original ) (raw )“L’A.B.C. Musical” by Gottfried Kirchhoff: A Work Thought to be Lost // The Organ. 2009. No. 350. — P. 21–27.
Maxim Serebrennikov
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• Duo-Vox-Nova | Archives | Claudine Pascal-Grisi: Concert-Organist | Illo Humphrey: Concert-Baritone | FRANCE | Academia.edu | 6-VI-2024 •
Illo Humphrey
• Duo Vox Nova | Concert - Master Class for solo Organ & solo Voice | French Sacred Music from the 17th through the 21st Century | Featuring works by : François Couperin (1668-1733) • César Franck (1822-1890) • Jehan Alain (1911-1940) • Jean langlais (1907-1990) •, 2018
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'Paul Dukas's Le Sang de Méduse: the Rediscovery of a Lost Scenario', Annual Meeting of the American Musicological Society (San Francisco, 10 November 2011).
Laura Watson
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‘Et comenchèrent les sacqueboutes du roy’. The Liturgical Use of Instrumental Ensembles Around 1500
Markus Grassl
Henricus Isaac (c.1450/5–1517). Composition – Reception – Interpretation, 2019
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Garcia-Ventura - Tavolieri - Verderame, The Study of Musical Performance in Antiquity, 2018
Lorenzo Verderame
Agnès Garcia-Ventura, Claudia Tavolieri, Lorenzo Verderame, The Study of Musical Performance in Antiquity: Archaeology and Written Sources, Cambridge Scholars Publishing, Newcastle upon Tyne, 2018, 2018
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The Codex J.II.9, Torino, Biblioteca Nazionale Universitaria: Facsimile Edition. Introductory study by Isabella Data and Karl Kügle. Ars Nova 4. Lucca: Libreria Musicale Italiana, 1999. 448 pp. ISBN 88 7096 158 3
Daniel Leech-Wilkinson
Plainsong and Medieval Music, 2001
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André Campra, Benjamin, Joseph, cantates avec symphonie. Edition : Marie Demeilliez. Versailles, éd. du Centre de Musique Baroque de Versailles, 2022.
Marie Demeilliez
2022
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‚“... in numero di centocinquanta”: The Orchestra in the Age of Corelli’, in Corelli als Modell. Internationales Symposium der Schola Cantorum Basiliensis 5.-7. Dezember 2013, hsg. von Agnese Pavanello, Basler Jahrbuch für Historische Musikpraxis, 2016, S. 137-177
Alexandra Nigito
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Program notes, 27 February 1943: Adolf Busch and chamber players
Emanuel Winternitz
Metropolitan Museum of Art: Concerts for Members, 1943
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Printed books of polyphony at Barcelona, Biblioteca Universitaria: new unknown editions by Giovanni Pierluigi da Palestrina and Gioseppe Caimo, at Medieval and Renaissance Music Conference 2016 (University of Sheffield, 5-8 July 2016)
Andrea Puentes-Blanco
Medieval and Renaissance Music Conference 2016 (University of Sheffield, 5-8 July 2016)
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Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi. By Paul Schleuse
Massimo Privitera
Music and Letters, 2016
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Strumenti musicali e oggetti sonori nell'Italia meridionale e in Sicilia (VI-III sec. a.C.). Funzioni rituali e contesti, Lucca, Libreria Musicale Italiana, 2012, in «Klankbord», XIII, 2012, p. 2.
Angela Bellia
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Ay fortuna cruel. L'âge d'or de la musique espagnole. Bárbara Kusa, soprano. Eduardo Egüez, guitare et vihuela
Javier Marín-López
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Ensemble: 2009-03-27 - UNT Baroque Ensemble and Collegium Singers
Oder SOUSA JUNIOR
2009
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Musical games in Cinquecento Italy
Laura S . Ventura Nieto
Early Music, 2017
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Barocco Padano 6: Atti del XIV Convegno internazionale sulla musica italiana nei secoli XVII-XVIII (Brescia, 16-18 luglio 2007). Ed. by Alberto Colzani, Andrea Luppi, and Maurizio Padoan
Michael Eisenberg
Music and Letters, 2012
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New findings on the use of the corni da caccia in early eighteenth century Roman orchestras
Teresa Chirico
Recercare xxvi/1-2 2014, pp. 109-123.
