original ) (raw )Symbiosis: A portfolio of work focusing on the tensions between electroacoustic and instrumental music
Ed Wright
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About the aesthetics of electroacoustic music. A proposal
Giacomo Fronzi
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Practice, process and aesthetic reflection in electroacoustic music
John Young
Organised Sound, 2007
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Beyond the acousmatic: hybrid tendencies in electroacoustic music
Simon Waters
Music, electronic media and culture, 2000
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Co-hear-ence and Electroacoustic Music
Leigh Landy
SBC2000 Anais do XX Congresso, 2000
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Progress ReportThe State of the Art after Sixteen Years of Designing and Playing Electroacoustic Sound-Sculptures.docx
dig' s Researchs
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EMS2015: The Art of Electroacoustic Music
Juli?n r?os
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(Re) Presenting electroacoustic music
Pierre Couprie
Organised Sound, 2006
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Écoute Réduite – a wrong turn in the history of electroacoustic music?
Leigh Landy
2009
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Editorial: Sound and kinetics – performance, artistic aims and techniques in electroacoustic music and sound art
Joran Rudi
Organised Sound, 2018
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Sound Design and Electroacoustic Music: Practices or Perspectives?
Steven Naylor
Proceedings of the Electroacoustic Music Studies Network Conference, Florence (Italy), June 20-23, 2018, 2018
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Sonic Arts & Audio Cultures (Journal of Visual Culture)
Andrew V Uroskie
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When Art, Science and Technology meet: the Strength, the Dilemma or the Curse of Electroacoustic Music
Giselle Ferreira
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'Electroacoustic Songs' Commentary
Diane Didenko
MAJOR PROJECT : COMPOSITION, 2019
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Standing on the river bank: Electroacoustic music between tradition and innovation
Martin Flašar
2019
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Electroacoustic Music: Overcoming Analysis Paralysis
Kevin Dahan
2011
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Paradigm Shifts and Electroacoustic Music: Some personal reflections
Barry Truax
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Editorial: Alternative histories of electroacoustic music
Tim Boon
Organised Sound
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Les Musiques Électroacoustiques: Construction of a Discipline
James Mooney
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Thomas Licata (ed.), Electroacoustic Music – Analytical Perspectives. Greenwood Press, Westport, CT 06881, 2002. xviii + 242 pp. ISBN 0-318-31420-9
John Dack
Organised Sound, 2004
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Écoute Réduite – a wrong turn in the history of electroacoustic music? Keynote talk – NZEMS 2009 (2 September 2009) Auckland
Leigh Landy
2016
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Evoking the sublime: Absence and presence in live electroacoustic performance
Guy Harries
2014
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Soundscape composition as global music: Electroacoustic music as soundscape
Barry Truax
Organised Sound, 2008
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Aesthetics of Electroacoustic Music
Giacomo Fronzi
Entry of International Lexicon of Aesthetics, 2018
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Towards an Electroacoustic Tradition?
Alessandro Cipriani
Cipriani A. 1995. “Towards an electroacoustic tradition?” in Proceedings of the International Computer Music Conference, pp. 5-8. Banff, Canada: International Computer Music Association, 1995
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25e Concours International de Musique Electroacoustique, Bourges: Prix Quadrivium; Compendium International Bourges 2001; 29e Concours International de Musique et d'Art Sonore Electroacoustiques, Bourges: Laur�ats du Magisterium et du Trivium
Laurie Radford
Computer Music Journal, 2006
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Editorial: The sonic and the electronic in improvisation
James Andean
Organised Sound
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Electroacoustic Music and the Digital Future
Barry Truax
erudit.org, 2002
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The displacement of agency and sound source in electroacoustic music as compositional approach in works including live performers
Alyssa Aska
2016
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New Possibilities for Electroacoustic Music Performance
Cat Hope
2011
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Performance practice in electroacoustic music as approach to composition: an examination through two recent works
Alyssa Aska
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Socio-Sonic: An ethnographic methodology for electroacoustic composition
Tullis Rennie
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Listening in time and over time – the construction of the electroacoustic musical experience
Simon Emmerson
2014
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Compositional methods in electroacoustic music
Adrian J Moore
Journal of Music, Technology & Education, 2013
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The Performance Practice of Electroacoustic Music
Alvise Vidolin
2018
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