney, Every Traveller needs a Compass. Travel and Collecting in Egypt and the Near East, Oxbow Books, Oxford 2015 (ISBN: 978-1-78570-099-6), pp. 143-153

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Rolf Lauter: Herbert Hamak - 30 anni con Studio la Citta, Introduction Catalog, Verona 2022

Rolf Lauter, Dr. Rolf Lauter, Swiss Art Council

Rolf Lauter: Herbert Hamak - 30 anni con Studio la Città, Introduction Catalog, Verona , 2022

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Two Paintings by Michaela Eichwald at the Group Exhibition "The Unknown Masterpiece" and a Further Balzac Book Title

Benedikt Ledebur

Translated by Matthias Goldmann, In: Christan Meyer (ed.), "The Unknown Masterpiece", Schelbrugge.Editor, Vienna, 2017

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Room to Manoeuvre (Ch. 1), from "Escape into Art? The Brücke Painters in the Nazi Period"

Aya Soika, Meike Hoffmann: Flucht in die Bilder? Die Brücke-Künstler im Nationalsozialismus. [Escape into Art? The Brücke Painters in the Nazi Period]. Hrsg. Meike Hoffmann, Lisa Marei Schmidt, Aya Soika, 2019

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Maneschin the Master Builder. Jews as „Architects“ in the Middle Age and Early Modern Period?

in: Jewish Architects – Jewish Architecture, hg. von Andreas Brämer, Katrin Keßler u.a., Petersberg 2021, S. 21-32, 2021

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"Preserving Destruction: Albrecht Altdorfer's Etchings of the Regensburg Synagogue as Material Performances of the Past and Future"

The Primacy of The Image in Northern European Art, 1400-1700. Essays in Honor of Larry Silver, 2017

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The Art Collection of Count Johann Ludwig von Wallmoden-Gimborn [full text]

Bormann, Ralf: The Art Collection of Count Johann Ludwig von Wallmoden-Gimborn, in: Katja Lembke (Ed.), The Hanoverians on Britain’s Throne 1714–1837. Exh. cat. Landesmuseum Hannover, Museum Schloss Herrenhausen 2014, Dresden: Sandstein Verlag 2014, 238-261, 2014

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Keeper of Art: Reichskunstwart Edwin Redslob

Isabel Wünsche

100 Years On: Revisiting the First Russian Art Exhibition of 1922, ed. Isabel Wünsche, Miriam Leimer, Böhlau Verlag eBooks, 2022

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Recollection and Relocation in "Gruenderzeit" Munich: Collective Memory and the Genre Paintings of Franz von Defregger

Art History, 2012

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Maniera of the Architecture of Albrecht of Wallenstein

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Walter Benjamin on the French Exile of German Men of Letters

2008

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Charlotte Salomon: This young woman created 784 paintings while hiding from the Nazis

The Conversation, 2020

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Hans Holbein: Paintings, Prints, and Reception

The Sixteenth century journal, 2004

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