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Reviews of Documents du Minutier central, vol. 2 (1974); L'Iconographie musicale (1978); La Vie des musiciens de Paris (1976)
Margaret K MURATA
MLA Notes 35/2, 1978
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Orgoglio nazionale e modernità nei trattati d'orchestrazione italiani del primo Novecento: gli autori
Marica Bottaro
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Medieval Made Modern: Marcel Pérès’ Ensemble Organum and the Medieval Sound
Nathaniel Craddock
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La Polifonica Ambrosiana (1947-1980). Musica antica nell’Italia del secondo dopoguerra, edited by Livio Aragona and Claudio Toscani (Lucca: Libreria Musicale Italiana, 2017). Rivista Italiana di Musicologia 54 (2019), 226-231.
Siel Agugliaro
Rivista Italiana di Musicologia, 2019
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Orgoglio nazionale e modernità nei trattati d’orchestrazione italiani del primo Novecento
Marica Bottaro
Music, Individuals and Contexts. Dialectical Interaction, edited by Nadia Amendola, Alessandro Cosentino, Giacomo Sciommeri, Università degli Studi di Roma “Tor Vergata”, 27-28 aprile 2017, Roma, UniversItalia, 2019, pp. 309-318. , 2019
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Program Notes. Baroque Sounds of the Season. Camerata Milwaukee. Saint Joseph Center, Milwaukee, WI. December 2, 2018
Marianne Kordas
2018
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The Soundtrack for a Miracle and Other Stories of the Motet from Post-Tridentine Milan
Daniele V. Filippi
Mapping the Motet in the Post-Tridentine Era. Edited by Esperanza Rodríguez-García and Daniele V. Filippi. Routledge: Abingdon and New York, 2018
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"Four reviews." Yearbook for Traditional Music 32 (2000): 206-210.
Goffredo Plastino
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Review--Alessandra Campana, Opera and Spectatorship in Late Nineteenth-Century Italy
Laura Vasilyeva
Music & Letters, 2017
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Review: Italian Sacred Music, ed. by Kurt von Fischer and F. Alberto Gallo, Polyphonic Music of the Fourteenth Century, 12 (Monaco: Editions de l’Oiseau-Lyre, 1976)
Margaret Bent
Journal of the American Musicological Society, 1979
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• Mini-Concert a cappella of Pre-“Gregorian” and “Gregorian” Chant | RMA-Study-Days-2019 | University-of-London-SOAS | Illo Humphrey, PhD-HDR •
Illo Humphrey
HAL (Le Centre pour la Communication Scientifique Directe), 2019
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Mikhail Lopatin, review on: Antonio Calvia and Maria Sofia Lannutti, eds, Musica e poesia nel trecento italiano (Florence, 2015), published in PMM 26/2, 2017, p. 198-206
Mikhail Lopatin
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"Adolphe Appia, Emile Jaques-Dalcroze, and Hellerau. Part one: 'Music Made Visible"', New Theatre Quarterly, Vol. 1;2, May, 1985, 154-164.
RICHARD BEACHAM
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Who sings the cantus? Children as performers of secular music in the early modern period
Richard Wistreich
TroJa, 2012
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Review: Marcello de Angelis, Melodramma, spettacolo e musica nella Firenze dei Lorena; Robert Lamar Weaver, A Chronology of Music in the Florentine Theater, 1751–1800
John A Rice
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Barocco Padano 6, Atti del XIV Convegno internazionale sulla musica nei secoli XVII-XVIII, Brescia 16-18 luglio 2007, a cura di A. Colzani, A. Luppi, M. Padoan, A.M.I.S., Como 2010, pp. 700
Alberto Colzani
2010
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Adrian Willaert, Master of Music at St Mark's, Venice
Andrea Angelini
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A Musical Tribute to Gustavus III in Naples: "Gli Elisi o sia L’ombre degli Eroi"
Lucio Tufano
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