CONSIDERING THE EMERGENCE OF SOCIAL MEDIA WITHIN THE CONTEMPORARY CULTURAL LANDSCAPE, WHAT AFFECT HAS IT HAD ON THE VISUAL COMMUNICATION OF THE SELF AND THE CONNECTEDNESS OF USERS?

Psychology of Aesthetics, Creativity, and the Arts, 2011

Producing the ‘Self’ Online. Self and Its Relationship with the Screen and Mirror

2018

Selfie-Wars on Social Media, in: Self-Representation in an Expanded Field. From Self-Portraiture to Selfie, Contemporary Art in the Social Media Age, Ace Lehner (ed.), Book Series: State of the Arts–Reflecting Contemporary Cultural Expression, MDPI Books 2021

Ramón Reichert

Self-Representation in an Expanded Field. From Self-Portraiture to Selfie, Contemporary Art in the Social Media Age, 2021

View PDFchevron_right

Being Beyond the Reality Principle Through Production and Consumption of the Self in the Digital Realm. A Bit about the Digital Created Self in the Shared Personal Life Online. Being Distantly Social and Distantly Present

Yana Nikolova

Yana Nikolova, 2022

View PDFchevron_right

Special Issue: Social media and the visual

Carey Jewitt

Visual Communication, 2016

View PDFchevron_right

Coalescing the mirror and the screen: consuming the ‘self’ online

yasmin ibrahim

Continuum, 2016

View PDFchevron_right

The Self of the Camera: Popular Practices of Photography and Self-Presentation in the New Social Media

gilbert ndi shang

2016

View PDFchevron_right

Being Beyond the Reality Principle Through Production and Consumption of the Self in the Digital Realm. About the Digital Created Self in the Shared Personal Life Online. Being Distantly Social and Distantly Present

Yana Nikolova

International Journal of Psychological Studies

View PDFchevron_right

Images, Self-Images, and Idealized Identities in the Digital Networked World

Luc Pauwels

2013

View PDFchevron_right

The Presentation of Self in the Age of Social Media: Distinguishing Performances and Exhibitions Online

Bernie Hogan

Bulletin of Science, Technology & Society, 2010

View PDFchevron_right

The Age of Icons: Digitising the Self in Social Media

Madeleine Antonellos

Minor Thesis, submitted as part of qualification achievement for the Bachelor of Arts (Honours) at The University of Melbourne, 2018

View PDFchevron_right

On 'being' online: insights on contemporary articulations of the relational self

Anu A Harju

On 'being' online: insights on contemporary articulations of the relational self, 2017

View PDFchevron_right

Introduction to the Social Media + Society Special Issue on Selfies: Me-diated Inter-faces

katie warfield, maria-carolina cambre

Social Media & Society, 2016

View PDFchevron_right

The aesthetics of the self: The meaning-making of Internet aesthetics

Michaël Berghman, Guilherme Giolo

First Monday

View PDFchevron_right

Being In Mediated Spaces: An Enquiry Into Personal Media Practices

Marika Lüders

2007

View PDFchevron_right

Are Friends Electric?: The presentation of self on social networking sites

Brian Mallon

View PDFchevron_right

I can so I will, now we must: a creative response to selfie culture

Eric Andren

View PDFchevron_right

Visual identity in Facebook

Paula Uimonen

Visual Studies Volume 28, Issue 2, 2013

View PDFchevron_right

Display, Identity and the Everyday: Self-presentation through online image sharing

Julia Davies

Discourse: studies in the cultural politics of education, 2007

View PDFchevron_right

Introduction to Visual Communication in the Age of Social Media: Conceptual, Theoretical and Methodological Challenges

Uta Russmann

Media and Communication

View PDFchevron_right

Be Your Selfie: Identity, Aesthetics and Power in Digital Self-Representation, Networking Knowledge, Vol 8, No 6, 2015

Laura Busetta

2015

View PDFchevron_right

Social Media and the Networked Self in Everyday Life

Carlos Cano Viktorsson

View PDFchevron_right

Mirrors and shadows: The digital Aestheticisation of Oneself

Jill Walker Rettberg

2005

View PDFchevron_right

Di Foggia G 2012, Facebookisation and Twitterisation of the cinephiliac experience (Popular culture and social transformation, International conference organized by Universitetet i Oslo)

Giacomo Di Foggia

View PDFchevron_right

Human Existence and Identity in Modern Age: A Socio-philosophical Reflection /The Presentation of The Self Era of Social Media: George Herbert Mead

Merve Çetin

2019

View PDFchevron_right

THE PRESENTATION OF THE SELF IN THE DIGITAL WORLD: DOES ERVING GOFFMAN'S SOCIAL INTERACTION THEORY HOLD UP

Salwa Mousdil, Reda El Yazidi, mustapha amrani

NeuroQuantology, 2022

View PDFchevron_right

Fausing, B (2013) Become an Image- On Selfies, Visuality and the Visual Turn in Social Medias

小抽、夕

View PDFchevron_right

Sentamans, Tatiana y Martínez Fabre, Mario-Paul (2007): “The lapses of an avatar: sleight of hand and artistic praxis in Second Life“, pp. 51-77. EN Inclusiva-net. New Art Dynamics in Web 2 Mode, Edita Área de las Artes, Dirección General de Promoción y Proyectos Culturales, Madrid _ engl

Mario Paul Martínez Fabre, Tatiana Sentamans

View PDFchevron_right

RELATIONAL AESTHETICS MOVES TO THE VIRTUAL SPHERE - PORTRAITS OF A DIGITIZED SOCIETY

Clarissa Rodrigues Gonzalez

View PDFchevron_right

Governing the Hybrid Self: Designing the Self on YouTube, NECS Conference 2009, NECS – European Network for Cinema and Network Studies Lund, Sweden, 25.-28. June 2009

Ramón Reichert

View PDFchevron_right

Hyperbole over cyberspace: Self-presentation and social boundaries in Internet home pages and discourse

Eleanor Wynn

The Information Society, 1997

View PDFchevron_right

Image Avatars: self-other encounters in a mediated world,

Kathy Cleland

View PDFchevron_right

Conviviality after Social Platforms: Toward an Amateur Way of Dealing with the Internet

Marcelo Castañeda, Lucas Casagrande

The International Journal of Illich Studies, 2020

View PDFchevron_right

CONSIDERING THE EMERGENCE OF SOCIAL MEDIA WITHIN THE CONTEMPORARY CULTURAL LANDSCAPE, WHAT AFFECT HAS IT HAD ON THE VISUAL COMMUNICATION OF THE SELF AND THE CONNECTEDNESS OF USERS? (original) (raw)

Related papers