THE SCREEN THAT SEES ALL: THE VISUAL MOTIF OF THE CONTROL ROOM IN CONTEMPORARY FICTION
ivan pintor, Alan Salvadó
L'Atalante. Revista de estudios cinematográficos , 2020
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The Screen as Architecture
Olga Venetsianou
Edinburgh Architecture Research, vol. 39, 2009
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Spatial Immersions: the field of exhibition practices [multi-component output - ongoing research project]
elena papadaki
2020
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Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition
Tane Moleta
2021
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Contemporary exhibition design: Representation, virtual and narration
Sofia Mytilinaiou
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Surface & Projection – an investigation of the event of cinema
Louise Curham
Master of Fine Arts report/thesis - supervisor John Gillies UNSW College of Fine Arts, 2004
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VANISHING POINTS THE SCREEN THAT SEES ALL: THE VISUAL MOTIF OF THE CONTROL ROOM IN CONTEMPORARY FICTION
Ivan Pintor Iranzo
L'Atalante. Revista de estudios cinematográficos, 2020
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"Abstract Moving Images and Expanded Architectures. The 1958 World’s Fair in Brussels and the Philips Pavilion", in D. Cavallotti, S. Dotto, A. Mariani (dir.), Exposing the Moving Image: the Cinematic Medium across World Fairs, Art Museums, and Cultural Exhibitions, FilmForum 2018, pp. 95-100.
Marie Rebecchi
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Immediacy of Image - Image of Immediacy: Live Media Art and Japan’s Role: A historical and contemporary side view
Slavko Kacunko
Re:live. Media Art Histories. Refereed Conference Proceedings. Melbourne, 2009
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The space frame and the architectural screens in displacement: inside Montreal’s Expo 67 from the past until today
Benjamin Léon
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Image, Apparatus, Programme, and Information: a Conversation With Kurt Caviezel
Wolfgang Brückle, Mark Durden
Archivo 6, 2017
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Between “White Cube” and “Black Box”: Urban Screening and Other Notes on Exhibiting Video Art Today
Lilia Kudelia
Los Americanos/ exhibition e-catalogue, 2013
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Interactive installations and the conception of space an introduction
Giorgos Papakonstantinou
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Emine Görgül, “Spaces of Immersive Media Transformation of Spatial Enclosure to Interface of Information” in E-Activıties In Desıgn And Design Education International Conference, TU Delft, September 2003.
Ercument Gorgul, Emine Gorgul
2003
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The Museum, Public Space and the Internet. Environments for Presenting Interactive Film
Ryszard W . Kluszczyński
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Revisiting Display: Display and Backstage
Dorothee I Richter
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From Monitor to Gallery Space-Spatialisation of the Moving Image in Finnish Video Art in the 1990s The outbreak into space
Kati Kivinen
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An Expanded Perceptual Laboratory: Public Art and the Cinematic Techniques of Superimposition, Montage and Apparatus/Dispositif
Dave Colangelo
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Phenomenological Approach to Media Art Environments
Lorella Scacco
Tahiti, 2024
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The Labyrinth as immersive multimedia environment: Marshall McLuhan at Expo 67
Jonathan Lovell, AnnMarie Brennan
Journal of Architecture, 2021
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Reimagining Public Space in Expanded Cinema Exhibition
Shana MacDonald
Canadian Journal of Film Studies 2018
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The New Formats of the Multimedia Theatre
Anna Monteverdi
AMFITEATER, 2021
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Systems of Viewing: The Spectator Interface in Media Art
Melanie Wilmink
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The Control Room: A Media Archaeology
Cormac Deane
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Zwischenräume: The Machine as Voyeur
Rob Saunders
… strategies for art beyond the new …
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Beyond the frame: intermedia and expanded cinema in 1960-1970s Japan
Julian Ross
2014
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The Corporation and the Counterculture: Revisiting the Pepsi Pavilion and the Politics of Cold War Multimedia
Fred Turner
The Velvet Light Trap, 2014
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Bodies and Screens: Aspects for a Phenomenology of Moving Image Installations
Zsolt Gyenge
Interfaces, 2022
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Museum of the [Interactive] Spectacle
Johanna Boyes
International Journal of Art and Art History, 2022
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Projection as Performance: Intermediality in Japan's Expanded Cinema
Julian Ross
Impure Cinema: Intermedial and Intercultural Approaches to Film (I.B. Tauris), 2013
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"Early Digital Images: A Praxeology of the Display", in: Feiersinger, Luisa; Friedrich, Kathrin; Queisner, Moritz (eds.): Image – Action – Space. Situating the Screen in Visual Practice, Berlin: De Gruyter 2018, pp. 41-54.
Tristan Thielmann
Image – Action – Space. Situating the Screen in Visual Practice, 2018
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The MultiMedia Playground - Experiments in the Design of Multimedia Exhibitions
Robert Semper
1995
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‘Shared Viewing: Moving Images in the Cinema and Museum’, Millennium Film Journal 58, 2013: 18-27
Maeve Connolly
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Moving Image Installations as Prototype Spatial Models of Interaction
Georgios Artopoulos
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The manipulation of audiences' interaction with video art through the physical presentation of the work: the 'black box' vs. installation and interaction.
Ruth Spencer Jolly
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