The Filipino Invasion of Pool: Setting New Standards in the Game (original) (raw)
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A GAME LITERATURE OF SELECTED TRADITIONAL FILIPINO GAMES
EPRA International Journal of Multidisciplinary Research (IJMR), 2024
This game literature of selected Traditional Filipino Games covers the history, objectives, mechanics, and equipment used by players. It also explains how to determine the winning team and the consequences or punishments for the losing team. The term “variation” in the game’s mechanics signifies the differences in how the game is played across various places and regions. Additionally, it highlights the cultural significance and community values embedded in these traditional games. Keywords: traditional Filipino games, game literature, traditional games
NEW INSIGHTS INTO THE HISTORY OF THE FILIPINO MARTIAL ARTS
2022
ABSOLUTE NEW: a free hypertextualized version of this paper has been provided for the reader to be downloaded on request to the author via this email address: info@kalifilippino.it. This paper is part of a not yet published PhD thesis on the history of Filipino martial arts. It contains four insights sheding light on: - the origins and meaning of the term “Arnis de Mano”; - the ten datus, the bothoan schools, the book De Los Delitos and Lapulapu: history or myth of precolonial FMA origins; - the practice of the duel in the Philippine Islands; - the instruction of Spanish fencing to the native soldiers of the Ejército de Ultramar en Filipinas. Although they apparently seem to have no interconnection, they are essential pieces of a jigsaw puzzle. The four insights that make up this study are the result of extensive academic research. It provides: abundant and precise bibliographical references of the sources used; numerous quotations, given both in the original language and transposed into English; and in-depth studies aimed at verifying the information available. All this, of course, makes the text copious with all the references a reader might need, even if, at the same time, the reading might be demanding. Therefore, in order to easily navigate through the text, the interactive hypertextualized version provided for the reader is a MUST. The reader will appreciate this hypertextualized version not only because it shows the path nodes traced by the author, but it also supplies directions to take in the reading. By means of three exploratory tools such as the map, the compass, and the notebook, it provides a series of KEW WORDS - KEY SENTENCES - KEY POINTS, allowing the reader to orient himself among the considerable amount of information available.
The Traditional Filipino Games: Status Check Among Generation Z
Theoretical & Applied Science
ISRA (India) = 4.971 ISI (Dubai, UAE) = 0.829 GIF (Australia) = 0.564 JIF = 1.500 SIS (USA) = 0.912 РИНЦ (Russia) = 0.126 ESJI (KZ) = 8.716 SJIF (Morocco) = 5.667 ICV (Poland) = 6.630 PIF (India) = 1.940 IBI (India) = 4.260 OAJI (USA) =
Puro Arte: Filipinos on the Stages of Empire (NYU Press), 2012
This is the introduction to my first book Puro Arte: On the Filipino Performing Body (NYU Press 2012), winner of the Cultural Studies Book Award, Asian American Studies Association, (2012). Puro Arte tracks the emergence of Filipino American theater and performance as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization. In Filipino, puro arte performs a more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In each chapter, I trace a range of corporeal icons in various performance spaces, which include early plays about the U.S.-Philippine War and Filipinos “displayed” in the 1904 St. Louis World’s Fair, the Filipino patron in the U.S. taxi dance halls, theatrical performances about martial law, and the Filipino performers in the musical global phenomenon Miss Saigon. It is through these multiple and differentiated spaces of performance that I theorize the Filipino performing body as an “archival embodiment” of U.S.-Philippine imperial relations. While I engage with the racialization of Filipinos in the U.S. through the history of imperial relations between the U.S. and the Philippines, I equally emphasize Filipino racial formation in the U.S. as already formed in relation to the racialization of African Americans, other Asians, Native Americans, Latinos, and other subjects of the U.S. empire. I stage a conversation between colonial constructions of/and contemporary performance practices by Filipinos to argue for a consideration of performance not simply as site of uncritical visibility, resistance, or agency, but as a relationship constituted within colonial and neocolonial histories.
Diving Deep into the Playground: A Sociocultural History and Evolution of Games in the Philippines
2022
In this paper, the history and evolution of games in the Philippines, in its sociocultural context, is discussed through the four different eras ranging from pre-Spanish era, Spanish era, American era, up until the 21st century era. In each era, examples of games are discussed to be able to compare and contrast the sociocultural aspects behind these games, as well as to be able to identify the kind of influences that made each era of Filipino game lore distinct and unique to each other.
