About the Art: Artifacts (original ) (raw )“Art versus Artifact,” Introduction and Summary, Symposium, Hood Museum of Art, Dartmouth College, September 28, 1985
Irving Lavin
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Ineligible: A Disruption of Artefacts and Artistic Practice - Conference volume (2020)
Doug Bailey , Sara Navarro
2020
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Art Versus Artifact
Beto Shwafaty
New City Brazil, 2016
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Reimagining Our Worth: Rethinking the Role of Artifacts as Works of Art
Jesus Barraza
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The Two Lives of Objects: Artefacts and Artworks
Elena Vasiliadou
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Artifacts: How We Think and Write about Found Objects. Crystal B. Lake. Baltimore: Johns Hopkins University Press, 2020. Pp. x+261
Giacomo Savani
Modern Philology, 2022
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Aesthetic Ecologies: Reflections on What Makes Artifacts Art
Katharine Young
Journal of Folklore Research, 2014
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Artifacts and ArtWorks in the Ancient World
Karen Sonik
Artifacts and ArtWorks in the Ancient World, ed. Karen Sonik. Philadelphia: University of Pennsylvania Press, 2021
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What is the object of this exercise? A meandering exploration of the many meanings of objects in museums
Elaine Heumann Gurian
Daedalus, 1999
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Beyond the museum as muse: collecting, classifying, and displaying objects in contemporary artistic practice
Megan Bertagnolli
2011
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Rein 2009: One Object Many Stories: The Museum is no “neutral” Place
Anette Rein
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Musealization of Objects: Art History versus Cultural History. Art and Artifact – The Plural Nature of the Object at the Museum of Anthropology in Vancouver
Annette Bhagwati
CIHA 2012 Nürnberg: The Challenge of the Object / Die Herausforderung des Objekts. Proceedings of the 33rd Congress of the International Committee of the History of Arts, pt. Musealization of Objects: Art History versus Cultural History. , 2014
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The importance of being an artifact
Douglas Stalker
Philosophia, 1979
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Museum, Artifact, Act
Mark Franko
Tanz und Archiv 5 (2014): 94-103.
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Festschrift: how do we value artefacts in museum research
Science Museum Group Journal
Science Museum Group Journal , 2020
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"Blurring Objects. Life Casts, Human Remains and Art History", in F. Bodenstein, D. Otoiu, E-M Troelenberge (eds.), Contested Holdings. Museum Collections in Political, Epistemic and Artistic Processes of Return, New York, Berghan, 2022, pp. 81-96.
Noémie Etienne
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A Representational Theory of Artefacts and Artworks
John Dilworth
The British Journal of Aesthetics, 2001
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Digital Artifacts: Processing Antiquities in Contemporary Art
Patrick R Crowley
2022
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Artefacts and the performance of an exhibition
Connie Svabo
Nordic Journal of Digital Literacy, 2008
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“Titles, uses and instructions of use: the function of art and artefacts.”,
philippe huneman
Facta philosophica, 2007 9(2): 3-21.
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Making things matter. Meaning and materiality in museum displays
Mattias Bäckström
Nordic Museology (pp. 133–141), No 2, 2015
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The Nature of Artifacts
Svante Beckman
2002
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A Paean to the Epistemological Potency of Artifacts (Book review)
Kathleen M Adams
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Things objects can do. Taking an itinerary approach to artefact biographies for utilizing the cognitive, social and emotional magic of historical objects for contemporary society.
Yvonne Lammers-Keijsers , Monique van den Dries
In: A. Verbaas, G. Langejans, A. Little and B. Chan (eds), Artefact Biographies from Mesolithic and Neolithic Europe and Beyond. Papers in honour of Professor Annelou van Gijn. (Analecta Praehistorica Leidensia 51). Leiden, Side Stone Press, pp. 201-216., 2024
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Objects and the Museum
Samuel Alberti
Isis, 2005
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The role of the artefact in art and design research
Michael A R Biggs
2002
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Beautiful antiquities with intentions
Katja Kvaale
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Assembling Potentials, Mounting Effects: Ethnographic Exhibitions Beyond Correspondence
Peter Bjerregaard
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Situating Creative Artifacts in Art and Design Research
Nithikul Nimkulrat
FORMakademisk, 2013
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Call for Papers: Objects and Museums: Biographies, Narratives and Identity Bonds. MIDAS – issue 8
Alice Semedo
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On Practices of Inclusion and Exclusion: Exhibiting Native American, Maya, and African Objects at the Field Museum and Art Institute of Chicago
Khristin Landry-Montes
Journal Article, 2016
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Narratives, Objects, and Museums
Giovanna Martino Piccolino
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Work, specimen, witness: How different perspectives on museum objects alter the way they are perceived and the values attributed to them
Thomas Thiemeyer
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Thomas F. Reese, “Subversive Artifacts: Some Reflections on Art Making and Society,” Introductory Remarks, a conference on The Aesthetics of Community-Based Art Making, CalArts, Valencia, California; March 4, 1993.
Thomas Reese
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Collecting archives of objects and stories: On the lives and futures of contemporary art at the museum
Aga Wielocha
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