Things Fall Away: Philippine Historical Experience and the Makings of Globalization
Comparative Literature, 2011
This preliminary study introduces a larger reflection on the emergence of a trans-Pacific culture between Mexico and the Philippines, through the study of the figure of the Moor in Philippine colonial romance (popularly called awit or korido) and theater (komedya) during the late colonial period. 1 By analyzing the colonial tradition that was responsible for the appearance and dissemination of this figure as both theatrical performance and literary artifact, this essay attempts to bring the study of the colonial awit and komedya into the larger sphere of comparative studies of colonial traditions in the transAtlantic and trans-Pacific reach of Iberian globalization in the early modern period. The focus of my analysis is admittedly narrow: in addition to a discussion about the history and stakes behind the study of colonial Philippine literature, theater, and culture more broadly, my analysis concerns itself primarily with arguably the most important colonial romance in Tagalog: the anonymous versification of the popular story of Charlemagne and the Twelve Peers of France (Salita at Buhay nang Doce Pares sa Francia campon nang Emperador Carlo Magno hangang sa ipagkanuló ni Galalong mapatay sa Rocesvalles
The Traditional Games of Macabebe, Pampanga
International Journal of Multidisciplinary: Applied Business and Education Research
The study aimed to discover the undocumented traditional games within the Municipality of Macabebe, Pampanga, the Philippines. The data findings are to be contextualized in the educational implications of the Physical Education curriculum. With the use of a qualitative research approach, particularly a focused ethnography, a total of 16 key informants with age ranges from 61 to 102 years old participated in the semi-structured interview. After the data process, there were 11 traditional games found, five in the coastal area classified as moderately vigorous intensity when playing while six games in the land were vigorous. Using the Braun and Clarke thematic analysis, three themes were explicated. The first theme encompasses the people in Macabebe’s way of life and how the participants provide basic needs to their families. The second theme describes the origin of undocumented conventional games. The third theme states the educational implications of the Physical Education curriculum...
An extended meditation on the encounter between the native and the foreign, More Hispanic Than We Admit is a compilation of scholarly essays on Philippine culture and history. The book provokes discussion on the fascinating and sometimes uneasy hybridity that is the Philippines. Presenting significant work by Philippine and international scholars spanning an eclectic range of disciplines, including anthropology, religion, sociology, philology, literary criticism, historiography, film and art studies, political science, and economics, the compilation traces the manifestations and paradoxes of hybridity by exploring the processes of cultural interaction and transformation. The book argues that, although subjects of the colonial enterprise, indios criollos had primacy of agency. The hegemonic cultural discourse invited a counter-discourse that was subtly crafted by emergent Philippine culture. More Hispanic Than We Admit recuperates our Hispanic past and inspires a continued and lasting engagement with Hispanic Philippine studies. More Hispanic Than We Admit was edited by Isaac Donoso, with introduction by Fr. José Arcilla, SJ and features essays from these notable historians and writers: ##Isaac Donoso (Al-Andalus and Asia: Ibero-Asian Relations Before Magellan) ##Julkipli M. Wadi (Rajah Sulayman, Spain and the Transformation of Islamic Manila) ##Fernando N. Zialcita (Devout Yet Extravagant: the Filipinization of Christianity) ##José Eugenio Borao Mateo (Filipinos in the Spanish Colonial Army during the Dutch Wars, 1600-1648) ##Regalado Trota José (Baroque and Revolt in Bohol) ##Marya Svetlana T. Camacho (Woman’s Worth: The Concept of Virtue in the Education of Women in Spanish) ##Julián Go (Governmentality and Political Meaning in the Late Nineteenth-century Philippines) ##Celestina P. Boncan (Eagles in the Land of Castles and Lions: Mexican Money in Spanish Colonial Philippines) ##Ambeth R. Ocampo (Rotten Beef and Stinking Fish: Rizal and the Writing of Philippine History) ##Gloria Cano (Wenceslao Retana Revisited: A New Historical Assessment) ##Resil B. Mojares (Claiming “Malayness”: Civilizational Discourse in colonial Philippines) ##Reuben R. Cañete (Hispanic Strains in Philippine Modern and Contemporary Art) ##Nick Deocampo (Hispanic Influences on Tagalog Cinema: The Battle for Hegemony on the Native Screen) ##Andrea Gallo (Contemporary Hispano-Philippine Literature) ##Pedro Aullón de Haro (Asia and the West: A Universal Perspective in the Era of Globalization) ##Foreword by Reynaldo C. Ileto ##Afterword by Maria Dolores Elizalde